Executive Summary

• Platform Paradigm Shift: Modern commercial displays have transitioned from passive end-of-chain viewing devices into active, strategic enterprise assets that unify corporate communication, building management systems, network security, and space optimization.
• Interoperability & Infrastructure: Standardizing open display architectures reduces vendor fragmentation, simplifies multi-space IT management, and lowers total cost of ownership (TCO) through modular components like direct-view LED (dvLED).
• Lifecycle ROI & Connected Building Nodes: AV and IT deployments measure success by ecosystem integration, centralized management, energy efficiency, and long-term operational adaptability, not standalone hardware specs.

For decades, commercial displays occupied a predictable spot at the end of the AV signal chain. They served as digital poster boards mounted to a wall after major technology, architecture, and budget decisions were already finalized. But across corporate campuses, higher education environments, retail centers, and entertainment venues, a sea change is taking place.

Displays have emerged from passive viewing tools into active enterprise platforms. They sit at the intersection of communication, network security, space optimization, and audience engagement, fundamentally changing how organizations interact with physical environments and distributed teams.

From Passive Endpoints to Strategic Assets

Check out the 22 interviews from the experts at these leading manufacturing companies listed to the right.

As workplace dynamics shift toward flexible schedules and multi-use spaces, the demand on display hardware has grown exponentially. A room display can no longer just show a calendar; it needs to coordinate with building management systems, adjust space status, and deliver real-time emergency messaging when required. In signature spaces such as corporate lobbies or command centers, high-impact visuals define brand identity and spatial architecture.

This transition requires AV/IT leaders to re-examine how they evaluate technology investments. Rather than treating hardware as an isolated purchase, decision-makers are looking at how displays integrate into wider operational goals.

Trent Slyter, national sales director of Pro AV Sales at Absen, highlights this mindset shift: “Not long ago, displays were often viewed as the final component of an AV project—the technology used to present content after the real decisions had been made. Today, that mindset is changing. Across industries, displays have become strategic assets that shape how organizations communicate, engage, and deliver on their mission.”

When displays are viewed as active touchpoints rather than plain monitors, their true value becomes tied to adaptability and multi-stakeholder utility across their full operational lifecycle.

Interoperability and Ecosystem Alignment

One of the largest pain points for modern IT and AV departments is system fragmentation. Juggling distinct vendor stacks for room scheduling, digital signage, unified communications, and remote management creates administrative friction and security vulnerabilities. Standardizing on open, flexible architectures enables organizations to scale efficiently without being locked into rigid proprietary ecosystems.

Interoperability simplifies day-to-day operations for technical support staff while ensuring end users experience a seamless transition between huddle rooms, conference spaces, and broadcast setups.

Addressing this technical evolution, John Kruse, solutions engineer manager at ViewSonic, added, “Today’s commercial display is simply no longer the endpoint of an AV system; it has become an integrated platform within an organization’s broader technology ecosystem. How well it integrates, how easily it can be managed, and the operational value it delivers over time matter as much as what it displays.”

When hardware natively supports central management tools, software integrations, and remote diagnostics, organizations drastically cut down on deployment complexity and maintenance overhead.

Managing the Total Cost of Ownership

Acquisition cost has historically driven procurement decisions, but procurement models are increasingly factoring in long-term total cost of ownership (TCO). A display that appears cost-effective on day one can easily become a financial liability if it demands custom mounting hardware, draws excessive power, or lacks centralized remote support options.

Designing for long-term value involves evaluating physical infrastructure, energy efficiency, ease of servicing, and ongoing software compatibility. Direct-view LED (dvLED) and modular flat panels, for instance, allow field technicians to service individual components without removing entire displays, preserving upfront infrastructure investments and minimizing operational downtime.

Rudy Vitti, group manager of Product Marketing at Panasonic Projector & Display Americas, noted how hardware design influences long-term sustainability and efficiency. “Just as important is designing technology for long-term value. Some dvLED solutions can be designed to integrate easily into existing infrastructure, reducing upfront investment. DvLED simplifies servicing, allowing teams to replace components rather than an entire display, while all-in-one solutions can streamline installation by arriving pre-assembled and pre-calibrated.”

By focusing on modular components, standardized mounting, and 24/7 engineering reliability, organizations build resilient visual networks that support long lifecycles.

Defining Success in Modern AV Deployments

As technology requirements expand, no single vendor can provide every element of a complete enterprise AV solution. Hardware providers, software developers, mount manufacturers, and cloud platforms must work in unison to deliver complete, functional experiences. At the same time, emerging capabilities such as AI-driven analytics, predictive device and system monitoring, and automated content scheduling are adding layers of intelligence to hardware platforms.

However, the rapid influx of new features can make it challenging for buyers to cut through marketing noise and identify features that deliver real operational ROI.

Joe Drury, senior business manager for BRAVIA Professional Displays at Sony Electronics, emphasized the importance of looking past basic hardware specs. “The success of a display is no longer defined solely by its specifications, but by how effectively it integrates into that broader environment. At Sony, this perspective continues to shape our Pro BRAVIA strategy, emphasizing interoperability, flexibility, and ecosystem partnerships.” Drury added that manufacturers must actively assist end users in specifying the attributes that matter most. “At Sony, we believe our responsibility extends beyond delivering products; it includes helping customers define success, identify what matters most, and build solutions that continue creating value long after installation.”

The Connected Future of Visual Infrastructure

The role of the display on the wall has changed permanently. No longer a standalone canvas or an isolated output device, it now functions as a vital operational node within the modern smart building. By grounding technology choices in open interoperability, lifecycle supportability, and clear strategic outcomes, organizations can ensure display networks remain scalable, adaptable, and valuable.

Quick view:

• By reusing existing truss systems and reconfiguring wiring alongside a new DMX512 network, Media Design Group and Vari-Lite modernized the 360-seat Monolithic Dome theater cost-effectively without structural overhauls.
• The installation of the Neo X5 Console, Vision.net Controls, and RigSwitch+ infrastructure simplified moving light management and system operations, creating a user-friendly environment for both high-level productions and student learning.
• A full package of Vari-Lite fixtures unlocked new production possibilities for concerts, theater, and community events with dynamic color control.

A 20-year-old performing arts center in Gainesville, TX, has been transformed with a comprehensive Vari-Lite theatrical lighting renovation, unlocking new creative possibilities for students, faculty, and the wider community at North Central Texas College.

The Performing Arts Center is a 360-seat proscenium theater housed inside a Monolithic Dome structure which posed an architectural challenge that had long made lighting the space a complex undertaking. Since opening in 2005, the facility had relied on its original dimming, controls, and lighting systems. We quickly realized that we needed an upgrade so we could unlock this building's true potential," Calvin Russell, Visual and Performing Arts facilities coordinator at North Central Texas College, explained.

Rick Robinson, principal of Media Design Group, was brought in to assess the facility's long-term needs. The new system needed to serve theater productions, music performances, lectures, community events, and student showcases, all while functioning as a working classroom. As Robinson noted, "the design had to balance creative flexibility with reliability, ease of operation, and long-term maintainability." Vari-Lite and Media Design Group worked with college stakeholders to develop the full design package, reusing the existing electrics and truss system by reconfiguring the wiring and adding a new DMX512 distribution network. The solution protected the college's investment while delivering a fully modernized result.

Infrastructure was central to the design. A RigSwitch+ 48, Custom Control Rack, and Vision.net Controls form the backbone of the system, with constant power controlled via a DMX relay system feeding both static and automated fixtures.

At the heart of the system sits the Neo X5 Console. "The Neo is a much more user-friendly software that allows an easier experience to a lighting designer," said Russell. "The Neo makes the use of moving lights so much simpler than other systems."

The fixture package balances reliable stage coverage with creative flexibility. VL600 Acclaim PLE and ZoomSpot fixtures provide front-of-house and stage coverage, while Acclaim Fresnels deliver soft, even washes across the performance space. VL600 Acclaim Cyc fixtures illuminate the cyclorama, and VL800 EventProfile and EventWash fixtures expand the rig's ability to support concerts, dance, and special events with saturated color and sharp beam control. RGBL LED technology gives the team dynamic color control at the touch of a button. The project was awarded to Associated Controls and Design (AC+D) of Dallas who completed the installation on schedule and provided full training for theater personnel.

"This new lighting system has given us the ability to incorporate things that we haven't tried before," said Russell. "I am most pleased with the improvement of creativity that has been shown with productions and concerts."

For Robinson, the project delivers on every objective. "By combining robust infrastructure, flexible controls, and adaptable fixtures, the design provides North Central Texas College with an impressive theatrical lighting system that supports all events and helps prepare students for modern performance environments."

Quick view:

• An AI-first architecture opens screen networks to the AI tools and agents that partners and customers already use, enabling users to interact in natural language and create reports on demand from their AI tool of choice.
• A growing library of ready-to-use connectors to third-party platforms and data sources, so live content and information reach every screen without custom development.
• A simple yet powerful CMS and Designer, reimagined to create bespoke signage experiences, such as dynamic menu boards for QSR, rich dashboards for corporate communication, and an easy-to-use UI for ad booking. 

Navori Labs has launched its Qompose digital signage, the first unified platform built from the ground up for intelligent screen networks. Qompose was developed by the global engineering teams behind Navori QL and Signagelive, bringing more than 60 years of combined digital signage expertise into an entirely new platform, with an open and composable architecture.

[The Art of Digital Signage]

"Hearing from our global partner network and customers, there is a need for a platform that is truly composable and designed to work with the systems our users already work with. Other CMS tools weren’t meeting the requirements of modern signage networks,” said Jason Cremins, chief product officer of Navori Labs. “APIs and modular components allow Qompose to connect with existing technology and data while giving customers a path to introduce new capabilities as their requirements change.”

Qompose goes beyond the traditional content management system. It provides organizations and technology partners a single platform that allows users to connect existing systems and data; automate experiences based on real-world conditions; use AI to simplify operations; manage ad campaigns; and measure the impact of their on-screen experience. Customers can use Qompose as a complete solution, integrate it with existing technology, or use it as a foundation to build and deliver their own applications.

“Qompose is more than a CMS. Managing content is only the starting point,” said Jeffrey Weitzman, chief executive officer of Navori Labs. “Businesses expect more from their screen networks. They want simpler operations, greater automation, better integration with their systems, and measurable business results. We built Qompose to bring all this together in one unified platform. Our goal at Navori is to make digital signage simpler and more valuable today, while providing the foundation for the next decade of innovation.”

Quick view:

• The Frame hospitality model is now available in the U.S. market in 55, 65, and 75-inch sizes.
• AI-powered features, including the Collection Hub and Generative Wallpaper, create personalized, design-forward guest room experiences.
• LYNK Cloud powers digital concierge services, centralized content management, and guest engagement insights.

Samsung Electronics has introduced The Frame hospitality model, bringing Samsung’s art-inspired display design to luxury hotels and premium hospitality environments. Available in 55, 65, and 75-inch sizes, The Frame hospitality model complements the look and feel of high-end properties while offering Smart TV functionality, including entertainment, personalized content, and hotel services that guests can enjoy from the comfort of their room.

[The Art of Digital Signage]

The Frame hospitality model offers advanced features that deliver enhanced experiences that guests expect, from showcasing stunning digital artwork when not in use and connecting guests with property amenities when they choose to engage.

“As luxury hospitality evolves, the most memorable in-room stays will feel more personal and connected without compromising their design integrity,” said Mark Kelly, head of enterprise sales–display solutions division, Samsung Electronics America. “The Frame hospitality model seamlessly blends art, entertainment, and hotel services together on one flexible display, helping hotels adapt to changing guest expectations and create more distinctive experiences over time.”

When guests aren’t watching television, Collection Hub features curated artwork, photography or other visual content, allowing hotels to extend their creative direction onto the screen. Hotel brands can select imagery that complements their interiors, reinforce their brand heritage, and reflect the unique character of a particular destination.

Additionally, Samsung is helping to turn the traditional hotel TV into a more intelligent, personalized part of the stay, using AI features to adapt the in-room experience to each guest’s needs. The Generative Wallpaper harnesses the power of AI to create custom imagery for the screen, transforming the display into a unique visual focal point that reflects their preferences.

AI also helps make in-room entertainment more accessible for travelers from around the world. Live Translate provides translated subtitles in supported languages while guests watch local broadcasts and other content, helping remove language barriers and making it easier for them to enjoy content away from home.

The display also creates a direct digital connection between guests and hotel services. Through LYNK Cloud, hotel staff can configure digital concierge services, enabling where guests to quickly access property information, book services, and order room service—all from The Frame. Content management capabilities such as LYNK Cloud Business also make it easy for staff to analyze guest content usage and uncover valuable marketing insights, enabling hotels to deliver optimized promotions for guests based on their viewing history.

As hotel rooms become more connected and personalized, protecting the technology behind the guest experience becomes increasingly important. The Frame hospitality model pairs flexible, property-specific experiences with Samsung’s enterprise-grade security capabilities, enabling hotels to innovate without compromising protection.

Quick view:

• The Planar Tile features rigid 2:1 aspect ratio module for flat configurations, measuring 320mmx160mmx15mm.
• Planar Tile W features rigid widescreen-format 16:9 aspect ratio, measuring 320mmx180mmx15mm.
• Planar Tile Flex features flexible modules in a 2:1 aspect ratio that support concave, convex and continuous curved display surfaces with a minimum curve diameter of 1 meter (39.37 inches).

Planar has launched the Planar Tile Series, expanding its portfolio of creative LED display solutions with flexible and rigid LED modules designed to bring custom shapes, curves, and configurations to life.

[Tackling a New HQ]

“Planar Tile Series builds on our experience in flexible LED while giving designers and integrators more building blocks for bringing creative concepts to life,” said Robert Detwiler, senior director of product management at Planar. “With flexible and widescreen-format rigid module options, including the ability to create tight concave and convex curves, Tile expands the range of projects where creative LED can be considered.”

Building on a decade of experience deploying flexible LED display solutions, including the highly successful Planar CarbonLight CLI Flex Series, Planar Tile Series expands Planar’s creative LED portfolio with new module sizes, configurations and design possibilities. Joining the recently introduced Planar Mosaic Series and Planar Chameleon Series, Tile gives designers and integrators even more options for creating display arrays beyond traditional display formats.

Available in 1.2, 1.5, 1.8, 2.0 and 2.5mm pixel pitches, Planar Tile Series offers three module options for a broad range of creative designs including: Planar Tile, Planar Tile W, and Planar Tile Flex. Together, the module options provide versatile building blocks for creating custom dimensions, shapes and configurations. Select models are also available with a fully encapsulated surface for enhanced durability and touch interactivity.

Planar Tile Series incorporates a streamlined Type-C proprietary interface to deliver power and data between the compact control unit and LED modules. It features flexible cabling with locking connectors for easy routing and secure connections within custom structures, while the control unit can be installed in multiple orientations to accommodate specific installation requirements.

Summary:

• Telefónica Servicios Audiovisuales (TSA) has deployed a massive Alfalite LED wall at Telefónica’s National Supervision and Operations Centre in Aravaca, Madrid, to serve as the core monitoring display for its new TSAmediaHUB content platform.
• The bezel-free panoramic screen connects via NDI servers, allowing operators to easily monitor, compare, and customize multiple live broadcast feeds across a single continuous field of view.
• Built in Spain, Alfalite's UHD Finepix 1.2 screen uses MATIX AlfaCOB technology—featuring a non-glare matte finish, ultra-wide 175-degree viewing angles, fanless quiet cooling, and durable module encapsulation—making it tailored for long, mission-critical operator shifts.

Telefónica Servicios Audiovisuales (TSA), the audiovisual services arm of global telecommunications group Telefónica, has supplied and commissioned an LED wall from Alfalite for a new broadcast monitoring room in Madrid. The room supports TSAmediaHUB, Telefónica' s new platform for audiovisual content production, management, processing, storage, and distribution. It is located at the group' s National Supervision and Operations Centre in Aravaca, Madrid.

[dvLED vs. Projection: Which Display Type is Best for Large Venues?]

Measuring 37.4x6.6 feet (11.4x2m), the UHD Finepix 1.2 MATIX AlfaCOB display provides a viewing area of almost 248 square feet. It is used for production control and monitoring of broadcast feeds whose transmission is managed by TSA.

Operators in a broadcast monitoring room need to watch multiple feeds at once and respond quickly to any issues. Alfalite's panoramic display provides a continuous viewing surface with no bezels to interrupt the image, making it easier to arrange and compare sources within a single field of view. The display is integrated with servers that deliver video feeds via NDI. This setup allows sources to be distributed and displayed centrally, with layouts adapted to the needs of each operation.

Designed and manufactured by Alfalite in Spain, the UHD Finepix 1.2 features a 1.2mm pixel pitch, a 7,680 Hz refresh rate, and 175-degree horizontal and vertical viewing angles. These specifications provide the detail, uniformity, and readability needed to monitor multiple feeds from different positions around the room.

MATIX AlfaCOB technology provides a matte finish that reduces reflections and glare, an important consideration in spaces with controlled lighting where operators spend long periods in front of the display. Full encapsulation of the LED modules also improves protection against impacts, liquids and chemicals, supporting reliability and durability under intensive use. Fanless convection cooling contributes to quiet operation in the room.

"This project brings together exactly the demands we designed UHD Finepix to meet: a mission-critical environment, intensive use and decisions that depend on what operators can see on screen," said Luis Garrido, executive director of Alfalite. "In a broadcast monitoring room, a seamless image, readability and reliability are essential to the job. Combining a 1.2mm pixel pitch with MATIX AlfaCOB gives TSA a uniform panoramic display with reduced reflections, built for demanding operations. We are proud that our technology is part of TSAmediaHUB and Telefónica’s move towards more centralised, flexible audiovisual operations."

Summary:

• The CORE Indoor model provides a versatile COB solution for indoor LED applications, offering dependable visual performance and straightforward deployment.
• The SLIM Indoor is designed for applications where a slimline form factor is required, helping designers and integrators incorporate LED into environments where space is tight and aesthetics and installation considerations are particularly important.
• The premium end of the range, PRO Indoor provides a higher-performance COB solution for projects demanding enhanced capabilities and advanced visual performance.

Elysium LED has launched three new indoor LED display solutions: CORE, SLIM, and PRO. Designed to address a wide range of application requirements across corporate, education, retail, hospitality, sports and entertainment, command and control, public spaces, transportation, and architectural environments, the new range gives integrators, designers, and end users greater flexibility when specifying indoor dvLED.

[dvLED vs. Projection: Which Display Type is Best for Large Venues?]

“LED is more than a display technology. It is an architectural medium that can fundamentally change how people experience a space,” said Kirt Yanke, president, Elysium LED. “With CORE, SLIM, and PRO, we wanted to give customers and partners a clearer choice of solutions while maintaining engineering discipline, longevity and the highest level of craft across every system we deliver.”

The new indoor portfolio gives customers a choice of performance, form factor and specification according to the needs of each project. Configuration options include Full HD Bundles, Ultra HD Bundles and Custom Configurations, providing flexibility across a broad range of applications.

CORE Indoor: This version provides a versatile COB solution for indoor LED applications, offering dependable visual performance and straightforward deployment. Available in 0.7mm to 1.8mm pixel pitches, CORE delivers a 178-degree viewing angle, 12,000:1 contrast ratio, broad colour gamut coverage and 600 cd/m² brightness.

Models from 1.2mm and above feature a single-board design integrating the receiving card and power supply into the hub board, simplifying servicing and reducing system complexity. Front serviceability across the range provides greater installation flexibility and easier access for maintenance.

SLIM Indoor: Designed for applications where a slimline form factor is required, this model helps designers and integrators incorporate LED into environments where space is tight and aesthetics and installation considerations are particularly important. Available in 0.7mm to 1.5mm pixel pitches, SLIM features a lightweight cabinet with a 30mm depth, a 178-degree viewing angle, 12,000:1 contrast ratio, limited glare and 600 cd/m² brightness. For demanding, always-on applications, SLIM offers optional full redundancy, including redundant receiving cards, power supplies and controllers. The display is fully front serviceable, providing easy access to receiver cards and power supplies.

PRO Indoor: The premium end of the range, PRO provides a higher-performance COB solution for projects demanding enhanced capabilities and advanced visual performance. Available in 0.9mm to 1.5mm pixel pitches, PRO delivers an exceptional 15,000:1 contrast ratio, 98% DCI-P3 coverage, 600 cd/m² brightness and a 178-degree viewing angle. For demanding, always-on applications, optional full redundancy is available, including redundant receiving cards, power supplies and controllers. Cabinets are pre-aligned to tight tolerances and feature three connection methods, helping ensure a flat, seamless display in a fully front-serviceable package.

Quick view:

• The upgraded 14x48-foot billboard in Sioux Falls delivers an estimated 80% reduction in average annual energy use compared to the original 2008 display technology.
• Lamar Advertising replaced the location because key components reached end-of-life and spare parts were no longer available, demonstrating how modernizing established OOH sites protects revenue and long-term asset value.
• The project builds on a 25-year relationship between Lamar and Daktronics (spanning back to 2001 when they installed the first full LED digital billboard in Baton Rouge).

Lamar Advertising, in collaboration with Daktronics, has upgraded the billboard in Sioux Falls, SD, which has served the market since 2008, to current technology designed to improve operating efficiency while keeping an established advertising location in service.

[Friday Night Lights, Camera, Action!]

The companies’ digital OOH relationship dates to 2001, when Lamar Advertising installed the first full LED digital billboard from Daktronics in Baton Rouge, LA. Since then, Daktronics has continued developing technology and services to support reliable performance, efficient operation and long-term asset support for media owners.

This project illustrates how an established digital location continues generating value as the technology supporting it reaches the point when efficiency, serviceability, image quality, and lifecycle planning factor into the reinvestment decision. For a 14x48-foot display, Daktronics' power consumption data shows an estimated 80% reduction in average annual energy use from the original product to today’s technology.

“We monitor the age and performance of our locations, and use those metrics to determine when it makes sense to replace a display,” said Lamar Advertising digital engineering manager Brad Miller. “This display had operated well past its expected life, and while it may have continued running, key components had reached end of life, and spare parts were no longer available. The extended life of the product made it an easy choice to select a new Daktronics display for the replacement.”

The latest platform supports long-term asset value through improved efficiency, lifetime image quality, standardized modules, service access, brightness performance expectations and parts support.

“Reliability is more than how long a display operates,” said Lori Sieler, OOH product manager at Daktronics. “It is about helping customers protect the revenue those displays generate, minimize disruptions, and make informed decisions about when to reinvest. Lamar’s continued investment in Daktronics technology is a strong example of that long-term approach."

NOW AVAILABLE! AV Technology Manager’s Guide to All Things Audio

24 AV/IT Industry Thought Leaders share insights and trends on audio developments for enterprise, higher ed, live events and other markets. Check out what they said.

AV/IT Team: Meet the team behind the new line array system that recently made its debut at the New York Philharmonic, bringing an elevated acoustic experience to audiences at one of the world’s most storied performing arts institutions.

7 Case Studies Worth a Listen: Exceptional Speech Intelligibility | With Invisible AV, The Focus is On the Fitness | Immersive Portable Studio | Beachfront Destination Gets Luxury Audio Upgrade | Two Solutions, ONE Goal: Accessible Audio for All | Acoustic Tiles Give Everyone A Front-Row Seat | Audio Designed for a Historic Space

31 Products That Resonate: Ceiling and pendant speakers, IPMX-compliant audio monitor, Dante-enabled in-ceiling loudspeaker, digital UHF wireless system, PoE-powered four-channel audio power amplifier, multilingual translations, portable RF-Over-Fiber box, network-based ecosystem, ceiling array microphone, collaboration bar, AV-over-IP platform, active subwoofers, cable connectors, audio control, and so much more!

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Quick view:

• Nanolumens is expanding its Engage Pro Series with new mitered cabinets that enable 90-degree corners, allowing indoor LED displays to wrap around architectural features.
• The outdoor Performance Series adds its first sub-3mm pixel pitch option for closer viewing and high-brightness Performance 500 models delivering 7,000–8,000 nits for improved visibility in direct sunlight.
• The expanded Engage Pro Series and Performance Series lines allow Nanolumens customers to address a wider range of architectural, environmental and viewing requirements using established indoor and outdoor display platforms.

Nanolumens is expanding two of its configurable video wall lines; the Engage Pro Series and Performance Series. The additions include 90-degree corner capabilities for Engage Pro Series and sub-3mm pixel pitch and high-brightness options for select Performance Series outdoor models.

[Massive Display Brings Exterior of the NBA's Phoenix Suns Home Arena to Life]

“The additions to the Engage Pro and Performance Series are focused on giving customers more options within product families they already know and appreciate,” said Kurt DeYoung, chief revenue officer for Nanolumens. “The corner configurations for the Engage Pro Series allow indoor displays to work with more complex architecture, while the expanded Performance Series supports outdoor applications that require closer viewing or greater brightness. Together, these updates address a broader range of installation conditions without adding unnecessary complexity.”

The premium Engage Pro indoor line uses Chip-On-Board (COB) MiniLED technology to deliver high-performance visuals with more than four times greater contrast than traditional SMD LED. It features pixel pitch options as fine as 0.7mm for fine detail, up-close viewing and supports faceted curves. The Engage Pro's COB coating minimizes reflections, enabling specification in brighter environments with lights and windows.

The new corner capability allows Engage Pro to extend across adjoining surfaces, supporting continuous content around corners, columns and other architectural features beyond conventional flat or faceted curved video walls. The configuration gives designers and integrators added flexibility to incorporate COB-based LED into a space while maintaining a consistent display platform with the entire Engage Series.

Available exclusively in the 500x500mm cabinet format, the new Performance Series cabinet-based outdoor video wall line supports viewing distances of approximately 14 feet before individual pixels become distinguishable. The finer pixel pitch makes the series suitable for outdoor environments where audiences may be positioned closer to the display.

All Performance 500 models are now available with high-brightness models, delivering 7,000 to 8,000 nits, depending on pixel pitch, to strengthen visibility in direct sunlight. Each Performance Series cabinet carries an IP67 rating for protection against water and dust and is engineered for permanent installations across wet, cold, dry, and humid climates. The Performance Series is also available in a smaller 250x250mm format for greater application versatility.

What to know:

• Samsung Display Solutions help the Cincinnati Bengals turn preparation into performance by simplifying workflows and enhancing collaboration.
• The Bengals outfitted their training facility with five Samsung Flip Pro Interactive Displays, giving the front office a shared canvas for turning film and player data into smarter game-day strategies.
• Large-format 4K UHD displays prepare the organization for draft selections by featuring scouting reports and player statistics with exceptional clarity.

The Cincinnati Bengals installed Samsung Display Solutions throughout its training facility, including coaching offices and the weight room, to enhance football operations. Samsung Flip Pro Interactive Displays and Direct View LED signage bring film, player data, tactical insights, and game plans into shared visual environments, helping all members of the organization, from coaches and players to scouts and analysts, build winning strategies.

[Massive Display Brings Exterior of the NBA's Phoenix Suns Home Arena to Life]

The Bengals installed five Samsung Flip Pro Interactive Displays in staff offices, which streamlines the way coaches analyze film, identify playing patterns of their team and opponents, and build more impactful strategies for their next matchup. Instead of toggling between whiteboards, laptops, tablets, and manual presentations, coaches can brainstorm specific plays and formations, draw directly over game film and save their ideas throughout the season.

The result is a more fluid path from film study to game plan, ensuring coaches can spend less time digging up critical sports data and more time refining the strategies they’ll take onto the field.

Samsung Interactive Displays turn Bengals team meetings among coaching staff and athletes into collaborative working sessions. Players can now step up to the screen, draw their reads and work through assignments in tandem with coaches.

This collaboration ahead of game days helps bridge the space between film study and the field. Position groups can now break down what happened in a play, identify where adjustments need to be made, and visually walk through how the next handoff should unfold. Rather than simply watching film, players can engage directly with the concepts they will be tasked with executing, which helps reinforce assignments, encourage team dialogue, and strengthen alignment throughout the season.

In addition, Samsung 4K UHD LED screens featured in the weight room and other spaces throughout the facility, front office staff integrate seamlessly with the Bengals’ custom scouting applications. As a result, they can compare prospects, review reports, and evaluate information together as decisions unfold.

Watch to find out more below.

Captivate, a brand of Hall Research, has released its new CP-PVOT-C1622 camera. This 4K AI dual-lens camera was designed for conference rooms, training facilities, classrooms, and streaming setups. The camera pairs an 8 MP PTZ main lens with 3x optical zoom against a 2 MP panoramic lens covering 120 degrees, so AI tracking modes can frame the room and follow whoever is speaking without an operator at the controls.

[The Human Side of Technology]

The panoramic lens continuously detects participants across the room while the main lens frames the active talker, guided by four linear microphone arrays that localize sound for audio tracking. Auto Framing, Speaker Tracking, Presenter Tracking, and Individuals Gallery cover everyday meetings, training sessions where an instructor moves around the room, and gallery-style views for hybrid classes.

“Rooms don’t all use the same camera path, so we built the CP-PVOT-C1622 to hand off video however the room needs it, whether over USB, over HDMI, or over the network,” said Ken Eagle, CEO, Hall Research. “That means one camera covers the BYOD laptop meeting, the codec room, and the production feed, so integrators can standardize on a single model across a building.”

Video reaches a laptop or room PC at up to 4K@30fps over USB 3.0 Type-C, while a simultaneous HDMI 1.4b output feeds a display, conference codec, projector, or capture device. The LAN port adds NDI output alongside Web UI and Telnet control, and carries PoE (PD+) power so the camera can run on a single Ethernet cable, which keeps the install to one cable pull and one termination per room. A USB 2.0 Type-A port accepts third-party peripherals, such as a speakerphone. Because all three video paths run at the same time, one room can serve a laptop call, an in-room codec, and a network stream in the same session with no re-cabling in between.

The CP-PVOT-C1622 is designed for small and medium conference rooms, training facilities where Presenter Tracking follows an instructor across the room, online education programs that use the Individuals Gallery view for hybrid classes, and streaming or production workflows that pull the NDI feed directly off the network. Across all of them, the AI modes handle framing on their own, so sessions can run back to back without assigning someone to operate the camera, and IT can adjust settings over the Web UI from anywhere on the network.

ViewSonic has unveiled its new mobile solution, the ViewSonic LDS136-152. The large screen display comes in a pre-assembled design, which enables effortless setup within minutes. The LDS136-152 is a foldable 136-inch dvLED video wall on wheels built for maximum flexibility.

[Massive Display Brings Exterior of the NBA's Phoenix Suns Home Arena to Life]

A 4th generation model, the LDS136-152 introduces beneficial upgrades that make setup and operation even easier. The motorized screen lifts higher than any other dvLED in its class, helping everyone get a clearer view of content on the screen. The new commercial-grade built-in motorized stand provides an extra 3.7 feet of vertical adjustment. An integrated stand and display remote control allow the management of both the screen settings and motorized lift. Rear I/O ports are easy to reach and provide direct connectivity without opening panels or exposing internal boards, so connecting devices is quick and simple.

“The ViewSonic mobile dvLED solution delivers a giant LED screen that arrives ready to go, so our partners and customers can skip complex installations,” said Shane Roma, technical product manager of dvLED/Commercial Displays at ViewSonic. “The LDS136-152 sets up in minutes and ships in a rugged flight case for easy transport and storage. Just unfold it, plug it in and you’re ready to showcase content or present messaging to your audience. It’s one of the easiest ways to get a larger-than-life, stunning display wherever you need it. We have inventory in the U.S., along with technical support to assist as needed.”

The LDS136-152 features an integrated OPS slot to make it easy to expand the system when needed. Glue-on-Board (GOB) technology protects the LED panels from daily wear-and-tear, while its IP65 and IK06 ratings ensure resistance to bumps, dust, and moisture, ensuring that it can work in public spaces like auditoriums and lobbies. A redesigned hinge adds durability for repeated setup and transport, so the display can be used for events, trade shows and pop-up spaces. It glides silently on 360-degree wheels, making it simple to share between rooms or venues, while the foldable design fits into most elevators.

Quick view:

• LG Electronics USA is launching the LG MAGNIT Gen 2 Micro LED LMPD display.
• The LMPD display pairs LG Micro LED technology with NovaStar’s COEX 5G Solution to support commercial installations.
• Features include precision module alignment, wide viewing angles, multi-layer grayscale calibration, advanced Micro LED construction, HDR support, and uniform color expression.

LG Electronics USA has introduced the LG MAGNIT Gen 2 Micro LED LMPD display designed for high-end, large-scale visual experiences and commercial installations. The LMPD display combines LG Micro LED technology with NovaStar’s COEX 5G Solution to support high-resolution, large-scale installations with advanced image processing and system management. The new model gives integrators a flexible Micro LED platform for commercial usage, such as corporate spaces and other large-format environments where image quality and system reliability are essential.

[Friday Night Lights, Camera, Action!]

“The LG MAGNIT Gen 2 Micro LED display was built for projects where image precision, control and deployment flexibility have to work together,” said Michael Kosla, B2B SVP at LG Electronics USA. “By combining LG Micro LED display technology with NovaStar’s processing platform, the LMPD display gives integrators a more confident way to configure, monitor and manage Micro LED systems for sophisticated projects and commercial applications with complex operational demands.”

At the center of the LMPD display is NovaStar’s COEX 5G Solution, which supports screen configuration, system operation and ongoing management through a design-centric interface. NovaStar’s Vision Management Platform (VMP) software brings real-time monitoring and diagnostics, advanced color processing and flexible system management into a single platform, helping integrators configure and operate Micro LED installations more efficiently.

The LMPD display’s high-bandwidth architecture is designed to reduce cabling requirements while supporting more efficient system configuration. With SFP+, signal transmission between the display and the controller can extend up to 6.2 miles using a fiber-optic link, compared with the approximately 328-foot distance previously supported. This added range gives integrators more flexibility when designing systems for large-scale environments, including auditoriums, control rooms and other complex installations.

Additional features include precision module alignment, wide viewing angles, multi-layer grayscale calibration, advanced Micro LED construction, HDR support, and uniform color expression.

NOW AVAILABLE! AV Technology Manager’s Guide to Display Technologies

25 Thought Leaders share insights on topics such as how to grow and immerse audiences, collaborate across campuses via the cloud, use AI to drive targeted messaging and gather data, create an ecosystem to improve workflows, increase sustainability, and reduce total cost of ownership.

AV/IT Team: Meet the creative team behind the Museum of Art + Light, where more than 100 laser projectors bring creativity to life with nearly 37,000 square feet of eye-popping color and exquisite detail.

11 Case Studies On Display: Honolulu Prep Comes to Life in LED | Processing Performance You Can Bank On | Medical Labs Upgrade to Interactive Displays | Beauty in Collaboration at Microsoft HQ | Engineering Boston’s Widest Curved LED Canvas | Signage Transforms Shopping Experience | Two Video Walls, One Unified Brand | Monitoring 8,000 Satellites, 24/7 | A Warm, Video Wall Welcome in Wyoming | Digital Storytelling Bolsters Faith and Community | Immersive Fan Experiences on Full Display

26 Display Technologies That Matter: Video processors, fine-pixel-pitch LED video walls, COB LED display, integrated SoC displays, AV production suites, 4K video wall appliance, flip-chip, wire-bond-free COB LEDs, AV-over-IP distribution, dvLED universal wall mounts, laser projectors, 21:9 displays, outdoor LCDs, ADA-compliant applications, interactive displays, digital signage solutions, mobile all-in-one displays, e-paper, and much more!

Read More!

Founded in 2021, Sides, an expanding restaurant brand founded by YouTube collective the Sidemen, is using NowSignage to help maintain a consistent brand experience across its growing estate and manage its digital signage estate through one centralized platform. From menu launches and limited time offers to promotional campaigns, screens help bring the personality of the brand to life.

[The Art of Digital Signage]

The platform enables Sides to roll out campaigns across all sites in under 15 minutes, while maintaining 100% menu consistency across the business. NowSignage has also helped the team save up to one hour per day when uploading and updating content, giving them more time to focus on wider marketing activity.

As Sides continues to grow, having the right processes in place has helped support the rollout of new sites. Working alongside AV partner Microman, screens are installed and configured ahead of opening, ensuring each new venue is ready to deliver the Sides experience from day one. This approach has been particularly valuable during recent launches in Glasgow and Liverpool.

Hear what they have to say in the video below.

Absen has unveiled its new LR V3 Series. This transparent LED display solution is engineered for the demands of touring, festivals, and large-scale live events. Designed to move efficiently from one production to the next, LR V3 combines creative versatility, lightweight construction and streamlined deployment to give rental companies, production teams and designers greater flexibility from load-in through showtime.

[Video Wall Brings MLK’s Vision to Life at Atlanta's King Center]

“Today’s touring professionals need technology that gives them more creative options without adding unnecessary complexity to the production,” said Emily Chan, president Absen. “With LR V3, our focus is on giving crews and designers a platform that can adapt to the stage, move efficiently from show to show and deliver the performance audiences expect.”

At the center of LR V3’s creative capabilities are adaptive louvers that allow the display to transition from transparent to solid stage visuals with a single touch. Combined with curved configurations, mixed-panel connections, and 90-degree L-shaped applications, LR V3 gives production designers greater freedom to integrate LED into the overall stage environment and create structures beyond conventional flat displays.

Touring equipment needs to perform night after night while keeping crew requirements, transportation and changing production configurations in mind. LR V3 is available in three lightweight cabinet sizes: 39.37×19.69×3.15 inches, 19.69×39.37×3.15 inches, and 39.37×39.37×3.78 inches (1000 × 1000 × 96 mm). The lightweight design, combined with a pre-lock system, supports one-person handling and installation to help crews move more efficiently during setup.

LR V3 is also designed for outdoor production environments, with water-resistant modules, power boxes, and cables providing additional protection for demanding live event applications. LR V3 gives production teams multiple ways to build beyond a traditional flat LED wall. Dual horizontal curve locks support angle adjustments from -7.5 degrees to +10 degrees, giving designers the ability to create curved display configurations while maintaining secure cabinet connections.

A 45-degree dual-edge design on both sides of the cabinet also enables 90-degree L-shaped displays, opening additional possibilities for dimensional stage structures and scenic integration. For touring and festival productions, efficiency extends beyond the build itself. LR V3 incorporates retractable positioning pins for efficient on-site maintenance, along with quick maintenance access for modules and power boxes.

Together, LR V3’s lightweight construction, installation features, maintenance access, and transportation systems are designed to reduce handling demands and help rental and staging teams keep equipment moving efficiently from one production to the next.

Get your free copy of SCN's Integration Guide to Video Walls.

A Combination of Contemplation and ‘Wow’

The University of Virginia’s new Contemplative Commons features a large-format LED canvas—visible from the street—that shows nature scenes that complement the building entry. Learn about the technical challenges of an install where the video wall is seen as an architectural element within the space. Plus, read about a new video wall that’s helping to keep the legacy of Martin Luther King Jr. alive.

At Issue

Industry experts from Absen, Datapath, JB&A, LynTec, Panasonic, Planar, Sharp, Sony, and VuWall | G&D explore how video walls are being used creatively in retail and hospitality environments.

Download the Integration Guide to Video Walls.

Read the March issue of Systems Contractor News.

Visix launched its EPS 37 e-paper desk sign and professional design services for e-paper displays. The EPS 37 replaces the EPS 27, featuring a larger 3.9x2.3x0.6-inch display that provides better visibility and accommodates more detailed booking information and design elements.

[E-Paper Makes Its Case as Digital Signage Option]

The new four-color sign joins Visix's existing four-color lineup (the EPS 42 desk sign and EPS 74 room sign), all of which now support custom graphic designs. Like all Visix e-paper solutions, these signs deliver exceptional value with wireless operation, 5-plus year battery life, and a 10-year expected service life. Now they're enhanced with four-color graphics that bring brand identity and visual polish to every workspace.

"For years, e-paper has been the smart choice for workspace management because of its low cost, wireless installation, and sustainability," said Trey Hicks, COO and CSO for Visix. "Now, with our graphic design services, organizations no longer have to choose between functionality and aesthetics. We're helping companies create ePaper signs that look as impressive as they perform, with branded designs that enhance workplace environments while maintaining all the practical advantages that make ePaper the superior choice for large-scale deployments."

Visix's new e-paper design services leverage advanced E Ink technology to create custom templates that seamlessly blend reservation data with compelling visual design. The four-color signs (EPS 37, EPS 42, and EPS 74) utilize red, yellow, black, and white to create vibrant branded displays, while the EPS 125 supports sophisticated red, black and grayscale imagery. Organizations can now incorporate photos, graphics, company logos, QR codes, and branded backgrounds into their ePaper displays. They maintain all the sustainability and cost benefits of e-paper while achieving the visual impact previously only available with power-hungry LCD screens.

Digital signage has been used in installations across all verticals, from menus to messaging systems to wayfinding kiosks. However, nothing remains the same in Pro AV, and much like everything else, the role of digital signage is evolving.

"Displays are definitely more than a sign," said Joe Drury, business manager of Sony's BRAVIA Professional Displays. "We’re in an era where digital signage goes beyond sharing simple, basic information to become a dynamic and interactive canvas for two-way, real-time messaging and impactful visuals."

You Tell Me That It's Evolution

Are we entering a digital signage renaissance? As Drury explained, new forms and iterations are addressing the market’s demands. "Digital signage is truly a canvas to convey information, thoughts, feelings, activations, and messages," he added. "It is only as necessary and engaging as the content being shared consistently, so ensuring the best media and message are being conveyed is key to its continued evolution."

If it isn't losing its place in the Pro AV world, then why change? According to Frank Boston, founder of MoodyCanvas.com, digital signage still holds enormous potential, but it does require fresh thinking and creative vision to truly stand out.

"The marketplace is certainly crowded, but the real challenge is that most players are doing the same basic things," he said. "Too often, the focus is on purchasing the screens, while the content becomes an afterthought or a budget drain, yet even the most impressive display will fall flat if the visuals aren’t compelling. This is why it’s important for integrators to propose content as part of the complete solution."

Digital signage on many displays once showcased flashy, bright messaging or maps or even food items. Now, many are now turning to art.

"The concept of a ‘digital canvas’ is integral to approaches when designing solutions," explained Dana Corey, SVP and global GM, Avocor. "Modern displays have evolved beyond simple endpoints, now functioning as dynamic platforms for collaboration and delivering immersive experiences. This transformation illustrates a broader shift toward technology that is expressive and adaptable to its intended environment."

Audience Engagement

Key among the content on these digital canvases is leveraging emotional engagement while reinforcing brand identity and supporting interactive applications. So, what are those new opportunities? How can businesses capitalize on the art of digital signage?

The simple answer: Understand your audience to get viewers engaged.

"Engagement deepens and becomes more impactful when it provides the exact information an audience is seeking and can even take it one step further," Drury said. "As displays and their offerings become more intelligent, end users benefit from increasingly tailored insights and AI capabilities more quickly and efficiently and with more intent than before."

"Digital signage is now a dynamic engagement tool that can transform a space and the way people interact with it," Corey agreed. "In hotels, airports, and retail environments, we see many ways customers can leverage signage to captivate audiences beyond traditional menu boards and wayfinding."

So, what are some of those ways that are currently being used? Corey gave examples of how Avocor enables immersive storytelling on large-format, high-resolution displays to create the mood and atmosphere the moment a guest enters a space. In hotels, for example, Avocor can transform a lobby wall into a digital canvas with sensor integration and smart content management, enabling creatively designed signage to adapt to the audience in real time. He also recommended inviting customers to participate with interactive engagement points.

Mitch Braff, founder and CEO of LiquidView, the virtual window company, turned to Sony's BRAVIA displays to design his new virtual windows. Using the BZ40L series, which features Deep Black Non-Glare technology, Braff immerses viewers by converting a closed-in space like a conference room into a serene atmosphere, all of their own choosing.

Jill Moses, founder and CEO of The Inspired Community Project, a nonprofit research organization in the Bronx, NY, that builds a more equitable, inclusive, and accessible system of care for neurodivergent children, turned to LiquidView to transform therapy spaces into both calming and engaging environments that "promote emotional regulation and reduce sensory overload for the children we serve," she explained. "Our kids may not have access to safe, scenic spaces outside of our center, so this visual connection to the natural world is more than just aesthetic—it’s therapeutic."

For MoodyCanvas.com, no situation is the same. Every piece of content is designed with the specific environment in mind. Whether it is a massive lobby to a high-traffic bar/restaurant, or conversely a slower foot traffic location like waiting rooms and lounges, his team's content is ideal for captivating audiences and enhancing the overall experience. "Digital signage should be part of the interior design, not just an add-on, and architects should have a voice in content selection because it directly shapes the mood and energy of the environment," Boston said.

The Next Big Thing

According to Drury, the next big opportunity to elevate brand awareness using digital signage is directly related to engagement. "Understanding what your target audience would find valuable and providing relevant content via the best visual impact and reliable hardware is key to elevating brand awareness," he said.

To get to this next level of digital signage, it will take a blending of, well, quite a few things to come together. Corey said the new era of digital signage is an intelligent fusion of hardware innovation and software integration. While display quality is of obvious importance, so is versatility like supporting touch, pen, and gesture inputs, as well as seamless integration with content management systems and collaboration platforms.

That could be costly, but that's why Boston created MoodyCanvas.com. "[We are] dedicated to producing high-quality digital signage content crafted with Adobe After Effects and generative AI," he explained. "This approach allows us to offer a ready-made, affordable content library that still delivers strong visual impact while being accessible to a much wider audience." In short, Boston has simplified licensing to make art both affordable and easy to use.

Innovations such as spatial audio, holographic and 3D visualization, and interactivity transform signage from a passive display into a two-way engagement tool. "The next generation of digital signage is about blending advanced display technology with complementary innovations to create fully immersive environments," Corey said. "By integrating these technologies with Avocor’s high-performance displays, customers can deliver experiences that are not only visually striking but also multisensory, adaptive, and memorable," Corey said. "The goal is to create signage that’s not just seen but felt and experienced."

"The next generation of technology is always redefining itself," opined Drury. "Sony has implemented forward-looking innovations that help create and drive impact and purpose. Our Deep Black Non-Glare treatment is just one example of this commitment to unforgettable and purpose-driven visual experiences. This coating, which is featured on our flagship BZ40L pro BRAVIA displays, offers minimal glare with maximum contrast, perfect for bright and challenging lighting conditions."

In other words: The next generation of digital signage is art. People no longer want to simply see the message, they want to feel it. "In a crowded marketplace, impact comes from relevance and engagement, and today’s signage is becoming context-aware and deeply integrated into broader digital ecosystems," concluded Corey. "The challenge isn’t saturation, it’s differentiation. And that’s where innovation in hardware, software, and user experience is making all the difference."

Get even more insights: Download SCN's Integration Guide to Digital Signage.

Sony Corporation and TCL Electronics Holdings Limited have announced that the two companies have agreed to move forward with discussions and consideration for a strategic partnership in the home entertainment field.

Specifically, the two companies have signed a memorandum of understanding to confirm their intentions to establish a joint venture that will assume Sony’s home entertainment business, with TCL holding 51% and Sony holding 49% of its shares. The joint venture will operate globally, handling the full process from product development and design to manufacturing, sales, logistics, and customer service for products, including televisions and home audio equipment. Sony and TCL will proceed with discussions toward executing definitive binding agreements by the end of March 2026. Subject to execution of the definitive agreements and relevant regulatory approvals and other conditions, the new company is expected to commence its operations in April 2027.

The new company plans to advance its business by leveraging Sony’s high-quality picture and audio technology, brand value, and operational expertise, including supply chain management, while utilizing TCL’s advanced display technology, global scale advantages, industrial footprint, end-to-end cost efficiency, and vertical supply chain strength. The new company’s products are expected to carry the “Sony” name and “BRAVIA” name, aiming to create new customer value through these branded products, such as TVs and home audio equipment.

The global market for large TV products continues to expand, driven by trends such as diversified viewing styles through growing OTT (Over The Top) and video-sharing platforms, enhanced user experiences enabled by the evolution of smart features, as well as adoption of higher resolution and larger displays.

We Asked About the Professional Line of Sony BRAVIA

Building on its history of outstanding image quality and advanced processing, Sony’s BRAVIA displays have long been a premium line, offering additional professional features and favored by many commercial integrators and end-users.

With this in mind, AV Technology reached out to Sony for a comment on how the partnership might affect its professional line of BRAVIA displays. A Sony representative offered the following: “We consider the two companies to be nearly equal partners; both Sony and TCL will provide steadfast support for the sustainable growth of the new company, to create innovative products that meet the expectations of customers around the world and pursue further business growth through operational excellence.”

Perhaps the upshot will be that the professional line of BRAVIA displays will become more affordable. We'll have to wait and see.

For more information, visit https://www.sony.co.jp/en/ and https://electronics.tcl.com/.

Avoid those tangled up, cluttered holiday blues with WyreStorm’s new CAM-0402-NDI-BRG. This 4K multi-camera bridge connects HDMI, USB, and NDI sources into one seamless output for conferencing, streaming, or hybrid events. From virtual holiday events to big end-of-year corporate meetings, the CAM-0402-NDI-BRG declutters while keeping every feed synchronized, crisp, and stress-free.

Its plug-and-play webcam compatibility and native Microsoft Teams app integration allows switching between multiple cameras directly inside their meetings without the hassle of extra gear or software. Plus, it supports multi-view layouts, 4K resolution, and intuitive control via buttons, Web UI, or RS-232. This sleek bridge may need a slightly bigger stocking, but its worth stuffing in there for every performance from the classroom to the meeting space.

SCN Stocking Stuffers is a seasonal series that highlights affordable Pro AV tools for industry professionals on your “nice” list.

Let's establish this right away: The ViewSonic LX60HD is a consumer projector. It is not the permanent projector for your boardroom or auditorium. That said, it is a "smart" projector with some features (and a very reasonable $339.99 list price) that make it an attractive option for small multi-use areas, and it's portable enough to recruit for company events or backyard movies.

The LX60HD weighs less than 10 pounds and is smaller than the box from my most recent pair of sneakers. It ships with a power cable, remote control (with batteries), and a quick start guide. There is no lens cap or carrying case, though the recessed lens offers some protection against the errant bump during transport. You'll have to supply any source connecting cables.

This is a fixed lens unit, so there's no built-in zoom and you won't be swapping out a short-throw lens. The LX60HD also has a sealed optical engine, so as long as you don't abuse the thing, you can expect about 20,000 hours of projected content. That equates to 40 hours a week for almost a decade.

The LX60HD has an RGB LED light source, not laser like many of today's projectors, and a single-chip LCD projection system. As far as projected images go, it offers 630 ANSI lumens and can project a screen size of up to 140 inches. With a 1.2 throw ratio, you can fill a 70-inch screen from about 6 feet away or a 100-inch screen from a little less than 9 feet away. That'll work for a presentation or a watch party.

An adjustable foot allows for a slightly higher projection angle, while a tripod hole lets you mount the projector temporarily or permanently. There's also a Kensington lock slot, which can discourage theft for more permanent installs.

Built-In Entertainment

When you first turn on the projector, you'll have to do some basic startup tasks, such as choosing your language and country. After that, you can set up Google TV to provide access to a variety of streaming services. Setup time will be determined by how many streaming services you add and, of course, the speed of your internet connection.

You're not limited to streaming—the LX60HD has an HDMI input, so you can connect your laptop or game system, and a 3.5mm AV port for connecting video cameras or other components. Two USB ports allow you to connect external storage or peripherals like a keyboard and/or mouse.

The LX60HD features impressive auto focus and auto keystone. You can adjust it manually, but I was very satisfied with the results from the projector. There are a handful of color modes and a manual mode to adjust the image to your preferences. The remote's D-pad makes menu navigation fairly intuitive. File management is a bit more ponderous, but you can fill about 4 GB of local storage with pictures, movies, and other media.

Integrated speakers mean you won't have to use external speakers. The two 5W speakers are just OK, but there are two settings, movie or music, to provide some minor audio adjustment. Movie mode provided better spoken word intelligibility in my tests. There's also a 3.5mm jack and Bluetooth, so I was able to connect my JBL Flip 4 portable speaker both ways and get much better audio results.

The Brightness Battle

As regular readers know, I often expose products I'm evaluating to challenging (read: ridiculous) environments to see how they perform. For the LX60HD, I decided to see how well it could project content on a big white wall. In my garage. Right next to a 4-foot window in the middle of the afternoon.

Surprisingly, the projector delivered reasonably well with reasonably bright content. Projecting from about 9 feet away, PowerPoint slides were washed out but readable. Video results varied wildly: Bright scenes from the first episode of Reacher were OK, but dark scenes from Back to the Future Part III were basically unwatchable.

In a more realistic dim room (light enough to see, too dark to read), I streamed Pulp Fiction and it looked good when projected from 6 feet away. The LX60HD also performed well with some of the darker scenes from Timecop at the same distance. (Have I mentioned how much I like the built-in Google TV?) As you'd expect from a low-brightness projector, the LX60HD output looks significantly better as the room gets darker. When I shut off the lights, the images looked really good.

What you think about the LX60HD is directly tied to your expectations. The speakers will not blow you away and the brightness is not very bright. Also, ViewSonic confirmed the fan noise is 40dB, which is certainly not loud, but it is noticeable.

Those are some pretty potent cons—so, what's the professional appeal? If brightness isn't your top concern, the LX60HD might just carve out a niche in your office. If you're using it in a room with limited light, such as a break room or a small multi-purpose space, you should be pleasantly surprised with the results, particularly the Full HD resolution (many inexpensive professional models offer more brightness but less resolution). Also, the integrated Google TV and built-in storage make it easy to access plenty of content without relying on external devices and cables. The LX60HD delivers versatility and pretty pictures at a reasonable price.

Looking for the ideal gift for your video-producing, broadcast-loving Pro AV-er this Christmas? Look no further than the Cobalt Digital BBG-DA-12G-1×6.

Designed for professional broadcast quality and part of the Cobalt BlueBox Group mini-converters, this fully automatic, multi-rate distribution amplifier features an input status LED. The unit supports SMPTE 2082-1 (12G), 424M (3G), 292M and 259M SDI video signals as well as ASI and MADI, and is equipped with one input and six reclocked SDI outputs (Note: reclocking for 12G/6G/3G/HD/SD-SDI and MADI inputs; all other bit rates are non-reclocking). If your Pro AV enthusiast is looking for an ultra-high-definition video production tool that is ideal for broadcast, postproduction, and live events, Cobalt has you covered with the affordable and compact BBG-DA-12G-1×6.

SCN Stocking Stuffers is a seasonal series that highlights affordable Pro AV tools for industry professionals on your “nice” list.

If you’ve ever swiped through a Kindle, or any other e-reader, you’re already familiar with electronic paper, or e-paper, at least on a consumer level. For Pro AV, however, there are a few more things to know beyond how to download the next Stephen King novel, if you wish to gain sales while informing clients about the pros and cons of this technology, and how it fits into their communications and sustainability goals.

For Till Gotterbarm, VP of business development at AUO Display Plus, a Taiwanese commercial and industrial display company that acquired Avocor in 2024, e-paper offers AV integrators yet another opportunity to help customers deliver their messaging. “We’re really addressing a market where the AV integrator can extend their value to large, global corporations and even SMBs,” Gotterbarm said. “Now you can provide something very new.”

Screen Comparisons

E-paper is basically a digital version of paper-paper. Timothy O’Malley, assistant VP for the U.S. Regional Business Unit at E Ink, explained that the combination of electronic ink film with patterned electronics results in e-paper displays (also known as electrophoretic displays or EPDs) that don’t require much power and can be positioned in places unsuitable for traditional video screens.

Christopher Kwon, director of product marketing, smart signage, at Samsung Electronics America, noted that one of e-paper’s primary elements is its bistability, meaning that people can view its content even when the device is not drawing power. “This property allows e-paper displays to maintain an image for long periods with extremely low energy use, making them an energy-efficient signage option,” he said.

While LCD and LED displays require constant power, e-paper does not. “Once an image is set on the display, it stays in place without drawing any power until it next changes,” O’Malley explained. Devices can be battery and even solar powered, which decreases the need for wiring and increases energy savings. (Wired connection is possible too, via PoE or USB-C, for example.)

Not only does this make e-paper more energy efficient, it also results in cooler devices, since they don’t produce the heat of traditional video displays. They’re also easier to view in direct sunlight. “E-paper reflects ambient light the same way as ink on paper," O’Malley noted, "which makes it comfortable to view in bright or dim environments without straining the eyes or consuming large amounts of energy.”

Another difference between video displays and e-paper is how the two technologies use light. According to Kwon, LCD and LED screens need a constant backlight to generate images. On the other hand, the charged ink particles in e-paper reflect ambient light. "This approach reduces glare and maintains excellent visibility even in bright conditions," Kwon added, arguing that like paper, e-paper delivers its best viewing experience in bright spaces.

Kwon added that lightweight, ultra-thin displays, such as Samsung’s Color E-Paper, are a good option for spaces where smart signage is better than traditional paper, especially if the messaging needs to be updated regularly. Like video-driven digital signage, e-paper can be updated remotely—in Samsung’s case, through its VXT management platform or its E-Paper mobile app.

E-paper also has an advantage in environments with few or no power sources, little to no wiring, and limited mounting options. “This combination of low power consumption, portability, and remote updating makes e-paper well-suited for areas without a permanent power source,” Kwon said, adding that features such as network standby off mode and sleep mode serve to increase energy efficiency even more.

Current Use Cases

Aside from energy savings, e-paper enables organizations to maximize their technology usage, argued Victoria Fox, global head of communications at Philips Professional Display Solutions (PPDS). Plus, e-paper can help organizations work toward their sustainability goals associated with technology acquisition and inventory management. “The fact that it is so portable—and it can be moved around from location to location rather than it being stuck on a wall or on a mount that has to stay in one place—means that people can make much better use of it,” Fox added.

Bart Wouters, international product manager of professional displays at PPDS, said that right now, e-paper is best suited for displaying static images. While there are e-paper technologies that can run video, he said they are "very limited in the amount of color that the product is capable of showing." As a result, it is less than ideal for signage applications involving advertising and branding, since most brands have very specific requirements related to the color accuracy of their logos and the reproduction of other marketing materials.

“We don’t really see it as a replacement for LCD,” Wouters admitted. Instead, e-paper is an additional option for certain use cases.

That’s not to say that manufacturers aren’t striving to improve the color quality of their e-paper offerings. Late this summer, for example, Sharp launched its EP-CA22 28.6-inch diagonal Advanced Color ePaper display with a 180-degree viewing angle. Based on the A2 poster print size, the model delivers more vivid colors and high contrast, according to Sharp. Kevin Christopherson, Sharp's director of display product marketing, noted that the new model, which features SoC technology and doesn’t require power when showing static imagery, offers a sustainable display choice to customers while also providing AV integrators with a solution that’s easy to install.

Because e-paper displays are low power and perform well in high ambient light conditions, like their old-fashioned counterpart, they make for good reading in both commercial and educational purposes. O’Malley noted that they are used for Digital Out of Home (DOOH) advertising, wayfinding, and electronic shelf labels in big box stores.

Transit is another growing use case. For example, the Massachusetts Bay Transportation Authority (MBTA) is currently piloting solar-powered E Ink displays to provide real-time scheduling information to passengers. Plus, Papercast, which has deployed e-paper solutions in dozens of countries, recently installed E Ink displays at bus stops in downtown Los Angeles for LA Metro to help keep passengers informed about arrivals and departures.

Kwon points to dining as another prime e-paper use case. He relayed that an event catering company recently swapped out its chalkboard menu with a 32-inch Samsung Color E-Paper display, managed through the manufacturer’s VXT platform and Samsung E-Paper mobile app. “The lightweight, ultra-thin design makes it easy for staff to transport and set up at different venues, eliminating the need to manually update the menu, and reducing setup time,” he explained.

Meanwhile, Restaurant Nenuphar, a fine dining and events establishment outside of Ghent, Belgium, replaced its paper signage with Philips Tableaux e-paper displays. Now the business can easily update content to coincide with the time of day, current customers, or even weather conditions.

Gotterbarm emphasized that e-paper provides AV integrators another way to assist customers with their communications needs. “It’s a good thing for integrators," he added, "because they can add value if they take the time to understand it."

E-Paper Deployment Considerations

E-paper products aren’t like traditional video screens, which requires AV designers and integrators to adopt a slightly different mindset. Bart Wouters from PPDS offered a few key points to consider before embarking on a rollout.

• The more ambient light, the better e-paper works. “It’s like a piece of paper; if you open your newspaper in a dark room, you will not be able to see it,” Wouters explained. "Don’t put it in a corner that’s very dark with no lighting—that’s not the best location for it.”

• One display can serve multiple locations. E-paper’s portability makes it a good option for creating movable point-of-sale advertisements or educational displays. “This is a clear advantage of e-paper technology: Because it doesn’t need power to show an image, it is portable,” Wouters said.

• There are still limitations associated with color accuracy. If the client has strict requirements for the pantones featured in their brand’s logo, e-paper is probably not the best choice … at least not right now.

Now you can stream all the movies from the SCN Holiday Movie Bonanza bracket in high-definition with this compact projector from the luxury of your own home. The ViewSonic LX60HD Smart LED projector is easy to install and set up as an all-in-one home entertainment solution.

Designed with native 1080p Full HD resolution and built-in Google TV, setup is simplified as no external dongle is needed—with built-in Wi-Fi and Bluetooth which supports wireless screen mirroring, you can stream from apps like Netflix and Amazon Prime directly from the projector onto screens up to a massive 140 inches. Auto-horizontal and vertical keystone correction, four-corner adjustment, and obstacle avoidance add to the ease of installation, not needing a Pro AV certification to get it up and going. The LX60HD is just 9.0x8.9x6.3 inches in size and weighs right around seven pounds means you can move it around and reinstall anywhere in the house. Get those Hallmark Christmas movies fired up on the big screen with the ViewSonic LX60HD Smart LED projector.

SCN Stocking Stuffers is a seasonal series that highlights affordable Pro AV tools for industry professionals on your “nice” list.

Get your free copy of SCN's Integration Guide to Video Displays and Mounts.

Wide Appeal for Ultra-Widescreen Displays

More horizontal real estate can be very useful for many applications, so why is 21:9 still considered niche instead of the aspect ratio of choice? And is 32:9, which is even wider, the answer? Learn about the advantages and disadvantages of ultra-wide display options for conference rooms and more.

At Issue

When it comes to video displays for conference rooms, how big is too big? Industry experts from Avocor, Jupiter Systems, LG, Planar, and Sharp size up your options.

Download the Integration Guide to Video Displays and Mounts.

Read the December issue of Systems Contractor News.

Let there be light. elektraLite has introduced a weather-resistant version in two 30-watt and 80-watt configurations, making the new Stingray Mini IP65 an ideal choice for any lighting application, indoors or outside.

[Top Trends for 2026]

“Many of our customers have really loved the compact form factor and performance of our original Stingray Mini, so we’ve expanded the range with new models for even more versatility options,” said Brandon Tsaptsinos, Group One Limited’s national sales manager for the elektraLite brand. “The IP65-rated versions are perfectly suited for everything from theatrical and retail environments to outdoor signage and theme parks, and their higher wattages and precision camera lensing deliver truly pro-grade operation, rain or shine.”

Boasting a brilliant CRI of 95 or greater, the new 30-watt and 80-watt models each utilize a single-source COB LED module as their light engine, and both are available in Warm White (3000K), Cool White (5000K), Variable White (2700-6600K), and RGBW versions. Fixtures are equipped with interchangeable photographic-quality zoom lenses, offering a choice of 15º to 30º or 25º to 50º beam spreads, and feature camera manual rotary control for precise and fully-adjustable focusing.

Housed in marine-grade aluminum chassis, both new models are IP65 rated and fanless with a convection fin-cooled rear design for silently venting heat away. Fixtures can be controlled via DMX or set for manual operation, and all fixtures have Remote Device Management (RDM), selectable control of Pulse Width Modulation (PWM), and selectable dimming algorithms for incandescent, log, or linear operation.

A four-piece shutter assembly allows for perfect cuts, and there is also a gobo slot for custom gobos, plus a double-slot for optional accessories (gel/color frame, filters, hi-hats, etc.). Products are shipped with a 10-foot extension cable allowing the quick-release power supply to be remotely located, and an optional 45-foot extension model is also available.

Designed in a compact form factor, the 30-watt Stingray Mini IP65 measures only 15-3/4x7-7/8x4.1/4 inches(1397.5x72.5x102.5mm), and weighs a mere five pounds (2.2kg). The 80-watt version features a slightly larger size weighing nine pounds (4kg).

PPDS launched its 32:9 Philips Stretch 3150, delivering advanced creativity, flexibility, and around-the-clock reliability for a widening range of environments and applications. The Philips Stretch 3150 has been crafted to widen the possibilities for installations that demand to be seen, featuring a 37-inch, 32:9, 1920x540 resolution display.

[Trends 2026: Pro AV Hangs Tough]

Superseding the Philips S-Line, the upgraded and enhanced Philips Stretch 3150 has been modeled around the evolving needs of the market, with each display able to be tailored with solutions for retail, transportation, food and beverage, hospitality, education, banking, healthcare, public venues, stadiums and arenas, and more.

Weighing just 7.6kg and featuring ultra narrow bezels (7.7mm L/R and 14.0mm T/B), the Philips Stretch 3150 is designed to transform almost any space, particularly those unsuitable for more conventional sized digital signage displays, including areas above in store shelving, or even on temporary walls, such as those used on kiosks and pop ups within shopping malls.

Philips Stretch 3150 displays can be installed either as a standalone solution or, for larger and more creative visions, multiple displays can be seamlessly daisy chained by connecting the HDMI Out port to the HDMI In port of another display. For tiled setups, businesses can simply connect two or more Philips Stretch 3150 displays with a single external player for single source content management that is effortless, no matter the number of displays selected. The inclusion of a discreetly integrated slot for a CRD32 Wi-Fi module introduces optional wireless network connectivity and Bluetooth functionality on the display.

Meeting all needs and preferences (including security), AV/IT managers can easily create and schedule content to play on their displays either directly from the Cloud (centrally and remotely managed), from local memory, or via USB.

Handheld footage doesn’t have to be shaky. Available in black or white, Sony’s new GP-VPT3 multi-function shooting grip makes it easier to produce stable shots. It’s got an ergonomically designed grip that lets you shoot while you zoom, focus, or start/stop recording with one hand using the Bluetooth wireless remote (RMT-VP2), which can remain nested within the grip. Or remove the remote and use the GP-VPT3 as a mini-tripod so you can get in the shot, too. (The remote works with select Sony cameras and smartphones.) The tilt function makes it easy to adjust shooting angles, and a button lets you unlock the head so you can securely spin the camera to go from normal shooting to selfie shots.

SCN Stocking Stuffers is a seasonal series that highlights affordable Pro AV tools for industry professionals on your “nice” list.

Introducing Airtame 3. Airtame's latest device is designed for seamless collaboration across classrooms and meeting spaces alike, Airtame 3 brings new levels of speed and simplicity to shared environments – combining all the tools educators and organizations need for smarter, distraction-free learning and collaboration.

"We’ve always believed technology in shared spaces should feel invisible—it should just work,” said Jonas Gyalokay, co-founder of Airtame. “With Airtame 3, we’ve doubled down on that promise. It’s faster, easier to deploy, and built to scale, so IT teams and end users alike can focus on what actually matters: connection and collaboration.”

Airtame 3 combines the simplicity of wireless screen sharing and videoconferencing with the reliability of enterprise-grade hardware. It directly integrates with Microsoft Teams, Zoom, Google Meet, and Webex, enabling seamless collaboration without extra software—just walk in and connect. Join a call in under two seconds, load a custom background in less than a second, and share your screen in 4K, all powered by Airtame’s most advanced architecture yet, designed to keep every class and meeting running smoothly.

The new device connects to any display via HDMI and supports Power over Ethernet (PoE+) for a stable, hardwired setup that enables 4K screen sharing and new dual-screen functionality making it an ideal choice for classrooms and meeting rooms where participants appear on one screen and shared content on the other.

Once installed, devices register instantly through a QR code and can be monitored, updated, and troubleshot remotely in Airtame Cloud, reducing on-site service calls. Plus, with plug-and-play support for USB peripherals like cameras, microphones, and speakers, Airtame 3 streamlines hybrid setups and eliminates the need for extra PCs or complex AV gear.

Organizations can choose Airtame 3 for dedicated devices or Airtame Virtual to enable the same capabilities on existing computers, mixing and matching as needed to create a unified education and collaboration environment. This flexibility also extends to Airtame’s growing ecosystem of partners, including Amazon, Neat, and SMART, where Airtame software comes pre-installed or easily runs on select devices, ensuring seamless integration across leading classroom and meeting room technologies.

“We’ve spent more than a decade working with schools and enterprises to understand what really matters in shared spaces,” Gyalokay concluded. “People want technology that fades into the background so they can concentrate on teaching, learning, and collaborating. Airtame 3 reflects that mindset. It’s powerful, reliable, and designed to make every shared screen feel effortless to use.”

For less than $300, Blackmagic Design can transform an iPhone 17 Pro (or iPhone 17 Pro Max) into a professional production camera. USB-C is nice and all, but the new Blackmagic Camera ProDock adds HDMI and power connections, as well as a 3.5mm input for mics and a glorious 3.5mm out for headphones. (Remember those days, Apple?) And there are more USB-C ports to support SSD recording. Plus, with professional BNC connections, Blackmagic Camera ProDock brings external genlock and time code to the party, so you can stay in sync with cameras and switchers. You can even shoot LED walls without all that distracting flickering, so now you’re ready for virtual production, too.

SCN Stocking Stuffers is a seasonal series that highlights affordable Pro AV tools for industry professionals on your “nice” list.

Sharp Imaging and Information Company of America (SIICA) has refreshed its professional projector portfolio with the A series models and the V series models. Designed with WUXGA native resolution and 4K input support, these laser projectors deliver enhanced brightness to overcome ambient light and help ensure clear, vivid images in well-lit spaces. With flexible installation options, including optional long and short-throw lenses, they adapt easily to diverse environments from classrooms to corporate venues.

[Enabling Immersive Classrooms]

As part of the A Series, the XP-A824U (8,200 lumens), XP-A104U (10,000 lumens), XP-A155U (15,000 lumens), and XP-A175U (17,000 lumens) deliver enhanced image quality through Sharp's proprietary high-performance video processing and scaling chip, paired with a dual blue laser system. Unique to the A Series is its IP5X-rated Sealed LCD cooling system, which prevents dust from entering the optical path - ensuring consistent brightness, pristine image clarity, and virtually maintenance-free operation without filters.

Introducing the V Series. The XP-V731U (7,300 lumens) and XP-V801U (8,000 lumens) are designed for high-impact visuals without sacrificing efficiency. They are compatible with legacy NEC lenses, allowing users to leverage existing optics for substantial cost savings.

Both the A and V Series are equipped with a full suite of advanced features designed to simplify setup and deliver high image performance. This includes Sharp's geometric correction for projecting on non-standard surfaces, integrated edge blending for seamless multi-projector displays, and Roll Free orientation for flexible placement at virtually any angle. A Constant Brightness setting uses internal sensors to maintain a specified percentage of light output over an extended period of time. NaViSet Administrator 2 software allows users to control, monitor and manage your projector settings in an all-in-one software system. Multi-display TileMatrix technology enables large, high-resolution visuals without external processors, while ProAssist management software gives installers precise, remote control over image settings and adjustments.

"With this rebrand, Sharp is giving customers the ability to choose the exact performance and integration features they need," said Ryan Pitterle, senior product manager, projectors, Sharp. "The A Series delivers dust-free reliability and extreme brightness for large, demanding spaces, while the V Series maximizes flexibility with lens compatibility and new ultra-short throw options. Together, they provide purpose-built solutions that ensure exceptional projection in any environment."

Nanolumens is set to launch the NanoPanel 55, a new dvLED display designed to bring the advantages of dvLED technology to the standard 55-inch flat panel format. The NanoPanel Series combines the advantages of direct-view LED technology, including reduced power use, high image calibration and in-field repairability, long lifespan and zero bezels, within the same footprint as traditional LCD and OLED displays. Using Virtual Chip-on-Board (VCOB) technology, the NanoPanel 55 delivers Full HD (1920x1080) resolution in a 55-inch cabinet size with the same mounting compatibility and footprint as standard flat panels. The NanoPanel 55 offers all the benefits of dvLED while maintaining the simplicity and familiarity of a traditional commercial display.

[Now Showing: The Integration Guide to Digital Signage]

While not the first dvLED display in a 54 to 55-inch size, the NanoPanel 55 is the first to market to offer true Full HD resolution at 1920 x 1080. The NanoPanel was developed for specific use cases such as flight information display systems (FIDS) in airports, transit stations, menu boards and command and control centers. The product’s design focuses on performance, reliability and ease of integration, giving operators and facilities a direct replacement option for traditional LCD flat panel displays.

“The NanoPanel 55 is a practical evolution in dvLED technology,” said Kurt DeYoung, chief revenue officer for Nanolumens. “It delivers the long lifespan, energy efficiency and zero-bezel design of dvLED in a familiar flat panel format, giving customers a direct replacement for LCD displays that’s easier to maintain and more cost-effective over time.”

The NanoPanel 55 is engineered for 100,000 hours of 24/7 operation to half-life, maintaining both color and white balance throughout its lifespan. The display’s efficient power usage and reduced heat load contribute to lower operating costs and an improved return on investment. Field-serviceable modules allow for quick on-site repair, minimizing downtime and reducing environmental impact by eliminating the need to store spare displays.

The NanoPanel 55 supports easy retrofits into existing LCD spaces using standard VESA mounting patterns, allowing integrators to reuse existing infrastructure. The zero-bezel design enables seamless multi-panel configurations that create a continuous visual surface, enhancing the viewing experience with improved contrast, deeper blacks and brighter whites. With its 0.6 mm pixel pitch and Full HD resolution in a 55-inch cabinet, the NanoPanel 55 delivers clarity and performance ideal for high-visibility applications.

Looking for a 'ideal solution' for video walls or TV distribution in sports bars? Alfatron Electronics is now offering the ALF-IPK1HE 4K Networked Encoder and ALF-IPK1HD 4K Networked Decoder for high-quality AV signal distribution over an IP network. These AV over IP encoder/decoder units enable users to transmit lightly compressed audio and video signals with minimal latency and lossless quality. The solutions are designed for ease of installation, configuration, and management, with user-friendly interfaces and intuitive control software that streamline setup and operation.

[Is Anyone Using Your New Tech?]

The ALF-IPK1HE encoder and ALF-IPK1HD 4K decoder support input resolutions up to 4K@30 Hz, thus ensuring the ability to process high quality video. With their support for plug and play, this encoder/decoder combination works easily with unmanaged network switches—eliminating the need for configuration. To further ensure high-quality material, these two units support high-efficiency H.264/265 video codecs via the HDMI 1.4 transmission standard with HDCP 2.2 4K copy protection. Both units support the MPEG4-AAC and LPCM stereo audio formats.

The ALF-IPK1HE encoder can be configured in an IP video matrix or video wall setup using the VDirector mobile control app for iOS. The encoder has a built-in scaler for fast and seamless switching, and RS-232 throughput is supported to the ALF-IPK1HD 4K decoder. This encoder provides effortless preview management. Users simply drag-and-drop sources to the desired displays for visual control. Additionally, this encoder features local audio de-embedding with line output. For operational convenience, the RS232 route follows the switching of the video source.

The ALF-IPK1HD is a 4K networked AV over IP decoder adopting the latest H.265 compression. Like the ALF-IPK1HE encoder, this decoder can be configured in an IP video matrix or video wall setup using the VDirector control app for iOS. This unit works easily with an Ethernet switch, eliminating the need to configure IP addresses, making this a true plug and play solution. The decoder’s integrated scaler is designed to achieve fast and seamless switching. This decoder makes it easy to build an IP matrix or a video wall and it has a built-in scaler to achieve fast and seamless switching.

“This combination of encoder and decoder provides several advantages for achieving superior quality AV," Kevin Gelman, national sales director, CFO at Alfatron Electronics, commented. "For starters, these products offer scalable and flexible distribution of AV signals, enabling users to easily expand their systems to accommodate changing requirements or add new endpoints without the need for costly rewiring or infrastructure upgrades. This scalability ensures that AV content can be delivered reliably and efficiently to any location within a facility, regardless of distance or complexity. With scalability, flexibility, and advanced features, these products deliver exceptional AV performance that meets the demands of modern applications, making them the ideal choice for anyone seeking to deploy a reliable and efficient AV distribution system."

Korbyt introduced a new portfolio of Korbyt media players engineered to power modern digital signage and workplace experiences at scale. This new suite of media players delivers a plug-and-play experience with purpose-built hardware devices that integrate seamlessly with the Korbyt Anywhere content management system (CMS). The lineup—Aries III Fanless Signage Player, Orion 4K Signage Player, and Vega Multi‑Zone Signage Player—delivers reliable, high‑quality playback, robust security, and streamlined remote management. In addition, the Aries III and Orion media players offer out-of-band (OOB) capabilities for remote player control and recovery.

[Digital Signage Continues to Thrive]

“Enterprises need hardware that matches the speed and scale of their communications,” said Andrew Gildin, VP of channel sales and revenue operations at Korbyt. “With Aries III, Orion, and Vega, we’re giving customers flexible performance tiers with standard enterprise features like Out‑of‑Band management, 4K playback, and secure, cloud‑first administration. Teams can confidently deploy, monitor, and update signage networks —and with out-of-the-box provisioning, accelerate time to value for enterprise digital signage.”

The Aries III Fanless Signage Player is ideal for enterprise deployments where reliability and low maintenance are paramount. Its fanless design for silent, durable operation in mission‑critical environments. Powered by AMD Ryzen Embedded processors with integrated Vega GPU for smooth multimedia playback, it supports 4K UHD video support.

The Orion 4K Signage Player was designed for high-quality graphics and multimedia processing capabilities. It is built on Intel N97 for responsive performance in digital signage and edge applications and includes 4K‑ready graphics with multimedia capabilities for demanding visual experiences.

Lastly, the Vega Multi‑Zone Signage Player was created with immersive, interactive experiences that captivate audiences in any business setting in mind. It is a BrightSign-powered solution built for high‑traffic environments that demand consistent, reliable playback that drives multi‑zone layouts to orchestrate dynamic, simultaneous content across multiple areas of the screen.

All three players are pre‑configured for the Korbyt Anywhere CMS, giving IT, AV, and communications teams a single pane of glass for content scheduling, device health monitoring, policy‑based updates, and role‑based access control. The portfolio provides support for BrightSignOS and Windows 11, enabling organizations to plan a smooth migration from Windows 10 before Microsoft ends support in October 2025. It also allows IT teams to standardize their technology stack while ensuring performance, security, and manageability remain uncompromised.

Extron unveiled the DTP3 CrossPoint 42. This compact 4x2 4K/60 matrix switcher features USB-C and HDMI inputs, HDMI outputs, and a DTP3 output for extending video, audio, and control signals up to 330 feet (100 meters) over a shielded CAT 6A cable. Integration-friendly features, such as 60 watt USB-C charging and audio de‑embedding simplify designs and streamline installation by reducing equipment needs. Extron-exclusive Vector 4K scaling delivers pristine image quality, seamless transition effects, and logo keying.

[Is Anyone Using Your New Tech?]

These features and more make the DTP3 CrossPoint 42 ideal for meeting rooms, collaboration spaces, training rooms, and other professional AV presentation venues.

“The DTP3 CrossPoint 42 redefines compact AV matrix switching with a feature set that delivers both performance and versatility,” said Casey Hall, chief marketing officer for Extron. “Its small size enables convenient installation in a variety of locations, and its advanced capabilities enable uncompromised operation in a broad range of presentation environments.”

The DTP3 CrossPoint 42 is built to serve the needs of environments where reliability, ease of use, and high quality presentations are crucial. These include corporate meeting rooms, lecture rooms in higher education, and government facilities. In addition to enhanced video performance, it incorporates logo keying and seamless switching transition effects to enhance the user experience.

SpinetiX has introduced SpinetiX HUB, the new all-in-one cloud-based platform designed to simplify, secure, and scale the management of the SpinetiX complete digital signage solution, giving users a central place to operate every aspect of their digital signage.

[Digital Signage Continues to Thrive]

With HUB, customers benefit from unified access with a single login to manage a growing number of SpinetiX products and services. The platform offers flexibility to scale, allowing users to activate only the products they need when they need them.

At the same time, SpinetiX HUB delivers built-in enterprise-grade security and compliance with the highest standards such as BSI C5, and GDPR. Users have now the flexibility to choose the location where their data is stored, manage access to other users with confidence, and connect third-party services like Microsoft 365, Power BI, Google Workspace, and more with the highest security standards.

At launch, SpinetiX HUB brings together the Arya cloud-based CMS, simplified activation, centralized storage and management of account resources, and seamless connectivity with third-party data under one roof.

“This is a major milestone in our digital signage vision and in the implementation of our product roadmap,” said Francesco Ziliani, CEO of SpinetiX. “With HUB, we are delivering simplicity, unification, and futureproofing to our customers and partners. SpinetiX HUB it is the foundation on which every innovation from SpinetiX will be built.”

Throughout the history of professional video production, transformative technologies have democratized their use and disrupted the status quo of expensive, proprietary solutions. Twenty years ago, the TriCaster was such a product, and it remains that way today under the ownership of Vizrt.

Introduced by NewTek at the NAB 2005 convention, the TriCaster—so named for its ability to input and output live and pre-recorded video, record it, and stream it over the internet—was initially a kludgey-looking silver box loaded with software that was working so hard it began to overheat after the first day of demonstrations and had to be restarted every hour or so for the remainder of the show.

However, its value was significant and clear to everyone who saw it, as the year ushered in a rapid increase in the evolution of technologies that needed content to make them useful, such as broadband, social media, and the internet on mobile phones.

To meet this growing revolution in desktop video, the initial TriCaster model integrated live video switching, broadcast graphics, virtual sets, and other production features into a portable and compact device. It was essentially a "TV studio in a computer," as some marketing materials at the time claimed.

From its humble beginnings as production switcher for SD video that used a keyboard and mouse instead of a traditional switcher panel, today's version of the same integrated production system is more advanced, less expensive than the sum of its features, and just as capable of handling high-quality content as any other solution. In fact, it's used to produce some of the most high-profile online content, such as part of FOX Sports’ coverage of this year’s NFL Super Bowl telecast.

Indeed, the nascent TriCaster has come a long way.

“It's amazing how the TriCaster has gone from people looking down their nose at it as not suitable for professional production to doing part of the Super Bowl this year,” said Chris McLendon, senior product manager for Vizrt’s TriCaster, 3Play, and Viz Connect products. “Even top-end broadcasters are having to stretch their budgets and get the most bang out of their buck. One of the ways to do that is to multitask products and have a single system do a lot of different things. That’s the concept that TriCaster was founded on.”

An Amiga Disruptor

TriCaster was originally developed by NewTek, a company founded in 1985 in Topeka, KS, by Tim Jenison and Paul Montgomery. The company eventually moved San Antonio, TX, in 1997, and was sold to Vizrt in 2019. NewTek’s history started with video capture hardware and editing software for the Commodore Amiga platform.

“I joined Vizrt in 2022, and from what I’ve been told, there was a lot of rebel outlaw mentality in the beginning of NewTek,” said McLendon. “They had a small group of really smart people, and they got together and went to trade shows, and they looked at how people were doing things and literally said, ‘Let's shake it up and do something completely different.’”

“NewTek was a major force in ushering in the historic digital television transition,” said Brian McKernan, former editor of Videography magazine, which covered the fledgling company extensively. “Innovative products such as the popular TriCaster were a natural extension of that.”

One of those innovative products was the famous Video Toaster.

“NewTek’s founders were personal computer enthusiasts as teenagers who built their company based on that perspective,” McKernan explained. “They instinctively recognized the value of what the 'off-the-shelf' and very affordable Commodore Amiga personal computer offered to the television production industry because of its special display system. Combining the Amiga’s unique 'Blitter' and 'Copper' chips, NewTek developed the broadcast-quality Video Toaster, which provided video producers at all levels with a video switcher, DVE, character generator, paint, and the Lightwave 3-D animation system. It was an immediate hit with everyone from Wayne’s World to Disney Studios.”

Continuous Upgrade Path

TriCaster systems utilize a customized version of Windows as their operating system, specifically a Long-Term Servicing Branch (LTSB) or Long-Term Servicing Channel (LTSC) variant. This means they are not standard Windows operating systems and focus primarily on security and stability. It's a specialized version designed for TriCaster’s specific hardware and live video production.

Over the ensuing years, the TriCaster was incrementally improved with new features and better signal support for professional workflows. At NAB 2006, NewTek announced TriCaster PRO, which introduced professional video, audio connections, and virtual sets (using proprietary NewTek LiveSet technology) to the TriCaster line. Next came TriCaster STUDIO, the first TriCaster to support six cameras, and then TriCaster BROADCAST, the first model to deliver SDI video and audio support.

In early 2009, NewTek introduced 3PLAY, a portable multi-channel HD/SD slow-motion replay system. TriCaster TCXD300, the first HD TriCaster, came in 2009, and in 2010, NewTek introduced TriCaster TCXD850, a 22-channel HD model in a rackmount form factor.

At the IBC 2025 show in Amsterdam, NewTek introduced its IP networking protocol, Network Device Interface (NDI). The predecessor to NDI was called AirSend, which was primarily used as an IP video tool for TriCaster users. The system included the world’s first natively integrated NDI video switcher.

Among the many influential features added to the TriCaster is Live Call Connect, which allows users to integrate remote callers from videoconferencing applications like Zoom, Microsoft Teams, Discord, and Slack into productions. This feature, introduced as part of the TriCaster 2 Elite systems, proved to be highly beneficial when remote working became the norm during the pandemic. “Vizrt/NewTek was one of the first people to say, 'If you've got a Skype caller, you should be able to pull that directly into a broadcast,'” said McLendon.

That system was one of its best-selling TriCaster products ever. It has since been replaced with the new TriCaster Vizion system, which offers advanced graphics, AI-powered tools, and configurable SDI/IP I/O. The AI tools are built on the Nvidia framework, particularly those leveraging GPUs. “They were ahead of the curve in terms of remote collaboration, and it’s another example of the company being innovative,” McLendon said. “Vizrt has an entire roadmap for adding AI-powered tools in the future. This includes some gaze correction that can automatically trim shots where the talent has moved out of frame.”

Software Legacy

Looking at its underlying architecture, the TriCaster was, in effect, an appliance built on a Windows platform for the first 15 years or so. However, over the past few years, the company has focused on more software-only features. To that end, Vizrt now offers TriCaster Mini S, a software-only solution that customers can use with their own hardware. Another option is TriCaster Vectar, a cloud-based 4K production system.

“That's one of the reasons why we can do some of the things that we can do that others can't—because it was always built on software," McLendon explained. "The hardware was just a vehicle to get to where customers want to go. The challenge was that the hardware was not good. Well, now we've gotten to a point in time where the hardware, even consumer hardware, is amazing in the things it can do. So, as hardware processing gets better and faster, it will only improve TriCaster’s performance."

Today, the Vizrt TriCaster product line includes models for practically any application, from on-premise production to cloud and software-based solutions. So, where does the TriCaster stand in the pantheon of paradigm-shifting technologies for video production? McLendon argues it revolutionized the idea of doing full productions in one integrated system.

"I think the fact that you now see so many multitasking products is a testament to the founders seeing an opportunity to make video production easy and affordable," he offered. "That's the legacy, because the TriCaster concept was so simple. It is one system that has multiple capabilities, enabling customers to avoid having to buy and learn five different systems. What was once a disruptor is now the most cost-effective and efficient way to produce and distribute professional audio and video content.”

Planar introduced the Komodo Series, a family of ultra-fine pixel pitch Chip-on-Board (COB) MicroLED video-wall displays engineered for high indoor visual performance and long-term reliability for corporate, meeting spaces, video production, private cinema, and other environments that demand the ultimate visual performance.

[10 Growth Opportunities Defining the Future of AV]

Available in 0.7, 0.9 and 1.2mm pixel pitches, the Planar Komodo Series features a DCI-p3 color gamut for professional-grade color reproduction and 1,000 nits of brightness to support dynamic image reproduction in any indoor environment. The Planar Komodo Series is powered by Megapixel’s HELIOS LED Processing Platform, supporting video standards and delivering modular and flexible inputs to allow for endless creativity. Developed from the ground up by Planar and Megapixel, Planar Komodo Series features LED display cabinet electronics specifically designed to fully leverage the Megapixel platform.

“We are truly setting a new standard for visual excellence with the Planar Komodo Series,” said CEO at Planar Sidney Rittenberg. “Designed for the most demanding audiences, the Planar Komodo Series delivers a top-of-the-line video wall solution like nothing else available today. This is the first result of our partnership with Megapixel, and we are proud to be presenting the future of LED with another leader in the industry.”

In addition to 100 Gbps (G) ST2110 capability, a standard developed by the Society of Motion Picture and Television Engineers (SMPTE) to define professional media over an IP network, Planar Komodo Series features an upgradable design to support future standards and can be configured to meet customer application needs.

The Planar Komodo Series is designed to support today’s most in-demand formats, including 16:9 and 21:9. With the ability to build video walls from native Full HD and 4K to 8K and ultra-wide 5K, the flagship COB LED family delivers scalable, future-ready visual performance.

In corporate and education applications that benefit from ultra-wide 5K resolution, the Planar Komodo Series is ideal for conferencing, unified communications and hybrid collaboration. For applications demanding expansive or panoramic viewing experiences, it delivers an immersive, cinematic-scale seamless display that maximizes visual impact.

Planar Komodo Series features the latest advancements in COB technology, including improved color accuracy, high pixel density, sharper imagery and deeper blacks. In addition to an advanced manufacturing process that sorts and pairs only uniform LEDs together, eliminating abnormalities, Planar Komodo Series uses an alternating LED orientation to produce improved viewing angles and color uniformity. This helps ensure the highest quality viewing experiences, while enhancing the inherent benefits of COB technology.

“With more COB LED displays appearing in the market, we wanted to offer customers a video wall solution that uplevels the performance currently available,” said Robert Detwiler, senior director of product management at Planar. “The new Planar Komodo Series is our response. We are proud to bolster our selection of COB LED solutions with a high-end offering that is differentiated by an innovative alternating LED pattern that results in uncompromised visual performance, on top of the incredible power efficiency and durability users want in a COB LED display product.”

LG Electronics USA has launched the LG MAGNIT ProAV Series MicroLED displays (LSAP series) with Megapixel’s HELIOS LED Processing Platform. This platform unlocks advanced user-experience (UX) and user-interface (UI) functionalities including real-time mapping, multi-user control, superior color control, hyper-speed seam correction (via game controller), monitoring, and diagnostics. LG is also expanding its all-in-one dvLED (LAAA series) portfolio, adding new 163 and 136-inch LG MAGNIT All-In-One 4K models.

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“Our new LSAP MicroLED displays are important innovative additions to our existing range of LG MAGNIT models,” said Michael Kosla, B2B senior vice president at LG Electronics USA. “With Megapixel’s HELIOS processing platform, these LG MAGNIT displays have the capability to utilize powerful UX and UI functionalities, providing system integrators and end users with even more control and an excellent overall user experience.”

The HELIOS LED Processing Platform adds advanced control and management capabilities to the LG MAGNIT LSAP MicroLED displays. Features include real-time mapping, support for multiple users, color adjustment tools, seam correction options using a game controller, and built-in monitoring and diagnostic functions.

LG MAGNIT ProAV Series MicroLED displays are available now in three models: LSAP007, LSAP009 and LSAP012, with pixel pitches of 0.78mm, 0.94mm and 1.25mm, respectively. The improved displays feature a series of significant upgrades, including high-performance refresh rates and lifelike color reproduction.

The LSAP012 now features double the refresh rate, making it ideal for high-performance environments. Due to its high refresh rate options, LSAP is the easy choice because of its clear reproduction of fast-moving images on the screen (e.g., boardrooms and home theaters) and for its exceptional video capture on camera (e.g., virtual production and broadcast studios).

The new LAAA 163-inch (0.9mm pixel pitch) and 136-inch (1.5mm pixel pitch) LG MAGNIT All-In-One 4K models further expand LG’s LAAA series portfolio, which includes an embedded controller simplifying the installation. Control of these displays is as easy as using the infrared remote control or integrating them into a high-end AV Touch Control system via IP commands. These displays include integrated loudspeakers.

Built-in Quad Core SoC (System on Chip) executes several tasks at once, for providing smooth content playback; and LG’s webOS smart platform enhances user convenience with its intuitive user interface, provides system integrators and developers simple app development tools such as SDK (Software Development Kit) and SCAP (Signage Common Application Platform).

Planar recently introduced the next-generation Planar UltraRes P Series, enhancing its line of large format 4K LCD displays with improved image color, clarity and commercial reliability.

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Available in 49, 55, 65, 75, 86, and 98-inch sizes, the next-generation Planar UltraRes P Series features 700-nit brightness, a 24x7 fanless design and support for 4K HDR content, combining superior image performance with commercial reliability. This makes the product well-suited for environments that require an exceptional visual experience for extended or continuous operation such as control rooms, lobbies, media rooms, conference rooms and meeting rooms.

The upgraded Planar UltraRes P Series maintains the product’s multi-source viewing with Planar MediaPlex Plus processing while adding wide color gamut and interactive touch models. As a result, customers experience vibrant visuals and can simultaneously view up to four content sources in picture-in-picture, dual or quad layouts. Interactive touch models feature optically-bonded projected capacitive 50-point touch for enhanced collaboration.

The displays offer a 90% NTSC (National Television System Committee) video format standard as well as numerous local dimming zones to showcase dynamic content. The large format LCD displays are compliant with the Trade Agreement Act (TAA) and can be mounted in landscape or portrait orientation, supporting greater deployment versatility and creativity in content development.

Big NDI news in the PTZ realm. All of Telycam's professional PTZ cameras, including the Explore, Vision+, and Drive+ series, now come with built-in NDI HX support. This expansion enhances performance and addresses the growing demand for seamless interoperability between devices and software over standard IP networks.

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"We're proud to deepen our strategic relationship with NDI," said Aaron Xia, CEO of Telycam. "This upgrade enhances our products' competitiveness and provides customers with more flexible and powerful tools for their production needs. We have been at the forefront of NDI adoption for a long time, and we believe that expanding this across all of our models will give Telycam an even stronger edge in the global PTZ camera market."

With this expanded NDI support, users can transmit high-quality, low-latency video over IP for live production, streaming, and recording, simplifying workflows and reducing setup complexity. NDI delivers easy-to-deploy, low-latency, high-performance connectivity, making integration into any device or workflow straightforward.

"It's exciting to see Telycam integrate NDI across its full PTZ camera lineup, raising the bar to meet the evolving needs of creators and system integrators," said Miguel Coutinho, head of NDI. "Working alongside the Telycam team supports our goal of setting new benchmarks for video-over-IP connectivity and delivering innovative, reliable solutions that empower the global AV and broadcast communities."

Marshall Electronics introduced its first dual-sensor/dual-lens, PTZ/POV camera, the CV625, which is available in both black and white. This latest addition to the CV600 line of cameras brings both a PTZ and a POV wide angle into a single 4K tracking camera. The combination can produce simultaneous close-up and wide views, picture-in-picture outputs plus enhanced AI tracking.

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The CV625 has 25X zoom, video output up to UHD60 and 4K auto tracking. Featuring a high-performance 8-Megapixel 1/1.8-inch sensor, the CV625 can capture and deliver clear images up to 3840x2160 resolution at 60 frames per second (fps). The ability to automatically track, follow and frame presenters using AI technology is enhanced by the dual image capture, which makes the camera aware of the number of people in a shot even when the PTZ is zoomed in on a closeup. The panoramic POV image can be output as picture-in-picture or separately.

When used as a manually controlled PTZ camera, the wide image can be very helpful for an operator to understand what is happening in the room. The CV625 offers a wide range of program outputs including 4K HDMI/RTSP streaming, Full HD 3G-SDI, Ethernet and USB 3.0, making it a versatile solution for many applications from AV to broadcast.

The camera’s AI auto tracking follow-and-frame function is designed to be proactive and predictive. This cutting-edge technology allows it to follow and frame presenters with natural and smooth maneuvers. Combining the ability to pan, tilt and zoom, the system uses AI to recognize faces and learn the movement dynamics of the subject, thereby anticipating motion and ensuring accurate following and framing with smooth transitions. The AI tracking prevents the camera from “jumping” to another person who may enter the frame. The AI processing also enhances auto focus, avoiding focus “breathing.”

“We are excited to expand on our CV600 series, as the brand-new CV625 and the recently released CV612 both feature AI track and follow capabilities,” said Robert Ramos, West Coast regional sales manager, Marshall Electronics. “Giving our customers the ability to use the 4K auto-tracking feature along with the panoramic camera to capture the perfect presentation is ideal for a wide variety of applications, including broadcast, higher education, courtrooms and anywhere else high-quality PTZ cameras are used."

Disguise has unveiled its GX 3+. Built on NVIDIA’s Blackwell GPU architecture and including a two-year Notch playback license, the GX 3+ unlocks the full capabilities of Notch 1.0 for generative content playback—enabling video designers to create richer, more sophisticated and responsive event visuals that bring their vision to life without compromise.

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With exceptional generative graphics power and a 175% increase in Notchmarks, the GX 3+ will enable content teams, show designers, and programmers to playback Notch blocks with their intended resolution, color fidelity and frame rate, allowing them to realize the full potential of their creative vision. Creators can unlock powerful features in Notch 1.0—from advanced ray tracing and real-time global illumination to complex geometry, physics simulations and seamless multi-machine rendering—pioneering new visions for the future of live events and immersive experiences, and drawing audiences further into the performance.

The expansion to 96GB of VRAM in the NVIDIA Blackwell GPU eliminates memory bottlenecks that have historically constrained high-resolution productions. Combined with Notch 1.0's new sparse multi-grid solver, this enables vastly more detailed real-time particle systems and fluid simulations to be brought to life.

The GX 3+ also empowers users to up the complexity of their visuals, with the power to render 40% more video layers on Designer projects at 4K DCI 30fps when compared to the GX 3—meaning users can quickly build more intricate looks for their shows before compositing them in real-time on the Designer timeline. This will result in richer, more cinematic content for the audience, as well as the ability to exercise greater content control on a layer-by-layer basis directly in Designer, ultimately saving valuable production time while maximizing visual impact.

“Our GX range has already powered everything from Adele’s Guinness world record-breaking Munich residency, to Coldplay’s multi-year Music Of The Spheres tour,” said Disguise’s Tom Rockhill, chief operating officer. “With the GX 3+, we are introducing a fundamental shift with the NVIDIA Blackwell GPU that will enable creative teams to expand their horizons and redefine what’s possible when it comes to live entertainment visuals. Whatever your vision, with the GX 3+ you’ll have all the power needed to go from screen to stage without compromise. The only limit is your imagination.”

To help users experience the full impact of Notch 1.0 from the get-go, the GX 3+ will come with a selection of ready-to-use Notch Blocks created by Disguise’s Creative Services team. These visuals will showcase the latest Notch capabilities, including elevated lighting fidelity and complex particle systems.

“Notch 1.0 represents three years of forward-thinking development, built with next-generation GPU architecture in mind. Its state-of-the-art NURA rendering system brings new levels of rendering fidelity alongside vastly improved scales,” said Luke Malcolm, co-founder and COO at Notch. “The convergence of the GX 3+ and Notch 1.0 creates a pivotal moment where creative possibilities leap ahead of current industry standards. Coupled with Disguise’s full ecosystem and 20+ year heritage in driving the biggest live events and experiences in the world, this will give users the opportunity to explore the full creative potential of Notch’s new tools using an established workflow, and step into the future of generative content.”

Just Add Power has launched its MC-TX1-RACK, designed to simplify and accelerate video installations. The MC-TX1-RACK combines three MaxColor encoders into a single rackmount chassis, providing a cleaner and more efficient way to manage multiple video sources. The product supports 4K60 4:4:4 resolution and all audio formats, and its Audio Return Channel (ARC) functionality ensures smooth two-way audio integration.

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The MC-TX1-RACK is a space-saving solution that simplifies cable management, reduces clutter, and speeds up installations in various environments, from compact setups to large-scale AV over IP systems. It is built upon the proven capabilities of the award-winning MC-TX1 MaxColor encoder and is the first product in the MaxColor lineup to integrate three encoders into one compact chassis without sacrificing performance.

“The MC-TX1-RACK is a direct response to customer needs, offering a unique, space-saving solution that simplifies complex installations while delivering the high-performance AV distribution Just Add Power is known for,” said Ed Qualls, CEO of Just Add Power. “This innovation reinforces our role as a leader in AV over IP by making high-performance video distribution more efficient for any size system without compromising on quality or scalability.”

The MC-TX1-RACK is a fully assembled, ready-to-install 3 RU solution with front-facing ports for easy access. Centralized Power over Ethernet (PoE) simplifies installation by eliminating the need for separate power supplies. By centralizing multiple encoders in one chassis, the MC-TX1-RACK reduces potential points of failure and simplifies troubleshooting, leading to more reliable system performance.

The MC-TX1-RACK is part of the Just Add Power MaxColor ecosystem and is designed to be used alongside Just Add Power decoders for complete video distribution. The unit's adaptable design also supports future expansion, making it ideal for evolving installations.

Vizrt has updated Viz Engine with new capabilities to help customers create once, adapt automatically, and publish everywhere, without duplicating work or juggling multiple systems.

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As audiences demand the same high-quality experience whether they’re watching on TV, streaming on mobile, or engaging on social media, the pace of multi-platform delivery is accelerating. Viz Engine 5.4 meets this challenge head-on, collapsing production complexity, reduce costs, and giving teams more time to focus on storytelling.

“In today’s media landscape, if you’re not moving forward, you’re already behind,” said Caroline Cardozo, VP, product management Vizrt. “Audiences want more content, on more platforms, faster than ever – and they don’t care that teams are being asked to do this with the same people and budget. Viz Engine 5.4 flips that script. It cuts through bottlenecks, eliminates compromises and brings every ounce of your creative power into one, seamless workflow. This isn’t just another version; it’s a step change. From keeping pace… to setting the pace in the broadcast revolution.”

From stadium-wide LED walls to immersive studio backdrops, producers can now drive up to 8K visuals today (and be ready for 16K tomorrow) from a single Viz Engine and a fiber connection. Now, with adaptive graphics that flex to any aspect ratio, one design can hit broadcast, OTT, and social simultaneously.

Whether it’s a primetime TV feed, a sports app, or a social livestream, Viz Engine 5.4 powers them all in parallel. Multiple formats run side-by-side in one workflow, so you expand your reach and revenue without multiplying your workload. Native HDR creation in Viz Artist means the vibrancy you design is the vibrancy your audience sees.

Viz Engine 5.4 also brings a wave of enhancements that boost flexibility and creative scope. With HTML5 integration, any live web content can be pulled directly into your graphics and on-air in seconds. Producers create more relevant, personalized broadcasts that keep viewers watching longer and keep them coming back. Plus, support for Unreal Engine 5.4 and 5.5 enables hyper-realistic virtual sets and richer visual detail.

Bluefin has introduced COLORFRAME, a new option that lets customers choose from dozens of RAL color finishes for their screen frames. This addition allows clients to tailor not only the size, specifications, and operating system of their displays, but now the frame color as well.

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Digital signage is no longer just an information tool; it has become an aesthetic feature in modern interiors. By offering color customization, Bluefin empowers customers to integrate displays into a space’s overall look, creating cohesive, on-brand environments in retail, hospitality, corporate, and public settings.

COLORFRAME is Bluefin’s answer to the emerging market need for frames to integrate seamlessly with their space or make a visual statement. “COLORFRAME is about giving clients one more way to make their vision a reality,” said Tim Bailey, COO of Bluefin International. “It’s exciting to extend our ‘If we can, we will’ motto into the realm of colored frames both affordably and at scale.”

For interior designers, architects, and brand managers, COLORFRAME extends creative freedom into the technology itself. Whether matching a brand’s exact color palette or complementing an interior design scheme, frame colors can help digital signage blend in or stand out; turning functional displays into intentional design elements.

Customers can combine COLORFRAME with Bluefin’s FLEX-OS platform, embedding their preferred operating system (BrightSign, Intel, or Android) into any display. With COLORFRAME, the frame itself becomes part of the brand story. Before a single pixel lights up, your digital signage is already making an impression.

Alfatron Electronics is miking the conferencing experience more intuitive and seamless. Introducing the ALF-MU4K HUB which supports 4K resolutions, USB 3.2 for maximum speed and efficiency, plus control via TCP/IP (Transmission Control Protocol/Internet Protocol) for the GUI (Graphical User Interface), the ALF-MU4K Hub takes efficiency and advanced control to a new level.

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The new ALF-MU4K Hub is designed to support the latest equipment and the highest signal resolutions and transfer speeds. This includes HDMI 2.0 with support for 18 Gbps bandwidth that enables 4K Ultra HD video at 60 fps 4:4:4. Further, the unit supports HDCP 2.3, which is the latest version of High-bandwidth Digital Content Protection, and the hub is also backward compatible.

When multiple signal sources are connected, the ability to seamlessly switch between them is essential. In this regard, the ALF-MU4K Hub excels. The hub’s Multiview function provides selection among various modes, and the user can define those settings, such as the ability to see all four input sources prior to making a selection. To ensure intuitive operation, the hub provides KVM switching among two computers at 10 Gbps. KVM auto-switching is based on TMDS/5V detection and KVM supports hot-key control at the USB2.0 port. The ALF-MU4K Hub provides 4 USB ports with the ability to handle up to USB 3.2 and there is also a single USB 2.0 KVM port.

Additional connectivity on the ALF-MU4K Hub includes USB C as well as HDMI inputs with Host USB ports for Unified Connectivity. It should also be noted that Ethernet is enabled for all USB C and B Host ports.

Additional functions of the new ALF-MU4K Hub include versatile control via the TCP/IP (GUI), RS232, or GPIO with a 3rd party control system. The hub supports auto switching for the inputs and EDID (Extended Display Identification Data). HDCP (High-bandwidth Digital Content Protection) management is handled via DIP switches. TCP/IP is to allow the firmware upgrade to be done over the network and to be discoverable via a third-party management system.

Sharp Imaging and Information Company of America has unveiled three new, innovative MultiSync PN-ME2 displays, complementing the ME Series display lineup launched in early 2024. These displays come in three sizes: 75-inch Class PN-ME752 (74 ½-inch diagonal), 86-inch Class PN-ME862 (85 6/10-inch diagonal) and 98-inch Class PN-ME982 (97 ½-inch diagonal). These were designed with corporate or educational environments in mind, but can showcase advertising or entertaining content as well.

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The new, larger-sized PN-ME2 displays bring a reliable, high-end visual experience with 450 nits of brightness to keep viewers engaged. These models have anti-reflective, high haze panels along with a new, slimmer mechanical design that provides up to an 18% decrease in depth from previous models, allowing fit in any environments. Designed with ease-of-use and versatility in mind to make the PN-ME displays a great fit for customers who want to showcase their content in either landscape or portrait orientation.

Ideal for tech-driven environments, the PN-ME displays feature an integrated USB-C connection for all your audio/visual needs, including a DisplayPort Alt Mode and upstream capabilities via an integrated USB Hub. The units are also based off System-On-Chip (SOC) architecture for greater flexibility in content deployment as well as including an integrated browser with gigabyte speeds for internet.

The MultiSync PN-ME displays have 32GB of storage (total capacity including operating system) to house content within the product itself. The displays include an 18/7 runtime, an advanced media player to schedule content and the capability to set up to seven different schedules to power the display on or off and to define a source for independent operation. In addition, its Energy Star 8.0 certification makes the PN-ME display an ideal choice for businesses that are conscious of their environmental footprint.