HOG Powers 'Later...with Jools Holland'

HOG Powers 'Later...with Jools Holland'
  • High End Systems' HOG consoles have been utilized on Britain's 'Later … With Jools Holland’ show, controlling a wide variety of automated lighting and other production elements. Under the direction of LD Chris Rigby, Hog Full Boar 4 and Road Hog 4 consoles are used to control the moving light package, while an ETC Congo console handles conventional lighting in the studio.

HOG console on the set

With the show’s aggressive production schedule, four different Hog operators - Mark Ninnim, Russell Grubiak, David Bishop and Steve Kellaway - are employed. Andy Clark operates the ETC Congo, and Vision Supervisors Daryl Bidewell and Rachel Donaldson round out the lighting team. The lighting production gear is all on hire from Aurora / VER Lighting, while Ninnim’s own Hog 4 and Full Boar 4 desks were supplied through AED.

Ninnim has used the full range of Hog desks throughout his seven years with LWJH, throughout his career moving through Hog 2 to the Hog 3 and ultimately to the new Hog 4 platform. For each production run, the studio is set up on week one and stays intact for the eight weeks of tapings.

“Each week is always the same - we have a load-in day for the bands on a Monday, and we get copies of the tracks and stage plans for each band," Ninnim explains. "As operators, we are generally left to get on and program the show, with very little input from Chris, as he knows we are aware what will be required generally. As LD, Chris will work with the Gaffer and sparks and set the main keys for each act. Later…With Jools is a very stylistic show, with the emphasis on the music and not on the lighting. We’re there to compliment and support and not be the focus. Therefore, generally, its one look per song, no flashing lights, no sharp gobos and minimal light hitting the floor. We also know that we can’t use certain colors during the show.”

In addition to a Full Boar 4 as the main desk and a RoadHog 4 as the active back-up, the show also employs two DP8000 processors, one live and one back-up with an extender on each DP.

“The HOG truly is crucial to our operation," said Ninnim. "Each operator sets the desk up their own way and we just load our own show file in. I like the fact that everything is customizable on the desk, so four operators can configure the console in a way that works for them. I tend to color code all my lights, and then lay the lights out in my own groups for each stage. This makes programming each stage very fast and efficient. I really like using the Command Keys, as I have my haze machines on a couple of buttons. I’m also a big fan of comment macros, and use them to do quite a bit of releasing during the show and changing pages.”

Ninnim says that although some bands turn up with their own LD, Jools has a ‘house look’ and they must work around that.

The AVNetwork staff are storytellers focused on the professional audiovisual and technology industry. Their mission is to keep readers up-to-date on the latest AV/IT industry and product news, emerging trends, and inspiring installations.