Back in the Black -

Back in the Black

Publish date:

Ernst & Young's tagline--"Quality In Everything We Do"--explains the technology-rich show the company produced for its International Partners' Meeting. Known as a global leader in professional services, the company is committed to restoring the public's trust in professional services firms and in the quality of financial reporting. On September 25, 2005, more than 3,500 international and Americas Partners came together for a three-day period at Gaylord Palms Convention Center in Orlando to discuss future goals, share best practices and experience the company's commitment to quality.

Image placeholder title

The set included Plasma panel monitors for the presenters on stage.
The theme of the meeting was "Delivering on Our Promise." Ken Mac Donald, executive producer for Ernst & Young Staging, secured the services of LMG, Inc. to provide the right equipment and manpower to help him achieve the goal of the meeting.

LMG, Inc. provided the video and audio support throughout the event-with the most technology we have ever used in a single show. "Our mix of media formats was unlike any show I've ever done before," said 25-plus-year industry veteran Bob Murdock, video services manager for LMG.

The three-day event included two half days of general sessions and about forty to fifty breakout rooms. Because the meeting requirements were so huge, overflow hotels were used to accommodate the many side meetings.
Mac Donald worked closely with Colin Murphy, of All Staging Unlimited, as well as myself to work out the many staging details for this very ambitious project. Once the final design was approved by Ernst & Young's chairman, Mac Donald and his team got busy.

Image placeholder title

The set included Plasma panel monitors for the presenters on stage.
The technology used to convey the message was state-of-the-art. The stage was equipped with Versa TILE's, Versa TUBE's (from Element Labs) and Barco LED walls, which were programmed by John Ballentyne of Ballentyne Brumble Communications, to support the visual message of the meeting.

We provided a wide arrangement of cutting-edge technology to support Ernst & Young's overall goal of providing a crisp, clean and high-tech program to engage the international audience. The technology included superwidescreen and Stewart Filmscreen Lumiflex seamless screens, Vista Systems Spyder system, Meyer Sound MICA loudspeaker system, Midas Heritage 3000 mixing console, Snell & Wilcox Kahuna switcher, and HD projection from Digital Projection and Christie Digital.

The Set Up

On the video side, we had five screens. In the center, we used a 20-foot by 66-foot, eight-inch superwidescreen, from Stewart Filmscreen, that was edge-blended with an aspect ratio of 3.33:1. The Spyder was on deck to feed the screen through multiple side-by-side projectors. Two 12-foot x 21.5-foot side screens and two 16-foot x 9-foot delay screens displayed high-definition graphics, and all the cameras and switching were in HD.

The audience was totally engulfed in media and constantly engaged in the message," said Mac Donald.

Image placeholder title

A few of the show segments included large panel discussions with 12 panelists (who were pre-set behind the superwidescreens) on each side of the stage. When the time came, the screen flew up, the panel rolled out into place, and then the screen dropped behind the panel to display a virtual set. The tile effect in the foreground is done with Versa TILE from Element Labs.
Coupled with the stunning visuals, the audio component sealed the deal. We used the Meyer Sound MICA system for house PA along with the Midas Heritage 3000 mixing console front of house.

"The MICA serves as an excellent substitute for larger line array systems when size and weight are a concern," explained Kevin Bridges, LMG's audio services manager. "Its power-to-size ratio is staggering."


Our pre-planning stage was especially important because of the massive amount of technology we incorporated into the show. Using superwidescreen and HD took a well thought-out plan. When using these, we consult with clients before they even begin to create graphics to make sure the formats are compatible with the equipment. We pixel match all of our sources to the output resolution for the clearest, most pure image. "It truly looks 3D," explained Dave Divis, show technician for LMG.

With two switching systems and all the other gear involved, we turned to the Dataton show control system. The computer-based system enabled us to remotely cue multiple devises on a timeline. We programmed the Dataton to control the Doremi and the Versa TILE and Versa TUBE elements to change simultaneously on cue. In addition, we had operators on the Vista Spyder system and Snell & Wilcox Kahuna with a stage manager calling the show.
The Dataton allowed us to sync time code to the lighting console to affect the lighting changes specifically. For example, the lights, video and audio were programmed to begin and stop at certain times, all orchestrated and timed perfectly with the other elements.


Speaker transitions are a good example of how the Dataton system helped out. For each show segment, we had an intense scenery and set change. Each speaker had his or her own: (1) "power word" to emphasize the topic; (2) color palette; (3) moving background fed into the Versa TILEs, Versa TUBEs and superwidescreen; (4) title screens fed to the HD screens. All of these components were precisely timed out and built up to the speaker's appearance on stage.
@copy:A few of the show segments included large panel discussions with 12 panelists (who were pre-set behind the superwidescreens) on each side of the stage. When the time came, the screen flew up, the panel rolled out into place, and then the screen dropped behind the panel to display a virtual set.

"Ernst & Young is a leading-edge company that is always pushing the technology envelope," said Adam Hunley, engineering supervisor with LMG. "During the panel discussions, audience members could actually submit questions via Blackberries."
In a collaborative effort, both companies were able to create a memorable show that highlighted Ernst & Young's goals for the future and reiterated its key messages. And the partners at Ernst & Young experienced the show of a lifetime.


Black is Back, to Kleege Industries

Kleege Industries, a provider of staging and production services in Southern California, has hired Kent Black to be the companys Los Angeles based sales representative. Black worked for many years in the touring business for such musical artists as Neil Diamond, Barbra Streisand and Yanni. The last eight years he has also worked extensively in the corporate event industry for AVHQ, Screenworks, The Obie Company and The George P. Johnson Company.

Image placeholder title

Getting Back to Wow

A few issues back, I mused in this space about the arrival of 3D. I suggested that 3D was here, now, being pushed from both the high end and the consumer side, and it represents real growth opportunity for stagers with the vision to offer new experiences for their customers.

Back to the Future

As Halloween wanes, and we head to the LDI show in Orlando, it’s time to ask the question that haunts all forward-thinking staging professionals: Is the lighting arena the place where all the dramatic industry changes are occurring? Is lighting evolving at the kind of rapid pace that video did in the ‘90s? And, just as we began to absorb the news that LD’s were taking control of the LED wall joy-sticks backstage, what’s all this about LED-based luminaries?

Image placeholder title

Getting Back to Business

Time To Make Some Game-Changing Decisions The fact that the Recession has ended was easy to miss, as was the beginning back in December 2007. Running a business is a lot like playing the stock market. If you remember to buy before prices go up and sell before they go down, you win. In business, we make investme

Bringing Back the Big Easy

New Orleans has been, for several years, the fifth most popular destination for meetings and conventions in the U.S. It's been just over a month since hurricane Katrina changed that, but the good news is that work is progressing rapidly to bring the city back to full meeting/convention strength.

Image placeholder title

Back to Basics

In the realm of digital signage, the two most asked questions are “How do I get into the industry?” closely followed by “How do I convince a person to buy a digital signage system?”

Image placeholder title

Lemke Feted, Looks Back

The systems integration industry has changed dramatically in the last dozen years, and helping spearhead that change has been InfoComm executive director and CEO Randal A. Lemke, Ph.D.

Image placeholder title

Mackie is Back in Black

The Seattle music scene reached its peak when some daring musicians decided to twist an existing sound into a new shape. That it would open up an entirely new attitude toward music, making “alternative” the norm, was not immediately apparent. But from the start, Nirvana’s startling new package for the same old sounds woke up an audience with something they didn’t know they wanted.