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Breaking Bad Goes Wireless with Lectrosonics

Breaking Bad Goes Wireless with Lectrosonics

Left – right: Darryl L. Frank, CAS; Brett Becker, 2nd boom; and Jeff Knudsen, boom operator.

AMC’s hit TV show Breaking Bad is garnering critical acclaim in its final season—including an Emmy Award nomination—and its produced using wireless microphone technology from Rio Rancho, NM-based Lectrosonics.

  • Darryl L. Frank, CAS is the show’s Location Sound Mixer. With 30+ years’ experience under his belt, Frank has an impressive track record ranging from TV and film to documentaries and reality shows. In addition to Breaking Bad, his credits include the ABC TV series Scoundrels as well as the 2013 film The Last Stand, starring Arnold Schwarzenegger. With credits like these, Frank obviously knows how to capture sound in the field. He discussed his reasons for using Lectrosonics equipment, which includes SMa and SM Super-miniature beltpack transmitters, LMa beltpack transmitters, UCR411a compact receivers, and SRb Dual-Channel Slot Mount ENG Receivers—all of which employ Lectrosonics Digital Hybrid Wireless technology.
  • “I’ve been using Lectrosonics equipment for a good 20 years,” said Frank. “During this time, I’ve used a huge amount of their equipment because it delivers the audio performance, the flexibility, and the reliability I need to get the job done. With Breaking Bad, I’m working primarily with the SMa and SM transmitters—of which I have seventeen—as well as my seventeen UCR411a receivers. I recently added four SRb slot mount receivers and they, like all the gear, have been terrific. For IFB, I use the company’s T4 IFB transmitters and R1a receivers. My equipment setup also includes the SNA600 dipole antennas, the ALP-500 shark fin antennas, and the LectroRM remote app for the iPhone.”
  • “Breaking Bad is a totally RF show,” Frank continued. “There are no cabled mics used at all. The New Mexico desert is a pretty inhospitable environment for cables, so the Lectrosonics equipment does it all. I love the audio quality and the reliability of the gear is unbeatable. I never worry about the equipment because it consistently delivers for me. It’s built like a tank.”
  • When queried about those key attributes that have endeared him to Lectrosonics equipment, Frank responded by commenting on the gear’s flexibility. “What I love most about the Lectrosonics equipment is its ability to adapt to the changing requirements of the shoot. We frequently have to go from a cart setup to a bag, to an ENG setup, to an over-the-shoulder setup. Having the flexibility to make these types of adjustments quickly makes my job that much easier. It’s very easy to change modes, set open RF frequencies, or go from IFB to a transmitter to a receiver. The gear is very adaptable to the type of function the shoot requires. Combined with exceptional range and dropout-free performance, Lectrosonics equipment, simply put, inspires confidence.”
  • Frank was equally complimentary when describing his experience with Lectrosonics’ customer and technical support services. “In a nutshell—they’re the best,” he remarked. “The support staff is easy to get hold of—they’re always ready to help. And in the remote chance they can’t answer your question on the spot, they’ll find the answer and get back to you quickly. Everyone at Lectrosonics is like this. They’re great to deal with.”
  • “My Lectrosonics equipment has performed up to and beyond my expectations. The only surprise I ever seem to get is how well it all works. Everything I’ve ever purchased from the company has been first-rate. Combined with the fact that the company treats its customers like family; there’s really no reason to look elsewhere.”

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