AES Convention Reveals Game Audio Track Events - AvNetwork.com

AES Convention Reveals Game Audio Track Events

Author:
Publish date:

The committee co-chairs of the AES Convention Game Audio Track, Jim McTigue and Valery Tyler, report that Game Audio Track chair, Steve Martz has developed a group of innovative presentations to stimulate and educate attendees.

“As a senior design engineer at THX Ltd., and an accomplished studio design consultant for over 1500 rooms including Sony Computer Entertainment, Square ENIX, Activision, Electronic Arts, THQ and Skywalker Sound, Steve Martz is eminently qualified to chair our Game Audio Track,” said Valery Tyler. “The events and presenters he has assembled for the 133rd AES Convention are exemplary. We anticipate an extremely high turnout for each of them."

133rd AES Game Audio Track Events Include:

BUILDING AN AAA TITLE – Roles & Responsibilities
Presenters: An all-star group from Red Storm Entertainment, a leading game development company formed by best-selling author Tom Clancy. Participants include: Justin Drust, Audio Director; Chris Groegler, Audio Lead/Voice Producer; Fran Dyer, Sound & Music Designer; Matt McCallus, Audio Programmer; and Matte Wagner, Sound Designer - This panel will present a rare look at the genesis of an AAA title by a world-class creative team. Attendees will see the inner workings of the collaborative process as the group engages multiple Ubisoft studios to create the Tom Clancy's Ghost Recon: Future Soldier Multiplayer development experience.

GAME AUDIO IN A WEB BROWSER
Presenters: Roger Powell, Senior Producer, Audio Technology; Electronic Arts Chief Creative Office; Owen Grace, Sr. Software Engineer, Electronic Arts; Chris Rogers, Sr. Software Engineer/ Architect, Google; Guy Whitmore, Sr. Audio Director, PopCap Games - This session will focus on a research project to create a game sound engine in Javascript based on the W3C WebAudio API draft proposal. The sound engine generated 3D ‘spatialized’ rich audio content within a WebGL-based graphics game framework. The result is a networked, multi-player arena combat-style game that rivals the experience of playing on a dedicated console gaming device.

THE FUTURE IS NOW - Mind Controlled Interactive Music
Presenters: Richard Warp, Composer/Sound Designer, Leapfrog; Kyle Machulis, Founder, Nonpolynomial Labs; Dr. Gautam Agarwal, Researcher, Redwood Center for Neuroscience; Nicolas Tomasino, Software Engineer, IGN Entertainment; Jim Hedges, Composer, Zynga; Adam Gazzaley, Director, Neuroscience Imaging Center, UCSF - Consumers are seeking an ever-more immersive environment for their gaming experience. Whether the feedback comes from autonomic processes, or cognitive function there is no doubt that these ‘active input’ technologies greatly enhance the contextual responsiveness of a game. And, things are about to get more real.

NEW MODELS FOR GAME AUDIO EDUCATION IN THE 21st CENTURY
Moderated by: Steve Horowitz, The Code International Inc, MPA; Panelists: Steve Horelick (macProVideo); Scott Looney, Instructor, Academy of Art University; Greg Gordon, Founder/CEO, Pyramind; Michael Sweet, Associate Professor, Berklee College of Music; Stephan Schütze Composer/Sound Designer, Sound Librarian/FMOD - will review the new ways in which the Internet and Social Media are changing the face of game audio education.

CAREERS PANEL – Getting A Job In The Game Industry
Moderator: Steve Horowitz, The Code International Inc, MPA; Panelists: Charles Deenen, Sr. Creative Director Audio, Electronic Arts; Richard Warp, Senior Audio Lead, Leapfrog; Adam Levenson, Agent, Levenson Artists; Jesse Harlin, Composer, Music Supervisor, LucasArts - From full-fledged degree programs, to one-year certificate programs, and single class offerings, game audio education is a hot topic. This panel will discuss the current landscape and offerings in audio for interactive media education.

Additional Game Track events include:

DEMO DERBY – Music & Sound Design Critique
Moderator, Paul Lipson, Microsoft: Jonathan Mayer, Music Manager, Sony Computer Entertainment America; Don Veca, Audio Director, Sledgehammer Games at Activision; Paul Gorman, Audio Director, Electronic Arts; Dren McDonald, Audio Director, Loot Drop - Attendees will submit 60 seconds of their best work for detailed critiques from a team of leading pro audio director/producers. The Derby is open to game audio practitioners of all levels, including producers, composers and directors.

LOUDNESS ISSUES IN GAMES
Moderator, Steve Martz, Sr. Design Engineer, THX Ltd. Presenters: Richard Cabot, Qualis; Mark Yeend, Microsoft; Mike Babbitt, Dolby Labs - Loudness wars in games have been hotly debated, but without significant progress. Other industries have taken steps to rein in the content delivered to consumers. Are there parallels that can be applied to games?

HOW TO USE THE ‘INTERACTIVE REVERBERATOR’ - Theoretical Bases And Practical Applications
Chair, Steve Martz, Sr. Design Engineer, THX Ltd. Presenters: Masataka Nakahara (Onfuture), Toshiki Hanyu, Nihon University, Tomoya Kishi, and Takumi Higashi of CAPCOM Co. Ltd. - The ability to apply realistic computed acoustic responses interactively for video game sequences is an invaluable asset for in-game sound processing. The ‘Interactive Reverberator’ was developed to enable acoustical properties to be easily adjusted even after the calculated results are established.

A WHOLE WORLD IN YOUR HANDS - New techniques in generative audio bring entire game worlds into the realms of mobile platforms
Presenter: Stephan Schütze, Director, Sound Librarian - This presentation will examine new methodologies being developed for audio creation and implementation to allow large, complex audio environments to be created using minimal resources. Concepts for developing a new approach to sound design will be demonstrated.

GETTING INTO SOUND DESIGN
Presenters: Shaun Farley, Sound Engineer, Teleproductions International; Elise Baldwin, Audio Director, EA/Maxis; Nathan Moody, Design Director, Stimulant; Kyrsten Mate, Sound Designer/Sound Editor, Skywalker Sound - A cross-section of industry experts will discuss entering the effects editing and sound design field. In addition to Game Audio, the panel will discuss the broader industry (Games, Film, TV). Where the work is, and how they got started.

DOING MORE WITH LESS - How Games ‘Immersively’ Simulate Audio On A Budget
Presenter, Scott Selfon, Sr. Development Lead, Microsoft - How do games pack hundreds of hours of experience onto a disc, hard drive, or the web? Techniques used (and the tradeoffs incurred) to make seemingly infinite, unique, and dynamic sounds and music will be discussed.

AUDIO SHORTS (TOOLS)
Three presenters will each serve up 20 minute-long overviews on specific sound design tools that matter most to them e.g. Sound Libraries and Favorite Plug-ins. The session will conclude with a Q&A.

TECH TOUR
San Francisco is home to Playfish and PopCap, two of Electronic Art’s newest studios - EA Redwood Shores’ Julie Wynn will conduct a tour of both of these studios, which are located along the Embarcadero overlooking the Bay Bridge.

Related

Image placeholder title

AES Reveals Game Audio Track Schedule

New York, NY--Firmly established as a linchpin of today’s pro audio industry, video games continue to set new standards for advanced technology and revenue-generating products. The 131st AES Convention has revealed the schedule of events for its Game Audio Track, to educate designers, producers, and engineers.  

Image placeholder title

133rd AES Convention Introduces Networked Audio Track

Networked Audio will present a host of technological and operational advantages, and an equal number of Workflow issues and potential quagmires. 133rd AES Convention Co-Chair Jim McTigue reports that Networked Audio Track Chair, Tim Shuttleworth’s collaboration with the late Nathan Brock has produced a comprehensive program of Workshops designed to ameliorate many of these concerns.

Image placeholder title

AES Reveals Product Design Track Events

New York, NY--“While vintage gear remains a staple of our industry, new product development is the driving force behind major manufacturers and start-ups alike,” said 131st AES convention chair Jim Anderson. “The stakes for a successful product launch have never been higher. Our product design Co-Chairs, Bob Moses a

AES Debuts Product Design Track

SAN FRANCISCO, CA--Supporting the axiom that creativity is one part inspiration, 99 parts perspiration, 129th AES Convention Committee Product Design Track Chair Bob Moses has assembled nearly two dozen Workshops, Tutorials and Master Classes into the first dedicated Product Design Track. Set for SF’s Moscone Center N

Image placeholder title

AES Reveals Master Class Program

New York, NY--“Designed to provide authoritative insights into significant technical issues, the Master Class Program represents a high point of every AES Convention,” said 131st Chair Jim Anderson. “Back for a return engagement as AES Convention Master Class Chair, Alan Silverman has once again developed a compelli