Trade shows are among the most powerful opportunities the AV industry has to connect, learn, network, and advance business relationships. Whether it’s InfoComm, ISE, NAB, CEDIA, or a local conference, these gatherings condense months’ worth of conversations, connections, relationship building, and business development into just a few days, making it critical to make the most of these opportunities.

While exhibitors and event hosts invest months in planning, promoting, and preparing for a successful trade show or conference, attendees must also adopt a strategy for success to make the most of their time and energy—or the event will pass by in a flash, leaving them with overwhelming exhaustion and regret.

Attending a trade show effectively is not about how much you do; it’s about how well what you do aligns with your goals. Preparation, intentionality, execution, discipline, and follow through can be the difference between being busy and producing results or simply feeling busy.

Start With Purpose

Before you even register for the event, outline your objectives for attending, identify your "must have" meetings, connections, or conversations. Define what success looks like or what would constitute a good return on investment. Next, document those clear goals and objectives so you can measure outcomes and identify tangible results afterward. Trade shows reward those who prepare.

Without defined objectives, it becomes too easy to get caught up in the excitement of the event and the frenzy of the crowds, have conversations that are more social than business-focused, attend random sessions, and return home having done a lot yet getting little done. With purpose, every conversation and meeting becomes part of a strategy rather than a coincidence.

Whenever possible, schedule appointments with exhibitors, partners, colleagues, and clients in the weeks leading up to the event. Take advantage of opportunities to meet on the show floor, outside the show, or at a social event. Invite them to meet for a meal or coordinate a time to meet at a hotel lounge. Stay on schedule so outcomes and results become routine rather than random. Planning ahead ensures you’re prioritizing meetings with the people and companies that matter most.

It's also critical to be strategic in meeting planning and to map routes across the show floor to make the most of your time, minimize backtracking, and conserve energy. When scheduling times, it's critical to build buffers between meetings and account for "commute" time between booths. Conversations may run long, appointments can be delayed, crowds will slow movement, impromptu conversations happen, and, most importantly, opportunities arise. Leaving breathing room provides scheduling flexibility, keeps stress levels manageable, and creates opportunities for short, valuable breaks.

Being booked from morning to night may sound productive, but it's not sustainable. Understand and stick to limits. It's OK to have downtime, especially when it boosts overall effectiveness. A few minutes to decompress between meetings or time to rest between the day's meetings and evening activities can dramatically improve focus, engagement, and stamina.

Beyond meetings, plan logistics thoughtfully. Make reservations early and stay at a hotel that balances convenience and value while aligning with predefined objectives. For example, if networking is important, stay at a high-traffic hotel. If social activities are a priority, seek out the hot spots. If recharging outside the show is key, stay at a quieter hotel with ample dining options. Hotels near the convention center also reduce steps and commuting time, offering convenience for breaks when needed.

Prioritize What Matters Most

Trade shows offer more opportunities than anyone can realistically handle. Beyond meetings with exhibitors and clients, there are networking opportunities, educational sessions, invitation-only events, social gatherings, and random conversations, all competing for limited time.

The key to intentional prioritization is to remember the goals and objectives first established during the planning process. This means aligning time allocation with business objectives by scheduling the "must have" activities first. Then, plan the next tier of meetings and activities in order of importance. After that, fill in the gaps with nice-to-have appointments to round out the schedule. Be sure to avoid overbooking or scheduling unnecessary events, especially when they could threaten priorities.

Prioritization isn’t only about business goals. It also pertains to personal effectiveness. Many attendees focus solely on time management, but effective trade show participation also requires managing energy and mental bandwidth. Large crowds, loud environments, and information overload can quickly diminish your ability to engage meaningfully.

Through the #HealthyAV movement, first brought to light in 2024, Brittany DiCesare and I shared a personal experience that organically led to a commitment to being our best at trade shows and conferences, and it gained traction in our industry. It applies to anyone and entails recognizing that professional performance at industry events can be directly tied to physical and mental well-being.

Making good choices to treat yourself well, including eating and drinking in moderation, getting enough sleep, staying hydrated, exercising, and recharging when needed, can be a winning formula for being at your best when it counts the most.

Have Fun on Your Terms

Trade shows are among the few times our industry gathers in person, and maintaining connections and relationships matters. Take advantage of opportunities to have fun and socialize. The trick is balancing that value with your broader goals and priorities.

Evenings at trade shows often bring a flood of invitations: receptions, dinners, meetups, parties, and private gatherings. These events can be valuable opportunities to strengthen relationships in a relaxed setting, but they can also consume a lot of time and drain energy.

Instead of trying to be everywhere, evaluate each invitation with priorities in mind. Which events align with objectives? Which relationships would benefit most from face-to-face time? Where is the greatest likelihood of meaningful conversations?

Selective participation leads to greater engagement rather than rushing from event to event just to show up, make an appearance, and gain little value at high cost in fatigue. The #HealthyAV mindset reinforces this approach. When we treat wellness as part of our professional strategy, we show up better for our teams, partners, clients, and ourselves.

Ultimately, the value of a trade show is not measured by how many steps you log, how many booths you visit, or how many people you meet. It’s measured by the actions taken, knowledge gained, opportunities created, and outcomes achieved. By approaching events with intention, preparation, and self-awareness, success becomes a more predictable outcome rather than a matter of chance.

I’m still a relative newbie to the NAB Show, and in large part, the broadcast vertical. Over the past few years, the Pro AV world has crashed the Broadcast party, so walking the show floor was more familiar this year than I remembered from the last time I was here in 2024.

This is only my second show in person since joining Future B2B. In a sense, I’m a good marker, because if I walked away with one thing that I understood and could use on the Pro AV side of things, that means a good, innovative, and informative show was delivered.

Well, I didn't come away with just one thing. Instead, I walked away with five takeaways.

Broadcast AV is here.

Convergence has been a big buzzword for the past few years. We see it on our end, teaming with our fellow broadcast publication, TV Tech, to put out the annual AV for Broadcast ebook. We can continue to use terms like convergence to describe the overlap, but it is time to call it what it is.

Broadcast AV.

Sony, Shure, Ross Video, Panasonic, Riedel Communications. These are all huge players in the Pro AV market and they were here in Las Vegas for NAB Show with some of the largest and most filled booths on the floor. Yes, they were showcasing production-quality cameras, switches, and technology of the sort, but this is exactly what corporate AV and higher education wants in today’s office space and classroom. They want live-event production quality and standards inside the conference room. They want hybrid learning to be impactful and inclusive, and that includes similar, if not the same, immersive audio solutions and PTZ cameras used on television sets and in sports production. Is there still more work to be done? Absolutely, but the convergence is, well, converged. Full out Broadcast AV has arrived.

Leave your mark.

Our own Mark J. Pescatore wrote in detail about how impactful the creator economy was on the show floor. Both the Creator Lab and CineCentral were full of inquisitive attendees and inspirational thought leaders from their respective spaces. Whether you are a podcaster, video producer, or social media expert, you are the leaders of the next evolution of where the digital universe is heading and having the right tools and technology for the job is certainly of the utmost importance.

However, the biggest lesson I think Pro AV people can take from the creator economy is how important your brand is. MrBeast was constantly discussed throughout several panels. James Stephen Donaldson, aka MrBeast, is one of the originators of how to go viral and you can link video shorts, microdramas, and much of the current way content is produced back to him. Several speakers referred to it as the "beastification" of content. You want to talk about branding? When your name becomes the description for some of the biggest trends that are out there, you have yourself a high-quality branding and marketing team. Pro AV manufacturers should be thinking the same way. Make your name ubiquitous to whatever product you’re going all-in on and you could be the next Q-tip.

Production is cool.

I have always been a cinemaniac. And the cool part about the NAB Show is it takes you behind the scenes on how that movie magic comes to life. Along with checking out the mock production sets from FUJIFILM, Sony, Canon, and Panasonic (which were all very fun to watch), I got to sit in on Roger and James Deakins panel, where the dynamic duo discussed how technology can bring movie magic to life and allow filmmaking to tell great stories. It was mind blowing. Roger Deakins is one of the greatest cinematographers of all time having shot many of the Coen brothers films, Skyfall, and Sid and Nancy, while winning a pair of Oscars for Blade Runner 2049 and 1917. It was very technical, and while I didn't understand everything to a T, there was an overlying theme throughout his tale.

The biggest tech take away was not how cool Deakins and his partner in cinema (and wife) James are, because trust me, they are the living definition of cool. No, the biggest takeaway is that Deakins, now 76 years old, has done what Pro AV needs to do to survive the quickly evolving technological landscape: adapt. Deakins first film was in 1977, before there was fancy light tracking (he spoke of going to Home Depot to find bulbs for certain effects). He filmed before LED screens could make an outdoor background come inside and become something magical.

Whether it was the LED takeover of sets, new lighting capabilities, or the digital age, Roger and James were always open to technological change. A lot of cinematographers are set in their ways, James explained, but Roger was always readily willing to reinvent himself to use the technology when appropriate. Technology, Roger added, has only been necessary to create the world the director wanted. He was very adamant that he doesn’t embrace technology because he likes it; he embraced it because it tells the story of what he was trying to create.

Have you heard? AI is EVERYWHERE.

Yes, AI was all over the show floor. But it was much tamer this year than in the past. The show floor used to be showcasing auto tracking, noise reduction, and other automated features, but this is common place now. It’s like going to buy a car and telling me it has a steering wheel—if your products and solutions don’t have AI doing at least a little something, you’re well behind the curve.

Instead, the show focused more on how AI is learning to make the broadcast space even stronger. I won’t bore you with the details because Mark wrote a very good summation of what I was looking at on the show floor, so be sure to check out what he had to say.

Sphere outdoes itself every time I’m there.

OK, this was more NAB Show adjacent, but certainly Pro AV overload. I got out there a night early and got to see Phish in Sphere. If you follow our running Sphere blog, you know Mark and I have been in there a few times and have seen quite a few different things.

I can honestly say each time it gets better. This time Phish partnered with Moment Factory and Sphere Studios to create a digital canvas of mind-blowing content. Each song told its own story, giving them an opportunity to dive deep into what could be done on the world’s largest LED display. Check it out for yourself in my compilation video above.

For the second year, AV Technology accepted entries for Best of Show Awards at the NAB Show (National Association of Broadcasters Show). As always, our judges are experts in the product categories we have chosen for them to evaluate and remain anonymous to the manufacturers. They are your peers: AV/IT managers, directors, engineers, and industry consultants or integrators.

For AV Technology readers who might think the NAB Show is just for radio and television broadcasters, think again.

For at least the past five years, manufacturers have responded to the demand for higher-quality audio and video production and streaming. Technology advancements have enabled products and solutions to be scaled in size and price, making them available for use in corporate, higher education, government, museums, and many other vertical markets that otherwise would not have had access to broadcast-quality.

Congratulations to the winners!

Clear-Com | FreeSpeak Cell

FreeSpeak Cell is a full-duplex wireless intercom system designed to operate over public and private LTE and 5G networks. The product addresses increasing spectrum congestion in traditional UHF, DECT, and Wi-Fi bands, making it ideal for large venues and high-density live events. Unlike older systems limited by physical boundaries, FreeSpeak Cell leverages existing cellular infrastructure to support wide-area coverage for large-scale, distributed productions. The system supports deployments scaling to hundreds of users and extends communication beyond a single compound. By utilizing cellular networks, FreeSpeak Cell reduces the need for venue-specific RF transceivers, temporary equipment, cabling, and complex frequency coordination.

Evertz | IPMX Certified MMA and NUCLEUS

The Evertz MMA Gateway family and NUCLEUS platform form an IPMX-certified AV-over-IP ecosystem, bridging professional AV and broadcast environments. The MMA-25G utilizes a 25GbE infrastructure for secure, high-performance UHD media workflows, supporting uncompressed 4K60 and ultra-low-latency JPEG XS video. It offers live transcoding for seamless interoperability and backward compatibility with third-party and legacy systems. Featuring full redundancy, the MMA-25G is built for demanding live event venues and stadiums. The NUCLEUS platform provides intuitive, zero-programming orchestration and cost-effective UHD distribution. This combination simplifies AVoIP management and ensures scalable, broadcast-grade performance using open standards across any size facility.

Ghost Kits | Specter

Specter is a plug-and-play cellular hotspot and router providing consistent, secure internet access for camera-to-cloud workflows. It facilitates the real-time transmission of high-resolution media directly from any production set to remote post-production teams. The system features patent-pending Smart Network Switching, which automatically steers to the optimal network across 600+ global cellular providers to ensure workflow continuity. Network Bonding aggregates cellular, Wi-Fi, and Ethernet connections, increasing bandwidth, redundancy, and fault tolerance. Leveraging 5G and Wi-Fi 6E, Specter delivers upload speeds up to 900 Mbps, effectively eliminating bandwidth constraints for high-resolution media. This solution measurably reduces on-set labor overhead and post-production bottlenecks.

Hollyland | Solidcom H1 Wireless Intercom System

The Hollyland Solidcom H1 is a next-generation wireless intercom system for professional live production environments. It provides full-duplex, real-time communication for teams across broadcast, sports, and large-scale live events where reliability and mobility are essential. The system uses a distributed communication architecture with multiple IP-connected antenna nodes, creating a seamless roaming environment that covers wide areas. In standalone mode, multiple antennas support up to 30 beltpacks. The system can scale up to 80 beltpacks and 100 communication groups using the Geo Central Station for larger productions. Its plug-and-play deployment eliminates complex RF planning and network configuration, reducing setup time. Solidcom H1 also features hybrid integration, supporting Dante audio networking alongside 2-wire and 4-wire interfaces to bridge modern and legacy infrastructures. Lightweight beltpacks with up to 15 hours of battery life ensure comfort and reliability during long production days.

Ikan International | LBERS60-POE-WH

The Ikan LBERS60-POE-WH is a professional PoE-powered ellipsoidal light designed for studio, broadcast, and stage use. It simplifies setup by utilizing a single Ethernet cable for both PoE++ power and DMX control. This eliminates the need for additional power outlets and reduces installation costs. The light accepts interchangeable 12-degree and 23-degree ellipsoidal lenses to give users precise control over beam spread for focused spot lighting. Outfitted with high-CRI (97) LEDs, it delivers exceptional color accuracy across a temperature range of 2700K to 6500K. It supports both ArtNet and sACN DMX protocols for seamless integration into preferred control systems. Furthermore, the light supports integration with Q-SYS systems through a Designer Plugin, enabling control of light intensity and color temperature for multiple units.

Ikan International | Studio Rover

The Studio Rover is a fully mobile, turnkey broadcast solution that consolidates a professional studio into a single, transport-ready cart. It is designed for corporate AV, education, and broadcast environments, eliminating the complexity and time required for traditional equipment setup. The system integrates a 19-inch NDI teleprompter, a PoE LED light, a confidence monitor, and a shock-mounted 19-inch equipment rack. Its reinforced frame includes shock absorption and a fully enclosed protective lid, safeguarding sensitive components during long-range transport and relocation. A motorized lift column allows for precise height adjustments with programmable presets. Studio Rover supports modern IP-based workflows, with devices controllable via NDI, Art-Net, or sACN protocols for seamless integration and centralized automation. This offers high flexibility and reliable performance in a streamlined, portable package.

RAUBAY | Motorized 360 Degree Spinner (Pro Version)

RAUBAY's Motorized 360 Degree Spinner (Pro Version) is a precision motion-control system designed to move a camera in a circular path around a stationary subject. This technique is used to maintain consistent lighting, shadows, and framing, which is especially beneficial for delicate, reflective, or irregularly shaped objects. The system features app-based control with a professional encoder for repeatable, accurate camera movement. It offers dual modes, including Video Mode with A/B point path planning and Time-Lapse Mode supporting sequences up to 24 hours. The spinner supports diverse applications, from professional e-commerce cinematography for products like luxury goods and electronics to B-End applications such as multi-view capture for Gaussian Splatting and digital preservation of artifacts. The complete system is organized in an all-in-one-box design for efficient setup and storage.

Ross Video | Media I/O

Indigo | Media I/O is a software-defined media workflow module designed to unify ingest, playout, and transcode operations for media organizations. It supports a wide range of formats and codecs, enabling broadcasters and content creators to manage live and file-based content efficiently. The flexible architecture allows the system to operate across on-premises, virtualized, and cloud environments, eliminating the limitations of traditional hardware. It enables scaling from single to multi-channel production without disruptive infrastructure changes. The new all-in-one series centralizes these functions into a singular, compact solution, simplifying deployment, reducing complexity, and lowering total cost of ownership. Features like edit-while-ingest accelerate content turnaround, supporting modern, digital-first production models.

Saramonic | WiTalk9X and Base

The Saramonic WiTalk9X Wireless Intercom System, paired with the WiTalk Base, is a communication platform designed for scalable AV environments, including live events and corporate production. It operates on the 1.9 GHz DECT band, using dual-antenna diversity to ensure stable transmission up to 700 meters with the Base. The system supports nine users hub-free and scales up to 64 users by linking four Base units. Key features include ClearTalk 2.0, which uses AI-driven processing and a dual-microphone design to reduce background noise by up to 40 dB. The Base unit supports up to eight communication groups and integrates with existing infrastructure via a 4-wire analog interface. It also enables communication extension over 4G, 5G, or fiber for distributed deployments.

Scale Logic | WorkflowConnect Admin Suite

WorkflowConnect is a centralized orchestration platform designed to unify shared storage, browser-based media access, AI-driven content intelligence, and archive control into a single operational layer. This system provides IT teams and production managers with one place to monitor and manage their entire media workflow. It integrates with existing infrastructure to standardize deployment, configuration, and monitoring, eliminating the need to navigate multiple disconnected platforms. A real-time dashboard and a unified diagnostic layer simplify day-to-day operations and accelerate troubleshooting across all components. By acting as a control layer above prior investments, WorkflowConnect enables organizations to modernize incrementally, transforming fragmented systems into a coordinated and scalable workflow.

StreamShark | Spatial Video Pipeline

The StreamShark Spatial Video Pipeline is an enterprise-grade transcoding and quality-assurance engine that transforms existing 3D video archives into native Spatial Video and Immersive Video formats at scale. It ingests traditional side-by-side (SBS) 3D and VR180 media, producing output compatible with Apple Vision Pro and Google Android XR headsets. The system converts content from legacy SBS to Multi-View High Efficiency Video Coding (MV-HEVC), which preserves full resolution per eye for superior visual fidelity. MV-HEVC also achieves bitrate savings up to 27 percent. The pipeline utilizes native VMAF scoring specifically for spatial quality to guarantee professional standards and binocular parity. It supports automated scalability with Dolby audio pass-through and provides compliant packaging for seamless adaptive cross-platform delivery.

Studio Network Solutions | Outpost

Outpost by Studio Network Solutions (SNS) is a cloud-native review and approval product integrated into the professional media asset management workflow. Designed as an extension of the EVO shared storage ecosystem, it connects creative teams with external collaborators through a secure, browser-based review experience. Outpost eliminates the need to export and upload media across multiple, standalone cloud review tools. Editors can send assets directly from EVO’s ShareBrowser MAM or an Adobe Premiere Pro plug-in, generating secure links for reviewers worldwide. The system features a bidirectional metadata pipeline that translates reviewer comments and annotations into timeline markers within Adobe Premiere Pro. This closed-loop system removes manual interpretation of feedback and ensures precision throughout the revision process. It uses EVO’s Slingshot transcoder to generate proxies and watermarks before upload, reducing cloud dependency. Furthermore, Outpost features an unlimited user model, allowing organizations to include all stakeholders without incremental licensing costs.

TSL | Hummingbird NDI

TSL's Hummingbird NDI is a unified control layer designed to integrate NDI endpoints and workflows with other professional media technologies, such as ST2110 or SDI. The product simplifies operations by enabling broadcast-grade routing and tally management within ProAV environments. It provides predictable routing behavior and clear operator feedback for larger, distributed workflows. This solution supports scaling across broadcast facilities and mission-critical AV environments like corporate suites, venues, and campuses. Hummingbird NDI is deployment-flexible, supporting on-premise hardware, COTS servers, and cloud or hybrid options. It allows for centralized, remote management of multiple global locations. Users can choose from various configurable Human Machine Interfaces, including soft-panel software and hard-panel controllers. The system also integrates with existing AV control systems, avoiding costly infrastructure overhauls.

Vizrt | CaptivAIte

Vizrt CaptivAIte is an AI-powered solution that seamlessly integrates augmented reality (AR) graphics directly into Custom AV Zoom Rooms. This transforms standard meeting spaces into professional studios for enterprise communication. The system uses Vizrt’s AI Keyer to facilitate data-driven AR graphics creation and insertion without requiring complex green screen setups. This innovation allows professionals to replace flat slide decks with immersive, easy-to-use visual elements, including real-time graphics and remote contributor teleportation. A streamlined workflow, facilitated by NDI features in Custom AV Zoom Rooms, helps presenters focus on delivering their message and maximize audience engagement. CaptivAIte is designed for simplicity and clarity, allowing visual elements to illustrate and contextualize information. Key applications include executive communication, real-time business intelligence displays in the room, and scalable training sessions using immersive AR explanations.

Wowza | Video Intelligence Framework

The Wowza Video Intelligence Framework (VIF) solves the problem of scale for organizations with more live video feeds than humans can monitor. VIF runs AI inference directly within live streaming workflows, converting events in a stream into structured outputs like metadata, clips, and alerts for immediate consumption by downstream systems. This on-premises, edge, or air-gapped network deployment eliminates the need to route sensitive video off-premises or rip out existing infrastructure. By integrating custom-trained models, VIF supports applications such as detecting wrong-way drivers, monitoring equipment anomalies, and enabling weapons detection in secure facilities. It works with existing cameras running through Wowza Streaming Engine. The framework separates the video delivery and AI inference layers, allowing each to scale independently.

For AV Technology readers who might think the NAB Show (National Association of Broadcasters Show) is just for radio and television broadcasters, think again.

For at least the past five years, manufacturers have responded to the demand for higher-quality audio and video production and streaming. Technology advancements have enabled products and solutions to be scaled in size and price, making them available for use in corporate, higher education, government, museums, and many other vertical markets that otherwise would not have had access to broadcast quality.

For the first time, AV Technology accepted entries for Best of Show Awards at the NAB Show. As always, our judges are experts in the product categories we have chosen for them to evaluate and remain anonymous to the manufacturers. They are your peers: AV/IT managers, directors, engineers, and industry consultants or integrators.

Congratulations to the winners!

Clear-Com's FreeSpeak Icon

Clear-Com’s FreeSpeak Icon beltpack is a new addition to its FreeSpeak wireless intercom systems. Designed for technical teams across various industries, the beltpack offers connectivity, ergonomic design, and advanced features. It combines 1.9 GHz (DECT) RF capabilities with nine configurable buttons, four channel volume controls, and Bluetooth 5.3 support. These features allow users to manage communication channels with ease. Dave Mackinnon, VP of Product Management, emphasized the beltpack's versatility and high performance. It integrates with Clear-Com's Arcadia Central Station and Eclipse HX digital matrix, offering networking capabilities like Dante and MADI.

Elgato's Prompter

Elgato Prompter is a teleprompter that combines hardware and software for easy script reading and better audience engagement. It's simple to set up and use, compatible with various cameras, and features Camera Hub software for adjustments. It includes a built-in display, Voice Sync, customizable text, live chat integration, and Stream Deck compatibility. Camera Hub offers Script Autosave, Camera LUTs, and Marketplace integration. Prompter is versatile for live streaming, content creation, and video conferencing, providing a professional solution with durable build and ongoing updates. It sets a new standard for on-camera confidence.

Epiphan Video's Epiphan Edge

Epiphan Edge is a cloud-based platform for remotely managing Epiphan Pearl devices used for video capture, streaming, and recording. It allows users to monitor, control, and update devices from anywhere with an internet connection. This is particularly useful for managing multiple devices across different locations, such as in broadcast environments or live streaming setups. Epiphan Edge offers features like real-time monitoring, remote configuration, and firmware updates. It has a free tier with essential tools and a premium tier with advanced features like live video previews, scheduling, and batch actions, designed to streamline workflows and save time.

IHSE USA’s Draco XStreme

IHSE USA's Draco XStreme series KVM extenders, utilizes JPEG-XS compression for high-resolution, low-latency signal transmission. These extenders support resolutions from Full HD to 8K, combining excellent picture quality with minimal energy consumption. Available in DisplayPort or HDMI models, they run 4K60 over a 1 Gbit network. Developed with Fraunhofer II, they integrate keyboard and mouse commands into the bidirectional stream. Advantages include low latency, high-quality near-lossless images, bandwidth efficiency, and seamless operation with various network switches, making them future-proof for IHSE customers.

Lightcraft Technology's Jetset

Lightcraft Technology's Jetset provides a mobile virtual production platform for filmmakers and content creators. It allows users to create virtual environments by importing 3D scenes, 2D images, or MP4 files. Jetset tracks background and live-action movement without markers, offering real-time interaction within the virtual environment. Using an iPhone or iPad, users can treat the device as a primary camera or pair it with another cinematic camera, turning the iOS device into an external monitor. Jetset enables live cinematic compositing and offers support for Aximmetry and Unreal Engine for live productions and VFX work, simplifying post-production with "Superdailies."

Marshall Electronics' RCP Plus Controller

The Marshall Electronics RCP Plus camera controller allows for simultaneous Serial and IP camera control, eliminating the need to switch modes. It features Ethernet with Visca-over-IP, RS485 control, and Power over Ethernet (PoE). A breakout adapter simplifies RS485 connections, and an optional rack ear aids integration. Firmware updates are easy via USB. Debuting at NAB 2025, the RCP Plus enhances production with advanced features and streamlined setup, providing reliable performance for broadcast and AV professionals.

NUVEN's RMIX

NUVEN's RMIX solution offers professional remote live-mixing for various live production venues, providing quality sound management at affordable costs with instant accessibility. It serves broadcasting stations, houses of worship, concert venues, corporate events, and educational institutions. The RMIX package includes hardware for connecting a digital mixer to RMIX servers, enabling remote audio engineers to control the sound system. This benefits venue owners and offers audio engineers flexible remote work opportunities as R-Engineers, allowing them to mix from anywhere and set their own schedules, eliminating travel and setup costs.

OBSBOT Tail 2

The OBSBOT Tail 2 is an advanced AI camera, building on the original Tail's innovations. It features a three-axis PTZR 4K design, a 1/1.5” CMOS sensor, and a 12-element optical lens, delivering 4K/60fps video with 5x optical and 12x hybrid zoom. It boasts All-Pixel PDAF autofocus, enhanced image quality with AI noise reduction, HDR, and Dual Native ISO. AI Tracking 2.0 offers precise subject tracking, including "Only Me" mode and gesture control. It supports various protocols like NDI and connectivity options and is compact with a five-hour battery life. Tail 2 is designed for professional live production across multiple applications.

One Diversified's Atlas Orchestrate

Atlas Orchestrate by Diversified automates cloud infrastructure for media and entertainment, simplifying deployment from weeks to minutes. It exceeds industry standards with reliable, secure, and scalable multi-region environments. Key features include robust automation, NIST-standard security, and vendor-agnostic flexibility. It reduces costs by optimizing resource allocation and minimizing downtime, enabling innovation. With continuous updates and monitoring, it provides exceptional reliability and performance. Adopted by organizations like Monumental Sports & Entertainment, Atlas Orchestrate is a pivotal advancement for next-generation media infrastructure.

Panasonic's AG-CX20 4K Professional Camcorder

The Panasonic AG-CX20 4K Professional Camcorder offers advanced optical technology in a compact design. It features a 25mm wide-angle lens, 24x optical zoom, and image stabilization. The camcorder supports 4K 60p recording, a high-resolution OLED viewfinder, and flexible live streaming via SRT, NDI HX2, and RTMP. It includes dual SD card slots, dual codec recording, and simultaneous SDI/HDMI outputs. Designed for professionals, it offers Face Detection AF/AE, ensuring precise focus and exposure. The AG-CX20 caters to broadcasting, sports, and live streaming needs with reliable performance and seamless connectivity.

RTS Intercom's RTS Voice Over Cloud - (RVOC)

RTS Voice Over Cloud (RVOC) is a cloud-powered intercom solution for broadcast, sports, news production, and large-scale events. It merges traditional intercom systems with cloud infrastructure, offering flexibility, security, and reliability. RVOC consists of RVOC Elevate for back-office management, RVOC Engine, an AWS-powered intercom, and RVOC Edge, a mobile app for remote communication. Supporting up to 2,400 ports, it integrates with RTS hardware and uses advanced encryption. RVOC addresses limited remote access, scalability, security risks, and legacy system integration, proving its effectiveness in real-world applications like the 2025 Presidential Inauguration.

RTS Intercom's RTS NOMAD Wireless Intercom

The RTS Nomad Wireless Intercom offers reliable, secure, and scalable wireless communication. It integrates with digital and analog systems, providing clear audio even in challenging environments. With IP-65-rated hardware, it's suitable for harsh conditions. The system features 16 full-duplex channels, seamless roaming, and an 18+ hour battery life. It integrates with RTS Digital Partyline and Matrix via OMNEO, Dante, and ST-2110-30. Key features include full-duplex communication, enhanced audio, durability, and an advanced belt pack with an icon-based menu and flashlight.

SiliconCore Technology's Enlighten COB

SiliconCore's ENLIGHTEN Chip On Board (COB) dvLED Display Series is a high-resolution, modular solution for live broadcasts and virtual production. This technology delivers ultra-low power with higher performance than other COB solutions. It features patented Common Cathode-IQ technology, consuming 10-40 percent less power than comparable COB products. SiliconCore designs its own driver chips, achieving high brightness and color accuracy with cool operating temperatures. ZACH technology provides better image detail in shadows, and LISA encapsulation offers excellent contrast. The series enables creative freedom, reduces emissions, and streamlines production with faster turnaround times.

SNEWS Newsroom Solutions' SOUV

SOUV is a cloud-based platform that transforms newsroom workflows by enabling real-time content gathering and distribution without dedicated equipment. It allows journalists and citizen reporters to contribute live video and images via mobile devices, supporting high-quality streaming over various networks. AI processes content with transcription and metadata tagging, integrating with newsroom systems for easy review and publication. SOUV facilitates direct distribution to social media and broadcast systems. Rede Amazônica uses SOUV's white-label model to enable citizen journalists to submit reports, expanding coverage in remote areas and enhancing audience engagement. SOUV reduces costs and empowers broadcasters to scale news coverage.

Chyron 2025 Designer of the Year Competition—which to be awarded live during the 2025 NAB Show in Las Vegas—is now open. Anyone with design experience and proficiency using Chyron PRIME Designer is eligible. PRIME Designer is the common design interface for PRIME CG, PRIME Video Walls, PRIME Touchscreen, and PRIME Branding and offers innovative design, animation, data integration, and playout management functionality driving some of the most recognized live video productions in the world.

“Chyron recognizes that our work is a creative collaboration, inspired by the needs of our customers, developed by our software ideation and design process, and brought to life by the many talented Chyron end users,” stated Carol Bettencourt, Chyron VP of marketing. “This award honors some of the best work of our end users. It gets harder each year to select a winner, because there are so many excellent Chyron designers out there.”

[5 Sentiments from NAB Show 2024]

Previous winners include Zack Millican (NAB 2023) an in-demand sports graphics freelancer, Perry Littman (IBC 2023) graphics operator at MOOV, Kyle Taragowski (NAB 2024) for his work with Academy of Lower Thirds for CPAC-Canada, and Tom Gray (IBC 2024) graphics implementation specialist at MOOV.

"TV graphics are constantly evolving, and with creative departments and production companies becoming more demanding and ambitious with how they want graphics to animate and what information to display, Chyron Prime has all the tools I need to recreate their designs with the polish and flexibility expected in today's broadcasts," said 2024 Chyron Designer of the Year winner Gray.

[5 Booths That Caught Our Eye at NAB 2024]

Anyone is eligible to enter by submitting four or more broadcast quality scenes, created with Chyron PRIME. The scenes must include animations, and the use of data integration, base scenes, style sheets and playout control panels is encouraged. Tom Gray’s winning show reel may be seen here. The deadline for entries is March 20, 2025. Designers may submit work created specifically for this competition, or may submit work created for a customer or employer, with their permission.

It was a busy week in Pro AV. SMPTE announces its 2025 board, Sean Perkins joined NAB, and yes, another acquisition, this one by Britannia Row Productions, a Clair Global brand.

In case you missed it, Vizrt named a new CEO last week. Rohit Nagarajan joined Vizrt with over two decades of experience in the technology industry. He has held pivotal roles across multiple geographies at SAP, SoftwareONE, and Salesforce. You can read our full coverage here. 

Now, let's get to it. 

People News

Sean Perkins Joins NAB

The National Association of Broadcasters (NAB) welcomed Sean Perkins as chief marketing officer and SVP of global connections and events (GCE), where he oversees marketing efforts for NAB Show and NAB Show New York. Perkins drives strategies aimed at increasing engagement and visibility for NAB’s premier events. 

Perkins brings more than 30 years of marketing expertise spanning business-to-business and business-to-consumer sectors, with extensive experience in industries including media, technology, digital commerce and nonprofit. Throughout his career, Perkins has led successful marketing efforts for notable brands such as AOL, Amtrak, AARP, Intel, Sage, Neustar and the Consumer Technology Association (CTA). Most recently, as VP of marketing at CTA, Perkins directed the comprehensive marketing and advertising efforts for CES, the association’s annual trade event. 

Sonance Welcomes Director of Sales for Professional Audio

Sonance appointed trusted industry expert, Glenn Kalinowski, as director of sales for professional audio. Kalinowski oversees key territories in North America, including Canada, as well as develop global strategic partnerships, all aimed at driving the company’s growth in the professional audio market.

Kalinowski joins Sonance with over 30 years of experience in the Pro AV industry. Throughout his career, he has held diverse roles ranging from systems installer to systems designer, director of operations, and numerous senior roles in sales management. Most recently, Kalinowski served as senior business manager for North America at Harman, where he managed key business initiatives and partnerships. Prior to Harman, he spent time at Bose Professional, contributing to their significant business growth. His extensive industry knowledge and proven track record of success in professional audio are a tremendous asset to Sonance as the company continues to invest in growth opportunities across the commercial audio sector.  

Uniguest Brings in Shawn O’Connell to Lead Americas Sales

Uniguest has appointed Shawn O’Connell to the role of EVP of sales Americas. He brings 20 years of experience in AV and technology, having previously been head of hospitality sales at Samsung for twelve years and a senior member of the PSAV team for more than eight years.

O'Connell oversees teams focused on AV channel sales for all commercial markets including hospitality, healthcare, and senior living in the Americas. Additionally, 20-plus year AV industry veteran James Keen has been promoted to EVP of marketing and will work closely with O’Connell.

DMF Promotes Mike Libman to Sales VP, Custom Integrators

DMF Lighting has promoted Mike Libman to sales VP, custom integrators. Previously DMF Lighting’s national sales director, Libman now steps into this expanded role, tasked with leading the company’s custom integration sales efforts across North America.
 
Libman’s career at DMF Lighting spans more than nine years, during which he has driven substantial growth across roles, from regional sales manager to national channel sales manager for the CEDIA space. His recent position as national sales director saw him develop strategies to empower integrators with versatile lighting solutions that elevate residential environments. Libman’s collaborative approach and effective leadership have helped establish DMF Lighting as a trusted brand known for its forward-thinking design, intuitive engineering, and responsive s

SMPTE Announces 2025 Leadership

SMPTE introduced the board officers and regional governors who will serve terms beginning in January 2025.

Three new SMPTE officers have been elected for a two-year term from Jan. 1, 2025, to Dec. 31, 2026. The new SMPTE officers include SMPTE president Richard Welsh, EVP Eric Gsell, and SMPTE education VP Polly Hickling. One SMPTE officer, Lisa Hobbs, will be continuing her service as SMPTE secretary and treasurer for another two-year term. Additionally, Raymond Yeung will be stepping into the role of standards vice president on Jan. 1, 2025.

In addition to the officers, 10 regional governors were elected by the Society to serve two-year 2025-2026 terms. These include the following regional governors, re-elected to continue their service:

• Asia-Pacific Region Governor: Tony Ngai, Society of Motion Imaging Ltd.
• EMEA - Central & South America Region Governor: Fernando Bittencourt, FB Consultant
• United Kingdom Region Governor: Chris Johns, Sky UK
• USA-Central Region Governor: William T. Hayes, Consultant
• USA-Eastern Region Governor: Dover Jeanne Mundt, Riedel Communications
• USA-Western Region Governor: Jeffrey F. Way, Open Drives
• Also elected were four newcomers to the SMPTE Board:
  • Canada Region Governor: Jonathan Jobin, Grass Valley
  • USA-Hollywood Region Governor: Allan Schollnick, Voxx Studios
  • USA-Hollywood Region Governor: Brian Gaffney, MTI FILM LLC
  • USA-New York Region Governor: Jeff D. Cohen, Meta Martis

LEA Professional Strengthens EMEA Team

LEA Professional welcomed Jeff Gorton as sales director in EMEA. Gorton supports the sales of LEA’s technology catalog, featuring advancements in intelligent IT solutions, best in class DSP, and smart power management.

Gorton has nearly 20 years of experience in Pro AV sales. Throughout his career, he has improved sales for companies and overseen global distribution. At LEA, Gorton is focusing on enhancing sales in the EMEA region by leveraging his close relationship with LEA’s outstanding network of EMEA distributors. He brings will help bring LEA’s entire catalog to customers in the EMEA region.

Company News

Exertis Almo Announces 2025 Dates and Locations

The E4 Experience, Exertis Almo's single-day traveling education, training, and AV tech expo for integrators and their end users, is returning in 2024. Attendees can earn a combined total of about 1,500 valuable AVIXA CTS Renewal Units without the burdens of travel or extended time away from AV projects.

Winner of a 2024 SCN Stellar Service Award, the 2025 E4 Experience is returning in the Spring with the line up already set, giving the AV industry ample time to plan ahead:

• Dallas, Texas: March 11
• New York Metro: April 2
• Santa Clara, CA: September 10
• Oakbrook, IL: October 7

Plus 4 Audio Joins Clair Global Group

Britannia Row Productions, a Clair Global brand, has acquired Plus 4 Audio. Founded in 2001, Plus 4 Audio has built its reputation for innovation and development in broadcast audio, offering equipment and services to television and streaming services including the BBC, ITV, Channel 4, Channel 5, Sky, Pinewood Studios, and Elstree Studios, and outside broadcast companies including NEP, theatrical producers, event organizers, and major record labels.  

Known for expertise in audio mixing, engineering, and sound design, the company has pioneered solutions that enhance the clarity, richness, and quality of audio for live and recorded television productions. With its dedicated team of industry experts, Plus 4 Audio has a deep understanding of the complex requirements of broadcast audio, from large-scale live events to serialized programming.  

Plus 4 Audio will continue to operate from its Chessington, Greater London, warehouse and retain the company's valued team members who bring specialized audio knowledge and exceptional client services to the group.

Smart Monkeys Announces Software Development Partnership with Control Concepts

Smart Monkeys, a show control design and programming firm, and Control Concepts agreed to a strategic partnership to develop and support third-party product integration for the ISAAC by Smart Monkeys platform.

With the merger of AV and IT demonstrated by the prevalence of network-based products and systems, manufacturers and their clients continue to emphasize the need for a unified, comprehensive platform that satisfies all their management and monitoring needs.  ISAAC by Smart Monkeys offers just that by providing users the ability to monitor, manage, schedule, log, and receive alerts from their systems, products, endpoints, and network assets. 

 This strategic partnership provides manufacturers with a proven, trusted resource, endorsed by Smart Monkeys, who can ensure seamless product integration, maintenance, and ongoing support for ISAAC integration.

QuickLink Expands Reseller Partner Network

QuickLink has expanded its reseller partner network, providing additional support and benefits for partners through its new Certified Partner Program. As part of this initiative, QuickLink also introduces a new Reseller Locator platform, enabling customers to easily find authorized QuickLink Partners. These enhancements represent the company’s continued dedication to supporting resellers and advancing the end-user experience through a highly skilled and accessible partner ecosystem.

QuickLink’s new Certified Partner Program introduces two exclusive tiers, Gold and Platinum. These two tiers provide QuickLink partners with access to a comprehensive set of resources, training, and promotional opportunities. These new initiatives are part of QuickLink’s strategic growth and commitment to helping partners succeed in delivering connectivity solutions.

The new Reseller Locator tool provides a streamlined customer experience, connecting businesses and individuals with certified resellers who can offer tailored solutions based on QuickLink’s innovative product range.

Origin Acoustics Expands Strategic Partnership with Phoenix Marketing

Origin Acoustics has expanded its strategic partnership with Phoenix Marketing Group (PMG). This enhanced alliance will deepen both companies' efforts to curate and deliver innovative, design-centric technology solutions to integrators across the United States, with a specific focus on advancing the OA Home experience.

Phoenix Marketing has been a partner of Origin Acoustics since 2016, initially representing the brand in the Southeast, later expanding into the Middle Atlantic, and now across the entire nation, except for the Pacific Northwest, which will continue to be expertly represented by Marketshare. With this new phase of the partnership, Phoenix Marketing will represent Origin Acoustics nationwide. Its extensive sales team of over 30 highly trained professionals will become an extension of Origin’s own team, ensuring that dealers receive the consistent, exceptional service and support Origin is known for in all regions.

At the heart of this expanded partnership is a shared vision for the OA Home—an ecosystem that integrates Origin’s portfolio of brands and solutions into a seamless experience for integrators and end users alike. The OA Home starts with ONE: One control platform, One app, One ecosystem, and One partner. It brings together like-minded brands, product solutions, and people to push the boundaries of what is possible in intelligent living.

Through this collaboration, integrators can deliver innovation to their clients by uniting a suite of design-centric technology that includes audio, video, lighting, and shading solutions—all integrated into one seamless, intuitive experience.

Last year, NAB Show introduced its Excellence in Sustainability Awards. The awards are back for a second year and entries are now open. The awards will celebrate outstanding achievements in media technology and production, recognizing contributions that demonstrate significant sustainable impact, as well as foster economic and social development.

[FLASHBACK! Best of NAB 2023: Tech Trends from the Show Floor]

The Excellence in Sustainability Awards will include the following categories in 2024:

• The Sustainability Champion Award: Honoring an individual driving sustainability efforts and programs.
• The Sustainability Leadership Award: Honoring an organization that has launched or completed sustainability initiatives.
• The Sustainability Product or Service Award: Honoring products or services that significantly improve sustainability or provide a market alternative.
• NEW—The Emerging Talent in Sustainability Award: Honoring a young talent who is innovating and delivering on sustainability efforts and programs.
• NEW—The Green Production Practices Award: Honoring productions that prioritize sustainable practices. 
• NEW—The Sustainable Storytelling Award: Honoring productions with a sustainability storyline. 
• NEW—The Community and Social Impact Award: Honoring an organization that is delivering on social responsibility efforts that benefit the local community, employees and/or stakeholders.

Products/Services must be available in 2024. Nominees need not be NAB Show exhibitors to participate. The deadline for entry submissions is March 22, 2024, at 11:59 p.m. PT.

“With the mandatory reporting requirements coming in California and those already in place in Europe, sustainability actions are quickly becoming part of normal operations. We are delighted to be able to highlight those organizations and individuals who are leading the way,” said Barbara Lange, CEO of Kibo121 and the program manager of these awards.

[CES 2024: Tony Stark, Sustainability, and Other Pro AV Trends]

NAB Show will accept nominations from businesses and individuals working in the media technology and/or production industries according to the category description and criteria. Judged by an independent panel of experts, award winners will be chosen in each category based on the criteria defined for each category.

The NAB Show Excellence in Sustainability Awards will be presented during a special ceremony on the Main Stage at NAB Show on April 14, 2024, in Las Vegas. The awards ceremony will include a panel discussion as well as NAB Show and AWS donation presentation to a charity.

The awards program is supported by AWS. “We applaud AWS' unwavering dedication and commitment to sustainability; NAB Show is thrilled to continue this significant collaboration,” said Eric Trabb, senior vice president and chief customer success officer, NAB Global Connections and Events.

Looking to make a statement within a trending area of commerce and entertainment, the National Association of Broadcasters (NAB) decided to move their headquarters from Dupont Circle to a high-traffic corner on Washington D.C.’s South Capitol Street in the trending Navy Yard. As the premier organization for the nation’s radio and television broadcasters, its new home needed to be more than just your average headquarters.

Partnering with LG Business Solutions, technology solutions provider Diversfied, and audiovisual consultant Miller, Beam and Paganelli, every part of the space was designed as an opportunity to showcase the latest in broadcasting technology, cementing NAB as a true leader and innovator in the space. Located within a 118,000-square-foot, 10-story building, owned by its own 1M Properties, NAB’s new headquarters occupies five-and-a-half floors. The convenient location is only one block from the Navy Yard-Ballpark Metro Station, and provides easy access to Capitol Hill, Nationals Park (home of the Washington Nationals), and two interstates.

“They already had in mind that they wanted LG as their design partner so that made life a little bit easier,” said John Paganelli, principal at Miller, Beam, and Paganelli. “With that, they wanted to use the headquarters to showcase new technology and be cutting edge. Teaming with LG, we looked to them to see what new technologies they had and what would be exciting and different, and that’s how we came up with some of the concepts that we did.”

Visual Statement in the Lobby

When entering the first-floor lobby, visitors are greeted by a 20-foot-high, 22-foot-wide 2mm pixel pitch LG LED curved video wall, which not only serves as a statement piece for showcasing broadcast history and content but is visible to passersby on the street. But this is just a preview of what awaits visitors in NAB’s main lobby on the 10th floor.

“Once you step off the elevators, the first thing you see is six transparent LG OLED screens,” said Michael Tow, NAB senior vice president, information technology. “They were cutting edge when we bought them two or three years ago and they still are now. LG was actually showcasing this same transparent OLED technology at NAB Show in April.”

[Rust Never Sleeps ... and Neither Do Display Manufacturers]

The 2x3-panel video wall, comprising six 55-inch transparent OLED panels, can operate as one immersive canvas or be divided into six separate screens running content simultaneously. Due to the transparent nature of the screens, visitors don’t miss out on the expansive city view of Washington, DC, including breathtaking views of the Washington Monument and other iconic landmarks. The video wall is also accompanied by vertically mounted, 86-inch LG Ultra-Stretch displays that are ideal for sharing meeting information, company updates, and other internal communications.

As visitors continue through the lobby, they are greeted by the NAB Broadcasting Hall of Fame video wall comprising five ultra-narrow-bezel 55-inch 4K UHD LED displays in a 5x1 configuration, taking visitors on a colorful journey through broadcast history. The interactive display allows visitors to learn about past Hall of Fame winners and listen to audio soundbites or videos from their induction ceremonies.

Throughout the headquarters space, NAB wanted a continual nod to the industry’s past, present, and future to be a main design theme, including “speaker box” treatments for several meeting room windows, “countdown” graphics marking floor numbers by the elevator doors, broadcast icons on the bathroom doors, and rooms featuring light-up “on-air” signs. These tributes to the old age of radio combine the past with the present, as they are juxtaposed with the modern architecture and technology within the space.

With a display network of this size and quality, NAB also had to ensure the content was produced at the same level—and relied on design agency Bluecadet for high-quality, engaging content. “The content is really nice,” said Michael Burnstein, vice president with Diversified. “It’s sharp, the production value is really high because it’s NAB. When you walk into a normal office of their size, the production value is not nearly as nice as theirs.”

Workspace Technologies

Another touchpoint is the 5,000-square-foot multipurpose room, also located on the 10th floor, which features a bezel-free 1.88mm pixel pitch, 6-foot high, 32-foot wide UHD LG LED video wall. Almost every room within the headquarters is outfitted with digital displays, including 10 executive offices and 12 team rooms that each house a 43-inch LCD display. (The CEO Team Room includes the 65-inch 4K UHD model.)

Displays can also be found as visitors exit the elevators on each floor, providing NAB the opportunity for continued messaging and brand awareness throughout the building. Additional conference rooms throughout the headquarters have also been outfitted with 4K UHD displays, including the Gordon H. Smith Conference Room and the Edward O. Fritts Conference Room on the fifth floor.

Within two project rooms and the Conventions Open Team Room, 65-inch LG Interactive Digital Boards give employees the opportunity to save and share meeting information, present content, edit on screen, and utilize collaboration options without a PC. Everything from the fitness center to the café is outfitted with LCD or LED displays, making it feel like innovation is truly just around every corner.

Bringing this much technology online, especially new technology that had never been seen beyond trade shows, provided a challenge for all involved, from figuring out what technology was going to be provided to dealing with delays due to how “of-the-moment” the technology really is. This also presented challenges when it came to mounting, with custom mounts needing to be designed and configured.

The pandemic stressed many organizations, including NAB, which suffered from a less-than-ideal move into its new headquarters in March 2020. Staff did not begin working within the space until Summer 2021, on a voluntary basis, and only recently began utilizing it on a more permanent basis as employees returned to the office three or more days a week in early 2022.

Employees returned to the office to a nice surprise: 34-inch curved ultra-wide LG monitors at every desk. These monitors have a wide footprint, making daily work easier and more efficient, and eliminates the need for employees to have multiple monitors.

Media Production Facility

Most people would assume the NAB has always had a state-of-the-art production facility, but Mike Khatcheressian, Emmy-winning producer and NAB vice president of media production, said that wasn’t always the case. “When I came for my job interview at NAB years ago, one of the things I was most excited about was to see the NAB studio," he recalled. "They walked me into this room and there was a greenscreen, a 10-year-old camera, and a few lights. I remember being shocked and saying at the time that this is going to be something you’re going to want to upgrade. I love what we have now and it really is a showpiece for NAB, kind of like what we all envisioned a studio at NAB could be.”

The new NAB Media Production Facility is highlighted by a curved, 15-foot Planar interactive video wall that can serve as an immersive backdrop for live and pre-recorded content. The studio is also outfitted with an 8K-capable edit suite and provides the ability for design capabilities to be done from remote access. The space is well equipped to accommodate Zoom interviews or interactions, providing additional options when their CEO or other stakeholders are unable to be on-site for outside events or interviews.

Four PTZ cameras are housed in the studio, but the space can accommodate up to eight cameras, with future capabilities expanding to pull in camera feeds from across the headquarters. Plus, a prompter is currently being installed that has the ability to detect who is speaking and provide seamless tracking amongst multiple speakers.

Originally, the space was not conceptualized as a studio—but through careful design, the compact area was designed to appear larger on camera. The studio provides NAB with the ability to produce a wide array of programming, including live webcasts, updates, educational content, sales seminars for NAB members, and future content for tradeshows. There is also the opportunity to use the space to bring in additional revenue from outside rentals, helping NAB make up for losses accrued during the pandemic.

Much of the studio was built through the support of NAB partners like Planar, Vitec Production Solutions, PESA, Barbizon Lighting Company, The Launch Group, Video Visions, Angry Badger Productions, Magis Media, and The Light Source, all of which donated services and equipment to help bring the innovative space to life. “It’s great for our partners to showcase their new technologies,” said Khatcheressian.

In choosing the partners, April Carty-Sipp, NAB executive vice president, industry affairs, said, "We had many conversations and leveraged connections our team has with companies we’ve worked with previously in the broadcast business or through our work at NAB." She said the first official partner was Angry Badger Productions, which helped bring in additional partners along the way. 

While visitors can look forward to touring the studio space, the partners will benefit from the exposure their involvement provides, along with the opportunity to bring potential clients to see their technology in action. With this in mind, many of the partners are committed to continually upgrading technology to ensure the space showcases the latest and greatest. This also goes for LG, which is using the NAB headquarters as an opportunity to showcase its offerings and is committed to refreshing the technology for years to come.

With remote and hybrid work becoming commonplace, NAB hopes the headquarters is seen as a benefit to employees wanting to return to the office. “I remember the first time I walked in to 1M and saw all the technology. Just seeing all this beautiful technology and how modern it was—it really makes you proud to work at a place like NAB and makes you happy to come to work," said Khatchersessian. “You don’t mind the long commute in because you’re going to be in a comfortable space and one that is just fun to be in.”

Registration is now open for NAB Show New York, October 17-20, 2022 (exhibits October 19-20) at the Javits Center. The event's mid-point timing six months following NAB Show in Las Vegas provides a unique opportunity for the NAB Show community to connect at a major East Coast venue. Attendees will gain strategic insight and engage with technology that is transforming broadcasting and the larger media and entertainment business.

Produced by the National Association of Broadcasters and co-located with the AES New York 2022 Convention, NAB Show New York offers hands-on learning and discovery of advanced product features, applications and workflows that promote superior audio and video experiences.

[NAB 2022 Delivers Solid Crowds and Plenty to See]

Exhibits Pass registrants receive full access to NAB Show New York and AES exhibits as well as education on the show floor, including an experiential zone featuring special theaters, demonstrations and networking activities.

Conference programs requiring separate registration include:

• Cybersecurity for Broadcasters Retreat (October 17-18)
• Post|Production Conference NYC (October 18)
• The Streaming Summit (October 18)
• TV2025: Monetizing the Future (October 19)
• *NEW — The Radio Experience at NAB Show New York (October 19-20)
• *NEW — NAB Marconi Radio Awards (October 19)

[SCN Hybrid World: Workplace Products and Expert Tips] 

"We are thrilled to be back in person in New York and look forward to delivering an exceptional experience for exhibitors and attendees," said Chris Brown, NAB executive vice president and managing director, global connections and events. "The success of NAB Show in Las Vegas reinforced the power of live events and the desire for a return to in-person trade shows. NAB Show New York is an important touch point for the industry to re-engage with the technology and thought leaders who are revolutionizing the art of storytelling and moving the business forward."

For information on registration packages and to register, click here.

Press registration will be open for qualified members of the media in late July.

NAB Show attendees will navigate a convention floor featuring some of the world’s leading brands and companies, as well as first-time exhibitors and innovation zones showcasing the most cutting-edge advancements changing the broadcast, media and entertainment industries. The 2022 NAB Show will run April 23–27 at the Las Vegas Convention Center (LVCC).

[SCN Exclusive: Expect Big Changes at 2022 NAB Show]

More than 900 companies, including about 160 first-time exhibitors, will be debuting new products and offering first looks at trailblazing technologies through interactive exhibits and live demonstrations. Exhibitors will occupy distinct destinations throughout the LVCC’s North, Central, and newly built West Hall focused on four main verticals associated with the content lifecycle. These destinations and some participating companies are:

“As a platform for millions of dollars in commerce, the NAB Show is pivotal in ushering in the latest innovations propelling content forward and leading our community into new territory,” said Chris Brown, NAB executive vice president and managing director of global connections and events. “We are excited for attendees and exhibitors to experience the curated journeys available on our reimagined convention floor as we get back to doing business face-to-face.”

[NAB Show Announces #GALSNGEAR Women’s Leadership Summit]

Other NAB Show floor destinations focus on specific themes and technologies and include:

NAB Show will also feature new experiential zones in every exhibit hall—starting at check-in points where attendees can gain valuable insight into broader industry trends. Designed around themes of inspiration, innovation, and implementation, Experiential Zones will offer a variety of activities—from free learning sessions to hands-on demos to unique networking opportunities—to prepare attendees before they dive into various exhibits on the show floor.

[NAB Show Symposium to Tackle Diversity, Equity, and Inclusion]

Startup companies, PILOT Innovation Challenge winners, and NAB Show partners participating within the Experiential Zones are:

Guided tours of the show floor will also be offered to NAB members. In addition, CIM Tours will offer a series of industry tours led by industry experts. These curated tours will explore dedicated topics relevant for attendees ranging from business executives to live content creators to engineers and IT professionals.

Rob Lane, content editor for our sister publication, Installation has shared this exclusive interview with Mike Blackman, managing director at Integrated Systems Events. 

Q: What were the main factors that informed your decision to postpone?

Blackman: It’s been a challenging time for so many over the past two years, and we have been keen to satisfy the appetite within the industry to meet again face to face. The situation with regard to Covid infection rates and different countries’ travel restrictions has been fluid, particularly recently; and after speaking with our exhibitors, owners and stakeholders, we agreed the best course of action was to postpone the show edition for three months.

In today’s environment – now more than ever – we need to be agile and responsive. Shows like ISE are for doing business and meeting in person, but none are the same as they were before the pandemic. We must acknowledge the factors within our control, and we are doing our best for the industry, our customers, and their customers – these are some of the factors we reviewed when making the decision to postpone to 10-13 May 2022.

Q: Was Omicron incidence growth in Spain the main reason? Or was it the low numbers of previous attendees confirming their attendance?

Blackman: Of course, we have been monitoring the conditions in Spain, but we are also closely monitoring the situation across Europe and many other countries. Vaccination programmes are progressing, but countries are still experiencing challenging restrictions. These conditions are affecting us all, and whilst we all want to get back to business, there continues to be a wide range of restrictions and a reluctance to travel. We have been working hard to balance health and safety concerns with the need for commerce and in-person interaction. As I have said already, we had to balance many factors in reaching this decision together with our exhibitors, the associations and our stakeholders.

Q: I think the industry appreciates how incredibly difficult a call this is to make, but the general consensus is that it's the right decision. In hindsight, do you feel that the decision could have been made sooner given the ominous spread of Omicron throughout Europe in December?

Blackman: As you have said, it was a difficult decision, and I think everyone appreciates that in today’s environment, we need to be agile and responsive. We made the decision together to postpone the show until spring (May 2022) and we believe it is the right choice to make.

Q: How did you come to a decision on the best dates for the rearranged show? May sandwiches ISE between two major US trade shows in NAB (April) and of course InfoComm (June), so will potentially impact upon American attendance. The dates also clash with smaller regional shows such as PLASA Leeds, the Media Production Show, and London Digital Signage Week. Were other dates considered and were exhibitors consulted regarding these new dates?

Blackman: To move a show the size of ISE is a challenging prospect and, in a venue as popular as the Fira de Barcelona, the options were very limited in a timescale that works for our industry. The window of available dates was extremely tight, the spring dates of 10-13 May provides time for our community to rebalance and for confidence in international travel and meetings to resume. We will be working closely with all our exhibitors and stakeholders to ensure a smooth transition to the new dates.

Q: Obviously postponement is an inconvenience for everybody, what with flight/hotel cancellations etc. But the exhibitors suffer the most – especially those that had already started shipping and even building pre-Xmas. How did you approach this difficult decision with them all?

Blackman: We have had significant feedback from our exhibitor community that this was the right decision to make. We are in the process of contacting all our customers to discuss their options and how we can help ensure that the transition to ISE 2022 in May and ISE 2023 in February is as smooth as possible. If they aren’t already doing so, I would urge all exhibitors to get in contact with their account manager to discuss the situation.

Q: With – I understand – 95% of their payments non-refundable if they were to pull out of the event, it’s unsurprising so few exhibitors pressed the cancel button even as Omicron started to spread across Europe. And this must hurt all the more for those that started shipping/building. Does ISE have any compensation packages in place for this eventuality?

Blackman: We are working closely with all our exhibitors to minimise the impact of the postponement and ensure that their experience at ISE 2022 in May is the best possible.

Q: What are the benefits for North American attendees to travel to Barcelona for ISE, when InfoComm in the US is coming up in June – especially in the light of the move to May? Have you budgeted for a reduction in American attendees as a result; or do you anticipate similar numbers to a February event, given that travel is likely to have opened up more by May?

Blackman: I was speaking to Dave Labuskes earlier this week and yes, we do have a number of events in close proximity – ISE in May, InfoComm in June and Beijing InfoComm China in July. The intention for each show in this coming year is to galvanise and rejuvenate the AV community while always keeping the safety of those in attendance as a priority.

Three major markets and three major shows! We are excited about the ‘summer of AV’ – while we realise that there are some challenges for those who want to participate across the globe – we invite exhibitors to call us and let’s work together to make the most of this time.

Of course, Covid is changing everything around us every day, but the constants of in-person value, innovation and story-telling have remained. No matter where or when, these shows will act as a catalyst for market growth and serve as a hub for the AV profession.

Q: How many attendees were registered for the February event, and what would be your forecast now that the show will be in what we hope will be a less restricted window in May?

Blackman: Our exhibitors were reporting to us that their customer feedback also showed that attendance was greatly impacted by the continued impact of Omicron as well as travel concerns, and that there was a strong desire to attend lSE later in the year. But as I mentioned before, exhibitor support and bookings for the show remain extremely strong – and, whilst it is fair to say that typically attendees are registering for shows much later than in previous years, we very much hope that the new dates in May will allow more of us to get together, to do business and to celebrate our inspiring industry.

Q: With the move to May, and the (hopefully) more realistic chances of being able to stage an in-person show, are you now forecasting to see an upswing in exhibitors committing to the show and will attendees be likely to see a bigger event than was slated for February?

Blackman: We now have another two and a half months to add some more features to the show – we will be revealing details over the coming weeks – so I say, stay tuned, keep an eye on our website for updates, and of course, we will share news of this with you as soon as possible.

Q: In addition, do you have any changes planned for the May event that weren't part of the original February show?

Blackman: We had a fabulous show floor, with six technology zones, set across five halls of the Gran Vía, and that remains. All seven of the ISE Conferences will also be taking place, we have a number of show floor networking lounges and of course the AV Experience Zone. There will also be some additional features, but as I am sure you will appreciate, we are working with our partners to confirm the details of the necessary rescheduling and I cannot wait to share the exciting stories with you over the coming weeks – watch this space!

Q: There has been much discussion about how trade shows will evolve as a result of Covid, as they accelerate into hybrid in-person/remote access events. Could you share what ISE has in place for the 2022 show in terms of producing a valuable trade show experience for attendees however they wish to ‘attend’ ISE 2022?

Blackman: ISE 2022 will offer a digital platform presenting many of the conferences, keynotes and up to date news. Although this will be comprehensive and also be augmented by many of our media partners, it of course cannot match the “in-person” experience of being in Barcelona.

Q: This must have been an incredibly taxing period for everyone concerned with ISE 2022, and its organisation. How has this affected you personally?

Blackman: This has been a difficult time, but we have an admirable community, a fabulous team and the support that has been provided has been a source of incredible strength and I’d like to thank each and every one for their efforts during this period.

Q: And how accommodating have the local Barcelona authorities been in assisting/backing the decisions you've had to make?

Blackman: Everyone involved in every aspect of this situation has been extremely supportive. The city of Barcelona, the regional support from Catalonia, the exemplary team at the Fira as well as many partners – their willingness to help and be flexible has been very much appreciated and we are hugely thankful. We cannot wait to celebrate with the entire community at the Fira in May.

Q: Finally, what's your message to attendees and exhibitors alike about the new May event, what they can look forward to, and of course why they should attend the leading AV and systems integration show on the planet?

Blackman: Well, I would like to say that I’d like to thank the AV community for their unwavering support. The positivity and solidarity shown over the last couple of days is a brilliant reflection of our industry. I can’t wait to welcome everyone to ISE this May in sunny Barcelona. 

Speaking proposals are now being accepted for the 2021 NAB Show, which is being held October 9–13, in Las Vegas. 

NAB Show seeks submissions regarding expert-led discussions from prospective presenters with fresh ideas and unique perspectives on key trends and technologies driving the future of media and entertainment. 

Proposals for technical papers to be presented at the 75th Annual Broadcast Engineering and IT Conference should relate to pressing issues facing today’s media professionals, including the ongoing transition to IT- and IP-based systems and the incorporation of artificial intelligence and machine learning, as well as on next-generation systems throughout the media-delivery ecosystem.

[The Integration Guide to Streaming]

Submissions are also sought for conference programming focused on: best business practices in a developing content landscape; the intersection of content, marketing, and technology behind advertising initiatives; cutting-edge trends in content delivery such as 5G, mobile video, satellite IP, and streaming; behind-the-scenes deep dives on topics around cinematography, sound editing, technology implementation, workflow solutions, and innovative techniques; and emerging trends shaping the future of content creation. 

The deadline for speaking proposals is April 30, 2021; proposals for sessions on the NAB Show Main Stage are also being accepted.

For more information on NAB Show educational programs, along with instructions on how to submit speaking proposals, visit nabshow.com/2021/partner/speakers/prospective-speakers.

The 2021 Audio Engineering Society (AES) fall convention will co-locate with NAB Show, October 11–13, 2021 in Las Vegas, NV. The co-location brings together the premiere convention for pro audio professionals with the world's largest convention encompassing media, entertainment and technology. 

The AES Show will take place at the Westgate Hotel, adjacent to the Las Vegas Convention Center where NAB Show will be held October 9–13, 2021.

The AES fall convention was previously co-located with NAB Show New York at the Javits Convention Center annually in October from 2017–2019. The two events were held virtually in 2020.

“Our October co-location with NAB Show New York for the past few years has proven mutually beneficial for attendees and exhibitors alike,” said Colleen Harper, executive director, AES. “We all miss the engagement and excitement of the in-person AES Show and look forward to once again interacting at the convention with professional audio manufacturers and our colleagues.”

“We are excited to be building the most significant, in-person media and entertainment event of 2021 and are ready to bring the industry together once again at NAB Show in October,” said NAB executive vice president of conventions and business operations Chris Brown. “Together with AES, we will provide unparalleled access to critical information, inspiration and solutions for audio engineers and content creators.”

As previously announced, the 2021 NAB Show will also co-locate with the Radio Show as well as NAB’s Sales and Management Television Exchange.

The 2021 NAB Show, originally scheduled to take place in April, will now be held Oct. 9–13, 2021, in Las Vegas.

"Through [the COVID-19 pandemic], we have witnessed growing concern and uncertainty over what the next six months will bring; enough that there appears to be a good deal of reluctance around participating in large events in the first half of next year," said National Association of Broadcasters (NAB) president and CEO Gordon Smith. "The pandemic remains a significant threat and the evidence suggests it will be well into next year before it could be under control in the U.S. We also have our own concerns around being able to deliver the type of event in April that will not only drive results, but one that can be produced safely for all involved and without significant limitations on the experience."

According to Smith, the 2021 Radio Show will co-locate with NAB Show in Las Vegas, as will NAB’s Sales and Management Television Exchange; and there is opportunity to add additional partner events. NAB is also considering alternate dates for NAB Show New York 2021, which is held annually in October.

For more information about the 2021 NAB Show, visit nabshow.com/2021.

NAB Show is launching NAB Amplify, a year-round digital platform designed to extend the impact of NAB Show throughout the year by providing opportunities for networking, discovery, and education. Launching in November 2020, NAB Amplify will engage and grow the global NAB Show community through an innovative and interactive online experience.

NAB Amplify will also serve to fuel commerce beyond NAB’s live events and increase global collaboration and conversations by creating an accessible and essential destination and resource for the community to connect and engage in real time, 365 days a year.

The platform will feature targeted networking forums, regularly updated educational content, and an extensive online marketplace showcasing diverse media and technology companies ranging from leading global brands to up-and-coming start-ups.

“NAB Amplify is a key component in NAB’s larger innovation strategy aimed at super-serving our global audience,” said Gordon Smith, president of the National Association of Broadcasters, organizer of NAB Show. “This evolution will serve to enhance our well-established live events, while expanding the NAB Show brand into a year-round service and experience driven by meaningful connections and community engagement.”

Cristina Clapp will serve as NAB Amplify’s content director. With more than 25 years of experience working in media and entertainment, the former content director for Creative Planet Network will lead efforts to deliver relevant content and fresh perspectives that reflect the interests and needs of the NAB Amplify community.

NAB Amplify will launch in November 2020. Learn more at NABAmplify.com.

NAB Show New York will transform into a 10-day virtual event this year, offering myriad opportunities for education, discovery, and engagement. The 2020 NAB Show New York will take place Oct. 19–29. 

Produced by the National Association of Broadcasters (NAB), the event will showcase next-generation technologies and will feature conferences, workshops, and exhibits focused on television, film, online video, live events, podcasting, advertising, corporate AV, production, and post.

“We are continuing to evolve the digital event model to better serve the needs of the industry with a more robust platform and enhanced experience for participants,” said executive vice president of NAB conventions Chris Brown. “This solution allows us to serve a broader audience with expanded content, collaborative features and a longer, more flexible schedule that optimize opportunities for conducting business, networking, and peer-to-peer learning.”

Registrants will gain access to premium content available live and on-demand. An exclusive marketplace will feature the industry’s leading brands and emerging startup companies. The marketplace will also offer immersive tours, new product demonstrations, authoritative white papers, and live chats with representatives from exhibiting companies.

Registration will open in early September at NABShowNY.com.

Due to the public health emergency surrounding the spread of coronavirus, the National Association of Broadcasters announced Wednesday that it has cancelled the 2020 NAB Show. The convention was scheduled to take place  April 18–22 in Las Vegas.

[Enterprise Connect 2020 Postponed]

According to the report from Broadcasting & Cable, NAB is currently considering its options for a future date. NAB Executive Vice President Dennis Wharton said that one possibility could be to beef up the NAB Show New York in October (Oct. 21–22), though also potentially a summer show in Vegas if the virus threat has been mitigated and if NAB could get buy-in from exhibitors. He said NAB would be having those conversations with stakeholders over the coming days to determine their appetite for various options.

“This was not an easy decision,” said Gordon H. Smith, president and CEO of the NAB. “Fortunately, we did not have to make this decision alone, and are grateful to our NAB Show community for engaging with us as we grappled with the rapidly-evolving situation. This show is as much yours as it is ours, and it is important to us that we move forward together.

“I want to stress that despite our disappointment at how this year’s show has been impacted by global public health concerns, we are more excited than ever about the future of NAB Show and our relationship with you."

Read more on Broadcasting & Cable

Read more on Radio World

The What: Primestream, a provider of asset management, automation software, and workflow orchestration solutions for media and production operations, has announced the release of its Creative Bridge solution for unifying content creation workflows. As an add-on to Primestream's Xchange web-based media management platform, Creative Bridge allows all members of the content creation team to access any creative tool: Adobe Creative Cloud, Apple Final Cut Pro X, DaVinci Resolve, and Avid Pro Tools.

[Bannister Lake to Showcase Data Management Solutions at NAB 2020]

The What Else: Because all projects and assets within the Xchange platform are connected, users can access those tools seamlessly with Creative Bridge. Additionally, team members can register new assets into the MAM/PAM with rich metadata and organizational folder structures. Personnel across the organization gain greater visibility into media and can quickly search, import, and register managed media.

"Creative teams today want to be more connected and have greater visibility and better unification of the overall workflow, as well as the reliability and security essential to modern media production," said Namdev Lisman, executive vice president of Primestream. "Creative Bridge addresses all of these requirements, enabling accelerated workflows, boosting collaborative capabilities, and improving visibility into media. Establishing convenient and intuitive connections between users and creative tools, this new solution brings greater efficiency and productivity to content creation in any organization."

The Bottom Line: With the addition of Creative Bridge, producers, editors, graphic designers, visual effects artists, and other creatives gain access to multiple creative tools through a single intuitive application.

The What: JVC Professional Video, a division of JVCKENWOOD USA Corporation, will debut its new KA-EN200G H.265/HEVC Encoder at this year’s NAB show (Booth C4417). Designed to deliver higher quality, lower bit-rate streaming, the plug-in H.265/HEVC module provides add-on value for the company’s CONNECTED CAM series, which includes the GY-HC900, GY-HC500, and GY-HC550 camcorders. 

[JVC Launches ProHD BR-EN900 HEVC Hardware Encoder at NAB 2019]

The What Else: The JVC module fits into the expansion slot of any model within the CONNECTED CAM line of camcorders for HD streaming using the H.265/HEVC codec. Owing to its higher level of efficiency, High Efficiency Video Compression (HEVC) is an improvement over the widely used H.264/AVC compression standard. This results in higher quality images with reduced bandwidth—up to 50 percent savings—and allows producers to use 10-bit 4:2:2 rather than typical 8-bit 4:2:0 sampling.

“As the video landscape continues to develop, we are looking ahead to the evolution of the HEVC standard,” said Edgar Shane, general manager, engineering, JVCKENWOOD USA Corp. “JVC remains ahead of emerging trends and evolving technologies, focusing on smarter engineering solutions for broadcast and streaming professionals. We recognize that HEVC offers many advantages over the H.264/AVC compression standard. By offering this new plug-in module, JVC allows its customers to future-proof the investment they’ve made in JVC’s CONNECTED CAM line.”

The Bottom Line: CONNECTED CAM camcorders are designed to optimize both video recording and IP performance. All 500 and 900 models provide 1080p streaming and SMPTE 2022 error correction. Selected models also add Zixi error correction with FEC, ARQ, and adaptive bitrate for reliable transmission. CONNECTED CAM’s built-in streaming encoders with LAN/Wi-Fi connectivity provide broadcast-quality video-over-IP directly from the camera—no backpacks or encoders are needed.

The KA-EN200G is currently available with an MSRP of $1,250.

The What: Magewell will unveil its most powerful decoder hardware to date in booth SU5724 at the 2020 NAB Show (April 19-22 in Las Vegas). The hardware decoder supports both Newtek's NDI technology for production-grade media transport and the Secure Reliable Transport (SRT) protocol for internet-delivered H.264 and H.265 streams.

[Magewell to Premiere Compact 12G-SDI M.2 Capture Card at ISE 2020]

The What Else: The company is also simultaneously launching a second new model, the Pro Convert H.26x to HDMI 4K, which offers the same features as the Pro Convert for NDI to HDMI 4K for users who don't require NDI support. Both models also support additional streaming protocols including RTSP, RTMP, UDP, RTP, and HTTP streaming.

The two new low-latency converters decode input streams up to 4196x2160 at full 60 frames per second for output to baseband monitors, projectors, production, or distribution equipment via an HDMI 2.0 interface. 

The Pro Convert for NDI to HDMI 4K and Pro Convert H.26x to HDMI 4K can automatically optimize output parameters based on EDID metadata of the connected HDMI display, while FPGA-based video processing enables high-quality up/down-conversion between HD and 4K. The compact devices measure 3.97 by 2.4 inches (100.9 by 60.2mm) with a height of 0.92 inches (23.3mm), and can be powered via external adapter or PoE. Users can manage advanced features of the devices via on-unit controls, a browser-based interface, or connected keyboard or mouse.

"We have received considerable interest from customers wanting the flexibility of decoding either NDI streams from their internal networks or SRT streams from external sources over the public internet," said Nick Ma, CEO and CTO at Magewell. "Each technology has its own distinct advantages for different applications, and we are seeing deployments of mixed infrastructures using multiple technologies to support specific production, display, and distribution facets of the content chain. With support for NDI, SRT, and even more protocols, the Pro Convert for NDI to HDMI 4K gives customers the versatility they need as their IP workflows evolve."

The Bottom Line: Designed for reliability, the converters are well suited for applications including multi-site video distribution, image magnification (IMAG), video walls, digital signage, remote production, and bridging legacy and next-generation media infrastructures.

At the 2020 NAB Show (Booth SL4711), Canadian real-time data solutions provider Bannister Lake will showcase its data aggregation and management solution Chameleon and demonstrate how the product can add value to a wide variety of broadcast, OTT, and digital signage applications. 

[Bannister Lake Partners With Mobility Data Provider Roadify Transit]

Bannister Lake will highlight Chameleon’s enhanced election module ready for the 2020 U.S. election cycle. Media companies can take advantage of Chameleon’s new election features to produce real-time election coverage on any screen. Chameleon reads election results from both the Associated Press and Decision Desk HQ, allowing media to report on up ballot and down ballot races as well as the primaries and caucuses. 

Bannister Lake will also highlight Chameleon’s ability to fully manage and visualize both live data feeds and on-air branding content for enhancing news productions, sponsorships, and promotions. Broadcasters in any market, using any output device, can integrate, moderate, and customize multiple live data feeds into graphic templates and provide their audiences with real-time news, weather, sports, social media, financial, and fully customized data. In addition, the product’s branding module can fully control sponsor’s snipes, bugs, and other promotional graphic content triggered by the broadcaster’s traffic system.

[Bannister Lake Chameleon Drives Data Aggregation at the US Open]

Automated infochannels will also be in the spotlight at the 2020 NAB Show. Chameleon serves as the foundation to ingest, manage, and visualize an unlimited number of data feeds that can be rendered to any graphics engine, HTML 5, or NDI. Broadcasters can quickly launch infochannels made up of real-time news, weather, sports, financial, event calendars, and other relevant content. To enhance the offering, Bannister Lake has recently added transit and car sharing data to make the channels especially important to local audiences.

As legal sports wagering continues to grow across the U.S., Bannister Lake will be featuring wagering channels covering horse racing, fantasy sports, and other events. Chameleon has become an essential tool to aggregate, manage, and display both sports statistics and betting data. Bannister Lake works with media companies that require a robust solution that can read data from a wide variety of sources and can integrate that data into the on-air presentation.    

The 2020 NAB Show will also spotlight in-venue, real-time data solutions for arenas and stadiums. More and more venues are realizing that real-time data plays an integral role in delivering content that adds a deeper and more entertaining fan experience. Venues appreciate that advertising- and sponsor-related content has more impact if real-time, game-relevant, insightful data could be tied to the presentation. Chameleon is used to ingest real-time statistical data from the leagues, allowing fans to view carefully parsed live game and league statistics combined with game action. Venues are also turning to Chameleon to develop innovative use cases for real-time data and sponsorships, including graphically visualizing wait times at exit gates and concessions, charity lotteries, and corporate communications solutions.

In an "abundance of caution," AJA Video Systems is withdrawing from the NAB 2020 show in Las Vegas due to the risks from the Coronavirus.

"While we will miss gathering with our friends and colleagues from around the world, AJA remains fully committed to transitioning all of our planned NAB events (product announcements and demos, channel partner meeting, and press conference) to web-based video conferences. We have exciting product news to share, and we look forward to bringing those products to market as planned," the company said in a statement.

According to the company, AJA is a community-based company with a majority of its staff, product development, and manufacturing located in Grass Valley, CA, and, in light of the risks presented by Covid-19, having a physical presence at NAB posed "too great of a risk."

At the 2019 National Association of Broadcasters (NAB) Show, Leyard and Planar announced the addition of a new fine pixel pitch model to its popular Leyard TVF Series, offering the broadcast industry exceptionally sharp, clear display images —even at close-up viewing distances. 

Leyard and Planar will showcase a variety of cutting-edge displays at NAB 2019 including a stunning 8K video wall, on-camera display solutions with advancements in color definition and image quality, as well as an innovative studio solution with LED flooring. 

“These offerings represent our most extensive set of solutions for the broadcast market yet,” said Kathy Skinski, general manager for broadcast and media at Leyard and Planar. “We’ve been hard at work over the past year developing the highest quality media experience aimed at propelling our broadcast customers to the forefront of the industry.”

At NAB 2019, Leyard and Planar will unveil a new 1.2 millimeter fine pixel pitch model to the company’s Leyard TVF Series LED video wall line. The Leyard TVF 1.2millimeter model delivers clear, crisp images at nearly every angle and viewing distance. It also allows commentators to distinguish and describe content standing very close to the video wall. 

The Leyard TVF Series is a family of fine pitch LED video wall displays that delivers superior on-camera performance with a wide range of refresh rates to ensure that it can be used with a variety of on-camera recording needs. It offers a 27-inch, slim-profile display cabinet, front serviceability and a creative, stackable design. The Leyard TVF 1.2 joins other models available in 1.5, 1.8 and 2.5 millimeter pixel pitches. 

Leyard and Planar will also demonstrate the high contrast ratio and color accuracy of high dynamic range (HDR) content, taking advantage of the unique performance characteristics of Leyard LED video wall displays. An important emerging technology, HDR promises more life-like images with a broader range of color and contrast to create a next-generation visual experience. 

In addition to the Leyard TVF Series, the company will showcase the next-generation Leyard DirectLight X LED Video Wall System, an award-winning fine pitch LED video wall system line with built-in processing. Featuring the off-board Leyard Video Controller, Leyard DirectLight X is the industry’s first LED video wall solution to embed advanced video processing directly into the product. Available in 0.7, 0.9, 1.2, 1.5 and 1.8 millimeter pixel pitches, Leyard DirectLight X includes a wall mount, full front service access, a mission-critical design for 24x7 reliability and modern, web-based control and management software.

Visitors to the Leyard and Planar booth at NAB 2019 will also have the opportunity to experience a cutting-edge 8K LED video wall. The 24-feet-wide by 14-feet-tall video wall, composed of Leyard TWA Series 0.9 millimeter pixel pitch LED video wall displays, demonstrates how the media and entertainment industry can bring video and images to life with spectacular realism.

The Leyard TWA Series delivers benefits of a unique 54-inch flat panel design with a 16:9 form factor optimized for the most popular high-resolution standards, ease of installation and service, and outstanding flatness and uniformity. The 8K LED video wall serves as an example of the unprecedented level of compelling content the broadcast industry can present to viewers. 

Visitors to NAB 2019 can view these and other innovations at the Leyard and Planar Booth #SL9016. Leyard and Planar display solutions are available through the company’s global network of authorized resellers. 

The What: Adder Technology is set to its  first dual-head high performance, 4K IP KVM matrix over a single fiber at NAB 2019. The company says the launch of the ADDERLink Infinity 4000 Series (ALIF4000) is perfectly timed to support IP KVM users as they transition their broadcast and production environments to 4K.

The What Else: Adder says its ALIF4000 delivers pixel-perfect, color accurate video quality, audio and USB to single or dual 4K screens—benefitting broadcasters, post-production professionals, or VFX specialists looking to improve their workflow and increase flexibility by making 4K content accessible from a single position or location.

[NAB 2019 Preview]

“We are really excited to bring the new ADDERLink Infinity 4000 series to North America and NAB is the ideal event to showcase its capabilities," said Tim Conway, VP Americas, Adder. "The introduction of the ALIF4000 into the INFINITY range means our customers can continue to reap the rewards of their existing network but now with the addition of 4K video support.”

The Bottom Line: Full compatibility with the existing Infinity range means the ALIF4000 can be phased into an existing network without disruption, downtime or the  need to rip and replace. The product can be seen at NAB 2019 in Booth SL8620.

Fourteen leading developers of the NDI video/IP protocol will join together at NAB 2019 to exhibit their latest products and solutions. NewTek, the developer of the royalty-free standard, will host the event from the NDI Central Pavilion. Those who can’t make it to NAB will be able to watch the exhibition on NewTek’s Twitch livestream. The stream will showcase NDI developers and creators who are at the forefront IP video production.

Since its introduction in 2015, NDI has become a popular industry standard for sharing video on a standard Ethernet network. The protocol is now in use by thousands of products and millions of users worldwide and is potentially the most widely used protocol of its kind.

“These fourteen companies represent some of the best innovators among the roughly 1,000 companies incorporating NDI into their products. NAB attendees will be able to explore the NDI ecosystem and discover the amazing devices and applications powered by NDI,” said Michael Kornet, executive vice president and general manager of NDI for NewTek. “These developers share our vision of the end-to-end all IP workflow that is a reality today and we’re excited to bring them together at the NDI Central Pavilion.” Located at booth #SL5516, the NDI Central Pavilion will be home to:

· AJT Systems

· Boinx Software

· Changsha Kiloview Electronics

· Production Bot LLC

· Easy Media Suite

· Etere

· FingerWorks Telestrators

· LiveXpert by 3D Storm

· Medialooks

· NewsMaker Systems

· NIXUS · Panasonic

· RT Software

· Stream Circle

The livestream starts at 10am on Monday 4/9, and at 9am each day after.