According to Toni Jones, Human Resources Manager at Hampstead Health Family Practice, the facility has a very large and busy reception area that is often quite noisy, making quick and clear communications with incoming clients a challenge. Add to this normal operating environment the Covid-era required installation of Perspex Safety Screens and you end up with an environment that further reduces speech intelligibility. 

“We needed a solution that would protect the health and safety of our clients and team and improve direct, two-way communication in the reception area,” she explained.

To design and install the right solution for Hampstead Health, Jones approached their reseller AV Australia, who then turned to Exertis ProAV Australia, their specialist commercial AV distribution partner in the region. After consulting with the customer on site, Exertis recommended the Contacta Bridge Bar system that is part of the Window Intercom System family. Exertis installed a demo system for the customer and, after Hampstead Health recognized the advantages of the system after trialing it for a week, then recommended AJS Lighting Sound Events to serve as the local installation partner on the project.

The Contacta Bridge Bar System provides full duplex communication for staff and customers/patients, including an integrated hearing loop for customers wearing hearing aids. The Window Intercom Systems counter the loss in speech intelligibility caused by the installation of Perspex Safety screens at counters in Healthcare, Retail, Airports, Banking and Ticketing environments, anywhere with a Service Counter and Perspex screen. 

According to Exertis ProAV Australia General Manager Nick Cocks, “In today’s Covid environment, the addition of Perspex safety screens can mean a loss of up to 12dB in sound level, combining that with protective masks eliminating the ability to lip read, the capacity to understand speech clearly is greatly diminished for both staff and patients.

“The Contacta Window Intercom Systems allow for speech intelligibility to be increased so that customers and staff do not need to raise their voices or speak around the screens. The other advantage is that the amplified sound field is limited to the speakers’ vicinity, so customer confidentiality is maintained, which is vitally important in the health and banking sectors,” Cocks emphasized.

Now that the new Contacta system is installed and fully operational, Hampstead’s Jones is seeing a higher quality of two-way communication between staff and clients. “Since installing the Contacta Bridge Bar System, communicating with our patients is so much easier. There is no longer any need to raise voices to be heard and, most importantly, the reception staff are extremely happy with the system.”

1. AMX N7142 Presentation Switcher

2. Leyard and Planar Next-Gen Clarity Matrix G3 LCD Video Wall System

3. Contemporary Research QIP-D IPTV Decoder/Controller

4. Middle Atlantic Products DC Power Distribution Series

5. Hall Research EX-HDU HDMI and USB Extender

6. InfoComm Emerging Trends Day

7. Optoma ZU1050 Laser 10K Lumen Projector

8. Bitvu Screenspace Digital Signage Solution

9. MuxLab HDMI 2.0 Digital Signage Media Player

10. Mersive Solstice

11. Crestron DM NVX Compact Video Encoder/Decoder

12. InfoComm C2 Experience

13. SiliconCore Lavender LIVE 1.2mm LED

14. Canon REALiS WUX7000Z Laser LCOS Projector

15. Pro Video Instruments VuMATRIX 4K-60-POE-Kit with Controller

Want to know more? View the full webinar on-demand.

“In less than a year, the ONELAN partnership with Stampede has created significant traction throughout North America in all of our targeted vertical markets,” said ONELAN Chief Commercial Officer Hugh Coghill-Smith.

“We’re delighted to be further strengthening our relationship with Stampede by extending our combined reach into Norway and Sweden.”

According to Coghill-Smith, Stampede resellers in the Nordic region will now be able to take advantage of ONELAN’s enterprise-level solutions that are backed by decades of innovation and experience in the global signage market. “Stampede’s approach to project-based selling aligns neatly with the competencies required to deliver successful enterprise level projects with ONELAN’s leading digital signageand award-nominated Reserva room booking solutions,” he said.

Commenting on the expanded relationship, Stampede President & COO Kevin Kelly noted that, “The combination of ONELAN’s outstanding product portfolio and Stampede’s world-class, knowledge based sales organization, is proving to be the winning combination that is making it easier than ever for customers across all vertical markets to benefit from state-of-the-art visualization solutions. We are confident that we can successfully leverage this winning relationship into new business opportunities in Sweden and Norway.”

ONELAN’s latest digital signage developments demonstrate the company’s scalable enterprise-level solutions to customers within retail and quick service retail (QSR) environments, with innovative Content Management System platforms for managing a mixed network of devices, including Samsung Tizen and LG WebOS screens; ONELAN Net-Top-Box (NTB) appliances; BrightSign and NEC OPS players; and integrated POS screens. ONELAN’s System on Chip (SOC) players can be quickly and easily deployed on a Samsung Tizen or LG WebOS 3.0 display, making installation simpler with no external player and reduced cabling.

ONELAN’s latest developments for corporate and education markets include Reserva Room Signage that integrates directly with existing calendar and timetabling applications, and features options to choose between one or more of 13 different languages. Customers are also able to upload their logos, offering an additional internal channel for brand reinforcement as well as an enhanced capability for the room signs to operate as part of a corporate or campus communications network playing images, videos and HTML in conjunction with the room booking information.

The event will take place May 9 @ 6:00 pm - 8:30 pm at the JW Marriott in downtown Austin. Registration is still open, here.

CEO John Dubois of Oculus360, and Managing Partner of Q Division, Manolo Almagro will explore: how it takes more than basic demographics and location based data to create authentic personalized DOOH content; understanding true consumer needs, wants and priorities by observing unsolicited-unaided consumer commentary; and how to raises the bar for genuine interaction when it comes to personalization at scale. They will also look at the latest technologies + methodologies being used to create next generation, data driven experiences at scale.

DSF’s Mission is to support and promote the common business interests of the world-wide digital signage, interactive technologies and the digital out-of-home network industries. The DSF is a not-for-profit independent voice of the digital signage industry reflecting the diversity of its membership. It promotes professional recognition through certifications, continuing education, conferences, publications, and presentations offered by the DSF and affiliate groups. It provides regulatory advocacy to leverage the collective strength of members and represent their interests at the higher levels of government and the community.

NewBay Best of Show Award from Digital Video. One award was presented for the Sharp 8K Ultra-HD (UHD) Professional Camcorder and another for the Sharp 8K UHD LCD Monitor.

NewBay Best of Show Award from TV Technology. The award also went to Sharp for both the 8K Professional Camcorder and the 8K UHD LCD Monitor.

NewBay Best of Show Award from Sound & Video. The award went to the 70-inch Class 8K UHD LCD Monitor.

RedShark News Best in Show. Sharp won this award for its 8K technology on display and the work it does to promote the benefits of the 8K space.

NewBay’s Best of Show Awards are evaluated by a panel of engineers and industry experts, and are selected based on innovation, feature set, cost efficiency and performance in serving the industry. All nominated products are featured in the special Best of Show Awards Program Guide, to be distributed in digital edition form to more than 100,000 readers of TV Technology, Digital Video, Video Edge, Government Video, Radio World, Radio magazine, Pro Sound News and Sound & Video Contractor after the convention.

Sharp received all six awards for its future 8K technology, which was showcased through demonstrations in the 8K ecosystem, and are expected to be available in the U.S. later this year. The 8K UHD Camcorder allows the user to shoot, record, playback and line-out in 8K – and is the world’s first 8K UHD camera to combine these four functions into a single camera body. Meanwhile, Sharp’s 8K UHD 70-inch Class Monitor provides the opportunity to experience the ultimate in high definition that conform to the 8K UHD standard (7,680 x 4,320 pixel resolution) and offers HDR (HLG/PQ) functionality with a peak brightness of 1,000 nits.

“The NewBay Best of Show Awards at NAB are now in their fifth year,” said Paul McLane, NewBay managing director, content. “The program seeks to shine a spotlight on relevant innovations in technology as seen around the million-square-foot exhibit floor of the industry’s top trade show. The list of 2018 winners and nominees gives real insight into where and how rapidly our media tech businesses are evolving.”

Said David Shapton, Editor-in-Chief, RedShark Media:

“We gave this award to Sharp for demonstrating to the world that 8K is not only possible but a genuine and significant improvement over 4K that brings obviously visible benefits to all viewers.” said David Shapton, editor-in-chief, RedShark Media.

“We’re honored to receive these awards from NewBay and RedShark News for our innovative lineup of 8K technology,” said Doug Albregts, President and CEO, Sharp Imaging and Information Company of America. “Sharp believes 8K will positively impact the future of technology – and change the world.”

Home to the Canadiens, the Bell Centre also hosts a full line-up of international music, theatre, sports, and business events each year. So the venue sought a “digital facelift” to ensure optimal ambiance for event-goers. Out went unwieldy light-box advertising, replaced with streamlined dual-monitor digital displays to best showcase event and event-related content. Spread throughout the main concourse; the displays broadcast simultaneous streams of game footage via an internal feed, along with rotating digital signage driven by Matrox Maevex H.264 encoders and decoders. Additionally, Maevex is also used behind-the-scenes to critically distribute goal replays to key decision makers on whether or not to challenge a goal that can crucially impact the outcome of a game. Maevex delivers Navori-programmed content, including hockey player profiles and advertising, via a Seneca HD2.5 media player housing a quad-output graphics card on a multicast Avaya network.

Pierre-Eric Belzile, Vice President, Information and Communication Technology for the Canadiens, ran several video distribution pilot programs with a local media player-based content distribution solution. From the various options, Maevex was the only AV-over-IP platform capable of synchronizing digital signage distributed via one encoder to multiple displays. With other hardware, synchronization was off by as many as several seconds, causing confusion for viewers who could see up to five sets of monitors.

The content, including hockey player profiles and advertising, is delivered via a Seneca HD2.5 media player housing a quad-output graphics card on a multicast Avaya network. A Maevex encoder is connected to each output, with each appliance delivering content to a set of five Maevex decoders for a total of 100 Maevex-powered displays.

“Each set takes up one quadrant of the concourse, with the content on each of the monitors synchronized to provide a single, consistent message to a given fan walking about the concession area. Maevex accomplished this better than we imagined,” described Belzile.

Belzile was also impressed by the end-result quality of the feed encoded and decoded by Maevex, noting the AV-over-IP device’s Full HD, 1080p60 capabilities.

“The crisp visuals stayed very true to the source content and to the Canadiens product which our organization prides itself on delivering to fans. Going to a hockey game is about the overall experience, both on and off the ice.”

The success of the digital signage usage scenario was almost a happy accident, as Belzile only decided to test Maevex in that capacity after deploying the HDMI-over-IP devices in a separate situation, one that can potentially impact the outcome of the game.

The NHL’s Coach’s Challenge allows a team to request a video review of the last play for specific scenarios if they have a time-out available, for example, an off-side call or review of a goal. Crucially, it must be effectively initiated before the resumption of play, which usually only allows a 40-second window. If the call on the ice for a goal (or no-goal) is deemed correct following the video review process, the timeout used is lost.

With limited time to decide whether or not to risk a timeout, the Canadiens needed a way to stream the footage to key decision-makers, including the assistant coaches of both teams — all stationed in different locations around the arena and requiring access to the feed as soon as it becomes available.

Initially running into reliability issues using another encoder/decoder combination to provide stakeholders with access to the feed provided from the NHL’s “war room” in Toronto, Belzile landed upon the Matrox Maevex H.264 encoders and decoders via an online search.

Belzile soon discovered Maevex met their needs perfectly, giving the Canadiens the technology they needed to make fast—and critical—decisions.

Maevex offers low, user-definable bitrates between 100 Kbps and 25 Mbps—among many other easy-to-use settings—via the Matrox PowerStream software. This ensures that content distribution doesn’t needlessly stress the building’s IT network and keeps bandwidth costs down for the Canadiens, consistently ranked among the most valuable NHL teams by Forbes Magazine, in part due to wise, cost-effective decisions such as selecting Maevex.

“Ultimately, taking all factors into consideration, especially the back-end flexibility of Maevex, it was an easy choice, and even easier to integrate the solution into the Bell Centre’s AV-over-IP multicast Avaya network infrastructure,” he said.

Belzile added that based on the success of the Maevex install, there are plans to expand the deployment to additional levels within the arena. He also envisions using Maevex in other facilities and for festivals like the massively-popular Osheaga and Heavy Montreal, put on by Evenko, an event promotion company operated by the same ownership group. Belzile expects Maevex to have the same of impact at these events as it has had at the Bell Centre.

SNA Displays is a leading manufacturer of custom LED display and lighting solutions. The company is one of the largest LED manufacturers in the world, with more than 26 years of LED experience and more than 245 patents across multiple LED technology markets.

Barry Frey, DPAA President & CEO, said, "SNA Displays is the company behind some of the most dynamic, eye-catching video screens in the country, from New York's Times Square to Washington DC's Capital One Arena to San Francisco’s Salesforce HQ and L.A. LIVE in Los Angeles. We look forward to helping them network with our community of members."

Mitch Leathers, Director of Marketing & Communications for SNA Displays, said, "We see joining DPAA as a great opportunity to grow our business and share our expertise in the digital display space with the world's leading digital out-of-home networks. There are clearly some great networking opportunities and relationships to be had within DPAA, and we’re excited to become a member."

DPAA is a global, digital out-of-home marketing association that has created a strong community environment in which members drive and promote their digital capabilities.

To deliver on their promise of “Digital Out of Home Everything," DPAA functions as a business accelerator and concierge/consultant for members. Membership in the DPAA community brings many benefits, including admission to quarterly "mini summit" meetings with ad industry and DOOH leaders; access to curated VIP tours and meetings at CES and Cannes Lions; an extensive database of research, best practices and case studies; tools for planning, training and forecasting; social media amplification; publication discounts; an opportunity to participate in media partnerships; insights on software and hardware solutions; further integration into the advertising ecosystem as part of the video everywhere conversation and marketing campaign; and more.

DPAA: www.videoeverywhere.com

NDI allows video and audio sources to be shared bi-directionally across a standard 1 GigE network, eliminating the need for costly infrastructure upgrades, while turning every source into a destination instantly available anywhere on the network. DSX SDK support now permits Matrox board-level products to become automatically discoverable on an NDI ecosystem and facilitates the transmission of many high-quality, low-latency, frame-accurate video and audio streams to all other NDI devices.

“The adoption of NDI demonstrates our unwavering commitment to both the broadcast industry and to our customers,” said Alberto Cieri, senior director of sales and marketing, Matrox Video. “OEMs now have a simple, easy way to integrate NDI to fulfill any video capture, source, and delivery requirement in NDI-centric infrastructures.”

“The Matrox multi-channel video I/O cards are a natural fit in the NDI ecosystem,” said Dr. Andrew Cross, president and CTO, NewTek. “The industry-renowned video cards exponentially increase the video sources available for live production, creating new deployment opportunities for customers looking for a smooth path to IP.”

Matrox NDI support will be available in Q2 2018.

For more information on NDI, visit ndi.newtek.com #NDIcentral

“We’re honored to be awarded with a Red Dot Award for innovative product design for our 4K HDMI over IP Extender,” said Holly Garcia, vice president of ATEN Technology, Inc. “The internationally recognized award further validates our continued focus on improving the user experience with all ATEN products, and our overall mission to provide our partners and the end customer with ‘Simply Better Connections’.”

ATEN’s 4K HDMI over IP Extender addresses the challenges that system integrators encounter when implementing AV over IP systems, delivering 4K AV signals with low latency over long distance via a local network of standard gigabit network switches. Key features include lightweight compression with ultra-low latency, scalability and flexibility, video wall support, embedded/de-embedded audio support, and daisy chaining up to 30 units.

“The 4K HDMI over IP Extender is ideal for integrators needing to deliver video content to multiple displays or a video wall, with the flexibility to add displays or more video content in the future,” said YT Liang, product manager at ATEN Technology, Inc. “With so many complex solutions and technology available for video distribution, ATEN offers integrators an easy to implement and configure solution, regardless of their IT knowledge or experience with a customer’s network.”

The 4K HDMI over IP Extender solution includes the Receiver (VE8950R) and Transmitter (VE8950T) for $900 USD each, and is available via ATEN’s channel of distribution and reseller partners.

The solution will be showcased and demoed in ATEN’s booth #SU946CM (upper South Hall) at NAB (April 7-12 in Las Vegas).

AT&T is working with Cineplex Digital Media to develop, install and operate a digital signage network for Citizens Bank, creating an immersive digital retail experience for the bank’s customers. Branches will have screens with custom content, featuring topics like planning for retirement or managing student loans, as well as community-based activities. The screens will also provide local weather, news, sports, entertainment and stock indices.

first phase of the digital signage migration is complete, with 1,047 single and dual-screen locations now running the new Cineplex media players. Plans are already underway to roll-out the new technology to the remaining bank branches in 2018.

AT&T is overseeing the project, analyzing the banks’ network architecture needs, managing service support associated with the design and producing required documentation. Citizens Bank also utilizes AT&T security, application solutions, voice, data and mobility services.

“We’ve provided technology solutions to Citizens Bank for almost two decades,” said Tony Leggio, vice president of Global Business Industry Solutions. “Our world-class technology coupled with Citizens Bank’s outstanding products and services create a winning customer experience.”

“I'm very pleased to join the Audionamix team,” said Esterson. “Over the last 13 years, Audionamix has developed incredible, forward-thinking solutions for separating vocals and dialogue from existing tracks as well as rebalancing composite track elements. The company is poised for its next stage of growth, and I'm happy to lead that effort.”

Esterson has vast experience with brands such as DTS, Lexicon, Genelec, Tascam, and Adam Audio. At Genelec and Adam Audio, he was the western sales manager in charge of working closely with dealers as well as music, broadcast, and post facilities. He was also responsible for many surround and immersive audio monitoring systems in the music, gaming, and post communities. At DTS, he worked closely with both DVD authoring manufacturers and authoring facilities throughout the world to encode DVDs with multichannel audio. At Tascam, he was responsible for outfitting major film lots and post facilities with Tascam Digital Film Dubbers.

“Scott is an experienced professional and we are happy to have him join our expanding team,” says Maciej Zeilinski, CEO of Audionamix.

The Shell 3-D Visualization Center at the University of Wyoming was established as a computational energy research facility for students, professors, and researchers to analyze data related to mining, and oil and gas. Designed and integrated by Mechdyne Corp., a 3D visualization and virtual reality technology developer headquartered in Marshalltown, Iowa, the lab comprises a four-sided CAVE, a video wall, and three portable “mini-caves.” With these systems, users may literally walk in and immerse themselves in their data to collaborate on such topics as geological analysis, the feasibility of specific mining and/or oil drilling locations, and potential oil and gas opportunities. The Visualization Center also offers cross-departmental collaboration opportunities for those working in architecture and civil engineering, medical sciences, molecular biology, and STEM (science, technology, engineering, and mathematics).

“The researcher can see, on a flat screen, one thing, but when they can walk around the data and see more spaces, or a molecule and how it’s folded in a different way that they’re able to better see the interactions, they’re able to make connections that benefit their research,” Diana Hulme, deputy director for research, School of Energy Resources at the University of Wyoming, has said of the facility.

While the University of Wyoming’s collaborative facility is designed for users that are all in one place, Mechdyne’s software-based TGX solution addresses the need for collaboration among far-flung team members that require precise visual reproduction. “Think of it as Skype on steroids—essentially it’s a desktop sharing tool, but it is designed for really high resolution and really good color fidelity,” explained Mike Pedersen, senior staff engineer at Mechdyne. “[With it,] we can take two 4K monitors off a single PC and we can send those off to a remote location, and [users] can look at [the data] in real time.”

Pedersen notes that this solution is also finding success in the oil and gas industry, where experts in North America and Europe are communicating with team members located on drilling sites in developing countries, or offshore. “Using a product like TGX allows them to collaborate very well—they can look at the seismic data, they can do their well planning, and they can do the geo-science stuff that they need to do in order to be successful in what they’re trying to accomplish.” He adds that the automotive, medical, and consumer packaged goods markets are also employing this technology for remote sharing and collaboration on product and packaging development, or for education and research.

At the University of Warwick in England, the goal is to provide students and faculty with a BYOD solution that enables them to share content wirelessly to displays in the AV-equipped rooms in its Oculus building. To achieve this, the institution is using Solstice Pods by Mersive Technologies Inc., a collaboration solutions developer headquartered in Denver, Colo. The Solstice Multi-Room feature allows for connection between separate rooms, and several Solstice Pods in one space can share content, enabling individual groups to share with the rest of their classmates. “It does not just replace the cable that tethers a presenter to the front of the room—it acts as a true communication platform, accessible by any member of the classroom, from any device they brought with them,” Jonathan Owen, the university’s IT services owner, has said of the technology.

One issue that tech managers continue to face in deploying visualization technologies for collaboration—especially when it involves remote locations—is bandwidth. Getting data from Point A to Point B may not be too much of a problem when both locations are office buildings that have solid bandwidth access, but moving data to remote sites in areas where the infrastructure is unreliable is another matter. Pedersen hails Mechdyne’s TGX as particularly strong in bandwidth efficiency, however even he concedes that at a certain point tech managers must make compromises. “If you don’t have the required bandwidth, you’re going to have to do some type of compression, you’re going to have to do some type of reduction of the refresh rate,” he said. “Something at some point has to give—a video at a certain refresh rate and resolution takes so much bandwidth, and if you don’t have it, then you have to do something to reduce that.” This is when it’s time to ask: what are we willing to give up? Refresh rate for better resolution? Resolution over refresh rate? Color fidelity? All of this depends on what the end goal is: if on-site managers in the oil and gas sector need to see detail, perhaps they can live with a slower refresh rate. On the other hand, aerospace pilots conducting simulations might be able to live with less accurate color and resolution, but they are probably going to need fast refresh rates.

Pedersen also points out that tech managers must assess whether or not the software packages they’re considering are up to the task when it comes to supporting the required resolution, color fidelity, and refresh rates for advanced visualization. This becomes increasingly important for applications involving stereoscopic imagery for 3D modeling. “That lends itself to another list of challenges as far as what type of software even achieves stereoscopic collaboration,” he said. “It’s a very, very, very short list.”

One of the issues that many organizations face with collaboration tech deployment is that while it may be available, it’s not being put to good use. Utelogy Corp., a software-defined platform developer headquartered in Irvine, Calif., aims to help tech managers resolve this with its solution, which provides insight into systems usage. “For us, it is about data and helping tech managers understand these usage trends so they can make purchasing decisions based on what their users are actually doing,” explained William Tinnel, senior vice president and chief commercial officer at the company. “We can compare things like 323 and SIP usage versus the Zooms and the Sparks of the world. We can see that while it looks like videoconferencing trends may be decreasing in an organization, when you compare it to the other types of technology being used for collaboration, in fact it’s increasing.” He argues that this leads to better decision-making on things like real estate: perhaps the analytics suggest a need for fewer eight to 10-person conference rooms and more huddle spaces. “We can make smarter room size decisions based on these types of collaboration trends that are actually taking place inside the organization.”

This type of analysis also enables tech managers to gain a better grasp of what users actually need, which in turn reveals how the tech department can improve upon training, and therefore usage trends … and therefore, ROI. “I think we need to do a better job of educating and helping users understand [why they need to use collaboration technology,]” Tinnel said. “If the users understood that they’re going to be required to come into the office more because collaboration isn’t taking place at a very efficient level, then they may be more apt to use the technology—and we’re seeing more users having to come in because collaboration is not taking place.” Armed with this information, tech managers can begin to examine whether or not they’ve deployed the right technology, or if low usage statistics are a result of poor training. “When we see a certain business unit, or a certain sector of an organization not adopting the technology, that gives tech managers the tools to say: here is where we need to educate because adoption is low, therefore our ROI on this technology is low. If we can spend some time educating, we can get that usage to where it needs to be, get the full value out of the technology, and ultimately make our users more efficient.”

Carolyn Heinze is a regular AV Technology contributor.

INFO

Mechdyne Corp.
www.mechdyne.com

Mersive Technologies Inc.
www.mersive.com

Oblong Industries
www.oblong.com

Utelogy Corp.
www.utelogy.com

Post date: 02/20/2018

Location: Stanford, CA

Job Summary:

The Stanford School of Medicine Anesthesia Informatics and Media Lab (AIM) includes projects that span education, clinical informatics, and mobile computing in medicine. Our goal at the AIM Lab is to focus on innovative user-centered solutions to healthcare IT. Our work has been honored by funding and awards from the Agency for Healthcare Research Quality, IARS, the Society for Technology in Anesthesia, and Medicine 2.0, among others. We are seeking an Education/Instructional Designer to join our team on a full-time basis.

The programs of the AIM Lab are both internal and external. Internally, we work on department related projects to enhance our anesthesia residents' education. These projects include an online library of past recorded lectures, a website featuring key anesthesia related content, an in-person monthly course for resident interns and ongoing support for our residents. Externally, a key project of the AIM Lab is the Learnly umbrella of products which includes a one-year curriculum designed to provide CA-1 residents with competency in the anesthesia basic sciences and a one-year program during internship that is designed to help incoming residents feel more prepared to begin anesthesia residency training. Learnly is used in over 40 residency programs across the country and around the world. Another program of the AIM Lab is the Stanford Science, Technology and Medicine Summer Program. Our two-week program aims to help high school and undergraduate students pursue careers in health care and become compassionate caregivers. They explore a range of topics including 3D printing and simulation.

You'll be joining a diverse team with a broad range of skills. We believe in daily stand up meetings, snacks (and lots of them), and learning from each other (including weekly masterclasses from your peers). No two days are the same in the lab as you'll be working on a wide range of projects with opportunities to use your experience and skills to contribute to the development of AIM Lab projects and education Anesthesia residents.

Read Full Job Listing

Post date: 02/12/2018

Location: Cambridge, MA

Job Summary:

Under the general direction of the Director, Teaching and Learning Lab, the Assistant Director of Learning Design is an experienced leader in the design and development of high-quality learning experiences. The position involves oversight and leadership in the areas of outreach, needs assessment, design, development, and implementation to serve the needs of the Harvard Graduate School of Education (HGSE) community. The Assistant Director is responsible for maintaining the learning design portfolio, ensuring quality and consistency in all learning design offerings, keeping the TLL on the leading edge of relevant developments in the field, and managing and developing a growing number of learning designers within the Teaching and Learning Lab.

The Assistant Director will act as project manager for complex projects, ensuring completion of projects in a consistent and timely manner. S/he will be responsible for developing and leading a team of learning designers to ensure adequate support for the HGSE teaching and learning community, including the exploration, implementation, and evaluation of emerging learning design models.

Read Full Job Listing

Responsibilities

• Daily phone and email correspondence with potential customers
• Proactive outbound calling to develop new sales opportunities
• Research accounts, identify key players, generate interest and develop customer relationships
• Prepare and complete customer request of quotations
• Manage market and competitive product research
• Provide strong account management support to your customers to assure ongoing relationships and facilitate new business
• Establish and maintain a positive relationship with potential customers leading to market share and sales growth
• Communicate with all internal departments related to fulfilling customer requirements
• Manage pricing and develop recommendations that maintain and grow sales volume while maximizing margin and contribution to corporate financial objectives

Requirements

• Ability to work independently
• Ability to learn about technical products
• Effective time management and prioritization skills
• Strong interpersonal skills, including the ability to communicate on all levels
• Detail oriented and excellent communication skills, written and oral
• Must have solid computer knowledge, Windows and Microsoft Office proficiency
• Good team player and strong organizational skills
• Must be able to handle a variety of tasks simultaneously
• Sales experience in the Audio Visual industry preferred

Education & Experience Required

• Minimum of 3 years sales experience required, with a successful track record in the audio-visual equipment industry

To learn more about ROE Visual, visit us at www.roevisual.comEmail your cover letter and resume to Mona Olivas: mona@roevisual.com

Post date: 01/22/2018

Location: Washington, DC

Job Summary:
The WCL Online Learning Trainer and Curriculum Designer (Online Designer) is responsible for training faculty in effective means for online learning. Training will focus on both the technological and pedagogical aspects of online learning and include aspects of various multimedia or videoconferencing tools. The position requires that the candidate have experience with online learning training and requirements for achieving effective faculty outcomes. One major objective is to provide year-round training for faculty members wishing to offer online education courses, thereby supporting both the student experience and faculty innovation, with responsibility for course design, development, deployment and management.

Read Full Job Listing

Post date: 01/08/2018

Location: Nashville, TN

Job Summary:
The Senior Instructional Designer serves as project lead in the course development process and collaborates in the development of TN eCampus course development templates and standards, instructional design methodologies, and best practices to develop high quality, engaging, ADA/508 compliant, fully functional online courses. Additionally, the Senior Instructional Designer collaborates in the development of faculty professional development and performance support materials, consults with faculty in selecting appropriate technologies and applying pedagogical/andragogical best practices, and provides guidance to faculty in creating courses that apply Universal Design for Learning (UDL) principles. The Senior Instructional Designer conducts course reviews and maintains documentation throughout the course development and review process. The Senior Instructional Designer also provides instructional design expertise and support to special projects and for the implementation of new initiatives.

Read Full Job Listing

Post date: 11/27/2017

Location: San Diego, CA

Job Summary:
Under general direction of the Director of Online Education, and with the Senior Instructional Technologist as the work leader, the Instructional Technologist is responsible for online course building efforts within the Division of Professional and Continuing Education. Includes constructing courses in the Learning Management System (LMS), and for developing and producing any custom infographics, animations, interactions, simulations, videos, or podcasts. Also includes website development, producing communications and instructional materials using the web, audio, video, and other electronic media, which may involve writing, editing, designing, production and/or programming. Uses skills as a seasoned, experienced electronic communications professional to produce design and layout for a variety of web site applications, including non-routine and moderately complex web sites, specifically course sites within online learning management systems. Demonstrates a full understanding of industry practices and campus policies and procedures. Demonstrates good judgment in selecting methods, technologies and techniques for constructing online courses. Receives general instructions and guidance in an open and collegial manner and exercises good judgment in selecting methods and techniques for course, program and instructional improvement. Fully knowledgeable in online learning strategies, technologies, and program development. Collaborates with USD Information Technology Services staff for learning management system access, network access, and technology use policy.

Read Full Job Listing

Job Summary:

• Provide leadership and direction for overall audiovisual (AV) operations on behalf of ASU’s Customer Service and Support. This includes maintenance and support for University and departmentally-contracted classrooms and conference rooms, and AV hardware and software support for the public computing sites. Performs a variety of activities necessary to provide classroom instructional technology and multimedia support to end users to ensure proper and effective operations.

Read Full Job Listing

MWMO Carousel Interactive Screen

The Mississippi Watershed Management Organization is a public organization that partners to protect and improve water quality and habitat in its urban watershed. Prior to the Carousel network deployment, the watershed organization relied on posters, flyers and handouts inside its Learning Center and offices. In addition to not knowing whether audiences were actually reading this material, keeping printed content relevant and up to date was an ongoing challenge.

“We wanted the MWMO Learning Center to become a more interpretive space, and digital signage was an early part of that plan,” said Michele Ross, the Mississippi Watershed Management Organization’s professional training and community learning specialist. “We really had to consider what technology to use and what content we would present to make this a more viable and valuable alternative to printed material. We needed something that was straightforward and easy to use since we would be on a learning curve, and we wanted a system we could quickly update. Most importantly, we wanted a system that would engage our visitors through dynamic and interactive content.”

Ross and her colleagues selected Carousel based on its ability to support both interactive and static monitors, and to quickly turn around modifications to existing content. Tightrope’s Professional Services division worked in cooperation with the Mississippi Watershed Management Organization to customize templates with Mississippi Watershed Management Organization’s fonts and colors and create graphical layouts for the screens, while training end users on content management and updates using Carousel’s flexible, user-friendly web-based interface.

The custom templates have been especially useful for Mississippi Watershed Management Organization from a branding and communication perspective. The static screens, located in the main lobby, stairwell and staff office, rotate between two different templates. The main template offers a left-hand column for informative text, including event information and educational blog posts, while two zones on the right side supports high-resolution images, an active Twitter feed and dynamic time and weather displays. A second template provides full-screen video of educational and informational content.

The interactive kiosks are the star of the network, providing visitors with a highly visual display that enable visitors to highlight and click on up to 16 raindrop-shaped pins. Each pin leads to a project page with additional detail on watershed projects and Mississippi Watershed Management Organization initiatives, including pictures, video and a brief project synopsis. The screens default to screensavers that draw attention during periods of inactivity.

"On Your Feet!" at the Marquis Theatre
“I began using d3 media servers in 2011 on the tour of ‘American Idiot,’ and they’ve been my main server ever since,” including on his last Broadway musical, “Allegiance,” said Maloney.

For “On Your Feet!” he deploys four d3 4U v2.5 systems from Sound Associates – two display, one master and one understudy – for a total of nine outputs.

“One of the things director Jerry Mitchell wanted for this show was to move quickly from one location to another, like a movie does,” said Maloney. “Projection allowed us to do that, to propel the story forward in a really fluid way” as displays depict Gloria and Emilio’s roots in Cuba, their childhood memories in Miami, Gloria’s father’s service in Vietnam and the Estefans’ first world tour.

d3’s previs capabilities played an important part in the design process. “The set design features big panels of shutters that move, track and turn,” said Maloney. “With d3’s previs function we were
able to show the director and set designer David Rockwell the scenic moves and how they worked with projections. It used to be that you couldn’t see that type of thing in context until you got to the theater.”

r13 Software Leading r13’s new features is the new timeline. d3’s timeline is now frame accurate, working in hours, minutes, seconds and frames. Users can zoom into a single-frame view to make precise adjustments as naturally as show-wide edits.The new timeline is fully compatible with existing d3 projects.

Additionally, the UI has been given a lick of paint. Windows are translucent with a blurred background to let you see the content beneath while maintaining legibility. The text has been updated to a cleaner, modern typeface and sharpened for retina displays. Rounded corners create a softer feel, unnecessary detail has been removed, and UI colors are more subdued to reduce visual distraction.

There are also two new Timecode Transport types: System Time, and Timecode Tester. System Time makes use of the Windows clock and allows users to sequence a show to the time of day, perfect for daily running installs. The Timecode Tester is like a built-in timecode generator and is great for testing project cueing behavior before getting to the full-size equipment onsite.

The Timecode Readout module allows users to place a timecode clock in their stage view for the purposes of reference or even to use in the show itself. The module is able to display the timecode going in and out of d3, as well as time before next section and time elapsed/remaining for a video clip.

There is also now a spherical mapping type to aid with projecting onto spherical or hemispherical objects. This behaves in a similar fashion to the cyclical mapping type and uses equirectangular projection to map video content. Additionally, d3 now supports output to Puffersphere’s spherical screens. Snapping guides and rulers make a return in r13, making it easier for those setting up pixel-perfect outputs in the new feed editor introduced in r12.1.

r13 went through extensive in-house testing, and was released to a group of beta testers for a two-week period to be put through its paces before being released to the public.

“Thanks to the d3 beta group for providing such detailed feedback. As a result further improvements to UI contrasts, color parameters, general legibility and bug fixes we made prior to the official release this week,” says Lars Paape, product development manager who recently joined d3 Technologies.

To vote online now, click here.

• We’ll be announcing the winners and presenting the trophies at InfoComm 2016 in Las Vegas in June — and of course covering the winners online and in the printed magazine. But not before you vote (deadline to vote is May 12th).

Product descriptions are below:

Best Direct View LED Product

NEC Display Solutions
NEC Display LiFTtm L015Si Direct View LED Video Wall
The NEC Display LiFTtm L015Si display is a 1.5mm pitch indoor Direct View LED video wall whose pixel panels are removable from the front with a magnet for easy maintenance, simple replacement or upgrade to a smaller pitch. Pixel panel modules are completely modular, enabling future upgrades to 4K. o The lifetime of the pixel panels is more than 80,000 hours o The display includes a 2-year warranty o The warranty is upgradeable to 5 years

PixelFLEX
FLEXLite Plus
The FLEXLite Plus builds on the importance of meeting every need for every client. With new and improved features, the FLEXLite Plus is as economical and lightweight as ever before. Unlike any other Product line, the Plus series of LED panels are capable of a 15-degree curve in either direction. The 3.9 and 6.9mm models are a non-blowthrough design. the 8.9 features 9% blow through. Used by Luke Bryan, Big Gigantic, KLOVE Fan Awards

NanoLumens
Outdoor Gallery Series
Redefining the performance standards for outdoor visualization solutions, NanoLumens Outdoor Gallery Series is the world’s first true curved, outdoor LED solution that can be built in any size, shape or curvature in pixel pitches ranging from 4MM to 9MM. NanoLumens’ expert team of engineers alters the configuration of each solution to meet the specific location’s environmental requirements. For example, at the AmericanAirlines Arena in Miami, the Outdoor Gallery Series was built specially for the “salt fog” environment – operating seamlessly in temperatures up to 122 degrees Fahrenheit, in wind speeds exceeding 186 miles per hour and withstanding the corrosive ocean air.

Samsung Electronics America
Samsung Fine Pixel Pitch 1.5 LED Signage

Designed to deliver impactful visual content and inspire collaboration, Samsung’s indoor Fine Pixel Pitch LED Signage provides seamless visibility while enabling flexibility, as it’s not limited to a fixed display size or arrangement. The displays are crafted with tier-one diodes that go through careful selection to ensure color and brightness are equal and balanced. A two-step factory and field calibration process tunes sub-pixels to achieve brightness uniformity and color chromaticity. Samsung combines elements that produce the same contrast and color consistency achieved by its TVs and Smart Signage to ensure the same high quality output in its LED displays.

Best Loudspeaker for Staging Market

Meyer Sound
Meyer Sound MJF-208 Low-Profile Stage Monitor
The self-powered MJF-208 stage monitor incorporates the performance and reliability of the MJF-212A and the MJF-210 into a smaller, lightweight package. Each MJF-208 measures less than 13 inches high and weighs 45 pounds. The monitor delivers impressive power-to-size ratio and very low distortion in a small-footprint, lightweight option for applications that do not demand the extreme output levels of the MJF-210 or the MJF-212A. Portability and ease of use for the MJF-208 are enhanced by the convenient MDM-832 distribution module, which can route up to eight channels of AC power, balanced audio, and RMS™ monitoring data to multiple stage monitors.

L-Acoustics
X12
The X12 is a jack-of-all-trades, ready for any short throw sound challenge. Flown or mounted, it’s perfect for multi-channel, distributed or fill applications but its power and ruggedness also allow stage monitor use. Ellipsoid directivity (90° x 60°) gives optimal coverage for diverse situations, and its compact footprint allows discreet integration and preserved sightlines. The passive design reduces the need for amplified controllers. At only 55 lbs, it’s easy to deploy. Integrated risers allow for 35° or 55° angles on stage, and diverse rigging accessories offer infinite install possibilities. The X12 is a valuable, versatile tool in the sound engineer's toolbox.

Best Projection Screen
AV Stumpfl
Fullwhite Curve
Fullwhite Curve. Special video projection applications such as live events, concerts, simulation and training as well as immersive visitor attractions require remarkable curved projection screens. Made-to-measure for its intended application, the fully transportable Fullwhite Curve screen available from AV Stumpfl USA offers solid construction, lightweight design, and easy set up. Fullwhite Curve is borderless and the projected image goes right to the very edge. Multiple screens can be connected to create projected walls or even cubes in any aspect ratio.

Da-Lite
Fast-Fold NXT
Fast-Fold NXT is the next generation of rental screens and features a re-invented design that encompasses every aspect of the product – from the strength of the extrusion, to the ease of set up, to the optic capabilities of the new surface, which is 4K ready for the rental market. Fast-Fold NXT incorporates feedback from a holistic approach, and Da-Lite interviewed customers all over the world including owners, technicians and end users to incorporate an unprecedented number of upgrades to a Da-Lite product. Fast-Fold NXT is stronger, faster and simpler for our customers and features a streamlined aesthetic for their customers.

Best Digital Signage Product– Narrow Bezel Video Walls
Samsung Electronics America
Samsung UH55F-E extreme narrow bezel (1.6 bezel-to-bezel) LCD video wall
Samsung’s extreme narrow bezel video walls offer Samsung’s slimmest LCD measurements at 1.6mm bezel-to-bezel. Providing a nearly seamless construction to showcase dynamic, uninterrupted content across multiple displays without lines, these video walls are optimized for a range of indoor retail, corporate and public-viewing applications. They combine advanced color management capabilities with the fine pixel pitch and resolution of large-format signage. Each video wall display undergoes factory calibration and tuning, ensuring bright and accurate color. UHF-E displays accommodate UHD content up to a 5x5 configuration enabling business flexibility and creativity.

BenQ
PL550 video wall panel
BenQ’s 55-inch PL550 video wall panel provides digital signage professionals with a small bezel-to-bezel gap — only 3.5mm — to create content experiences that are entirely seamless to the viewer. To facilitate large-scale installations, the panel provides HDMI digital daisy chain capabilities to connect up to 16 displays without a splitter. Connectivity is supported via a direct USB flash drive and video-over-ethernet, while BenQ's MDA software tools make maintenance and scheduling system integration simple and efficient.

Best Digital Signage Product– 4K
AV Stumpfl
Wings Engine Raw 8K media server
This ultra-high-performance super media server delivers an unrivalled 4 streams of full 4K uncompressed content at 60hz plus media overlays, text generation & show control. A single Wings Engine Raw server can manage content over a virtually unlimited amount of LED or to drive a 4x4K projection system with blending, mapping & geometry correction. Wings Engine Raw can blend or overlay multiple parallel HD, 4K, 5K or even 6K streams in real-time. Show start and control is frame accurate and without any delay.

Sharp Imaging and Information Company of America
PN-H801 4K
The PN-H801 display expands Sharp’s 4K UHD professional-grade product line for businesses desiring a more competitively priced larger display option. Designed with an ultra-slim aluminum bezel, this lightweight display conveys messaging with larger-than-life realism and a precise expression of color and detail. The model features 4K Ultra HD resolution to allow businesses to showcase text and content in high resolution. The display also comes with a built-in upscaling capability, allowing Full HD (1080p) signals to be easily upscaled to 4K Ultra HD images. The display was engineered for 24/7 operation and is an ideal option for institutions of all sizes.

Best Digital Signage Product
LG Electronics
86-Inch ‘Ultra Stretch” Display (86BH5C)
LG’s all-new 86-inch “Ultra Stretch” display is optimized for dynamic digital content in a variety of verticals including transportation, retail, banks and more. The display has a unique 58:9 aspect ratio and unprecedented size, measuring nearly seven feet long. The display features immersive 4K Ultra HD resolution and LG’s Picture-by-Picture technology, which allows users to divide the long display in up to four seamless screens in landscape or portrait installations. The 86-inch signage has a host of other features including LG’s SuperSign media editor, which provides users a seamless process for displaying and communicating content to the end user.

Dataton AB
WATCHOUT 6.1
Dataton WATCHOUT 6.1 lets you manage, animate, display, warp and blend graphics, video, live feeds and audio in real-time, on any number of displays. The scalable, software-based system provides a user-friendly timeline-based interface to access, distribute and manipulate digital media in real-time. With its flexible approach to content assets and playback media, cost-effective WATCHOUT 6.1 is equally at home in digital signage, fixed installs and live events. WATCHOUT 6.1 continues to enhance performance and simplify workflow, especially within advanced projection mapping, opening up for new creativity. WATCHOUT is available for free download from dataton.com.

Sharp Imaging and Information Company of America
The AQUOS BOARD/ PN-L703W
The AQUOS BOARD interactive display system has built-in wireless capability, allowing for an unprecedented level of secure collaboration for 24/7 use. Users can present content directly from their mobile devices. It can broadcast a wireless hotspot and works with all major mobile platforms to insure cross platform independence. A Split-Screen mode lets up to four people transmit their devices. The Direct Drawing function and the Overlay tool allows users to create notes over outside documents.

Sharp Imaging and Information Company of America
PN-V551
The PN-V551 combines Full HD resolution with a display brightness of 700 cd/m2 to deliver bright and detailed images. It features Sharp’s Uniform Color Calibration Technology (UCCT), the industry’s first and only factory calibration process that delivers color uniformity between multiple video wall monitors. In multi-monitor configurations, Mirror Bezel Frames help minimize visible lines between monitors by reflecting mirror images of the display content. A remote control sensor box allows all of the monitors in a video wall configuration to be operated through one remote control. Built solid, the monitor is ideal for demanding professional applications that require 24/7 operation.

Best Video Projection Product/High Lumen
Christie
Christie HD14K-M
The Christie® HD14K-M offers high efficiency with low cost of ownership in a compact chassis. It draws a maximum power of 1500W (at 110V) providing full brightness with two lamps instead of four. It has embedded warping, blending and color matching capabilities that give rental stagers more installation flexibility. It cuts through show lighting with its improved high-efficiency 450W dual-mercury lamp, ensuring bright, brilliant images for 1,750 hours before a lamp change. Long considered an industry workhorse, the Christie HD14K-M, with its high-performance and feature-rich standards, such as dual input DisplayPort module for greater digital connectivity, makes it a market leader.

Best Video/Broadcast or Video/Streaming Product
Stampede Global
Drone Video Systems
Drone Video Systems (DVS) are customizable aerial photography and videography solutions that integrate drone hardware- from manufacturers like XFLY and DJI - with HD and 4K cameras, component add-ons, and various ProAV hardware and software solutions like command and control centers and video conferencing software. By doing so, the rental & staging market can now rent both their drones and A/V equipment from the same company; work with DVS consultants to build customized DVS solutions, based on individual client needs; and receive drone training and education from Stampede partner service providers.

Peerless-AV
PeerAir Pro Wireless AV Multi-Display System Powered by HD Flow™ 3
Ideal for environments where running multimedia wires is not an option, the PeerAir™ Pro helps integrators “Get it Right.” Featuring an extended wireless distance of 210 feet – the furthest wireless distance of any WiFi-based device – the PeerAir™ Pro supports up to six displays wirelessly and with a pass-thru port on the transmitter, it can support a seventh wired display that is local to the transmitter. The PeerAir™ Pro has four inputs and the ability to multicast Full HD 1080p and passive 3D signals. Plus, it offers improved IR compatibility, working with all major set top box service providers.

Best Video Projection Product/10K Lumen or Less
NEC Display
NEC PX803UL laser projector
The PX803UL is a single-chip DLP, 8,000-lumen laser projector that delivers 20,000 hours of virtually maintenance-free life. A longer life span and sealed optical engine allow the projector to be used for extended periods of time, including applications running 24x7. Throughout the extended usage of the projector, the DLP technology provides a better white uniformity creating a clear, consistent image. The PX803UL delivers a wide array of features tailored to fit customer needs, including the ability to rotate the projector 360 degrees or use it in portrait applications.

BenQ America Corp.
LU9715 Laser Projector
BenQ’s LU9715 laser projector features dual-array laser light sources, 8,000 lumens and is guaranteed for 20,000 hours of operation at full brightness without lamp replacement. Harnessing the high output of BlueCore laser light, it employs a dual color wheel that produces RGBY color with enhanced color intensity, balance and fidelity. With DLP technology, the projector achieves color accuracy that never degrades over time. In addition, the Custom Light Mode consistently blends brightness across multiple projections. LU9715 has eight optional lenses that feature all-glass construction quality for ultra-clear focus and high apertures that produce brighter images in venues of any size.

Panasonic
PT-RQ13KU 3-Chip DLP 4K+ Laser Projector
With 4K+ screen resolution (5,120 X 3,200) and Quad Pixel Drive technology, the PT-RQ13KU is the most compact and lightweight 4K+ 3-chip DLP laser projector in the world. The projector boasts 10,000 lm of brightness and a contrast ratio of 20,000:1 using laser light, delivering extremely detailed, 4K+ image quality. The projector's pixel is shifted both horizontally and vertically at a high frame rate of 240 Hz, physically creating four different pixels from a single pixel, effectively quadrupling the pixel density of the image. The projector also delivers a 20,000-hour light-source life, ensuring greater reliability and 24/7 operation.

Digital Projection International
E-Vision Laser 8500
The laser-illuminated E-Vision Laser 8500 delivers a stunning 8,500 lumens over a lifespan of 20,000 hours. This DLP projector was developed with a ‘Set and Forget’ directive, ensuring it needs only minimal maintenance throughout the lifetime of the display. Equally compelling is the lack of lamp replacements due to the solid state illumination system. By bypassing regular lamp replacement cycles, almost all costs related to the E-Vision Laser are incurred at time of purchase. Additionally, Image Edge Blending is included as standard. HDBaseT, DisplayPort 1.2 and HDMI ensure that the connectivity is well-positioned for future display options.

Casio
Casio XJ-F210WN Advanced Series LampFree Projector
Casio’s LampFree XJ-F210WN Advanced Series Projector provides high brightness, 3500 ANSI lumens in WXGA resolution. Two HDMI inputs and an RGB input provide connectivity with all current display technology without the need for switching cables. A high power USB port provides power for USB stick devices eliminating the need for a separate power supply. It also features a 20,000 hour estimated operating life, dust resistant design, direct light control, high power 16 watt speaker, and more.

NEC Display
NEC X651UHD display
The X651UHD display is a 65-inch ultra-high-definition (UHD) model delivering content at 60 Hz and four times the resolution of full HD. Integrated into the X651UHD display, the new Multi Picture Mode feature enables up to four simultaneous content feeds to be displayed and manipulated to better serve the customer. This feature, coupled with new SpectraView Engine support, allows for industry-leading image performance and adjustment for all relevant visual parameters. Command and control, retail, CAD/CAM design, video conferencing, rental & staging and simulation are just some of the applications that will benefit from its immersive experience.

Best General AV Product
LynTec
RPC (Remote Power Controller) Series Panels
LynTec’s RPC (Remote Power Controller) Series Panels facilitate system build-outs by accelerating the design and installation process and decreasing operating costs. RPC combines the latest generation of motorized circuit breaker technology with a Web-based controller for real-time monitoring down to the circuit level as well as the capacity to use multiple control protocols simultaneously. Engineered to protect and control installed entertainment AVL systems, the panels allow users to experience familiar point-and-click setup as well as three market-changing features — timed event scheduling and astronomical clock capabilities; compliance with UL 924 standard for egress or emergency lighting; and support of BACnet.

Stampede Global
Drone Video Systems
Drone Video Systems (DVS) are customizable aerial photography and videography solutions that integrate drone hardware- from manufacturers like XFLY, DJI, and Walkera- with HD and 4K cameras, component add-ons, and various ProAV hardware and software solutions like command and control centers and video conferencing software. By doing so, the rental & staging market can now rent both their drones and A/V equipment from the same company; work with DVS consultants to build customized DVS solutions, based on individual client needs; and receive drone training and education from Stampede partner service providers.

Fusion Consoles
LITE-7832 EHA1SP
Our LITE SIT-OR-STAND series of technical furniture for the Rental /Staging Industry offers a heavy duty electric leg with a wide adjustability range from a lowest setting of 24" to a height of 50". at the touch of a button. With 3 position memory presets, a weight capacity of 330 Lbs and 5 warranty, our Fusion desks offer the flexibilty and ergonomic choice our industry is looking for. Add a pair of our desk top speaker mounts and your system is complete, all at low, affordable pricing.

coolux– a Christie Company
Pandoras Box QUAD Server 5.7.
The Pandoras Box QUAD Server System offers a versatile and highly reliable real-time rendering solution for a great variety of rental & staging and/or projection mapping based projects that require multiple outputs. It combines the best of both 2D and 3D workflows and can easily be integrated into interactive setups. Since the Pandoras Box product family is completely modular, one can add and synchronise and unlimited number of additional systems. The extensive feature list makes it possible to use the QUAD Server's real-time compositing capability in a vast number of different creative scenarios up to and beyond 4K resolution.

Best Audio Control or Mixing Product
Dan Dugan Sound Design
Dugan Model K Control Surface
Live sound operators can now easily control a Dugan automixing system via physical buttons, enabling them to keep their eyes on the production and their fingers on the keys. The Dugan Model K includes Manual, Automatic, and Mute keys for each channel, plus rotary encoders for setting Weights and other values. LCD displays provide easy identification of channel names and parameter values. The brightness of indicators and displays can be adjusted for dark or bright environments. The Model K controls any number of channels, presented in blocks of eight, and works with any networkable Dugan automixing product.

Digico
S21
Featuring an unprecedented price tag of just under $7,000, DiGiCo’s new S21 boasts the same FPGA algorithms as the popular SD7, with the mic pre design lifted from the 192kHz SD-Rack. Perfect for a myriad of fixed installation and live touring environments, the S21 sports 96kHz performance with no processing limitations, two large multi-touch screens, RGB switch encoders with HTL (Hidden Til Lit), 21 touch-sensitive moving faders, four layers in banks of ten, 24 mic line inputs, 12 analog outs, 36 busses, 40 flexi channels, 16 flexi busses, two DMI card slots, eight FX engines, four DiGiTubes, snapshots and more.

Best Video/Show Capture Tool for Live Events
Stampede Global
Drone Video Systems
Drone Video Systems (DVS) are customizable aerial photography and videography solutions that integrate drone hardware- from manufacturers like XFLY and DJI- with HD and 4K cameras, component add-ons, and various ProAV hardware and software solutions like command and control centers and video conferencing software. By doing so, the rental & staging market can now rent both their drones and A/V equipment from the same company; work with DVS consultants to build customized DVS solutions, based on individual client needs; and receive drone training and education from Stampede partner service providers.

Best Video Signal Processing or Distribution Product
Analog Way
VIO 4K / Ref. V701
VIO 4K is a powerful multi-format converter offering the latest generation of digital connectivity. Natively equipped with 7 inputs, VIO 4K enables the conversion of numerous signals including: Dual-Link DVI, DisplayPort, HDMI, 6G-SDI, Optical, and universal analog, into an array of output signal formats up to 4K 30Hz. It includes two slots for optional I/O cards for video processing that can handle formats up to 4K 60Hz 4:4:4, and one for an optional audio card with XLR plugs. With all options, VIO 4K features 9 inputs and 3 outputs. VIO 4K is perfectly adapted for non-standard signal management, notably for LED walls.

Blackmagic Design
Smart Videohub 12G 40x40
Smart Videohub 12G 40x40 is an advanced model of the Videohub router family with 12G-SDI technology. With the move to Ultra HD underway, broadcasters using high frame rates for fast live action sports are now looking to ensure all equipment purchased can support these frame rates and add Ultra HD support. Smart Videohub 12G meets these needs as it operates identically to other Smart Videohub models, but also includes a native 12G-SDI based design with full SDI re-clocking at 12G-SDI rates, so it can handle SD, HD or Ultra HD video formats, all on the same router at the same time.

coolux– a Christie Company
Pandoras Box QUAD Server 5.7.
The Pandoras Box QUAD Server System offers a versatile and highly reliable real-time rendering solution for a great variety of rental & staging and/or projection mapping based projects that require multiple outputs. It combines the best of both 2D and 3D workflows and can easily be integrated into interactive setups. Since the Pandoras Box product family is completely modular, one can add and synchronise and unlimited number of additional systems. The extensive feature list makes it possible to use the QUAD Server's real-time compositing capability in a vast number of different creative scenarios up to and beyond 4K resolution.

Calibre
Calibre LEDView700-series scalers
All model variations use a dedicated LED videowall image scaling engine based on Calibre’s HQUltra 4K image processing technology switching, able to scale with outstanding clarity and switch input channels typically in a quarter of a second. The new LEDView700-series scalers are ideal for professional and mass market use in any applications requiring high-quality LED scaling and switching. Per-edge output window area of interest sizing using custom LED wall optimized scaling algorithms permits pixel-accurate very fast and simple configuration to suit arbitrary LED screen sizes. Independent pan-tilt-zoom controls enable input image areas to be selected without altering the LED screen size calibration.

Best Show Management/Show Control App
AV Stumpfl
Avio control network and architecture
Avio works to intuitively recognize any systemsdevice and interfaces for easy data exchange. Systems are graphically wired by simply dragging lines between ports. Avio devices run their own embedded webserver, which can be used for device configuration but can also host control websites, which have been designed and customized with Wings Touch.

Best Show Control
AV Stumpfl
Wings IObox Pro network control device
Compact enough to fit in the palm of a hand yet powerful enough to control entire building, automation, audio-visual and lighting systems 24/7. The device has HTML5 touch user interface using a built-in webserver. Full support for KNX home and building control standard protocol, and direct group address access from Engineering Tool Software (ETS) using Avio. Built in scripting host for LUA scripts. Hosting of 10 UDP/TCP network device drivers enhances connectivity especially for audio-visual devices & third party systems. Web configuration utility ensures device configuration and status monitoring. Avio management system ports provide systems status within the network. Critical backup and restore to SDCard.

Best Rental Management Software
Flex Rental Solutions
Flex Production Manager 4.14.1
Flex Rental Solutions provides web-based, customizable rental management software. Flex Production Manager 4.14.1, released February 18, 2016, works with all common operating systems and browsers with a Flash plugin. Flex provides powerful tools for modeling inventory the way you use it, supporting virtual items, road cases, racks, and both rental and retail inventory. Unlimited users can have unique permissions through customizable user settings. Flex offers contact management, financial management with optional QuickBooks TM integration, crew scheduling, barcode scanner support, integration with Facebook events and Google calendar, intuitive search abilities, drag-and-drop functionality for building quotes, subrentals, transfer orders, and more.

Database Works, Inc.
RentalWorks
RentalWorks is a proven software solution that was built specifically for the entertainment industry. Film studios, audiovisual companies, and many more rely on RentalWorks to facilitate their daily workflow. RentalWorks covers the needs of your business from top to bottom- ownership to operations.

IntelliEvent
Lightning Professional
IntelliEvent Lightning Professional is a cloud based software solution designed for small to medium sized AV rental and staging companies. From quote to collection and every key operational step in between, this solution is designed to improve sales, productivity, and profitability. It allows AV rental and staging companies teams to stay connected through IntelliEvent Lightning's state of the art mobile technology stack.

Point of Rental Software
Point of Rental Essentials Software
Point of Rental Essentials is easy, all-in-one rental and inventory management software. New features include: • Delivery app for iOS and Android phones and tablets - See deliveries on-the-go and track when inventory is delivered and picked up. • Kiosk functionality - Facilitate the rental process by allowing customers to self-serve. When utilized with a barcode reader, a driver’s license scan populates the customer record instantaneously within the kiosk. • Quick Return - Speed up the closing process. Scan barcodes on items to automatically return the items to inventory. • eSignature – Capture signatures within saved, traceable documents.

Flex Rental Solutions
Flex Enterprise Edition
Flex Rental Solutions provides web-based, customizable rental management software. Flex Production Manager 4.14.1, released February 18, 2016, works with all common operating systems and browsers with a Flash plugin. Flex provides powerful tools for modeling inventory the way you use it, supporting virtual items, road cases, racks, and both rental and retail inventory. Unlimited users can have unique permissions through customizable user settings. Flex offers contact management, financial management with optional QuickBooks TM integration, crew scheduling, barcode scanner support, integration with Facebook events and Google calendar, intuitive search abilities, drag-and-drop functionality for building quotes, subrentals, transfer orders, and more.

Current RMS
Current RMS
Current RMS is one centralized rental management system, built entirely in the cloud for the Pro-AV, Staging and Lighting industry. Managing inventory, generating beautiful quotes and coordinating labor and transport from any device, any location - giving businesses the freedom to react quickly to client demands. At the heart of the system is powerful inventory management; effortlessly maximizing inventory capability, highlighting shortages throughout the rental cycle through powerful calendars and ensuring as many jobs as possible can be fulfilled. Launched in September 2014, over 1,200 users are already onboard quickly profiting from the benefits of managing their entire rental business online

IntelliEvent
Lightning Enterprise
IntelliEvent Lightning Enterprise is a cloud based software solution designed specifically for the larger companies in the Rental & Staging Community. Offers the best of breed technology stack, API integration with any 3rd party cloud service, such as accounting, signature, freight, ERP, CRM, tax services, HR, RFID, and more, with best-in class customer support, custom development, account management and project management.

Click here to vote

Irene Chow

Examples of dynamic pricing can be found in recently published articles on amusement park pricing (e.g., Disney theme parks and Universal Studios). Amusement parks have gone beyond offering peak-season pricing to offering peak-day and non-peak day pricing throughout the week. This tactic is used to encourage more traffic during non-peak days. The alternative is that you pay a significant premium, if you visit the park on peak days. The same tactic for profit lift can occur during high-demand games at a sports venue or entertainment events, peak season at a resort and casino, and peak times at a restaurant or winery. Retail establishments could take note of this for their “in demand” products and services instead of always undercutting prices in an effort to drive demand. Using data analytics allows an establishment to assess trends in peak times of business, determine what is “in demand” during that time, and to drive more profit by a small bump-up in pricing during that peak time. The data already proves the demand, and most of the time the demand is driven by a “need to have” mentality. Thus, most of the time the slight bump in pricing is insignificant in comparison to the need to have the product or experience.

Testing price elasticity with consumers is where digital signage becomes useful. If pricing is changing based on supply and demand throughout a day or week, the best way to communicate this information is with digital signage. Digital signage enables the efficient promotion of the price changes. The digital signage solution recommended would be conveniently placed digital displays– small digital shelf-type displays near payment counters or payment areas, kiosks, and digital menu or event boards. Powering those displays would be digital signage media players– with the capability of being remotely managed via the Cloud or “on premise”– running content management software that can incorporate price files or price changes from the establishment’s pricing team. The software typically enables scheduling of the pricing to be displayed on the digital display during specific times of the day for a week, month or year. More importantly, the software should be able to provide some key analytics from the pricing campaign through its reporting capability. The data file could be compared with or even integrated with the pricing analytics program that is used at the customer location. Outside data analytics consultants could offer their expertise with the measurements and modeling of the data, if this competency does not exist with the Digital Signage service provider or with the customer. This methodology is becoming more prevalent in retail, as the retail industry tries to respond to changes in retailing.

While more purchases are being made via the Web, bricks-and-mortar retail establishments are still relevant yet are trying to evolve to bring new experiences to the consumer. Maybe it’s bringing non-traditional retail experiences and combining it with retailing that creates that new experience for the consumer. Regardless of what the future holds for improving the retail experience, dynamic pricing has yet to be fully realized in retail. The opportunity to drive profit with dynamic pricing starts now. And, the best mechanism for that is digital signage.

Click Here to Enter

The winners of Awards will be announced on-site the last day of the InfoComm Show in Las Vegas in June. And note, all entrants will have their new product or products highlighted in a special post-InfoComm eZine delivered to the entire industry.

FAQ: http://www.newbaymedia.com/newbay-media-best-of-show-infocomm-awards-information-page-and-faq/

Rules and more info: http://www.newbaymedia.com/newbay-media-best-of-show-infocomm-awards-2016-official-rules/

Click Here to Enter

Click here to vote

• We’ll be announcing the winners and presenting the trophies at InfoComm 2016 in Las Vegas in June — and of course covering the winners online and in the printed magazine. But not before you vote (deadline to vote is May 12th).

Product descriptions are below:

Best Direct View LED Product

NEC Display Solutions
NEC Display LiFTtm L015Si Direct View LED Video Wall
The NEC Display LiFTtm L015Si display is a 1.5mm pitch indoor Direct View LED video wall whose pixel panels are removable from the front with a magnet for easy maintenance, simple replacement or upgrade to a smaller pitch. Pixel panel modules are completely modular, enabling future upgrades to 4K. o The lifetime of the pixel panels is more than 80,000 hours o The display includes a 2-year warranty o The warranty is upgradeable to 5 years

PixelFLEX
FLEXLite Plus
The FLEXLite Plus builds on the importance of meeting every need for every client. With new and improved features, the FLEXLite Plus is as economical and lightweight as ever before. Unlike any other Product line, the Plus series of LED panels are capable of a 15-degree curve in either direction. The 3.9 and 6.9mm models are a non-blowthrough design. the 8.9 features 9% blow through. Used by Luke Bryan, Big Gigantic, KLOVE Fan Awards

NanoLumens
Outdoor Gallery Series
Redefining the performance standards for outdoor visualization solutions, NanoLumens Outdoor Gallery Series is the world’s first true curved, outdoor LED solution that can be built in any size, shape or curvature in pixel pitches ranging from 4MM to 9MM. NanoLumens’ expert team of engineers alters the configuration of each solution to meet the specific location’s environmental requirements. For example, at the AmericanAirlines Arena in Miami, the Outdoor Gallery Series was built specially for the “salt fog” environment – operating seamlessly in temperatures up to 122 degrees Fahrenheit, in wind speeds exceeding 186 miles per hour and withstanding the corrosive ocean air.

Samsung Electronics America
Samsung Fine Pixel Pitch 1.5 LED Signage

Designed to deliver impactful visual content and inspire collaboration, Samsung’s indoor Fine Pixel Pitch LED Signage provides seamless visibility while enabling flexibility, as it’s not limited to a fixed display size or arrangement. The displays are crafted with tier-one diodes that go through careful selection to ensure color and brightness are equal and balanced. A two-step factory and field calibration process tunes sub-pixels to achieve brightness uniformity and color chromaticity. Samsung combines elements that produce the same contrast and color consistency achieved by its TVs and Smart Signage to ensure the same high quality output in its LED displays.

Best Loudspeaker for Staging Market

Meyer Sound
Meyer Sound MJF-208 Low-Profile Stage Monitor
The self-powered MJF-208 stage monitor incorporates the performance and reliability of the MJF-212A and the MJF-210 into a smaller, lightweight package. Each MJF-208 measures less than 13 inches high and weighs 45 pounds. The monitor delivers impressive power-to-size ratio and very low distortion in a small-footprint, lightweight option for applications that do not demand the extreme output levels of the MJF-210 or the MJF-212A. Portability and ease of use for the MJF-208 are enhanced by the convenient MDM-832 distribution module, which can route up to eight channels of AC power, balanced audio, and RMS™ monitoring data to multiple stage monitors.

L-Acoustics
X12
The X12 is a jack-of-all-trades, ready for any short throw sound challenge. Flown or mounted, it’s perfect for multi-channel, distributed or fill applications but its power and ruggedness also allow stage monitor use. Ellipsoid directivity (90° x 60°) gives optimal coverage for diverse situations, and its compact footprint allows discreet integration and preserved sightlines. The passive design reduces the need for amplified controllers. At only 55 lbs, it’s easy to deploy. Integrated risers allow for 35° or 55° angles on stage, and diverse rigging accessories offer infinite install possibilities. The X12 is a valuable, versatile tool in the sound engineer's toolbox.

Best Projection Screen

AV Stumpfl
Fullwhite Curve
Fullwhite Curve. Special video projection applications such as live events, concerts, simulation and training as well as immersive visitor attractions require remarkable curved projection screens. Made-to-measure for its intended application, the fully transportable Fullwhite Curve screen available from AV Stumpfl USA offers solid construction, lightweight design, and easy set up. Fullwhite Curve is borderless and the projected image goes right to the very edge. Multiple screens can be connected to create projected walls or even cubes in any aspect ratio.

Da-Lite
Fast-Fold NXT
Fast-Fold NXT is the next generation of rental screens and features a re-invented design that encompasses every aspect of the product – from the strength of the extrusion, to the ease of set up, to the optic capabilities of the new surface, which is 4K ready for the rental market. Fast-Fold NXT incorporates feedback from a holistic approach, and Da-Lite interviewed customers all over the world including owners, technicians and end users to incorporate an unprecedented number of upgrades to a Da-Lite product. Fast-Fold NXT is stronger, faster and simpler for our customers and features a streamlined aesthetic for their customers.

Best Digital Signage Product– Narrow Bezel Video Walls

Samsung Electronics America
Samsung UH55F-E extreme narrow bezel (1.6 bezel-to-bezel) LCD video wall
Samsung’s extreme narrow bezel video walls offer Samsung’s slimmest LCD measurements at 1.6mm bezel-to-bezel. Providing a nearly seamless construction to showcase dynamic, uninterrupted content across multiple displays without lines, these video walls are optimized for a range of indoor retail, corporate and public-viewing applications. They combine advanced color management capabilities with the fine pixel pitch and resolution of large-format signage. Each video wall display undergoes factory calibration and tuning, ensuring bright and accurate color. UHF-E displays accommodate UHD content up to a 5x5 configuration enabling business flexibility and creativity.

BenQ
PL550 video wall panel
BenQ’s 55-inch PL550 video wall panel provides digital signage professionals with a small bezel-to-bezel gap — only 3.5mm — to create content experiences that are entirely seamless to the viewer. To facilitate large-scale installations, the panel provides HDMI digital daisy chain capabilities to connect up to 16 displays without a splitter. Connectivity is supported via a direct USB flash drive and video-over-ethernet, while BenQ's MDA software tools make maintenance and scheduling system integration simple and efficient.

Best Digital Signage Product– 4K

AV Stumpfl
Wings Engine Raw 8K media server
This ultra-high-performance super media server delivers an unrivalled 4 streams of full 4K uncompressed content at 60hz plus media overlays, text generation & show control. A single Wings Engine Raw server can manage content over a virtually unlimited amount of LED or to drive a 4x4K projection system with blending, mapping & geometry correction. Wings Engine Raw can blend or overlay multiple parallel HD, 4K, 5K or even 6K streams in real-time. Show start and control is frame accurate and without any delay.

Sharp Imaging and Information Company of America
PN-H801 4K
The PN-H801 display expands Sharp’s 4K UHD professional-grade product line for businesses desiring a more competitively priced larger display option. Designed with an ultra-slim aluminum bezel, this lightweight display conveys messaging with larger-than-life realism and a precise expression of color and detail. The model features 4K Ultra HD resolution to allow businesses to showcase text and content in high resolution. The display also comes with a built-in upscaling capability, allowing Full HD (1080p) signals to be easily upscaled to 4K Ultra HD images. The display was engineered for 24/7 operation and is an ideal option for institutions of all sizes.

Best Digital Signage Product

LG Electronics
86-Inch ‘Ultra Stretch” Display (86BH5C)
LG’s all-new 86-inch “Ultra Stretch” display is optimized for dynamic digital content in a variety of verticals including transportation, retail, banks and more. The display has a unique 58:9 aspect ratio and unprecedented size, measuring nearly seven feet long. The display features immersive 4K Ultra HD resolution and LG’s Picture-by-Picture technology, which allows users to divide the long display in up to four seamless screens in landscape or portrait installations. The 86-inch signage has a host of other features including LG’s SuperSign media editor, which provides users a seamless process for displaying and communicating content to the end user.

Dataton AB
WATCHOUT 6.1
Dataton WATCHOUT 6.1 lets you manage, animate, display, warp and blend graphics, video, live feeds and audio in real-time, on any number of displays. The scalable, software-based system provides a user-friendly timeline-based interface to access, distribute and manipulate digital media in real-time. With its flexible approach to content assets and playback media, cost-effective WATCHOUT 6.1 is equally at home in digital signage, fixed installs and live events. WATCHOUT 6.1 continues to enhance performance and simplify workflow, especially within advanced projection mapping, opening up for new creativity. WATCHOUT is available for free download from dataton.com.

Sharp Imaging and Information Company of America
The AQUOS BOARD/ PN-L703W
The AQUOS BOARD interactive display system has built-in wireless capability, allowing for an unprecedented level of secure collaboration for 24/7 use. Users can present content directly from their mobile devices. It can broadcast a wireless hotspot and works with all major mobile platforms to insure cross platform independence. A Split-Screen mode lets up to four people transmit their devices. The Direct Drawing function and the Overlay tool allows users to create notes over outside documents.

Sharp Imaging and Information Company of America
PN-V551
The PN-V551 combines Full HD resolution with a display brightness of 700 cd/m2 to deliver bright and detailed images. It features Sharp’s Uniform Color Calibration Technology (UCCT), the industry’s first and only factory calibration process that delivers color uniformity between multiple video wall monitors. In multi-monitor configurations, Mirror Bezel Frames help minimize visible lines between monitors by reflecting mirror images of the display content. A remote control sensor box allows all of the monitors in a video wall configuration to be operated through one remote control. Built solid, the monitor is ideal for demanding professional applications that require 24/7 operation.

Best Video Projection Product/High Lumen

Christie
Christie HD14K-M
The Christie® HD14K-M offers high efficiency with low cost of ownership in a compact chassis. It draws a maximum power of 1500W (at 110V) providing full brightness with two lamps instead of four. It has embedded warping, blending and color matching capabilities that give rental stagers more installation flexibility. It cuts through show lighting with its improved high-efficiency 450W dual-mercury lamp, ensuring bright, brilliant images for 1,750 hours before a lamp change. Long considered an industry workhorse, the Christie HD14K-M, with its high-performance and feature-rich standards, such as dual input DisplayPort module for greater digital connectivity, makes it a market leader.

Best Video/Broadcast or Video/Streaming Product

Stampede Global
Drone Video Systems
Drone Video Systems (DVS) are customizable aerial photography and videography solutions that integrate drone hardware- from manufacturers like XFLY and DJI - with HD and 4K cameras, component add-ons, and various ProAV hardware and software solutions like command and control centers and video conferencing software. By doing so, the rental & staging market can now rent both their drones and A/V equipment from the same company; work with DVS consultants to build customized DVS solutions, based on individual client needs; and receive drone training and education from Stampede partner service providers.

Peerless-AV
PeerAir Pro Wireless AV Multi-Display System Powered by HD Flow™ 3
Ideal for environments where running multimedia wires is not an option, the PeerAir™ Pro helps integrators “Get it Right.” Featuring an extended wireless distance of 210 feet – the furthest wireless distance of any WiFi-based device – the PeerAir™ Pro supports up to six displays wirelessly and with a pass-thru port on the transmitter, it can support a seventh wired display that is local to the transmitter. The PeerAir™ Pro has four inputs and the ability to multicast Full HD 1080p and passive 3D signals. Plus, it offers improved IR compatibility, working with all major set top box service providers.

Best Video Projection Product/10K Lumen or Less

NEC Display
NEC PX803UL laser projector
The PX803UL is a single-chip DLP, 8,000-lumen laser projector that delivers 20,000 hours of virtually maintenance-free life. A longer life span and sealed optical engine allow the projector to be used for extended periods of time, including applications running 24x7. Throughout the extended usage of the projector, the DLP technology provides a better white uniformity creating a clear, consistent image. The PX803UL delivers a wide array of features tailored to fit customer needs, including the ability to rotate the projector 360 degrees or use it in portrait applications.

BenQ America Corp.
LU9715 Laser Projector
BenQ’s LU9715 laser projector features dual-array laser light sources, 8,000 lumens and is guaranteed for 20,000 hours of operation at full brightness without lamp replacement. Harnessing the high output of BlueCore laser light, it employs a dual color wheel that produces RGBY color with enhanced color intensity, balance and fidelity. With DLP technology, the projector achieves color accuracy that never degrades over time. In addition, the Custom Light Mode consistently blends brightness across multiple projections. LU9715 has eight optional lenses that feature all-glass construction quality for ultra-clear focus and high apertures that produce brighter images in venues of any size.

Panasonic
PT-RQ13KU 3-Chip DLP 4K+ Laser Projector
With 4K+ screen resolution (5,120 X 3,200) and Quad Pixel Drive technology, the PT-RQ13KU is the most compact and lightweight 4K+ 3-chip DLP laser projector in the world. The projector boasts 10,000 lm of brightness and a contrast ratio of 20,000:1 using laser light, delivering extremely detailed, 4K+ image quality. The projector's pixel is shifted both horizontally and vertically at a high frame rate of 240 Hz, physically creating four different pixels from a single pixel, effectively quadrupling the pixel density of the image. The projector also delivers a 20,000-hour light-source life, ensuring greater reliability and 24/7 operation.

Digital Projection International
E-Vision Laser 8500
The laser-illuminated E-Vision Laser 8500 delivers a stunning 8,500 lumens over a lifespan of 20,000 hours. This DLP projector was developed with a ‘Set and Forget’ directive, ensuring it needs only minimal maintenance throughout the lifetime of the display. Equally compelling is the lack of lamp replacements due to the solid state illumination system. By bypassing regular lamp replacement cycles, almost all costs related to the E-Vision Laser are incurred at time of purchase. Additionally, Image Edge Blending is included as standard. HDBaseT, DisplayPort 1.2 and HDMI ensure that the connectivity is well-positioned for future display options.

Casio
Casio XJ-F210WN Advanced Series LampFree Projector
Casio’s LampFree XJ-F210WN Advanced Series Projector provides high brightness, 3500 ANSI lumens in WXGA resolution. Two HDMI inputs and an RGB input provide connectivity with all current display technology without the need for switching cables. A high power USB port provides power for USB stick devices eliminating the need for a separate power supply. It also features a 20,000 hour estimated operating life, dust resistant design, direct light control, high power 16 watt speaker, and more.

NEC Display
NEC X651UHD display
The X651UHD display is a 65-inch ultra-high-definition (UHD) model delivering content at 60 Hz and four times the resolution of full HD. Integrated into the X651UHD display, the new Multi Picture Mode feature enables up to four simultaneous content feeds to be displayed and manipulated to better serve the customer. This feature, coupled with new SpectraView Engine support, allows for industry-leading image performance and adjustment for all relevant visual parameters. Command and control, retail, CAD/CAM design, video conferencing, rental & staging and simulation are just some of the applications that will benefit from its immersive experience.

Best General AV Product

LynTec
RPC (Remote Power Controller) Series Panels
LynTec’s RPC (Remote Power Controller) Series Panels facilitate system build-outs by accelerating the design and installation process and decreasing operating costs. RPC combines the latest generation of motorized circuit breaker technology with a Web-based controller for real-time monitoring down to the circuit level as well as the capacity to use multiple control protocols simultaneously. Engineered to protect and control installed entertainment AVL systems, the panels allow users to experience familiar point-and-click setup as well as three market-changing features — timed event scheduling and astronomical clock capabilities; compliance with UL 924 standard for egress or emergency lighting; and support of BACnet.

Stampede Global
Drone Video Systems
Drone Video Systems (DVS) are customizable aerial photography and videography solutions that integrate drone hardware- from manufacturers like XFLY, DJI, and Walkera- with HD and 4K cameras, component add-ons, and various ProAV hardware and software solutions like command and control centers and video conferencing software. By doing so, the rental & staging market can now rent both their drones and A/V equipment from the same company; work with DVS consultants to build customized DVS solutions, based on individual client needs; and receive drone training and education from Stampede partner service providers.

Fusion Consoles
LITE-7832 EHA1SP
Our LITE SIT-OR-STAND series of technical furniture for the Rental /Staging Industry offers a heavy duty electric leg with a wide adjustability range from a lowest setting of 24" to a height of 50". at the touch of a button. With 3 position memory presets, a weight capacity of 330 Lbs and 5 warranty, our Fusion desks offer the flexibilty and ergonomic choice our industry is looking for. Add a pair of our desk top speaker mounts and your system is complete, all at low, affordable pricing.

coolux– a Christie Company
Pandoras Box QUAD Server 5.7.
The Pandoras Box QUAD Server System offers a versatile and highly reliable real-time rendering solution for a great variety of rental & staging and/or projection mapping based projects that require multiple outputs. It combines the best of both 2D and 3D workflows and can easily be integrated into interactive setups. Since the Pandoras Box product family is completely modular, one can add and synchronise and unlimited number of additional systems. The extensive feature list makes it possible to use the QUAD Server's real-time compositing capability in a vast number of different creative scenarios up to and beyond 4K resolution.

Best Audio Control or Mixing Product

Dan Dugan Sound Design
Dugan Model K Control Surface
Live sound operators can now easily control a Dugan automixing system via physical buttons, enabling them to keep their eyes on the production and their fingers on the keys. The Dugan Model K includes Manual, Automatic, and Mute keys for each channel, plus rotary encoders for setting Weights and other values. LCD displays provide easy identification of channel names and parameter values. The brightness of indicators and displays can be adjusted for dark or bright environments. The Model K controls any number of channels, presented in blocks of eight, and works with any networkable Dugan automixing product.

Digico
S21
Featuring an unprecedented price tag of just under $7,000, DiGiCo’s new S21 boasts the same FPGA algorithms as the popular SD7, with the mic pre design lifted from the 192kHz SD-Rack. Perfect for a myriad of fixed installation and live touring environments, the S21 sports 96kHz performance with no processing limitations, two large multi-touch screens, RGB switch encoders with HTL (Hidden Til Lit), 21 touch-sensitive moving faders, four layers in banks of ten, 24 mic line inputs, 12 analog outs, 36 busses, 40 flexi channels, 16 flexi busses, two DMI card slots, eight FX engines, four DiGiTubes, snapshots and more.

Best Video/Show Capture Tool for Live Events

Stampede Global
Drone Video Systems
Drone Video Systems (DVS) are customizable aerial photography and videography solutions that integrate drone hardware- from manufacturers like XFLY and DJI- with HD and 4K cameras, component add-ons, and various ProAV hardware and software solutions like command and control centers and video conferencing software. By doing so, the rental & staging market can now rent both their drones and A/V equipment from the same company; work with DVS consultants to build customized DVS solutions, based on individual client needs; and receive drone training and education from Stampede partner service providers.

Best Video Signal Processing or Distribution Product

Analog Way
VIO 4K / Ref. V701
VIO 4K is a powerful multi-format converter offering the latest generation of digital connectivity. Natively equipped with 7 inputs, VIO 4K enables the conversion of numerous signals including: Dual-Link DVI, DisplayPort, HDMI, 6G-SDI, Optical, and universal analog, into an array of output signal formats up to 4K 30Hz. It includes two slots for optional I/O cards for video processing that can handle formats up to 4K 60Hz 4:4:4, and one for an optional audio card with XLR plugs. With all options, VIO 4K features 9 inputs and 3 outputs. VIO 4K is perfectly adapted for non-standard signal management, notably for LED walls.

Blackmagic Design
Smart Videohub 12G 40x40
Smart Videohub 12G 40x40 is an advanced model of the Videohub router family with 12G-SDI technology. With the move to Ultra HD underway, broadcasters using high frame rates for fast live action sports are now looking to ensure all equipment purchased can support these frame rates and add Ultra HD support. Smart Videohub 12G meets these needs as it operates identically to other Smart Videohub models, but also includes a native 12G-SDI based design with full SDI re-clocking at 12G-SDI rates, so it can handle SD, HD or Ultra HD video formats, all on the same router at the same time.

coolux– a Christie Company
Pandoras Box QUAD Server 5.7.
The Pandoras Box QUAD Server System offers a versatile and highly reliable real-time rendering solution for a great variety of rental & staging and/or projection mapping based projects that require multiple outputs. It combines the best of both 2D and 3D workflows and can easily be integrated into interactive setups. Since the Pandoras Box product family is completely modular, one can add and synchronise and unlimited number of additional systems. The extensive feature list makes it possible to use the QUAD Server's real-time compositing capability in a vast number of different creative scenarios up to and beyond 4K resolution.

Calibre
Calibre LEDView700-series scalers
All model variations use a dedicated LED videowall image scaling engine based on Calibre’s HQUltra 4K image processing technology switching, able to scale with outstanding clarity and switch input channels typically in a quarter of a second. The new LEDView700-series scalers are ideal for professional and mass market use in any applications requiring high-quality LED scaling and switching. Per-edge output window area of interest sizing using custom LED wall optimized scaling algorithms permits pixel-accurate very fast and simple configuration to suit arbitrary LED screen sizes. Independent pan-tilt-zoom controls enable input image areas to be selected without altering the LED screen size calibration.

Best Show Management/Show Control App

AV Stumpfl
Avio control network and architecture
Avio works to intuitively recognize any systemsdevice and interfaces for easy data exchange. Systems are graphically wired by simply dragging lines between ports. Avio devices run their own embedded webserver, which can be used for device configuration but can also host control websites, which have been designed and customized with Wings Touch.

Best Show Control

AV Stumpfl
Wings IObox Pro network control device
Compact enough to fit in the palm of a hand yet powerful enough to control entire building, automation, audio-visual and lighting systems 24/7. The device has HTML5 touch user interface using a built-in webserver. Full support for KNX home and building control standard protocol, and direct group address access from Engineering Tool Software (ETS) using Avio. Built in scripting host for LUA scripts. Hosting of 10 UDP/TCP network device drivers enhances connectivity especially for audio-visual devices & third party systems. Web configuration utility ensures device configuration and status monitoring. Avio management system ports provide systems status within the network. Critical backup and restore to SDCard.

Best Rental Management Software

Flex Rental Solutions
Flex Production Manager 4.14.1
Flex Rental Solutions provides web-based, customizable rental management software. Flex Production Manager 4.14.1, released February 18, 2016, works with all common operating systems and browsers with a Flash plugin. Flex provides powerful tools for modeling inventory the way you use it, supporting virtual items, road cases, racks, and both rental and retail inventory. Unlimited users can have unique permissions through customizable user settings. Flex offers contact management, financial management with optional QuickBooks TM integration, crew scheduling, barcode scanner support, integration with Facebook events and Google calendar, intuitive search abilities, drag-and-drop functionality for building quotes, subrentals, transfer orders, and more.

Database Works, Inc.
RentalWorks
RentalWorks is a proven software solution that was built specifically for the entertainment industry. Film studios, audiovisual companies, and many more rely on RentalWorks to facilitate their daily workflow. RentalWorks covers the needs of your business from top to bottom- ownership to operations.

IntelliEvent
Lightning Professional
IntelliEvent Lightning Professional is a cloud based software solution designed for small to medium sized AV rental and staging companies. From quote to collection and every key operational step in between, this solution is designed to improve sales, productivity, and profitability. It allows AV rental and staging companies teams to stay connected through IntelliEvent Lightning's state of the art mobile technology stack.

Point of Rental Software
Point of Rental Essentials Software
Point of Rental Essentials is easy, all-in-one rental and inventory management software. New features include: • Delivery app for iOS and Android phones and tablets - See deliveries on-the-go and track when inventory is delivered and picked up. • Kiosk functionality - Facilitate the rental process by allowing customers to self-serve. When utilized with a barcode reader, a driver’s license scan populates the customer record instantaneously within the kiosk. • Quick Return - Speed up the closing process. Scan barcodes on items to automatically return the items to inventory. • eSignature – Capture signatures within saved, traceable documents.

Flex Rental Solutions
Flex Enterprise Edition
Flex Rental Solutions provides web-based, customizable rental management software. Flex Production Manager 4.14.1, released February 18, 2016, works with all common operating systems and browsers with a Flash plugin. Flex provides powerful tools for modeling inventory the way you use it, supporting virtual items, road cases, racks, and both rental and retail inventory. Unlimited users can have unique permissions through customizable user settings. Flex offers contact management, financial management with optional QuickBooks TM integration, crew scheduling, barcode scanner support, integration with Facebook events and Google calendar, intuitive search abilities, drag-and-drop functionality for building quotes, subrentals, transfer orders, and more.

Current RMS
Current RMS
Current RMS is one centralized rental management system, built entirely in the cloud for the Pro-AV, Staging and Lighting industry. Managing inventory, generating beautiful quotes and coordinating labor and transport from any device, any location - giving businesses the freedom to react quickly to client demands. At the heart of the system is powerful inventory management; effortlessly maximizing inventory capability, highlighting shortages throughout the rental cycle through powerful calendars and ensuring as many jobs as possible can be fulfilled. Launched in September 2014, over 1,200 users are already onboard quickly profiting from the benefits of managing their entire rental business online

IntelliEvent
Lightning Enterprise
IntelliEvent Lightning Enterprise is a cloud based software solution designed specifically for the larger companies in the Rental & Staging Community. Offers the best of breed technology stack, API integration with any 3rd party cloud service, such as accounting, signature, freight, ERP, CRM, tax services, HR, RFID, and more, with best-in class customer support, custom development, account management and project management.

Click here to vote

Marco Borsato's Symphonic in Rosso
Jo Pauly, d3 operator and programmer from Belgium-based Visual Solutions was hired to consult and design all video during the preplanning process.

The BlackTrax motion tracking solution was used to track key performer, Marco Borsato, on stage and on a guitar shaped interactive LED video catwalk throughout the performance. BlackTrax was integrated with d3 technologies 4×4pro media servers to manage content for the entire concert, including the main stage LED wall, two IMAG LED walls and two rows of LED video banners throughout the venue.

“We chose BlackTrax for its flexibility to track and integrate with interactive content. It also needed to follow the artist on stage and trigger time code and connect to the d3 media server used to visualize rapidly some high-resolution stage views. We could make the complete output map in our studio so on arrival at Amsterdam Ziggodome Arena, we just plugged in the fiber cables to the LED wall and we were technically ready to go,” said Pauly.

Five BlackTrax cameras were positioned in the ceiling and focused on the catwalk and a large portion of the stage.

At the start of each performance and when Marco Borsato stepped out onto the guitar-shaped catwalk, an image of a guitar lit up on the stage. By combining BlackTrax with real-time effects generator Notch by 10bit, Pauly was able to create the illusion that Marco Borsato’s footsteps caused a ripple effect, or that fire was lit beneath his feet.

The d3 media server received positional data from the three Blacktrax LEDs positioned on Marco Borsato and five ceiling mounted BlackTrax cameras.

“During the performance, we were able to track the artist on stage and reproduce content at its position. Any real time or last-minute content changes could be made without having to pre-program our timeline. We could simulate the artist live using tracking and could see how the content would react or how fluent the effect would be,” said Pauly.

grandMA2 Light Consolesnt sales, production rentals, integration and systems design to the house of worship, architainment, regional production, national touring, theatrical, live music, museum and educational markets.

“We have sold MA Lighting products before, but we didn’t have any in our production rental inventory,” said JR Lighting Design President Jason Reberski.

JR Lighting Design is an authorized A.C.T Lighting dealer selling their portfolio of products, including Clay Paky fixtures, MDG foggers and hazers, and Tourflex entertainment cabling.

“We’ve supported A.C.T’s product line from a sales standpoint and are now supporting it from a production rental standpoint,” said Reberski.

Arvest Ballpark Installation

“We’re extremely excited about adding this new technology to Arvest Ballpark,” said Northwest Arkansas Naturals General Manager Justin Cole. “It allows us to bring our fans high-quality content, statistics and video throughout each Naturals game. We can’t wait for our fans to see it during the 2016 season and beyond.”

The new 17-foot-high by 66-foot-wide display features a 13HD pixel layout for crisp, clear imagery to inform and entertain Naturals fans at every game. It is capable of variable content zoning allowing it to show one large image or to show multiple windows of live video, instant replays, up-to-the-minute statistics, graphics, animations and sponsorship messages.

“We’re excited to partner with Arvest Ballpark and the Naturals on this LED video display upgrade,” said Perry Grave, Daktronics sales representative. “The new technology enhances the baseball experience for fans, players and coaches alike. It really looks great on game day and will continue to provide entertainment for years to come.”

In addition to the equipment installation, the Naturals will also receive a bank of hours for the creation of digital content to be produced and delivered by Daktronics Creative Services at the request of the team.

A combination of rising demand for consumer electronics, such as smartphones, tablets, laptops, monitors and televisions, coupled with declining prices of displays due to reducing manufacturing costs and technology advancements, have been the driving force behind the growth.

In 2015, China had around 540.8 million smartphone users and about 293.6 million tablet users. Over the past few years, display technologies have undergone radical changes that have led to an upsurge in adoption of OLED (Organic Light-Emitting Diode), QDLED (Quantum Dot Light Emitting Diode) and EPD (Electronic Paper Display). OLED display segment is projected to emerge as the fastest growing market for displays in China during the forecast period.

Surging demand for digital signage and POS systems on account of flourishing retail industry, rising laptop and tablet sales, booming mobile gaming industry and increasing mobile workforce in enterprises are a few factors driving demand for display solutions in China. In 2015, 5-inch plus screen size smartphones contributed around 32% share in China smartphone market. Demand for large screen smartphones in China is projected to witness significant upsurge in the coming years and this is projected to boost China display market through 2022. Samsung Display, LG Display, BOE Technology Group, AU Optronics Corporation, Tianma Micro-Electronics and Truly Semiconductors Limited are few of the leading players operating in China display market.

"Growing demand for energy efficiency in consumer electronics, rising manufacturing of various types of displays due to booming demand for consumer electronics in Southeast Asia,” said Mr. Karan Chechi, Research Director with TechSci Research, a research based global management consulting firm. “Rapid growth in demand for smart wearables, especially smartwatches and fitness bands, are driving display market in China. Though LCD displays dominate China display market, demand for new and innovative display technologies is projected to propel demand for OLED and QDLED technologies, especially from smartphones and televisions end user segments, over the course of next five years.”

PRV New Bundles

The bundles will be available in two different configurations designed to drive twelve or eighteen displays and feature an array of Primeview’s LED LCD displays (either the PRV49SNG or PRV55SNG01) plus the new Viz Multiplay multi-screen solution. These bundles will also include pull-out mounting and professional services for broadcast quality installations.

“Vizrt customers are always in-search of a flexible and cost effective solution for multi-screen configurations,” said Isaac Hersly, Chief Partnership Officer, Vizrt. “The bundle of Primeview’s proven video wall arrays with Viz Multiplay, allow for the control of individual screens or trigger content to multiple screens, simultaneously, at the highest quality level. The bundles showcasing at NAB 2016 are specifically designed to offer a simple and easy way for broadcasters to deploy video walls.”

The Leyard Planar, 8K LED video wall at their booth at NAB.

Portland, OR-based Planar was acquired by a Leyard last year, so it was only a matter of time when we’d see the synergies of that acquisition. They are here, now, apparently, as the combined company seems on a genuine roll and getting more direct-view LED products to Planar customers, and more LCD-based displays to Leyards, and some intriguing new products to everyone. Both Planar and Leyard were already established in the NAB world, so there is no stretch there (displays for on-air sets, and other control room type of applications). And in fact the Planar/Leyard booth at NAB this week has a bunch of displays that are really more applicable to the world of digital signage, and staging. There is some stunning direct view LED, including some super small pixel pitch LED (down to .9mm). The most impressive big screen at the booth is the 8K LED video wall. The massive video wall, 31 feet wide by 18 feet tall (9.5 meters by 5.5 meters), is made up of 64 Leyard TWA1.2 LED video wall displays with a 1.2 millimeter pixel pitch, delivering 7680 x 4320 resolution.

Here is the full press release from Planar/Leyard:

Leyard and Planar Demonstrate Groundbreaking
8K LED Video Wall at NAB 2016

The broad range of innovations on display, including one of the largest and highest resolution LED video walls ever shown at NAB, offer new opportunities for the media and entertainment industry to deliver compelling content to their customers

LAS VEGAS, April 18, 2016 – Leyard, a global leader in visualization products and Planar, a Leyard company and global leader in display and digital signage technology, will showcase a massive fine pitch 8K LED video wall at the 2016 National Association of Broadcasters Show (NAB), demonstrating how the media and entertainment industry can bring video and images to life with spectacular realism.

Also on display will be several cutting-edge innovations that help media and entertainment professionals creatively display content to their customers including a LCD video wall featuring the industry’s narrowest bezel width, ultra-high resolution 4K LCD displays and a first-of-its kind OLED see-through display. Together, these solutions address the media’s need for superb image quality and highly reliable solutions for demanding broadcast applications.

“The Leyard 8K video wall at NAB 2016 is a stunning example of our trailblazing solutions, developed to help the media and entertainment industry deliver an unprecedented level of compelling content to its viewers,” said Jennifer Davis, chief marketing officer at Leyard. “We were one of the first to show a fine pitch 4K LED video wall at NAB 2013, and three years later, we continue to lead the market. From fine pitch LED video walls to large interactive touch displays to revolutionary transparent displays, the opportunities abound for broadcast, media and entertainment professionals to put captivating content into the hands of their customers.”

High-Resolution LED Video Walls

The highlight of the exhibit is an enormous 8K LED video wall. The massive video wall measures more than 31 feet wide by 18 feet tall (9.5 meters by 5.5 meters) and is composed of 64 Leyard® TWA1.2 LED video wall displays with a 1.2 millimeter pixel pitch, delivering stunning 7680 x 4320 resolution. At a distance of 9 to12 feet from the video wall, the pixels are indiscernible.

The newly launched Leyard TWA1.2 supports close-up viewing distances and features a unique and advanced flat panel design for high reliability and ease of installation and service. The Leyard TWA1.2 features all of the benefits of the Leyard® TW Series’ proprietary flat panel cabinet design, while delivering exceptional power efficiency.

In addition, Leyard and Planar will demonstrate a 4K video wall composed of LED displays with a pixel pitch of just 0.9 millimeters – showcasing the ultimate in ultra-fine pitch LED video wall technology. This ultra-fine pixel pitch delivers supreme resolution, allowing viewers to obtain a clear, crisp picture even at the closest viewing distances.

Best-In-Class LCD Displays

The Leyard and Planar booth at NAB 2016 will feature the latest advances in the award-winning Clarity® Matrix™ LCD Video Wall System product line including a technology demonstration of an upcoming extreme-narrow bezel Clarity Matrix LCD video wall model, featuring the industry’s smallest tiled bezel LCD video wall display. The upcoming model provides a tiled bezel width of just 1.4 millimeters or less than one-sixteenth of an inch, transforming what was once a collection of LCD video wall displays into a near seamless installation that offers a cohesive, high-impact viewing experience.

Planar and Leyard will also present the latest in 4K LCD display innovations at NAB 2016 including its Planar® UltraRes™ Series and Planar® EP Series displays.

The next-generation Planar® UltraRes™ Series line of 75-inch, 84-inch and 98-inch Ultra HD resolution (3840 x 2160) professional LCD displays offer best-in-class image and color quality for native 4K and upscaled content. Planar UltraRes Series displays deliver top performance and exceptional 4K clarity. The displays feature built-in Planar® MediaPlex™ Plus processing, allowing for multiple sources to be viewed simultaneously in picture-in-picture, dual, triple or quad layouts without additional processing cost or complexity. The Planar UltraRes Series is also available in touch versions, bringing interactivity to the 4K immersive experience.

The Planar® EP Series line of high-performance 4K LCD displays are engineered from the ground up for demanding 24x7 commercial environments. Available in 50-inch, 58-inch and 65-inch sizes, the displays offer stunning image quality combined with best-in-class reliability. The Planar EP Series is also available in touch versions.

Groundbreaking See-Through Display Technology

Leyard and Planar will also show its breakthrough Planar® LookThru™ OLED Transparent Display at NAB 2016, which utilizes cutting-edge Organic Light Emitting Diode (OLED) to showcase dynamic or interactive information on a transparent surface glass. This revolutionary display allows users to view what is shown on a glass video screen while still being able to see through it. Designers can overlay text, digital images and video content onto physical objects or scenes, like a busy newsroom, that sit behind the glass. The display, which can be tiled into custom fixtures with Planar image processing solutions to create a larger display canvas, offers opportunities for new applications never before imagined with transparent displays.

Leyard and Planar will showcase their latest innovations at Booth #SL10510 at NAB 2016. In addition, six industry leaders will showcase Leyard and Planar display technology in their booths at NAB 2016.

Leyard and Planar display solutions are available through the companies’ global network of authorized resellers. Additional information is available at www.planar.com.

About Leyard

Leyard Optoelectronic Co., Ltd. is a global leader in the design, production, distribution, and service of digital displays, video walls, and visualization products worldwide. Leyard has gained significant market share in fine pitch LED and offers indoor, outdoor, fixed, and creative displays, as well as other ancillary and lighting solutions for the urban environment. Used in various applications, such as broadcast, sports arenas, stadiums, advertisement networks, retail digital signage, control rooms, exhibitions, large scale events, and digital cultural experiences, Leyard enjoys marquee installations globally. Leyard was founded in 1995, is headquartered in Beijing, China, and is traded on the Shenzhen Stock Exchange (stock code: 300296). Forbes magazine (2013) named Leyard among “China’s Top 100 Most Potential Listed Companies.” Planar Systems was acquired by Leyard in 2015. For more information, visit www.leyard.com.

About Planar

Spirit Communications Park

“Minor League Baseball is all about the fan experience, and having the right video displays is a key component to enhance our in-game presentation,” said John Katz, Columbia Fireflies team President. “Our HD displays give our fans the opportunity to check the replays, the great creative content and all the between innings festivities. This immersive experience will keep our fans entertained and engaged at every event at Spirit Communications Park.”

The main video display in left field features a 15HD pixel layout and measures more than 25 feet high by 50 feet wide. It is capable of variable content zoning which allows it to show one large image or to be divided into multiple smaller windows to show a wide variety of content at one time, including live video, instant replays, scoring information, game statistics, graphics and animations and sponsorship messages.

Two ribbon displays are installed along the seating fascia in the stadium to provide supplemental content to the main display as well as the opportunity to highlight sponsors throughout events. Each display measures roughly 3.5 feet high by 50 feet in length and each features a 15HD pixel layout.

These displays feature industry-leading environmental protection and provide excellent image clarity and contrast with wide angle visibility for a view from any seat in the park.

“It’s exciting to be a part of this new stadium construction for the Columbia Fireflies to bring video displays and additional capabilities to their game-day presentation,” said Corey Williams, Daktronics sales representative. “These displays will bring added excitement to the fans as they come to watch the Fireflies play ball this summer.”

DSC HD-HD 4K Plus A
The scalers incorporate the Extron Vector 4K scaling engine, developed internally by Extron's team of signal processing engineers for critical-quality 4K applications. The DSC HD-HD 4K Plus A xi provides the added flexibility of scaling and managing 4K/60 as a dual path signal. The scalers provide many integrator-friendly features, such as on-screen display, stereo audio embedding and de-embedding, internal test patterns and the ability to display custom on-screen images and logos.

"We are extremely pleased to be the first to deliver scalers that support 4K resolutions at 60 Hz with 4:4:4 signal processing,” said Casey Hall, Vice President of Sales and Marketing for Extron.“The DSC HD-HD 4K Plus A scalers are ideal for critical-quality imaging of full-motion video and highly detailed graphics in the most demanding 4K applications. These scalers are the culmination of our many years of engineering and research and deliver industry-leading 4K scaling performance."

The DSC HD-HD 4K Plus A and DSC HD-HD 4K Plus A xi incorporate the Extron-exclusive Vector 4K scaling engine. Vector 4K is the latest generation of Extron scaling, engineered in-house for critical-quality 4K signal processing. The Vector 4K scaling engine delivers the power and precision required to manage 4K content. Whether integrating legacy sources with 4K displays, or downscaling 4K content to HD displays, Vector 4K provides processing and clarity for any 4K application.

The DSC HD-HD 4K Plus A has a single HDMI input and output that support resolutions up to 4096x2160 at 60 Hz. The DSC HD-HD 4K Plus A xi features a pair of HDMI inputs and outputs. The additional input and output allow integration with source devices and displays that support 4K as two columns. The DSC HD-HD 4K Plus A xi can also accept two matched-resolution inputs for side-by-side display on a single screen, or provide duplicate outputs for driving a pair of displays.

The world of home and business decor is ever-changing, constantly evolving and adapting to new developments in modern style. One of the newer trends in spatial decor is the fusion of technology and decorating, or 'techorating,' a term coined by popular TLC designer, Doug Wilson, who laid the groundwork for techorating in homes.

• Hussain Ali
• This digital age decorating method is no longer restricted to home use, but instead thrives as one of the most attractive trends in commercial decorating, serving a dual purpose as both adornment and advertising tool. The combination of beauty and practically is what allows a techorated space to be a functional marketing and advertising tool deliberately designed to embellish professional spaces while attracting consumers. And, as with all embellishments, it is important to consider certain things such as the location of the technological display and the décor that will surround it. Size, color and finish of technology hardware such as digital displays should determine the surrounding traditional decor.
• Traditional home techorating might consist of hiding technology components such as speakers in plain sight among indoor plants or bookshelves, but techorating in the business place is more about using technology to accentuate the beauty of the space and serve as an attention-grabbing tool. Digital signage is meant to set businesses apart from their competition. Video walls, interactive touch screens, digital menu boards and other digital displays are on the rise among food and retail establishments because of their ability to sell, entertain, engage and add to the aesthetics of the space. It is human nature to gravitate towards movement and color, which makes digital signage the best technological medium for informative and effective techorating.
• Focusing on one strong focal point could be the difference between having a techorated space that appears sleek and sophisticated and one that appears sloppy and unsystematic. With the ability to mount digital displays on just about any surface, there are ample techorating options and the opportunities to impress and dazzle guests are endless. Store ambiance is often a top priority in retail, so following a few simple guidelines for keeping the clutter away is essential. The common "less is more" approach works best for most spaces. High-end retailers benefit most from this technique as the polished look of digital screens sets the tone for a sophisticated shopping experience.

Temporary Signage with Digital Totem
Most advantageous are the business opportunities that are available. Making the most of digital screens used for techorating means using business hours to advertise, inform and market the brand throughout the entire day. It means taking advantage of the chance to tap into human desires and emotions by illustrating why certain products are necessary. Using visual communications to connect with an audience onsite has provided a new window of opportunity opened only recently by the dawn of the digital age, and made stylish by the practice of techorating.

HD2 See Thru Kiosk: Retail Showcase with Transparent LCD being used in Smartphone stores.
With increased sales and no lack of new distributors, the digital signage industry is undeniably booming. According to a study conducted by Mood Media Corporation, digital signage installations will be increasing by 40% each year through 2020, and four out of five brands are already seeing a 33% increase in sales after switching from print media and static signage to digital displays. Cutting print costs and scheduled message changing options are indisputable benefits of digital displays, but as mass visual communication outlets such as Facebook and Instagram continue to dominate and dictate what the world sees every second of the day via viral messaging, aesthetics will triumph. The look of restaurants, retail establishments and other places of business will be under the spotlight. Reputation and audience perception is everything, so screens, once thought of as a simple message boards, are now becoming attractive centerpieces – the work of art on display – through techorating.

Design-centric technology holds exciting potential for those who choose to delve into that creative world for the benefit and betterment of their brand. While traditional digital flat screens are the common technology of choice, there are many other display options that look stunning and work wonderfully for techorating. Touchscreen kiosks, for instance, make exquisite focal points, attractive area dividers, entertainment stops, and information dissemination tools – all things perfect for techoration. Video walls are another inviting possibility. The sheer size potential makes them an enticing choice; the only thing limiting the magnitude of a video wall installation is the size of the mounting wall itself.

Deciding to techorate is not only a business decision, but an artistic one as well. With countless technology options and decorating trends to choose from, creating an inviting ambiance with techorating just takes a bit of creativity and good taste. This decorating movement has introduced digital technology and hardware to not only a new user base, but an entire audience that will lead to tremendous growth in technology and interior design in the coming years.

Emerus Emergency Care Waiting Area

As a member of the Digital Signage Federation (DSF), author Hussain Ali will be a panelist on the DSF’s April “Hangout” discussion entitled, “Digital Signage and Environmental Design,” on Wednesday, April 13 at 2pm EST. More information on this and other DSF events can be found on the DSF website. Both DSF members and non-members may join this or any of the DSF’s scheduled Hangout discussions for free – but registration is required and can be accessed on the DSF website at http://digitalsignagefederation.com/event-2175247Hussain Ali, Principal of Houston Dynamic Displays (HD2) is a seasoned Information Technology veteran whose passion for digital signage has led to award winning architectural lighting designs among other large projects. His primary focus is turn-key custom digital signage integration and consulting through HD2 while hoping to impact the digital signage industry by thinking beyond the box of digital signage software and implementing customized, efficient and user-friendly digital signage solutions that have not been seen before.

Yamaha PX Series

• The amplifiers meet the requirements of a vast range of sound reinforcement and installation environments. By combining high power output with intelligent signal processing and a lightweight, yet durable design, the new models are able to deliver consistent, clear, high-quality sound even at maximum output levels.
• The PX Series comprises four new models: PX10 1200w x 2, PX8 1050w x 2, PX5 800 w x 2, and the PX3 500w x 2, and come equipped with both XLR and TRS inputs, and binding post, SpeakON and phone outputs for a flexible range of connectivity.
• All models are driven by a newly-developed Class-D amplifier engine that concentrates all necessary DSP functions into a single custom LSI chip, offering higher output and improved performance in a more lightweight, yet reliable design. The PX3 and PX5 also come equipped with a Power Boost Mode that combines the power output from two channels into one, achieving significantly higher single-channel power levels to drive high power handling speakers when needed.
• Each of the new amplifiers come equipped with flexible onboard PEQ, crossover, filters, delay, and limiter functions that can be set quickly and easily via the LCD display. All models feature protection functions for safe reliable operation, as well as Yamaha-developed D-CONTOUR multi-band dynamic processing technology, to deliver consistent clarity and high-quality sound at any output level by tailoring the frequency response of each connected speaker for either front-of-house or monitor configurations.
• PX Series amplifiers also offer both Basic and Advanced setup modes. Basic Mode enables inexperienced users to easily configure a system that meets their needs, while Advanced Mode offers experienced users more precise control of their sound. All four models feature eight programmable presets for instant recall and reduced setup time that can be saved to a USB thumb drive and quickly shared with other PX amplifiers.
• The Config Wizard allows end users to save more time during system setup by assigning optimized speaker settings that match various system configurations. Config Wizard features presets specifically tuned for each model in the extensive Yamaha lineup of passive speakers, including the CBR, Club, Installation, and VXS/VXC series, and an advanced mode that allows more detailed configuration of parameters such as input routing, input sensitivity, amp gain, and speaker impedance.

Contreras will be tasked with creating growth strategies for the company’s portfolio of e-STUDIO multi-function products, network document solutions and the Ellumina digital signage line, which includes all of the hardware, software and services needed to implement both static and interactive digital signage installations. Contreras will also play an expanded role in global business development, revenue growth and leadership for the company’s digital signage offerings for the Toshiba America Business Solutions and Toshiba Global Commerce Solutions business units, both of which are partly responsible for content creation and management, displays, integration, installation and project management services as well as financing for solutions ranging for a single screen to the biggest arenas and stadiums.

Contreras served as director of product marketing prior to accepting his current position. He was responsible for the introduction of Toshiba industry-recognized e-STUDIO multi-function products, shaping the company’s solutions portfolio and the development of numerous strategic marketing partnerships.

“Joseph has played an integral role in the marketing success of our comprehensive line of hardware and software offerings for more than 15 years,” said Scott Maccabe, president and chief executive officer of Toshiba America Business Solutions and Toshiba Global Commerce Solutions. “Throughout that time, he has been one of the constants behind our success.”

The conference and trade show, which ran March 15-18, surpassed last year’s attendance record with more than 4,100 attendees from 69 countries worldwide, also setting a new record. 45 percent of the verified attendance was end users, an increase of 7 percent in Digital Signage Expo’s primary target audience compared to 2015.

The exhibit hall also set a new record of over 84,000 net square feet. Of the over 200 exhibitors, 45 were exhibiting for the first time.

End user attendees represented more larger and well-known companies than ever before, including: Amazon.com, Anheuser-Busch, Capital One, Chevron, Facebook, Honda, JPMorganChase, Kimberly Clark, McDonald’s, Nike, Porsche, Quick Trip, Syracuse University, The Walt Disney Company, The U.S. Air Force Academy and others.

“The big takeaway from DSE 2016 was that attendees were highly qualified,” said Andrea Varrone, Digital Signage Expo’s Show Director. “We worked extremely hard to bring notable brands to the show floor by expanding the breadth and depth of our digital marketing program, increasing the event’s social media reach and leveraging the talents of our attendee relationship team. The investment paid off. DSE continues to be the only venue for connecting with End Users who are knowledgeable about our industry and ready to make purchasing decisions.”

Senior management, communications specialists, marketers, administrators and technologists who attended the show were enthusiastic about seeing the newest technologies and opportunities to network with peers.

"If digital signage is an important part of your business, exhibiting at DSE should be a top priority,” said Nick Belcore, Executive Vice President of Peerless-AV. “As a long-term presenting sponsor, DSE has offered tremendous value to our business - providing us with the opportunity to meet with partners and customers looking for the best solutions in the space."

AG-DVX200PJ 4K Handheld CamcorderThe new firmware changes the default color palette of the camera to a more natural look designed to decrease the need for an adjustment. The DVX200PJ’s color adjustment tools and scene file settings can still be used to customize the image to the operator’s needs. End-users who have created custom looks using the previous default color settings can still use these settings by reverting to the original base color settings designated as Ver. 1.4 in the camcorder menu. The original color setting can be found by navigating to Menu > Other Functions > Color Tones.

The DVX200PJ is the first in a new generation of large sensor, multi-format professional camcorders capable of capturing 4K/UHD, HD and SD, including cinematic DCI 4K 4096x2160.

The camcorder is optimized for 4K/HD production, with advanced bokeh effects and a V-Log L curve (measured at 12 stops) emulating the natural grey-scale rendition of the VariCam 35. The DVX200PJ incorporates a newly-developed 4/3” large-format MOS sensor with sensitivity of F11, and offers variable frame rate recording from 2fps to 120fps in 1080p mode.

The handheld 4K camcorder offers professional features including a newly-designed Leica Dicomar 4K F2.8~F4.5 zoom lens (4K/24p: 29.5 mm ~ 384.9 mm, HD: 28 mm ~ 365.3mm, 35 mm equivalent) with shallow depth-of-field, time-code in/out, 3G HD-SDI and HDMI 2.0 (4K) video outs (4:2:2 10-bit video), dual XLR audio inputs and 10 programmable user buttons.

Christie Phoenix Quad T

Christie will also showcase a range of display solutions at the booth, including a side-by-side demonstration of a 1x2 configuration of Entero HB 70-inch HD front access LED cubes and a 3x3 configuration of Christie Velvet Merit Series 1.5mm LED tiles. Both Merit Series 1.5mm tiles and Entero HB 70-inch cubes are designed for 24/7 critical viewing applications including control room video walls.

Merit Series 1.5mm tiles are configurable into almost any size and shape and offer the highest image quality with premium performance in a solid-state and energy efficient slim design.

The Deadline for entry submission from InfoComm 2016 Exhibitors (exhibitors only) is now April 1st, 2016.

To enter now, Click Here

• 2016 Rental & Staging Product Award Categories:
• Best Loudspeaker For the Staging Market
• Best Audio Control or Mixing Product
• Best Video Projection Product High Lumen
• Best Video Projection Product/10K Lumen or Less
• Best Plasma or LCD Display
• Best LED
• Best Lighting Product
• Best Video Signal Processing or Distribution Product
• Best Video/Broadcast or Video/Streaming Product
• Best Projection Screen
• Best HD Production Product
• Best Rental Management Software
• Best General AV Product
• Best Show Control
• Best Digital Signage Product
• Best Attendee App for Live Events
• Best Show Management/Show Control App

• Best Staging Previsualization Tool

• Best Video/Show Capture tool for Live Events

To enter now, Click Here

.

TEKVOXTEK SC61-4K (79069)The slim, compact TEK SC61-4K offers four HDMI and two VGA video inputs, one HDMI output and three audio outputs (one dual-mono analog, one 3.5mm stereo and one optical).

The switching scaler offers support for HDMI 1.4, 4Kx2K and 1080P 3D plus compliance with HDCP 1.4. It can transmit a 4Kx2K signal up to 15 meters. It upscales VGA to HDMI output and has user-selectable output resolution; it supports 1920x1200, 1920x1080, 1360x768, 1280x800, 1024x768 and 1280x720 resolutions for VGA inputs.

The TEK SC61-4K features audio de-embedding and EDID management, audio and video output management, and online software updates. It offers auto-switching or manual-switching input switching modes.

“The new TEK SC61-4K is a very flexible, cost-effective 4K switch,” says TEKVOX CEO Jim Reinhart. “We’re pleased to offer such a versatile option, which can easily be integrated into room solutions with the HDBaseT wall plate.”

User control is offered through the front panel controls, RS-232 commands and the IR remote. It also can be interfaced with the TEKVOX HDBaseT wall plate, which works with TekTouchPad, a simple color touchscreen interface for easy control of RS-232-type devices. Additionally, the TEK SC61-4K supports power-off memory and hot plugging.

Electrosonic designed and engineered the new exhibit
The Appeasement exhibit is housed in the main exhibition space at the museum opposite the display containing the original Vienna office of Simon Wiesenthal and an exhibit honoring Pope John Paul II and his solidarity with world Jewry.

The Appeasement exhibit’s main feature is a giant relief map of Europe, which spans a curved wall, and its companion touch monitors.

“A Panasonic PT-DZ870LK ultra-short throw projector makes the map come alive with video images of the war’s progression as it highlights how territories and borders morphed when World War II got underway and armies advanced,” explains Electrosonic project manager Steve Calver.

The projector is mounted on the ceiling about two feet away from the map, which is covered with a slightly reflective projection surface. A 7thSense server created by Cortina Productions warps the images onto the map. A Dakota Audio ceiling speaker is mounted above the map to provide a narrowly directed audio field.

“Videos pop up and go away, arrows move, armies march – the display is constantly dynamic,” says Calver. “With the ultra short-throw projector, you get a large projected image that people can stand much closer to than with traditional projection lenses without interfering with the projection envelope and creating shadows. In this specific application, the projector was a less expensive and more aesthetically appealing choice when compared to a custom surface mounted LED wall.”

Adjacent to the map is a single Planar 70-inch multi-touch monitor, which enables up to four visitors to learn more about the subject. Headphones by the monitor allows visitors to listen to the specific content they are viewing. NLE computers drive the interactive content.

Electrosonic added hardware to the equipment rack in the Wiesenthal office and added programming for the new show to its ESCAN control software profile without disrupting existing playback for the other exhibits in the main space.

Electrosonic was also tasked with replacing all 24 of the museum’s card reader CRT monitors with new 21.5-inch NEC LCD monitors. Upon entering the museum, each visitor receives a photo passport card with the story of a person whose life was changed by the events of the Holocaust. At another location, the card provides additional information about that person as the war progressed and a printout at the final station.

Electrosonic employed Chief mounts for the 70-inch Planar monitor and the new NEC LCD monitors. BrightSign players and Extron extenders were also used.

Ultra Stretch 86BH5C

Optimized for displaying dynamic digital content, the sleek display offers a host of interactive features, making it an ideal solution for a wide array of installations including transportation, retail stores, banks and museums.

“At LG, we’re committed to innovation for a better life, and that means bringing to market an expanded range of display signage to meet customer demand, that have never been available before,” said Clark Brown, vice president, digital signage, LG Electronics USA Business Solutions. “The 86-inch Ultra Stretch Signage is a prime example of state-of-the-art, fully customizable technology used to drive business and increase a client’s bottom line.”

Demonstrated at Digital Signage Expo 2016 last week in Las Vegas, LG’s new signage display has a unique 58:9 aspect ratio format and unprecedented size, measuring over seven feet long and a foot wide. The LG 86BH5C features immersive 4K Ultra HD resolution and LG’s Picture-by-Picture technology, which allows the user to divide the long, rectangular signage into four seamless screens in landscape or portrait installations.

The monitor supports lateral tiling by linking together 1x4 or 4x1 landscape or portrait installations and up to a 4x4 installation with a daisy chain configuration. The LAN daisy chain allows users to control and monitor devices, distribute content and update firmware. These features empower users to customize the display to maximize content and impact.

Systems technician Chris Dietrich and David Hoffis, front house engineer

New York-based SAVI provided a Yamaha CL5 Digital Audio Console for the front of house mix along with two Rio1608-D boxes and one Rio3028-D input/output box. SAVI also provided video and lighting requirements for the tour including a pair of Christie Roadster HD20K-J projectors, Chroma Q ColorForce 72 LED Fixtures, Martin Mac Viper Profiles, and a GrandMA2 Light for lighting control.

• “We chose a Yamaha CL5 because of the need for a compact, but powerful, FOH console with a high channel count and the ability to network the entire system on a Dante network,” said Patrick Ostwald, SAVI rental manager.
• One of the Yamaha Rios is used for video playback to take track inputs, while two more Rios are on the stage for the live stage inputs, according to Ostwald. Auvitran Audio Toolbox units are located in the amplifier racks to provide Dante to AES outputs for the amplifier inputs.

“We are very fortunate to have Mr. Reeves join our Board of Directors,” said Bill Warren, CEO and Chairman of the Board. “As Reflect continues to grow and provide customer-facing digital media solutions to our Fortune 500 clients, his passion for developing brands and understanding consumers will be invaluable.”

Tyler Reeves serves as President and General Manager of Interstate’s National Accounts segment, focusing on account service, business development and channel penetration strategies. He started his career at Interstate Batteries as Director of Brand Strategy & Innovation where he led customer communication, national account marketing and product management.

Prior to Interstate, Reeves worked as a CPA at Coopers & Lybrand (now Price Waterhouse Coopers) and eventually moved into marketing/strategy roles for multiple brands at PepsiCo/Frito-Lay. He earned a bachelor's degree in accounting and marketing from Texas A&M University and an MBA from the SMU Cox School of Business.

RPV will be hosting tours alongside HB Communications on March 16th & 17th at 11:00 am, 1:00 pm, and 3:00 pm during the duration of Digital Signage Expo 2016.

“It’s a fantastic opportunity to come to Digital Signage Expo after having completed the largest indoor LED video wall project literally next door at the Westgate Superbook,” said Randy Pagnan, Owner of rp Visual Solutions. “In RPV’s 10 years, our focus has really evolved into architecturally integrating the mounting structure regardless of size. RPV solves for the large, curved, tilted and architecturally integrated. The Superbook ticks off three of those attributes. We are chosen by many retail brands that want this approach for an aesthetic blending of the technology and customer experience.”

RP Visuals’ booth at Digital Signage Expo will feature an Interactive Touch Experience created with Sensing Places. This pairing will showcase a memorable customer experience while also using dnp’s new and innovative interactive LaserPanel product.

“RPV is excited to showcase this new technology from the world leader in optical screens, dnp, at our booth here at Digital Signage Expo,” stated Pagnan. “This product was very well received recently at ISE in Amsterdam. With the lowest cost per square foot – we are confident that the retailers will be keenly interested.”

The Sensing Places software solution for Digital Signage Expo provides retailers with a new marketing tool to engage their customers and process orders quicker. By offering an interactive catalog that notifies sales staff of customers intent to purchase and allows for instant checkout, Sensing Places predicts retailers will increase the number of items purchased per customer and increase average value per customer by at least 40% while decreasing wait times.

“For over 15 years, Sensing Places has paved the way in using technology to create innovative interactive customer experiences,” said Flavia Sparacino, CEO of Sensing Places. “We are excited to partner with RPV for Digital Signage Expo to introduce a new interactive retail solution that integrates touch screens and attractive visual catalogs with mobile points of sale.”

CyberTouch Mono 65 Lift
This line was made for use when mobility is needed, such as traveling exhibits, trade shows, from classroom to classroom and with ADA compliant installations.

CyberTouch’s Lift line of tables are available from 32” up to 65” and can be designed with single or multiple users in mind. CyberTouch’s proprietary advanced IR touch technology - or Projected Capacitive technology - allows users to interact with content through one simple touch or up to 40 simultaneous touch points.

Mobile Lift can tilt from 0 º to 90º, has electrical lift and tilt functionality and adjustable height. The Lift provides a smooth, safe and elegant movement. Optional on-board PC or Mac allow for easy content loading. Mobile Lift tables utilize HD1080p and 4K commercial-grade monitors that house customized ventilation systems so monitors can be used in horizontal mode 24/7.

PQ's analysts conducted thorough PEST examinations and drilled deep into key media markets worldwide to uncover the critical trends driving each of the three key performance indicator's in 2015, 2016 and beyond, including surging demand from post-Baby Boomer generations for wireless devices, broadband access and digital content, which is hastening the shift of ad and marketing dollars to digital media, multitasking with various digital and traditional media and emerging middle class in developing nations, such as China, India, Brazil and Russia, demanding faster access to richer content, which has led to upgraded broadband and wireless systems that are fueling the growth of time, and money spent on mobile data plans, internet access and over-the-top video.In designing the Global Media Intellicast Series, PQ Media aimed to help consumers navigate the changing the media ecosystem. As such, PQ's analysts conducted the research and development of each publication with the support of PQ Medianomics methodology, which will equip media, entertainment and technology executives with the crucial market intelligence necessary to make smarter business decisions in this era of transformation.

Andrea Varrone

Digital Signage magazine: Are there any changes/updates to the show layout, etc., that are interesting for 2016?

Andrea Varrone:New this year is the Self Service Pavilion. With the rising adoption of self-service kiosks, tablets, and other interactive devises, it was a natural move for DSE to establish a place for this type of technology to be on display for attendees.

We have also expanded on our Mexico Pavilion. The delegation will be offering Spanish-Speaking courses on both days of the show. The Brazil pavilion is now sponsored by ABMOOH, and will be a great networking area on the show floor to discuss the digital signage market in South America.

DSM: How do you see registration for DSE shaping up, as of now?

Andrea Varrone: DSE Registration is tracking ahead of 2015 numbers. End users from some very big and well-known companies are registering, many who have never been to DSE. Registration will continue through the show, so as is our policy, we won’t publish full numbers until after DSE.

DSM: How do you see exhibitor registration shaping up?

Andrea Varrone: We will have many first-time exhibitors showcasing innovative new products at DSE. We are close to 200 exhibitors and are still actively selling and confirming additional exhibitors today.

DSM: Ad-based networks are continuing to proliferate– but do you see, at the DSE show, more activity (hardware, suppliers, etc) involving non-Ad-based digital signage? (such as used for corporate communications, education, transportation, etc). If yes, how do you see this reflected in exhibitor mix, etc.?

Andrea Varrone: We now attract 20 industry vertical markets to DSE. The newest growing sectors appear to be Corporate Communications and Manufacturing. Whereas some of our exhibitors cater to specific industries, many are providing solutions applicable across many different vertical markets. However, digital network owners and operators of ad-based, ad-supported and those which do not sell advertising have very similar technology needs. The difference between these types is more to be found in the education program. The Digital Out-of-Home Strategy Summit, a full pre-show day on Tuesday, 3/15 covers that divide very well, providing up-to-date information that all operators can use. This is in addition to the entire general conference educational track designed specifically for these audiences.

DSM: It seems like every year “digital signage” is more and more common in the larger AV world (the bigger “InfoComm” world). In other words digital signage is not really a smaller niche market anymore but is a part of other bigger markets like AV, and Advertising, etc. So the question is, what does the DSE offer that other AV and related trade shows do not?

Andrea Varrone: DSE by far has the largest, most robust education program for Digital Signage in the world. We have over 125 speakers, 40 Sessions, 28 On-Floor Workshops, and 42 Round Tables. Additionally we offer Pre-Show programs that include: the SCN Connected Screen Conference for Integrators, Ragan Communications- Best Practices for Employee Communications in a Digital Workplace, PRI’s Digital Retailing Forum, SEGD’s DesignX Workshop for Architects, the DOOH Strategy Summit, and two Digital Signage Expert Programs for Certification. Not to mention 200 exhibits with a dedicated focus on Digital Displays and Interactive Technology. Digital Signage gets buried at other trade shows, but is the main focal point at DSE.

In short, there is no where else that someone interested in learning about Digital Signage has as much opportunity to learn about the latest trends, network with peers and industry professionals and see the latest technology demonstrations first-hand than at DSE.

DSM: Las Vegas shows typically get more international attendees (than in NYC, Orlando, Chicago, etc). Will there be significant international activity at DSE?

Andrea Varrone: DSE hosts attendees from around the world. The 2015 show welcomed 1,067 attendees and exhibitors from 60 Countries outside the US representing almost 20% of the shows’ total attendance. We expect similar if not higher numbers for 2016. There is simply no other trade show of this kind worldwide.

DSM: The DSE web site shows added emphasis on "verticals"... retail, transportation, education, etc. Will the show itself reflect this? (Special "pavilions" on show floor, etc.)

Andrea Varrone: DSE attracts up to 20 different industry vertical market attendees. We have created the End User Networking Lounge as well as The Integrator Club-Sponsored by rAVe in order to give attendees a vendor-free place to network, and gain assistance with navigating the trade show floor. The End User Networking lounge is hosting free, industry specific workshops led by peers in Corporate Communications, Higher Ed, Retail, and Restaurants. These will be by invitation-only and DSE will be reaching out to registered attendees in all of these categories for this purpose.

DSM: What about education at the show? Any interesting developments, in terms of the educational tracks? i.e. new this year...

Andrea Varrone: DSE by far has the largest, most robust education program for Digital Signage in the world. We have over 125 speakers, 40 Sessions, 28 On-Floor Workshops, and 42 Round Tables. Additionally we offer Pre-Show programs that include: the SCN Connected Screen Conference for Integrators, Ragan Communications- Best Practices for Employee Communications in a Digital Workplace, PRI’s Digital Retailing Forum, SEGD’s DesignX Workshop for Architects, the DOOH Strategy Summit, and two Digital Signage Expert Programs for Certification. For 2016 we’ve added a general conference track for System Integrators and greatly expanded the End User Track to offer specifically targeted education for attendees in Corporate, Higher Ed, Retail and Restaurant sectors in addition to the regular more general education for all end users.

DSE 2015 Show Floor

DSM: What pre-show activity is new or different this year?

Andrea Varrone: New this year is SCN’s Connected Screen Conference for Integrators.

DSM: Special sessions/activities at the DSE? Have you added, or significantly upgraded existing, sessions?Andrea Varrone: Our Education Committee made up of Industry Executives alongside our Conference Manager have worked tirelessly to provide a comprehensive program that speaks to the needs of all DSE attendees. All educational programs are planned as zero-based every year to ensure that topics are current, relevant and immediately useful for attendees. There is something for everyone.DSM: DSE typically has a good showing of end users. Anything to comment on regarding end users?Andrea Varrone: We are seeing some really big names who are brand new to DSE, which is very exciting. DSE invests HEAVILY in recruiting End User attendance, and unlike some other shows, end users come to DSE to do business.DSM: What about the upcoming DSE, are you excited about, that the average attendee may not know about?Andrea Varrone: This year we have combined our very well-attended Networking Reception with our APEX Awards program. Everyone is welcome to attend this event which starts immediately following the close of day one at the show. This will take place from 5-7pm in the N3 Hall. Cocktails and Hors d’oeuvres will be served, and the program is sure to be a lot of fun! Most importantly, we look forward to brining everyone involved in the Digital Signage market together in one place for 3-4 days.