Alcorn Chosen for Ghosts & Gravestones Tour

At the popular Ghosts & Gravestones tour in Savannah, GA, Alcorn McBride products were chosen for show control, audio playback, lighting control, and programming.

“The attraction wouldn’t exist without Alcorn,” said Ryan McCurdy, who handles show control for Historic Tours of America, which operates tours in six cities. “Alcorn McBride is the only provider in the U.S. that has such a unified approach to its equipment.”

McCurdy selected Alcorn McBride’s V4 Pro for show control, a pair of AM4 digital audio machines and a DMX machine lighting controller. The show was programmed on a LightCue system running WinScript, Alcorn’s spreadsheet-like editor.

“Historic Tours of America realized that it’s guided ghost tours were getting stale for a younger generation of visitors, so they have adding state-of-the-art interactive technology to an important storytelling base,” McCurdy said. “These shows are fully actor- and technology-driven.”

Ghosts & Gravestones new and improved Ghost Tour was launched on Halloween 2009 as part of Savannah’s most popular Frightseeing Tour. Visitors board the Trolley of the Doomed to visit some of the city’s most haunted sites then step into Perkins and Sons Chandlery for a fun, up-close-and-personal paranormal experience.

“They wanted a stop with a controlled environment, so they gutted a gift shop in downtown Savannah and gave the entire building an 1860’s look,” McCurdy said. “Visitors are given a 20-minute history lesson as an actor in period costume enters through a brick wall and attempts to show them around the building. As the tour progresses, more ‘ghostly’ 4D effects take place, and a big storm comes in from outside and gets the visitors wet. The ghost encounters are actual stories that people have experienced and related for the last 75 years or more.”

During the show, a reconstructed cotton elevator mysteriously drops, footsteps are heard but no one is seen, a cat runs through the room and appears to have a ghostly effects on objects such as piano keys that strike discordant tones as if the cat were walking on them.

“There aren’t many crazy effects,” McCurdy said. “They have tried to keep things realistic with a constant state of tension, movement and activity. A lot of discreet lighting quietly accentuates things, and audio effects are timed to the actors’ delivery.”

“We went out on a limb with this very ambitious project, and Alcorn is the only company that could have addressed its needs,” he added. “The show is done 10 times a night, every day of the year, and we haven’t blown a fuse, changed a bulb – we’ve had no problems whatsoever.”

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