The Crowd Goes Wild in Minnesota Thanks to a High-Quality Sonic Experience

A full arena cheering on NHL's Minnesota Wild with Meyer Sound providing the audio.
(Image credit: Meyer Sound)

The National Hockey League’s Minnesota Wild recently installed a new reinforcement system built around 96 Meyer Sound PANTHER (opens in new tab) large-format linear line array loudspeakers in their home arena, Xcel Energy Center in Saint Paul. Supplied by Sound Associates of Yonkers, NY, the world’s largest PANTHER installation to date debuted on Nov. 1 when the Wild defeated the Montreal Canadiens 4–1.

“We are highly impressed by the way our new Meyer Sound system delivers clear and uniform sound distribution to fans throughout the Xcel Energy Center,” said Minnesota Wild president Matt Majka. “No matter where you are sitting in the arena, the improvement in audio quality is undeniable. Feedback from event attendees has been tremendous. We are extremely pleased with our decision to install a state-of-the-art system to heighten the experience for our fans.”

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The new Meyer Sound system replaces an aging point-source system that was installed when the arena, seating about 18,000 for hockey, was first opened in 2000.

“What we had was a low bid system with old technology,” said Jim Pfitzinger, the IATSE Local 13 engineer who has mixed Wild games since the arena opened and who was a key consultant on the upgrade project. “Top team management had heard systems at newer arenas and noticed the difference. Our old system was still intelligible and serviceable, but it lacked real impact. No matter how hard you flogged it, you could only get so much out of it.”

A line array speaker from Meyer Sound that powers the audio for the Minnesota Wild.

(Image credit: Meyer Sound)

When funding became available in the spring of 2022, management asked Pfitzinger to fast track a new system that would be equal to or better than any other NHL arena. Pfitzinger quickly consulted with Domonic Sack of Sound Associates on possible options at a time when industry supplies were tight. Some makers could not commit to delivering the preferred products on the tight timeline, but Meyer Sound was able to fit the Wild project into their production schedule. In only 11 days, the entire system was wired, hung, and tuned, just in time for the first Minnesota Wild game with the new system.

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“Dom had just heard Meyer Sound’s PANTHER demo in Las Vegas and said he was convinced it was the right solution for this arena,” said Pfitzinger. “We wanted line arrays with a small footprint to stay clear of touring rock shows, plus low power consumption and reduced weight. Powered speakers were high on the list as we had literally tons of amplifiers and copper cables in the ceiling and we couldn’t take them out until the new system was up and running. Also, everything had to go up and down on the motors. On all counts, PANTHER fit the bill—and Meyer Sound could deliver.”

Regarding performance, Domonic Sack sketched out the goals. “The idea was to minimize reflections, increase intelligibility, extend effective frequency response from 40 Hz up to 16 kHz, and with headroom to keep the system running at 20 percent—maybe 40% maximum at peak impact.”

Using the MAPP 3D system design and prediction tool, the design particulars were worked out by Sack in consultation with Meyer Sound director of system optimization Bob McCarthy and design services supervisor Alex Harbaugh. As installed, the system comprises eight hangs of 12 each PANTHER loudspeakers, all with the 80-degree L horn. Potent bass power is projected uniformly throughout the space from dual hangs of nine each 1100-LFC low-frequency control elements in cardioid configurations. The entire system is networked for control, monitoring, and audio signal using the Milan AVB protocol, with redundant analog backup.

The Minnesota Wild's arena is donned in Meyer Sound speakers.

(Image credit: Meyer Sound)

Two other key members of the project team were Metropolitan Interactive, responsible for rigging design under the guidance of Jeff Mele; and Geiger Engineering, responsible for assuring the structural integrity of all rigging points. Members of IATSE Local 13 were charged with the final rigging and flying of the system. 

“The response to the new system has been overwhelmingly positive,” said Pfitzinger. “I now have no problem lifting announcer Adam Abrams over the crowd noise when before he was often buried. Now it’s effortless. Nothing ever sounds pushed or distorted. It has clarity and impact, yet even when the music is up you still can carry on a conversation. And there is an incredible difference in the voice quality and clarity of the referee microphones.”

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The fan experience in Wild games was the overriding consideration in specifying a PANTHER line array solution, but the system will be used for dozens of other events throughout the year, including high school and collegiate sports tournaments, an annual rodeo and skating shows, plus special events and large-scale meetings associated with conventions in the adjoining convention center. Although the system is not hung effectively for end-stage rock conferences, portions of it could function as delays or B-stage systems, according to Pfitzinger.

The AVNetwork staff are storytellers focused on the professional audiovisual and technology industry. Their mission is to keep readers up-to-date on the latest AV/IT industry and product news, emerging trends, and inspiring installations.