Clay Paky LED Lights for STS9 Concerts

Author:
Publish date:
Social count:
0

Lighting designer Saxton Waller selected 22 Clay Paky A.leda B-EYE K10 LED-based moving lights controlled by a grandMA2 with NPU for two STS9 concerts at the famed Red Rocks Amphitheatre in Morrison, Colorado, the lead up to the band’s cross-country fall tour. The fixtures and console were provided by Brown Note Productions, Inc. in Thornton, Colorado. A.C.T Lighting, Inc. is the exclusive distributor of Clay Paky and MA products in North America.



Image placeholder title



 The STS9 concert with Clay Pakky LED-based moving lights
The instrumental band STS9 (Sound Tribe Sector 9), which plays self-described post-rock dance music, is a tour act with a heavy presence in the festival circuit. Their dates at Red Rocks, September 5 and 6, preceded the start of their first tour in nearly a year. The tour will play venues in the Midwest and East, including Chicago, New York, Detroit and Pittsburgh.

Brown Note Productions, Inc. is a full-service audio, lighting and video production company specializing in touring, festivals and special events. It won the 2013 Parnelli Award for “Hometown Hero Lighting Company of the Year” and is nominated for the same award again this year.

“STS9 is our flagship client: We’ve been working with the band for the 10 years we’ve been in business,” says CEO Sara B. Knutson, who is partnered with her husband, Ryan, in Brown Note Productions. “STS9 has played Red Rocks a number of times before. And we do 30-35 shows there annually with clients, so it’s a very familiar venue. The B-EYE K10s made their Red Rocks debut with STS9, then will accompany the band on their six-week tour.”

Brown Note Productions is a fan of Clay Paky products with more than 60 Sharpys and 16 Sharpy Washes in their inventory. Now, 22 B-EYE K10s have joined the product roster.

“We expect the K10s to be accepted by all the major tours,” says Knutson; the fixtures were rented previously by String Cheese Incident for their show at Electric Forest. “We also look for the K10s to bring in new clients who are excited by the hype and what the lights can do.”

Brown Note Productions has a long history with MA consoles, too. “We started with one many years ago and have really ramped up our inventory so we now carry two grandMA2s, a grandMA2 light, an NPU, a command wing and we still have a grandMA1. They are the go-to desk for any major tour; they’re on every rider and are specked for all the big national festivals.”

Saxton Waller, who heads Denver-based Roygbiv Lighting & Show Design, has been the lighting designer for STS9 for 14 years. He saw Clay Paky B-EYE K20s at a recent Phish concert and when a sample K10 became available he got a chance to “play with it” for a day and see if the fixture would fit into STS9’s new touring rig.

“I used 22 K10s for Red Rocks, and we’re touring with 20,” he says.
“I’m using the K10s any way I can: every function they have, I use – wash mode for big-stage looks, beaming down without opening the prisms for small beam effects, rotating them and opening and closing the prisms for custom effects.” At Red Rocks and on tour STS9 has opted not to use video elements in their shows so lighting design and effects play a bigger role than ever.

At Red Rocks Waller placed one K10 behind each of the five band members and tilted the fixtures forward about 25º “to get them under the band and all the way back to the rocks,” he explains. The remaining 17 K10s were mounted in the truss. The fixtures will be deployed in a similar way for the touring rig.

Waller built custom macros for the K10s that extend creative flexibility with color. “I’ve written probably 30 custom chases with colors attached. So in a three-spoke fan each spoke stays the same color all the way around, like a gobo wheel spinning. I can fire them of in any combination,” he explains.

He attached ghost protocol presets to his custom chases to facilitate writing the macros assigning the K10 color combinations. “Each chase can have 60-80 steps, so I only have to write it once, not each time I have a different color combination.”

Waller has also invented a way to see each beam of the K10s in MA 3D setting up each cell as an individual moving light. “It’s been priceless for me to see the beam structure in the studio without setting up the entire rig,” he says.

“Brown Note is a great company and has always been a great partner of ours,” says A.C.T Lighting Vice President of Sales, Brian Dowd. “They’re always excited about trying the latest and greatest equipment and they’re able to do so in a way that really showcases the gear.”

Chris Ruppel from Brown Note Productions gets kudos from Waller for “making it all happen” with K10 and grandMA2 programming.

Related

Image placeholder title

Clay Paky Lights at ACL

The Austin City Limits Music Festival returned to Zilker Park for two three-day weekends in October to showcase more than 130 rock, pop and hip hop artists on eight stages, including Outkast, Beck, Eminem, Skrillex, Calvin Harris and Pearl Jam.

Image placeholder title

Clay Paky Sharpys Light TSO Tours

Clay Paky Sharpy fixtures played a major role in concurrent East Coast and West Coast tours for The Trans-Siberian Orchestra’s (TSO) winter production, “The Lost Christmas Eve.” Epic Productions supplied the fixtures for the tours.

Image placeholder title

Clay Paky Illuminates Igloofest

It’s been called Montreal’s Ultimate Outdoor Winter Rave. Igloofest recently returned to town for the ninth edition of the popular electronic music festival, a cool way to hear the hottest tracks on four three-day weekends from January 16 to February 8. Clay Paky Sharpy and Sharpy washes and A.leda B-EYE K-20 fixtures helped light up the night for tens of thousands of fans.

Image placeholder title

Clay Paky Assists Coheed and Cambria on Tour

Coheed and Cambria, the American progressive rock band whose concept albums tell the sci-fi story of The Amory Wars, has wrapped a concert tour that included a complement of Clay Paky A.leda B-EYE K20s and Sharpys.

Clay Paky, grandMA2 and MDG on Tour with Luke Bryan

When Luke Bryan launched his “Dirt Road Diaries Tour” FadeUp Design Group and tour Production Manager Pete Healey made sure the country singer was outfitted with an inventory of lighting, control and atmospheric gear supplied by Elite Multimedia Productions. Elite provided Clay Paky’s new A.LEDA Wash K10 and K5 LED moving heads, grandMA2 consoles and MDG theONE digital fog/haze atmospheric generators and MDG ICE FOG Q generators for the 20-city tour.

Image placeholder title

Pennsylvania Ballet and Clay Paky

Philadelphia-based lighting designer Michael Korsch selected Clay Paky Alpha Spot QWO 800 and Alpha Profile 800 ST moving lights as part of the rig for the world premiere of “Don Quixote” at the Pennsylvania Ballet.