- Stage-Tech dipped into its extensive inventory of Elation Professional lighting gear to deliver a lighting package for the Hard and Pink stages at this year’s Hard Summer Music Festival.
Hard Summer Fest 2017
Stage-Tech has been involved with Hard Summer for the last eight years and this year handled design, lighting, video, and staging for both the Hard Stage and Pink Stage.
With a venue change somewhat late in the scheduling – a move from the Auto Club Speedway in Fontana to the more scenic environs of the Glen Helen Amphitheater in San Bernardino – Stage-Tech had to be both flexible and resourceful, a challenge they met with the help of adaptable Elation lighting.
“The venue change just weeks before the festival meant we had to reinvent the design to fit into an amphitheater atmosphere instead of a larger outdoor venue,” said Charley Guest, Stage-Tech’s, lighting designer for the Hard and Pink stages and owner of the Santa Fe Springs-based company. “The versatility of the Elation gear, the variety of looks you can create and the hybrid ability of the luminaires, all made the changeover process easier.”
On the Hard Stage, a large outdoor stage and the festival’s main performance space, Platinum FLX hybrid moving heads and Platinum Beam 5R Extreme beam lights were used to create a heavy beam feel from the center of the stage outwards. Guest used the multi-functional aspect of the 470W 3-in-1 FLX fixtures fully by shifting to spot mode for mid-air profile looks and to wash mode for occasional floods of colored light.
“The FLX really has punch and its versatility as a beam, profile and wash light really showed through on this project,” said Guest. “Specing the FLX allows us to use fewer lights but still get as much effect as we would by using many more fixtures. They were used for the majority of the beam effects and created much of the impact.”
The Hard Stage setup also included ACL 360 Matrix LED moving panels, as well as Lumina Strips. Mounted on the downstage truss the ACL 360 Matrix fixtures were the main source of downstage wash. The 5 x 5 matrix panels, with their continuous rotation and 4-degree beam from each lens, made other looks possible as well.
“They really did double duty,” Guest said. “We would use them as wash lights and then turn them around to face the audience as an effect light.”
Graphics and visuals on the Hard Stage were run across LED screens made up of Elation EPV375 HO™ transparent LED video panels, along with 7 mm LED panels.
Meanwhile, on the Pink Stage, a more intimate tent setting and the scene of 8-month pregnant Anna Lunoe’s soon-to-be-legendary set, Platinum FLX and Platinum Beam 5R Extremes were again used to provide stunning thick beam looks while fully rotational ACL 360 Bar color-changing LED battens, mounted on a circle truss over the audience and dance area, kept the atmosphere fresh. “
The ACL 360 Bars also allowed us to get multiple uses out of one fixture,” Guest said. “Besides washing the audience and extending the color scheme out into the crowd, they were used to keep the energy high on the dance floor with a variety of dynamic color and segmented effects.”
Design Wash 60 LED moving heads were also used on the Pink Stage for added color and effect while backdrop video screens made up of Elation 20 mm EVLED 1024T LED panels displayed eye-catching video and graphics.