AVT Question: Please share insights on how to immerse audiences, collaborate across campuses via the cloud, use AI to drive targeted messaging and gather data, increase sustainability, and reduce total cost of ownership.

Thought Leader: David Albright, Senior Product Manager, Video Wall Mounts and Services at Legrand | AV, Chief

The display is no longer a single screen in a single room; it is the strategic centerpiece of how organizations engage audiences, from a dvLED wall in a lobby to a campus-wide network of displays. A display is only as strategic as the infrastructure holding it up.

Immersive, seamless dvLED experiences depend on precision alignment across three axes—not a flat wall and a bracket. Buildings shift, walls are rarely plumb, and fine-pixel-pitch displays reveal every imperfection. Mounting systems engineered for independent X, Y, and Z adjustment let integrators deliver a seamless wall on day one and keep it that way as a building settles.

That same infrastructure layer underpins how organizations standardize operations. A single, cross-manufacturer mounting platform replacing brand-specific hardware gives campuses and multi-site portfolios one specification and installation workflow at every location, regardless of display brand, reducing training time and simplifying inventory.

It also drives total cost of ownership. Front-service access for realignment means a display can be serviced in place rather than pulled down and reinstalled, extending usable life and reducing rework and downtime as new applications place demands on displays.

The same is true for power. Legrand | AV’s Unified Cloud Platform consolidates remote monitoring and management into a single view, whether the load is one display or a full video wall plus the edge devices delivering the content behind it. Across enterprise and higher-education campuses, that visibility is what sustains performance and serviceability over the installation’s lifecycle.

As displays take on more strategic, data-driven roles, that infrastructure cannot be an afterthought. Getting the physical and digital foundation right is what lets everything else—from immersive content to connected ecosystems—perform as intended.

AVT Question: Please share insights on how to immerse audiences, collaborate across campuses via the cloud, use AI to drive targeted messaging and gather data, increase sustainability, and reduce total cost of ownership.

Thought Leader: Chris Teguh, Product Manager at Epson America

Technology plays a foundational role in creating engaging and immersive experiences, determining the clarity, accuracy, and impact of the presented content. Advances in color brightness, color accuracy, and resolution in today’s displays help ensure digital content appears vivid and true to life to capture attention and foster engagement. At the same time, smaller form factors, versatile throw ratios, and greater installation flexibility enable large, impactful visuals in spaces where they previously weren’t feasible. This opens new opportunities to transform unconventional environments into more immersive, memorable experiences that connect people more deeply to the content.

When selecting display technology, organizations can benefit from focusing on common operating standards, consistent user experiences, interoperability, and centralized management. Consistency can also extend to how content is created, distributed, and measured. Within a connected ecosystem, AI can help tailor messaging for different audiences and locations, while data provides insight into how content is performing.

Standardization also allows users to move seamlessly from room to room without learning new systems or workflows, while enabling consistent content sharing, hybrid collaboration, and centralized IT management across locations. Total cost of ownership should be evaluated across the entire lifecycle, not just purchase price. This means looking at installation, energy use, maintenance, training, replacement parts, and operational downtime.

Innovations across both projection and dvLED are improving efficiency to get the greatest long-term value from technology investments. Laser projection technology and filterless designs reduce maintenance, extend product life, and lower operating costs, while COB technology and common cathode designs in dvLED solutions help reduce power consumption and heat generation. Together, these advances give organizations more ways to create impactful experiences that support stronger communication, participation, and engagement.

Quick view:

• The CDE 1923 yellobrik is a compact, bi-directional converter that handles signal translation between traditional 3G-SDI baseband hardware and modern SMPTE ST 2110 IP networks.
• Designed for broadcast facilities, OB trucks, and production studios transitioning to IP without overhauling existing legacy gear.
• Designed to solve the SDI vs. IP synchronization gap.

LYNX Technik has unveiled its new CDE 1923 yellobrik converter. This bi-directional 3G-SDI-to-SMPTE ST 2110 converter is designed to simplify the integration of SDI and IP infrastructures in hybrid broadcast environments. Ideal for broadcast facilities, outside broadcast trucks, production studios, and other applications transitioning from baseband SDI to IP, the CDE 1923 provides reliable signal conversion while addressing the synchronization requirements of both technologies.

[The Human Side of Technology]

“We’re very proud to build upon the existing CDE 1922 platform and respond directly to what our customers have been asking for,” said Vincent Noyer, CTO at LYNX Technik. “By adding Reference Input and Reference Output while maintaining the same compact yellobrik form factor, we’ve been able to make an already versatile converter even more useful. The CDE 1923 gives customers greater flexibility when connecting SDI equipment to an ST 2110 environment, without adding complexity or requiring additional space.”

Per Noyer, the additional Reference Input and Output interfaces let the converter bridge the timing requirements of traditional SDI equipment and SMPTE ST 2110 IP networks in a single compact solution. As broadcasters transition to IP, signal conversion is only part of the challenge. Traditional SDI systems typically rely on a physical reference signal for synchronization, while SMPTE ST 2110 networks use Precision Time Protocol (PTP), as defined by the SMPTE ST 2059 profile. The CDE 1923 provides a practical solution for bringing these two synchronization environments together.

Its Reference Input allows the SDI output to lock directly to a facility’s local reference, providing deterministic alignment with other SDI equipment. This enables the converter to integrate cleanly into an established baseband timing environment.

The Reference Output provides additional flexibility by enabling the converter to generate a Tri-Level Sync output from SMPTE ST 2059 PTP. It can also up-convert an input sync signal to Tri-Level Sync at a higher frame rate, providing a physical reference signal suitable for synchronizing connected SDI equipment.

By combining bi-directional 3G-SDI and SMPTE ST 2110 conversion with flexible reference connectivity, the yellobrik CDE 1923 helps facilities maintain synchronization across both SDI and IP domains. Developed in response to real-world customer requirements, CDE 1923 provides a straightforward and flexible solution for integrating base-band equipment into IP-based production environments.

Summary:

• The room-acoustic strategy integrates the protected dome, Endure Screens Micro Pro projection surface and concealed HOLOPLOT immersive audio into one cohesive environment.
• To prevent sound energy from concentrating in problematic focal points caused by the venue's concave dome and cylindrical lower walls, WSDG deployed behind-the-screen absorption along with lower-wall quadratic residue diffusers (QRDs).
• This balanced treatment controls reverberation while maintaining clarity for diverse programming—from astronomical shows to live concerts—without altering the venue's protected historical concrete structure.

WSDG has completed the acoustic design for the modernization of the Zeiss-Planetarium Jena ahead of its centenary. WSDG developed an acoustic strategy integrating the venue’s protected dome structure, new projection surface, and HOLOPLOT immersive sound system.

[Cosm: Take Me Into the Ballgame]

The centenary modernization aimed to comprehensively improve the visual and acoustic conditions within the existing auditorium. The former inner dome was assembled from perforated metal panels whose borders, unperforated edges, and imperfect joints remained visible during star shows and film projections, interrupting the intended continuous image. The replacement therefore needed to create a uniform white field for fulldome content, accommodate the concealed loudspeaker system and improve sound distribution within the auditorium’s highly curved geometry. Additionally, the cylindrical lower walls beneath the dome needed to be redesigned to optimise the sound field.

Opened on July 19, 1926, the Zeiss-Planetarium Jena traces its origins to the pioneering work of ZEISS engineer Dr. Walter Bauersfeld, who developed the fundamental form of the planetarium projector in early 1919. Following an earlier acoustic consultancy at Volkshaus Jena in 2021, the Ernst-Abbe-Stiftung appointed WSDG to the planetarium project in June 2025. The scope covered acoustic inventory measurements, room-acoustic analysis and modelling, assessment of the new dome-screen material, and development of the auditorium treatment concept.

In October 2025, WSDG measured the existing auditorium before its interior was completely removed. The protected concrete cupola and internal geodesic structure remained untouched. The measurements established the room’s reverberation characteristics and identified the acoustic behaviour generated by its concave dome and cylindrical lower walls.

“The architecture that makes the planetarium so extraordinary also creates a very particular acoustic challenge,” said acoustic consultant Tobias Behrens. “In concave spaces, reflections can be directed towards focal points and sound energy can become concentrated in particular areas. Our task was to control those geometric effects while retaining a reverberation time appropriate for planetarium shows, film screenings, educational programs, and live events.”

A central element of the modernization was the replacement of the former segmented inner dome lining with a visually continuous projection field. The project team selected Endure Screens Micro Pro, a surface developed for high-end projection applications. WSDG assessed its perforation and sound-transmission characteristics, confirming its suitability for use in front of the concealed HOLOPLOT X1 and X2 Matrix Arrays.

Behind the Micro Pro surface, a sound-absorptive overlay controls both reverberation time and problematic acoustic focusing. This allows the dome to function as a broadband absorptive area while maintaining the uninterrupted white surface required for full-dome projection.

“The key was to treat the dome as a single architectural, acoustic and technological system,” Behrens explained. “The screen had to deliver a seamless image, the treatment behind it had to control the room, and the loudspeakers had to remain effective through the surface. None of those requirements could be resolved in isolation.”

For the cylindrical lower walls, WSDG developed a combination of quadratic residue diffusers (QRDs), broadband absorbers ,and reflective surfaces. The QRD elements scatter incident sound in multiple directions, helping to disrupt the focusing patterns produced by the curved geometry. Broadband absorptive areas control reverberant energy, while strategically retained reflective surfaces prevent the room from becoming excessively damped.

The acoustic work formed part of a wider technical renewal completed for the venue’s 100th anniversary. ZEISS modernized the existing UNIVERSARIUM star projector and installed eleven ZEISS VELVET 4K projectors, providing an 8K full-dome image. Together with the HOLOPLOT system, the new technology significantly expands the auditorium’s capabilities for immersive audiovisual programming.

The planetarium’s own assessment of the completed modernization is also positive. Stefan Harnisch, technical manager at the Zeiss-Planetarium Jena, summed up his satisfaction with a touch of understated but telling reaction, commenting, “There is a certain sense of satisfaction within me.”

“Planetariums bring architecture, image and sound together in a uniquely immersive way,” Behrens concluded. “At Jena, the aim was to respect a landmark that helped define modern planetarium design while creating the acoustic conditions required for the next generation of planetarium experiences. It is a very special project because its historic engineering and contemporary technology are inseparable.”

Quick view:

• To enhance the match-day atmosphere at the 10,600-capacity SMH Group Stadium, Chesterfield FC replaced their original 2010 audio setup with a high-performance system designed to deliver crystal-clear emergency announcements, foreground music, and tailored area paging.
• Audio integrator TG Baker designed and installed 26 all-weather JBL AWC159 loudspeakers powered via a 100V battery-backed system, providing high reliability, speech clarity, and seamless operation without needing an external UPS.
• The upgrade significantly elevates the match-day experience, with club director Ashley Kirk confirming that the new system successfully creates the vibrant, premium atmosphere expected by Spireites supporters.

The SMH Group Stadium located in Whittington Moor, Chesterfield, Derbyshire, is the home of Chesterfield Football Club. A 10,600-capacity all-seater venue, it was completed in 2010 to replace the club’s historic Saltergate ground which had been in use since 1871. The Club’s owners are committed to strong investment in the club’s infrastructure in order to provide fans with a premium match-day experience, and recently took the decision to upgrade the Stadium’s audio with a JBL sound system.

[Tackling a New HQ]

Established for more than fifty years, TG Baker has a wealth of experience in the field of public address and voice alarm systems, having completed many similar scale stadium projects across the U.K., and was engaged to design, supply, and install a new system which would meet every requirement and expectation of the modern football experience including emergency public address communications, enhanced match-day entertainment audio in the stadium bowl, flexible audio routing and control, foreground music, and paging announcements to individual areas.

To meet the Club’s requirements and provide high quality and reliable audio content to every seat in the Stadium, the TG Baker team designed and installed a JBL system, based on the IP-56 rated AWC159, all-weather compact 2-way coaxial 15-inch loudspeaker. TG Baker installed a total of 26 JBL AWC159 units, with eight each in the East and West stands and five each in the North and South stands. JBL systems are distributed in the U.K. by Live Technology.

“We’ve completed numerous highly successful stadium installations with the JBL AWC159," said Barry Paterson, managing director at TG Baker. "It has excellent clarity for speech and music, and we’ve found that using 100V loudspeakers has advantages including cable length, monitoring and reliability. In addition to this, the loudspeakers can be powered from the battery backed PAVA system amplifiers, negating the requirement for high voltage power amplifiers which would require a separate UPS.”

“It had been an issue for some time that the PA system we had wasn’t up to scratch," director Ashley Kirk added. "It was something close to my heart and something that fans had repeatedly raised. We want to create a great atmosphere in the build-up and during games, and the PA and music is a big part of that. TG Baker has done a great job of the installation and the new system has made a huge improvement to the match-day experience at the SMH Group Stadium.”

Registration is now open for Integrated Systems Europe (ISE) 2027. The audiovisual and systems integration industry will come together to experience what happens “When Worlds Unite," at Fira de Barcelona, Gran Via, from Feb. 2-5, 2027, where ISE will bring together the innovators, creators and technology leaders turning convergence into new possibilities.

[AV Network's In-Depth Trade Show Coverage from Around the World]

'When Worlds Unite' is more than just a strapline. It reflects where the AV industry is heading. The lines between AV, IT, broadcast, live events, smart buildings, and education are blurring, and the most valuable work is increasingly happening when those worlds meet. The 2027 edition is built around that convergence, bringing different industries, disciplines, and generations of talent into the same space. ISE is the place to engage with what’s changing, connect with the people driving it and play a part in shaping what comes next.

"Bringing our industry together has always been at the heart of ISE, and that spirit is central to ISE 2027." said Mike Blackman, managing director of Integrated Systems Events. "When Worlds Unite is about the moment we are in, when boundaries are disappearing and new connections are creating new possibilities. It is about what happens when AV meets IT, technology meets creativity, and established expertise meets the next generation. That is when the most interesting work is happening, and at ISE 2027 you don’t just see the change, you are part of it. This is when the future of our industry gets created. Opening registration is the first step, and I would encourage everyone in the industry to be part of it."

That spirit of convergence runs through every part of ISE 2027, linking the many facets of today’s AV world. But it doesn’t stop at the Gran Via halls. For 2027, ISE is expanding its footprint into Fira Montjuïc, connecting the AV community with new audiences and ideas across education and the creative industries. On Wednesday Feb. 3, and Thursday, Feb. 4, an ISE 2027 badge will also provide access to the show floors of EdTech Congress and Spark. One registration. Three show floors. More opportunities to explore and discover what’s next.

Visitors planning their trip to Barcelona can rely on bnetwork, ISE's official accommodation partner. bnetwork offers exclusive hotel rates across Barcelona through a dedicated booking site that lets you compare hotels by distance from the Fira, price, sustainability and guest ratings. Its help goes well beyond rooms. With a team on site at the Fira throughout the show, bnetwork can arrange airport transfers and group transport, book restaurants, and source and organise off-site spaces for meetings, hospitality and private events. Visitors can browse hotels at isehotels.bnetwork.com or contact the team at isehotels@bnetwork.com.

When Worlds Unite, the future takes shape. Be part of it. Register today.

AVT Question: Please share insights on how to immerse audiences, collaborate across campuses via the cloud, use AI to drive targeted messaging and gather data, increase sustainability, and reduce total cost of ownership.

Thought Leader: Aaron Addison, Senior Manager, IT Corporate Leader at LG Electronics

A good display strategy starts with looking at the whole environment—not just the individual product. IT teams are trying to create standards that are easier to deploy, easier to manage, and give users a consistent experience whether they’re in an office, a classroom, a collaboration space, or somewhere else across the organization.

The biggest thing I hear from customers, corporate and higher ed alike, is that everything has to work together as one digital asset strategy: hardware, software, services, connectivity, security, and device management planned as infrastructure and not as point purchases bolted on later. That starts with the OEM relationship itself. They want a partner who’s driving initiatives and bringing collaborative solutions to the table—not just selling boxes. Bring that partner in at the design stage and you avoid systems forced into rooms never meant to support them.

That’s also where total cost of ownership really comes into play. It’s not just about what a display costs on day one. Customers are looking at reliability, lifecycle, manageability, and how much time their IT teams are spending supporting the technology over several years.

AI is obviously becoming a bigger part of the conversation as well. There are some great opportunities around smarter management, understanding usage, and delivering more targeted experiences, but most organizations still need to get the fundamentals right first.

At the end of the day, technology should make things easier for IT and better for the person using it. If it does both, then you’re probably headed in the right direction.

Summary:

• Built on the Microsoft Device Ecosystem Platform (MDEP) running Android and managed via Microsoft Intune, it provides IT teams with a fully validated, scalable endpoint for huddle spaces and small-to-medium conference rooms.
• Connects via a single USB-C cable and features a dual 4K ePTZ camera system with AI auto-framing alongside a 27-microphone array using Biamp Beamtracking, Acoustic Echo Cancellation, and AI Noise Reduction.
• Automatically identifies peripherals, measures room acoustics, and tunes audio processing (EQ, echo cancellation, speaker levels) in minutes without requiring an on-site audio engineer and offers centralized remote health monitoring, over-the-air firmware updates, and room-performance report cards across an enterprise's entire device fleet.

The new Biamp Devio UCX 1000 conferencing bundle— comprised of the Devio UCX 1000 UC compute platform, the Parlé VBC 2800 conferencing bar, and the Apprimo Touch 10 UCX-T touch panel—is now available and Certified for Microsoft Teams. This certification validates that the complete bundle is both compatible with and optimized for Teams, giving IT professionals and integrators a fully validated, single-manufacturer solution for huddle spaces and small-to-medium conference rooms.

[Course Correction]

“Organizations standardizing on Microsoft Teams want room systems they can roll out at scale without second-guessing the hardware underneath,” said Joe Andrulis, EVP of corporate development at Biamp. “Certification means the Devio UCX 1000 bundle arrives ready for that job—a single platform that organizations can deploy and manage with confidence, across small- and medium-sized meeting spaces, with confidence that it will work seamlessly within Microsoft Teams Rooms."

Built on Microsoft Device Ecosystem Platform (MDEP), the Devio UCX 1000 is a Microsoft Teams Room on the Android platform with integrated professional DSP, purpose-built for small and medium conference rooms where a connected conferencing bar is required. This, like other Teams Room endpoints, are managed by Microsoft Intune.

Paired with the Devio UCX 1000, the Parlé VBC 2800 conferencing bar features a dual 4K ePTZ camera system with AI auto-framing, 16x digital zoom, and a 120-degree horizontal field of view for clear visibility of every participant. Its 27-microphone array with Biamp Beamtracking technology, combined with integrated Acoustic Echo Cancellation and AI Noise Reduction, delivers natural, intelligible audio throughout the room. The bar connects to the Devio UCX 1000 over a single USB-C cable.

Completing the bundle, the Apprimo Touch 10 UCX-T panel auto-pairs the moment it's connected, wakes the room automatically when someone walks in, and lets users switch instantly between a Teams meeting and a laptop via USB-C—all powered over a single cable with no additional network drops required.

Rooms commissioning is handled by Biamp Launch, which locates connected peripherals, measures room acoustics, and tunes echo cancellation, noise reduction, equalization, and loudspeaker levels on its own, producing a rated, meeting-ready room in minutes with no audio engineer on site. From there, Biamp Workplace keeps every certified room healthy through remote health monitoring, over-the-air firmware updates, and Launch report cards spanning an organization’s entire estate.

Quick view:

• The Frame hospitality model is now available in the U.S. market in 55, 65, and 75-inch sizes.
• AI-powered features, including the Collection Hub and Generative Wallpaper, create personalized, design-forward guest room experiences.
• LYNK Cloud powers digital concierge services, centralized content management, and guest engagement insights.

Samsung Electronics has introduced The Frame hospitality model, bringing Samsung’s art-inspired display design to luxury hotels and premium hospitality environments. Available in 55, 65, and 75-inch sizes, The Frame hospitality model complements the look and feel of high-end properties while offering Smart TV functionality, including entertainment, personalized content, and hotel services that guests can enjoy from the comfort of their room.

[The Art of Digital Signage]

The Frame hospitality model offers advanced features that deliver enhanced experiences that guests expect, from showcasing stunning digital artwork when not in use and connecting guests with property amenities when they choose to engage.

“As luxury hospitality evolves, the most memorable in-room stays will feel more personal and connected without compromising their design integrity,” said Mark Kelly, head of enterprise sales–display solutions division, Samsung Electronics America. “The Frame hospitality model seamlessly blends art, entertainment, and hotel services together on one flexible display, helping hotels adapt to changing guest expectations and create more distinctive experiences over time.”

When guests aren’t watching television, Collection Hub features curated artwork, photography or other visual content, allowing hotels to extend their creative direction onto the screen. Hotel brands can select imagery that complements their interiors, reinforce their brand heritage, and reflect the unique character of a particular destination.

Additionally, Samsung is helping to turn the traditional hotel TV into a more intelligent, personalized part of the stay, using AI features to adapt the in-room experience to each guest’s needs. The Generative Wallpaper harnesses the power of AI to create custom imagery for the screen, transforming the display into a unique visual focal point that reflects their preferences.

AI also helps make in-room entertainment more accessible for travelers from around the world. Live Translate provides translated subtitles in supported languages while guests watch local broadcasts and other content, helping remove language barriers and making it easier for them to enjoy content away from home.

The display also creates a direct digital connection between guests and hotel services. Through LYNK Cloud, hotel staff can configure digital concierge services, enabling where guests to quickly access property information, book services, and order room service—all from The Frame. Content management capabilities such as LYNK Cloud Business also make it easy for staff to analyze guest content usage and uncover valuable marketing insights, enabling hotels to deliver optimized promotions for guests based on their viewing history.

As hotel rooms become more connected and personalized, protecting the technology behind the guest experience becomes increasingly important. The Frame hospitality model pairs flexible, property-specific experiences with Samsung’s enterprise-grade security capabilities, enabling hotels to innovate without compromising protection.

For decades, the practice of designing and deploying professional sound systems was largely an exercise in experience and sometimes luck. It was common to hang the loudspeakers where you thought they would work best, then plug them in, and see how well the sound actually traveled. Since expectations have a way of not living up to reality, this approach resulted in a lot of extra work for sound designers and installers alike.

Today, thanks to audio mapping software, this grueling task is a thing of the past. Audio mapping software is a predictive 3D simulation tool that lets you test out loudspeaker placements and performance without actually having to move them.

Instead, you position specific speakers in a virtual space and test their performance using the software's mapping capabilities. The result: By the time it comes to physically install the speakers, the best locations and performance targets have already been determined.

That being said, these tools do not replace the seasoned acoustic engineer; rather, they give these professionals a superpower—the ability to see the invisible behavior of a room.

"At its core, it's predictive modeling for sound," explained Ryan John, director of product management, software, for L-Acoustics, which offers the Soundvision 3D simulation and sound system design platform. "Instead of guessing how a room will behave, or finding problems on load-in day, Soundvision allows you to see hot spots, gaps, and delay issues on screen and fix them before anyone touches a cable."

Trading Guesswork for Data

When a lighting engineer sets up lights, they can put them in place, turn them on, and see where the light actually goes. But this isn't true for sound engineers. They can put the speakers in place, but they can't see the sound waves they are trying to control.

"Sound is subjective and mostly invisible other than visual clues such as ripples on a T-shirt while standing near a subwoofer," noted Rudd Lance, d&b audiotechnik's advanced systems specialist for immersive systems, whose ArrayCalc software handles precise SPL and localization mapping. "Without being able to predict what a system is going to do, the result would be days of putting loudspeakers in place only to measure them and change the deployment time and time again."

The fundamental beauty of audio mapping software is that it makes sound waves visible, at least on a computer screen. Not only does this approach save time and frustration, but it also saves money because deployments can be completed more quickly and effectively.

"Rather than relying on assumptions or extensive on-site adjustments, designers can model a venue in 3D, place loudspeakers, evaluate coverage, and verify mechanical configurations in a virtual environment," said George Georgallis, product management for performance audio, HARMAN Professional Solutions. "This gives designers a detailed understanding of how a system is expected to perform before any equipment is deployed." HARMAN produces JBL Venue Synthesis, a comprehensive 3D acoustic simulation and mechanical analysis tool.

By using audio mapping and predictive data, integrators no longer have to ask clients to simply trust their expertise.

"Decisions stop being about how many speakers do we think we need and start being about what do we need to achieve our design goals for this event," John said. "It also allows integrators and consultants to defend their design to a client with data instead of opinion, which changes the whole buying conversation. Nobody wants to over-spec a system just to be safe, and nobody wants a callback because a section came in six dB hot or cold."

Being able to provide this form of visual proof to a client is a significant improvement over using traditional spec sheets. Andy Davies, Meyer Sound's senior director of product management—the team behind the MAPP 3D high-resolution audio prediction tool—emphasized this point. "The data in MAPP 3D provides far more information than any datasheet ever could," he said, "providing a visual representation of the output of a loudspeaker, helping users understand which products are the right functional fit for any given application."

Virtual Limits

Audio mapping software is not a magic wand, and it operates on a strict "garbage in, garbage out" principle. In plain language, a digital map cannot fix poor input data, nor can it entirely replace the critical listening skills of an experienced engineer.

"A simulation is only as good as the accuracy of the model you build, and the assumptions in the room acoustics—reflections, absorption, HVAC noise, and audience attenuation—are genuinely hard to capture with precision, especially in complex or unusual architecture," John cautioned. "I always tell people to treat the map as your design foundation, not your final QC."

Also, no matter how good the audio mapping software may be, the physical environment has the last word in this discussion. "While the software provides an excellent representation of direct sound, room acoustics and environmental conditions can still influence the final system performance," Georgallis told SCN. "Ultimately, room acoustics and tuning the system on site remain essential parts of achieving the best possible performance."

One area where audio mapping software is an absolute must is immersive environments. Trying to execute these installations by ear alone is practically impossible. "Considering the cost of equipment and the amount of time required to complete a proper installation, I believe it is imperative that audio mapping be employed when designing any immersive audio space," said Lance.

Conversely, budget-sized installations in schools and municipal buildings also benefit significantly from audio mapping. Because these projects don't have the funds to absorb costly errors, integrators have to get the design right the first time. "These projects may not always involve large-scale systems, but acoustic modeling can still help designers make better decisions, avoid unnecessary costs, and deliver a more consistent listening experience," Georgallis added.

The Next Frontier

The science of audio mapping is already well established, so the future of this software is less about tweaking basic algorithms and more about improving workflow efficiency, supporting smart automation, and working in collaborative cloud environments. Software developers are focusing on making these tools more accessible to a wider range of stakeholders.

Davies noted that Meyer Sound is launching Aperture, an add-on visualization tool "aimed at giving system designers enhanced tools to share designs, enabling presentation options and graphic resources from a simple, online tool." L-Acoustics has offered a similar capability for the past year through Soundvision Connect, a browser-based companion that lets architects, consultants, and clients step into the same 3D model and SPL data without opening the software themselves.

Manufacturers are also using automation to strip away the most tedious, repetitive technical tasks. "As sound systems become more sophisticated, processes such as delay optimization for full-range systems and Electronic Design Synthesis [EDS] for large subwoofer arrays can become both time-consuming and technically challenging," explained Georgallis. "By automating these calculations, Venue Synthesis allows engineers to spend less time on repetitive optimization tasks and more time evaluating and refining the overall system design."

Ultimately, the future of Pro AV design is collaborative, interconnected, and increasingly intelligent. The goal is to get architects, consultants, and clients "into the same 3D data in real time, so decisions happen faster and with everyone aligned," said John. He added that machine learning will soon sharpen these tools by analyzing real-world measurement data over time.

In the end, audio mapping has fundamentally transformed how sound systems are conceived and delivered. In an industry where time is money and precision is paramount, turning guesswork into a guaranteed result is the ultimate payoff.

‘Iolani School in Honolulu, Hawaii is a culturally diverse K-12 college preparatory school that serves approximately 2,300 students. With a focus on academic excellence through dynamic, personalized instruction, ‘Iolani fosters an educational experience that inspires intellectual growth, character development, and a spirit of collaboration, with humility and respect for all community members.

‘Iolani recently opened its new Arrillaga Student Center, a three-story, 60,000-square-foot building located at the heart of campus that provides a space for learning, wellness, and connection. Designed by WCIT Architecture and Gensler, the facility was thoughtfully planned to reflect Iolani’s culture, values, and history.

The center includes 16 classrooms, a health center, a bookstore, and a faculty lounge. On the rooftop is a spacious event area and tea house, and the first floor is home to the Tsai Family Dining Hall, a 12,500-square-foot venue where the school community comes together for meals, social gatherings, student assemblies, and other school-related functions.

A Versatile Digital Solution

Mounted high in the dining hall are two 16-foot-wide-by-12-foot-high Planar DirectLight Essential Series LED video walls with 1.5mm pixel pitch. The vibrant twin displays provide a versatile digital solution for engaging the student population, creating a lively campus destination.

The video walls are positioned approximately 20 feet overhead, introducing a viewing angle that is significantly off-axis. To maintain image quality and provide consistent viewing throughout the space, a solution with wide viewing angles was a key consideration, according to James DePoyster, general manager with Pacific Audio and Communications, the display technology integrator.

“That’s where the DirectLight Essential delivers; the engineering of the display produces superb off-axis viewing,” DePoyster said.

Another key performance consideration was the DirectLight Essential’s 30,000:1 contrast ratio, DePoyster said. “In a mixed-use space like this, with high ambient light that you don’t necessarily want to control all the time, that high contrast ratio makes a huge difference,” he said. “Those advantages, coupled with the lighter cabinets and the impact resistance of COB LED technology, made it a perfect fit.”

In addition to supporting day-to-day communications and serving as a backdrop for activities and events, the dual LED video walls are an integral part of ‘Iolani’s live productions. Pacific Audio and Communications integrated BirdDog cameras in the dining hall, allowing the school to route live video to the LED video walls.

“It’s an impressive live streaming setup and laid out very intuitively,” DePoyster said. “They can easily pick and choose their content, giving them the flexibility to showcase whatever they want.”

Enhancing the Experience

Aniki Ignacio, sound engineer at ‘Iolani School, said the LED video walls enhance the overall experience for students and faculty alike. “We can display information, show highlight videos, or use them for watching movies,” he said. “Regardless of the event—whether it’s a concert or a conference call—the video walls take the whole experience to another level.”

The response from the campus community has been one of excitement and joy, Ignacio said: “For a concert, we were able to show live camera footage of the performers, and, whether you were sitting in the back or up front, everyone had a clear view. Anything we show on the video walls looks fantastic, and I really want to see them used to their fullest potential.”

DePoyster added that the LED video walls are a defining visual feature within the new student center. “When you walk into the room, your eyes are immediately drawn to them,” he said. “Content looks absolutely phenomenal; the picture is crystal clear and bright. During the first demonstration, everyone—from the staunchest critics to the brightest-eyed believers—was blown away. The impact of those video walls cannot be understated.”

AVT Question: Please share insights on how to immerse audiences, collaborate across campuses via the cloud, use AI to drive targeted messaging and gather data, increase sustainability, and reduce total cost of ownership.

Thought Leader: Amber Ward, Senior Marketing Director at Carousel Digital Signage

Engaging digital signage isn’t just eye candy; it’s about purpose. Kinetic lobby displays are great for setting a vibe, but function must come first. If a digital menu shifts to an announcement right as a customer is trying to order, the signage fails. Start with the goal and the audience, then build content that serves both.

Effective engagement requires balancing the needs of both the audience and the content creators. In large organizations, like university campuses, relying on a single contributor often misses nuances. A more efficient workflow distributes authorship to individual departments, ensuring content is authentic and accurate. Digital signage software with role-based permissions enables a streamlined approval process: Contributors create updates, and administrators review messaging before it goes live.

One way to maximize the cost of a growing digital signage system is to invest in software that works well with mixed-device environments. High-quality digital signage platforms work with many popular dedicated media players, integrated displays, software-based players, and remote management systems, giving the end user choices. When you can leverage your own devices and manage them at scale while keeping your environment secure, the possibilities open up and total cost of ownership goes down.

AVT Question: Please share insights on how to immerse audiences, collaborate across campuses via the cloud, use AI to drive targeted messaging and gather data, increase sustainability, and reduce total cost of ownership.

Thought Leader: Jim Vasgaard, AV Sales Manager and Business Development at Daktronics

Choosing a reliable U.S.-based dvLED display manufacturer can eliminate information gaps that often slow complex installations and service uncertainty for your display’s lifetime. AV/IT end users who work with a manufacturer they know and trust receive access to consultative U.S.-based sales staff that can quickly pull in project managers and engineers when questions arise about product capabilities, electrical requirements, signal routing, or unusual installation conditions.

Product knowledge is a key differentiator. Look for reputable companies that understand the LED technology they’re delivering. There is an overflow of differing indoor LED packaged solutions in the market today, and truly understanding each solution—their pros and cons—can be difficult in the purchasing process. Look for manufacturers who handle design, testing, manufacturing, and service in-house, and staff a team that can speak about how a system will perform in the field—and match the right product to the application from the start.

Find out if they operate their own testing lab where components are tested to failure during the design phase, giving engineers a clear picture of how each part will behave over the life of the display.

That testing discipline also extends to supplier management. If the manufacturers’ suppliers make any changes to the system, that dvLED manufacturer needs to know about it and be able to test it before they make that change and ship a new display solution using that component.

And finally, make sure your dvLED manufacturer stands behind and supports its product for its lifetime. Ask about parts access guarantees that reach 10 years to ensure you receive full support for the lifetime of your display. The goal should be that you receive a display system that arrives on time, delivers on day one, and performs predictably and dynamically throughout its life.

Summary:

• One Equity Partners is acquiring Nexora—the parent company of Almo Pro AV—in an agreement expected to close by March 2027.
• Nexora will retain its existing management team and continue operating under its current strategy.
• Digital capabilities aim to give customers faster access to information while allowing manufacturer partners to connect their products with a broader target audience.

Almo Pro AV will have a new look in 2027. One Equity Partners (OEP) has begun the process to purchase its parent company Nexora and become its long-term investment partner. Based on the purchasing agreement, the transition to ownership is expected to be completed by March 2027.

For Almo Pro AV’s manufacturer partners and customers, the move supports the distributor’s continued advancements in the digital tools and services that expand market reach and allow business to be conducted more effectively. For Nexora, the agreement supports a larger investment in technology and growth across North America and Europe, with the opportunity to connect manufacturers and customers across all of its businesses. 

“This partnership doesn’t change our direction. It accelerates where we’re already headed,” said Dan Smith, EVP, Almo Pro AV. “Our vendor partners and customers can continue to count on the connections they have today, combined with the specialized support that sets Almo Pro AV apart. With OEP’s investment and experience growing technology and distribution businesses, we now have a much larger platform to build on our strengths and create even greater value for our partners.”

Per Smith, this includes "a more powerful" website and improved bid registration and freight tools, designed to give customers faster access to information and free up our sales teams to focus on relationships. Manufacturers, Smith said, will receive expanded digital capabilities which will help connect their products with more customers.

According to the Nexora press release, Nexora operates through local trading brands, including Almo, Azenn Connect, CapTech, COMM-TEC, Hammer and JAM, all of which have leadership positions in their respective markets. Nexora will continue to be led by its existing management team, ensuring continuity of leadership and execution. The business will maintain its strategy to acquire and accelerate specialist local trading brands to deliver progressive technology which enriches lives.

"Today marks an exciting next chapter for Nexora," said Clive Fitzharris, chief executive officer of Nexora. "As our business continues to deliver strong growth, One Equity Partners are a partner who share our vision and ambition to accelerate the next phase of our strategy and growth."

The new USB Extender xi Series from Extron is now available. This series extends and switches USB signals from peripheral devices to a host computer up to 1,980 feet (600m) through a Gigabit Ethernet network or up to 330 feet (100m) point-to-point over one CATx cable. It supports High-Speed (USB 2) and earlier devices.

[The Human Side of Technology]

The transmitter can be powered by the host computer or included power supply and provides USB peripheral emulation to enable trouble-free booting of a host computer that is not connected to a keyboard or mouse. The receiver features a built-in, active four‑port hub with up to 500 mA of power per port. The matrix controller allows simple setup and control for a distributed USB matrix switching system over an Ethernet network.

"As organizations seek more flexible ways to deploy USB devices in courtrooms, conference and meeting spaces, classrooms, and lecture halls, the USB Extender xi Series delivers streamlined USB extension and switching capabilities," said Casey Hall, chief marketing officer for Extron. "With long-distance USB transport, centralized control, and support for distributed USB matrix switching, the USB Extender xi Series simplifies USB connectivity for demanding Pro AV applications."

The USB Extender xi Series supports a wide range of USB peripherals, including interactive whiteboards, keyboards, mice, mass storage devices, webcams, headsets, and speakers, while USB Extender xi HID models help secure installations by restricting connectivity to authorized device types. Available in multiple form factors for flexible integration, the series can be combined with the USB Matrix Controller xi to create scalable distributed USB switching systems with up to 64 transmitters and receivers while offering centralized management and control. Together, these capabilities make the USB Extender xi Series an ideal solution for extending and switching USB signals in applications that demand reliable, long-distance USB connectivity.

Quick view:

• Sacramento Production Services overhauled Sutter Health Park's wireless audio system to handle the increased RF congestion and demands brought on by Major League Baseball broadcasts during the Athletics' residency.
• The new system utilizes 10 Wisycom antennas—including MAT244 RF combiners, LFA wideband antennas, ADFA active directional antennas, and BFL antenna-over-fiber links—placed strategically across the outfield, home side stands, roof, and concourse to ensure complete stadium coverage.
• The fiber-based RF architecture resolved severe previous issues with signal dropouts, dense crowd congestion, concrete pillar interference, and long-distance coverage.

Sacramento Production Services has completed a major wireless audio overhaul at Sutter Health Park, current home of the Athletics (A’s) professional baseball team during its three‑year residency in Sacramento. By deploying a Wisycom antenna and fiber‑based RF distribution system, day‑to‑day operations have fundamentally changed for the stadium’s production team. The upgrade, driven by the arrival of Major League Baseball (MLB) broadcasts and the increased RF congestion that accompanies national media, replaced the park’s previous wireless setup with a fully integrated Wisycom solution designed for reliability, coverage, and remote management across the entire facility.

[Take Me Into the Ballgame]

The installation features a full suite of Wisycom RF components, including the brand’s MAT244 RF combiners, LFA wideband antennas, and ADFA active directional antennas, as well as BFL-T2 and BFL-R2 antenna‑over‑fiber links. In total, 10 Wisycom antennas now cover Sutter Health Park, including four antennas deployed in the outfield via fiber and six others positioned in three pairs across the home side stands, roof and concourse.

“This was game‑changing for us,” said Anthony Brown, project manager for Sacramento Production Services. “We have wanted tools like this for years, and suddenly the technology caught up. The fact that the antennas have telemetry, remote control capabilities, and built-in fiber links is excellent; it’s all just there, ready to go.”

Before the upgrade, the stadium’s minor‑league‑era wireless system struggled under the demands of professional-caliber broadcasts. Numerous frequency scans, dropouts and unpredictable RF behavior were the norm, especially in the concourse, a notoriously difficult RF environment due to dense crowds and concrete pillars every 24 feet.

“When the A’s came in, it very quickly became clear that the existing wireless frequencies were a pretty bad choice,” added Keith Wackford, sales and production manager at Sacramento Production Services. “Minor league games never had the RF congestion that major league broadcasts bring. Things looked fine in rehearsal, but come game time, everything changed.”

The outfield was an even bigger challenge. “They told us, ‘We want our wireless microphones to work in the outfield,’ ” Wackford noted. “That’s about 460 feet from the nearest antenna. Without fiber, it would’ve been impossible.”

One of the most impactful features has been Wisycom’s remote antenna control and filtering. “With the Wisycom antennas, we were able to narrow the bandwidth and lower the noise floor,” adds Brown. “That made the system bulletproof.”

For Brian Webber, who led deployment and configuration, the networking capabilities were a revelation. “The system is rock-solid all the way around the park. The coolest part is the networking. It blew my mind how easy it is to remotely manage all the antennas.”

The result is a wireless system that simply works. “We went from wireless being a problem every other day to it not being an issue at all,” concluded Brown. “Producers and talent can move freely throughout the park, do interviews anywhere and focus on the production instead of the RF.”

Summary:

• Built as the new home of the Salt Lake Bees in South Jordan, Utah, The Ballpark at America First Square features a complete, integrated AV ecosystem by OneRevel engineered to seamlessly support concerts, movies, and community events alongside Triple-A baseball.
• To deliver consistent sound across suites, concourses, and outdoor gathering spaces without bulk, OneRevel utilized Powersoft's UNICA amplifier platform, providing high power density in compact rack spaces, native Dante networking, and integrated DSP optimization for Fulcrum Acoustics speakers.
• The audio infrastructure allows centralized monitoring via Powersoft's Armonía software and offers ongoing flexibility to refine sound coverage and comply with local ordinances as surrounding commercial and residential developments grow around the venue.

The Ballpark at America First Square is the new home of the Salt Lake Bees, the Triple-A affiliate of the Los Angeles Angels. Opened in 2025 in South Jordan, UT, the venue was designed to support Minor League Baseball alongside concerts, community events and other year-round programming. OneRevel selected Powersoft’s UNICA to support the venue's distributed system architecture across a wide range of event types designed for flexibility as much as performance.

[Friday Night Lights, Camera, Action!]

"What made this project unique was that we weren't just designing for baseball," said Shay Taylor, chief operations officer for OneRevel. "The vision from the beginning was to create a venue that could host concerts, movies in the park, and community events alongside baseball. That meant every technology decision had to support a much broader range of experiences."

The Ballpark at America First Square was one of OneRevel's first baseball venues where it provided the complete technology solution. Delivering audio, LED displays, and digital signage under a single integration strategy allowed the team to coordinate system design across every aspect of the guest experience.

The audio design presented its own set of challenges. Unlike many ballparks where sound reinforcement primarily focuses on the seating bowl, the new venue required consistent coverage throughout suites, concourses, concession areas and outdoor gathering spaces. Because the facility was designed to host year-round programming beyond baseball, the system also needed to support live performances, movies and public events without requiring significant reconfiguration.

The venue's long-term operating environment added another layer of complexity. As residential and commercial development continues around the stadium, the system must accommodate changing acoustical conditions while complying with local sound ordinances and neighborhood considerations.

Meeting those requirements required an amplification platform capable of delivering high output while remaining flexible enough to support a distributed system architecture. Powersoft's UNICA amplifier platform served as the foundation of the audio system, citing its combination of power density, network integration, and compatibility with Fulcrum Acoustics loudspeakers.

"The entire project was built around the UNICA platform," said Taylor. "The power-to-size ratio was a major factor because much of the stadium is served from centralized equipment racks. We needed a platform that delivered significant output while minimizing rack space."

While portions of the stadium are supported from centralized equipment rooms, distributed rack locations throughout the facility required seamless networking and reliable control. Powersoft's Dante integration and onboard processing allowed OneRevel to maintain system performance while simplifying management across multiple equipment locations.

"Reliability was another major consideration," Taylor said. "If power is interrupted, we don't lose our control or DSP settings. Having that level of stability is extremely important for a venue that's expected to operate continuously."

Beyond the hardware itself, Powersoft's Armonía software simplified system management across more than 20 amplifiers deployed throughout the venue. "When you're managing a system of this size, having everything visible in one platform makes a tremendous difference," explained Taylor. "Instead of moving between multiple applications, we can monitor and manage the entire system from a single interface."

Since opening in 2025, The Ballpark at America First Square has expanded beyond a baseball venue, hosting community celebrations, themed events and other public programming alongside the Salt Lake Bees' season. According to OneRevel, the flexibility designed into the audiovisual system has allowed the venue to support that broader mission without compromising performance.

"The feedback has been incredible," noted Taylor. "People walk into the venue expecting a Triple-A ballpark and leave feeling like they've experienced a Major League facility. That's exactly what the client wanted to achieve."

Located in Soho’s cast-iron district, Lightning Society is a New York City-based community that, according to its website, is a "playground for the intellectually adventurous." From live music to immersive events, the Society's home on 45 Howard Street is aimed at sparking connection, curiosity, and wellness amongst its members. Audio plays a big role in bringing members together, and the new home of Lightning Society turned to Sonos to amplify that sound.

The project, which not only spans multiple floors, but a variety of spaces, commenced at the beginning of the year with the ballroom; however, per Matt Emmi, founder of OneButton, the technology design firm selected for the project, it is still a work in progress. "We are still finalizing the adaptive (circadian) lighting scope, but the core audio scope is complete," he explained. "That said, there is now a desire for “concert quality” sound, so we are looking at further incorporating subwoofers into the architecture. The remainder of the floors, which are focused on members' areas and activities, will come online over the next few months."

When it came to what audio solutions would be used, there was little question Sonos was the right fit. It was a shared vision that brought it all together. "The Lightning Society, Sonos, and OneButton all similarly consider people and connection first," explained Luke Heckl, commercial sales manager, Americas at Sonos. "With that, there was an elevated focus on experience rather than purely focusing on the technology or products, which we are all prone to do in this industry. At its core, the design always revolved around the user experience. Technology solves problems, gets out of the way, and lets human experience take center stage."

Per Emmi, Sonos was the only vendor that could elegantly provide the breadth of experiences Lightning Society desired. "One Button included Sonos because they know we would deliver turnkey solutions for the unique challenges inherent to the project," Heckl said.

One of those challenges was the building itself. Being 100 years old meant architectural integrity was at the top of mind. For OneButton, this challenge wasn't too different from other projects, as every building presents its own challenges; this one happened to be dealing with century-old architecture. "[We] took advantage of the new Era 100 Pro PoE solution to maintain signal integrity to every speaker without having to resort to 70v transformers," Emmi explained. "Further, this optimized wire pulls and minimal power requirements, which is helpful given we could only pull wire through specific channels between historic pillars and beams."

According to Heckl, product selection was achieved through a collaborative process that helped identify how the expansive venue would be used. There weren't simply many spaces to consider, each space accommodated a variety of uses within it. On top of that, the system would have operators with varying degrees of audio expertise, so Sonos was ideal as a system designed with no complicated programming or end-user training required, solving one of the biggest challenges. Yet another challenge surrounding the architecture was that the hardware also had to fit each physical space. "In some cases, those decisions were driven by a scarcity of electrical outlets, whereas in others, decisions were made to adhere to a strict aesthetic mandate," Heckl said.

Per OneButton, the team took a traditional 8Ω, residential approach with the Sonos Amp Multi—the new Sonos multi-channel amp—powering 16 invisible speakers from Sonos by Sonance in the second-floor ballroom. Amp Multi provides flexibility to manage multiple speakers while simplifying the Sonos audio ecosystem. The ballroom has already hosted a Sonos launch event, showcasing high-quality audio throughout the entire room while keeping the loudspeakers hidden within the architecture.

Eight Era 100 Pro speakers make up a zoned system, distributed with PoE throughout the third floor, which features and reading room and a coffee bar. There is also a listening room that utilizes Era 300 speakers, in-ceiling speakers, subwoofers, and a Sonos Arc Ultra soundbar housed in a Leon Tonecase. The fourth floor is broken up into experience rooms; there is a spatial audio listening room, a conference room with ARC theater, an audiophile listening space, and a micro theater with a 100-inch screen and Sonos powering a massive width-matched soundbar. The top floor is an intimate members' space where Sonos FIVES are hidden throughout the space at waist level, making music a character in the conversation between members. Lastly, said, Emmi, the scenic rooftop utilizes outdoor speakers mounted to a broad pergola, keeping members cozy by the fire pit and gardens.

While there is still work to be completed in some of the more specialized spaces before Lightning Society is fully open, all the user feedback has confirmed that Sonos and OneButton checked the right boxes. "The early results have been overwhelmingly positive," concluded Heckl. "The Lightning Society is not yet in full-time regular use, but the wide range of events that have taken place have gone extremely well. "

Get your free copy of SCN's Integration Guide to NDI.

A Shared Language of Connectivity

Metadata is the quiet differentiator behind NDI’s next chapter. Roberto Musso, technical director for NDI, explains how the connectivity technology uses metadata to solve the hardest problems in modern production, because it turns every connection into a two-way relationship instead of a one-way pipe.

At Issue

Industry experts from JB&A, Magewell, and Sony explore how NDI can improve Pro AV workflows in non-production applications.

Download the Integration Guide to NDI.

Read the October issue of Systems Contractor News.

Quick view:

• The Planar Tile features rigid 2:1 aspect ratio module for flat configurations, measuring 320mmx160mmx15mm.
• Planar Tile W features rigid widescreen-format 16:9 aspect ratio, measuring 320mmx180mmx15mm.
• Planar Tile Flex features flexible modules in a 2:1 aspect ratio that support concave, convex and continuous curved display surfaces with a minimum curve diameter of 1 meter (39.37 inches).

Planar has launched the Planar Tile Series, expanding its portfolio of creative LED display solutions with flexible and rigid LED modules designed to bring custom shapes, curves, and configurations to life.

[Tackling a New HQ]

“Planar Tile Series builds on our experience in flexible LED while giving designers and integrators more building blocks for bringing creative concepts to life,” said Robert Detwiler, senior director of product management at Planar. “With flexible and widescreen-format rigid module options, including the ability to create tight concave and convex curves, Tile expands the range of projects where creative LED can be considered.”

Building on a decade of experience deploying flexible LED display solutions, including the highly successful Planar CarbonLight CLI Flex Series, Planar Tile Series expands Planar’s creative LED portfolio with new module sizes, configurations and design possibilities. Joining the recently introduced Planar Mosaic Series and Planar Chameleon Series, Tile gives designers and integrators even more options for creating display arrays beyond traditional display formats.

Available in 1.2, 1.5, 1.8, 2.0 and 2.5mm pixel pitches, Planar Tile Series offers three module options for a broad range of creative designs including: Planar Tile, Planar Tile W, and Planar Tile Flex. Together, the module options provide versatile building blocks for creating custom dimensions, shapes and configurations. Select models are also available with a fully encapsulated surface for enhanced durability and touch interactivity.

Planar Tile Series incorporates a streamlined Type-C proprietary interface to deliver power and data between the compact control unit and LED modules. It features flexible cabling with locking connectors for easy routing and secure connections within custom structures, while the control unit can be installed in multiple orientations to accommodate specific installation requirements.

If you have ever attended a corporate town hall or a large-scale hybrid meeting, you likely know the familiar, awkward dance of the microphone. A presenter fumbles to clip a lavalier onto their jacket, or a handheld mic is clumsily tossed around the audience for Q&A, accompanied by awful handling noise and feedback screeches. Let’s not forget the dreaded phrase, "Is this on?"

For decades, professional audio has been defined by the physical tether between the speaker and the hardware. But working for an audio company and as an expert for wireless spectrum, I can tell you that we are in the midst of a profound paradigm shift. The future of audio in hybrid meeting spaces, corporate auditoriums, and boardrooms is becoming entirely invisible.

We are seeing massive, parallel developments in how we capture human voices and how we transport that data through the airwaves and across networks. The ultimate goal? To make the technology disappear entirely, leaving only natural, effortless communication.

Contactless Audio

The first major development reshaping our spaces is the advent of "contactless audio." The concept is exactly what it sounds like: capturing pristine, broadcast-quality audio without requiring the user to interact with a physical microphone at all.

Instead of relying on goosenecks on podiums or clip-on transmitters, modern corporate spaces are integrating sophisticated microphone arrays directly into the architecture—disguised in ceilings, mounted on walls, or hidden within light fixtures. These aren't your standard microphones. They house dozens of tiny audio capsules that rely on advanced digital signal processing and beamforming technology.

Think of beamforming as an invisible, highly focused flashlight for sound. Rather than listening to the whole room (which captures unwanted echo and HVAC noise), the microphone array actively seeks out the person speaking and creates a tight acoustic "beam" around them in real time.

For the presenter on stage, this is liberating. They are granted the ability to pace, turn their head, gesture naturally, and interact with the audience exactly as they would in a small living room, unencumbered by gear. This fosters a far more authentic and engaging performance.

But perhaps the most dramatic impact of contactless audio is felt in the audience. In a hybrid town hall, remote participants often feel disconnected because they can't hear the in-room audience asking questions. With intelligent ceiling arrays, when an audience member stands up to ask a question, a beam instantly locks onto them. The audio is captured cleanly and automatically, eliminating the agonizing wait for a runner to bring them a handheld mic. It democratizes the conversation, making hybrid meetings feel truly equitable.

Wireless Spectrum Evolution

While ceiling arrays handle the architecture, presenters who need absolute zero-latency, high-fidelity mobility still rely on wireless systems. Here, we run into a major challenge: The airwaves are shrinking. Over the last decades, the UHF radio frequencies we traditionally used for wireless microphones have been aggressively auctioned off to telecom companies for cellular broadband.

As a spectrum expert, I can assure you that navigating this crowded airspace in a dense corporate environment is a monumental task. The solution isn't just better antennas, it's fundamentally rewriting the standardized technology of wireless transport.

Enter WMAS (Wireless Multichannel Audio Systems). This regulatory schema and technological approach is an absolute game changer. Historically, wireless microphones operated on narrowband transmission—one mic, one specific slice of spectrum. WMAS shifts this to a wideband approach, allowing users to multiplex dozens of audio channels onto a single, wider block of spectrum. It is incredibly spectrally efficient, meaning we can operate far more microphones in a much smaller sliver of the RF spectrum without interference or dropouts.

Concurrently, we are seeing the rise of DECT NR+. Operating in the dedicated 1.9 GHz band, this standard is essentially a non-cellular 5G technology. It creates self-healing, mesh-like wireless networks with ultra-low latency and massive reliability. For professional audio, implementing DECT NR+ means devices can communicate flawlessly without stepping on the toes of the company’s Wi-Fi or cellular networks.

Both technologies overcome the limitations of traditional narrowband solutions. In-band control enables remote device management and real-time monitoring—crucial features in corporate environments. These standardized wireless interfaces ensure next-generation audio is bulletproof, no matter how congested local airspaces become. Furthermore, expanding spectrum allocation for WMAS and DECT NR+ remains a vital, ongoing international discussion.

Network Convergence

Once the audio is captured, it needs to go somewhere. This brings us to the crucial role of audio over IP (AoIP).

Routing audio used to mean pulling miles of heavy analog copper cables. Today, audio simply rides on the company’s existing IT infrastructure via standard Ethernet cables using protocols like Dante, AES67, Ravenna, or ST 2110. Standardizing the interface for audio transport has seamlessly bridged the gap between AV and IT. Audio is now simply network data, easily routed from the town hall stage to overflow rooms, into the broadcast mixer, and out to a Zoom call with a click.

Herein lies the beautiful paradox of the modern corporate audio landscape: an intense need for standardized underlying technology, driven by customer demand for completely customized solutions.

Corporate clients want spaces that perfectly cater to their specific workflows, like an auditorium that transforms into an immersive training center at the push of a button. By relying on highly standardized, interoperable backbones—like AoIP protocols and regulated WMAS schemas—AV architects can mix and match sensors, processors, and speakers to build highly bespoke spaces.

The days of the "AV guy" running down the aisle to fix a squawking microphone are ending. We are entering an era of elegant, invisible technology. Through the marriage of contactless beamforming, highly efficient wireless spectrum management, and network-based audio transport, we are removing the friction from corporate communication. In the modern auditorium, the technology fades into the background, allowing the message, and the people sharing it, to finally take center stage.

AVT Question: Please share insights on how to immerse audiences, collaborate across campuses via the cloud, use AI to drive targeted messaging and gather data, increase sustainability, and reduce total cost of ownership.

Thought Leader: Joel Mulpeter, Senior Director of Product Marketing at Crestron

As far as this segment’s concerned, the products we make at Crestron move content and ready it for the display, whatever that might be. With solutions such as DM NVX AV over IP, we can help ensure that the signal is lossless, reliable, secure, and moved at near-zero latency. The goal is to deliver the best possible experience—no matter the vertical and no matter the screen—whether it’s a Jumbotron at a sports venue, signage in a retail space, or the screen in a huddle room.

To do that, we need to deliver more than a black box; we need to deliver a system that’s future-ready—specifically, that is, able to handle needed firmware updates.

We strive to provide products that can essentially function anywhere—not on a room-by-room, case-by-case basis. The best and most versatile solutions lean into building- or campus-wide network infrastructure that will reduce the need for rip-and-replace solutions in the future. If you can swap out a single encoder-decoder or change a screen at an endpoint to suit the changing needs of a space, the right network infrastructure will deliver the best experience no matter how the display hardware may change.

When you have that network architecture in place, other options open up: You can switch any content to any endpoint in the building, and you can monitor everything in the same, consistent way. Control doesn’t change from space to space or building to building, either; it remains familiar to the user throughout the organization. Furthermore, your IT and AV staff will have that same kind of familiarity, no matter the space—and that’s bound to save time and money should an issue pop up.

October has already started with some big Pro AV news as yet another acquisition was announced last week. TD SYNNEX has entered into a definitive agreement to acquire BlueStar, a specialty distributor recognized for its expertise in digital signage, data capture, and security technologies.

The combination is expected to provide customers and vendors with access to broader technology offerings, expanded resources, and specialized capabilities while preserving the expertise that has defined BlueStar’s success. Ryan Girvin, CEO, BlueStar, said the opportunity to join TD SYNNEX would allow the company to maintain those strengths and expand "the resources, capabilities, and opportunities available to the partners we serve." You can read our full coverage from last Wednesday here.

There was plenty more to go around. Get caught up with this week's Pro AV Newsmakers.

People News

USSI Global Names Ed McGivern Chief Revenue Officer

USSI Global has appointed media technology and transformational executive leader Ed McGivern as chief revenue officer (CRO). McGivern now leads USSI Global’s go-to-market strategy, customer acquisition and revenue expansion. 

McGivern brings more than 25 years of executive leadership experience to USSI Global, with a track record of building high-performing sales organizations, accelerating revenue growth and helping technology businesses successfully navigate periods of transformation. His experience includes senior commercial leadership positions with some of the broadcast and media technology industry’s most recognized brands, including Harris Broadcast/Imagine Communications, Grass Valley/Snell Advanced Media and Tektronix.  Most recently, McGivern started and served as president and general manager of Appear U.S., which he launched in January 2022. 

Watchfire Names Doug Waldal as CEO

Watchfire has appointed Doug Waldal as its new CEO. Succeeding former CEO Steve Harriott, Waldal brings deep experience leading businesses that manufacture complex electronic, electromechanical, and engineered-to-order products, and he’s developed a keen understanding of tech-enabled manufacturing and commercial models.

Most recently, Waldal was CEO of 80/20, a provider of premium, configurable modular framing solutions for a range of end markets. Prior to 80/20, he was COO for Echo Engineering & Production Supplies from 2019 to 2021; president and CEO of Nortek's GTO Access Systems from 2015 to 2018; VP and general manager, broadcast and AV solutions for Belden for six years; and held commercial leadership roles of increasing responsibility for Newell Brands.

Events and Collaborations

Cotswold Outdoor Group Expands In-Store Retail Media Strategy with Broadsign and IUF

Broadsign and in-store media integrator IUF announced a collaboration with U.K. retailer, Cotswold Outdoor Group, to expand its retail media network (RMN) with a scalable in-store advertising infrastructure. The upgrade provides a unified workflow that streamlines media planning, management, and measurement in-store and across onsite and offsite channels. It enables Cotswold’s brand partners to seamlessly execute omnichannel ad campaigns that engage shoppers at the point of purchase and beyond.

Broadsign, Cotswold Outdoor Group, and IUF designed the network with long-term growth in mind. It presently includes 149 till, shelf, totem, large format, and front-of-store displays across 23 stores, which are powered by the Broadsign Platform (specifically the Broadsign CMS and Ad Server) and support a range of media.

The Broadsign Platform is helping to streamline operations and centralize content management and network health monitoring. The technology is also advancing screen monetization opportunities by scheduling ads, automating yield, and balancing complex campaign rules to help Cotswold Outdoor Group capture optimal revenue. With IUF’s ongoing deployment and support, the infrastructure allows the retailer to manage and scale in-store media operations efficiently while maintaining a reliable shopper and advertiser experience.

Korbyt to Host Inaugural Partner and Customer Event 

Korbyt wil host Korbyt Connect 2026, the company’s inaugural partner and customer event. Taking place Tuesday, October 20, 2026, the event will be held at Korbyt’s headquarters, which has been reimagined as a living showcase of the company’s digital signage and space management solutions.

Korbyt Connect 2026 is designed to bring the company’s customer and partner community together for direct access to Korbyt’s leadership team, hands-on certified training and a firsthand look at where the company’s product roadmap is headed. It is sponsored by Crestron as Platinum Sponsor, along with Gold Sponsors BrightSign, NEAT, Avocor, and Sony Professional Display Solutions, with additional participation from Korbyt’s systems integrator and technology partner community.

Workplace of the Future Brings Personalized Immersive Experiences to New York City

Zenapptic will present “Workplace of the Future” at TAD in New York City on October 14, 2026. Sponsored by Nanolumens, Salamander Designs, and One Times Square, the event invites guests to explore how immersive environments and interactive technology can create more personalized, connected workplace experiences.

The showcase will explore a workplace where spaces recognize participants and respond as they move through the office. From a personalized lobby welcome to an immersive environment and a collaborative meeting room, demonstrations will connect individual moments into a coordinated journey across spaces.

Powered by Zenapptic’s ZEN3 Experience Management System (XMS), demonstrations will bring together real-time 3D environments, live content, presentations and video conferencing. Coordinated screens and interactive controls will illustrate how workplace experiences can adapt to the people using a space and the activities taking place within it.

Company News and Notes

Ampetronic | Listen Technologies Appoints SKMac as Mid-Atlantic Manufacturer’s Representative

Listen Technologies and Ampetronic have enlisted manufacturer’s representative firm SKMac to represent them in the Mid-Atlantic United States. SKMac will support Listen Technologies’ and Ampetronic’s growth in this region by selling their full suite of assistive listening solutions. These include hearing loop, ListenIR, ListenRF, ListenTALK, ListenWIFI, and the Auracast broadcast audio-based system, Auri.

Maryland-based SKMac is a 100-year-old manufacturer’s representative firm serving the professional audio, video, lighting, and security markets. Their territory includes New York, New Jersey, Delaware, Eastern Pennsylvania, Maryland, Virginia, and Washington, D.C. The firm’s longevity is a result of its deep knowledge of AV products, experienced sales team, and reputation for bringing exceptional customer service and technical support to every engagement.

SoundPro Names to 2026 Dallas 100 List

SoundPro has been named to the 2026 Dallas 100 list, recognizing the 100 fastest growing privately held companies in the Dallas-Fort Worth area. The recognition adds to a year in which SoundPro was also named to the Dallas Business Journal's 50 Fastest Growing Companies list, underscoring a sustained period of growth for the company.

Over the past 12 months, SoundPro made a strategic investment in technology and operational infrastructure that fundamentally changed how the company operates, serves customers, and scales as a business. SoundPro overhauled its systems, streamlined supply chain processing, and built a reporting and analytics foundation that gave leadership real time visibility into business outcomes.

The momentum generated by this operational transformation positioned SoundPro to acquire its largest regional competitor, ProAudio.com, elevating SoundPro from a regional AVL distributor to a national industry presence. SoundPro also expanded its depth of expertise by bringing on seasoned industry veterans and gained increased customer scope in the broadcasting segment, further diversifying its market reach beyond its already established verticals.

AVT Question: Please share insights on how to immerse audiences, collaborate across campuses via the cloud, use AI to drive targeted messaging and gather data, increase sustainability, and reduce total cost of ownership.

Thought Leader: Daniel Renne, Director of Emerging Technologies at Hall Technologies

For decades, we have thought of the display as the destination in the AV signal chain. Content travels through an increasingly sophisticated technology ecosystem, but ultimately the display has one job: present that content to the audience. I believe that definition is rapidly changing.

The next generation of displays should become intelligent participants within the broader enterprise technology ecosystem. Cloud connectivity, IoT technologies, and AI give organizations an opportunity to better understand not only what content is being displayed, but how, when, and where their AV environments are being used.

That intelligence can fundamentally change the audience experience. Digital signage can adapt messaging based on location, time, events, occupancy, or other organizational data. Across campuses, centralized platforms can coordinate content and experiences while still allowing individual spaces to respond to local needs.

The same data can provide tremendous operational value. Understanding display utilization, operating hours, device health, energy consumption, and content effectiveness can help AV and IT teams identify problems earlier, automate workflows, reduce unnecessary energy usage, and make better lifecycle decisions.

AI will accelerate this transformation, but its effectiveness will depend heavily on the quality and context of the data available to it. The goal should not simply be to add AI to displays, but to build an ecosystem where displays, AV devices, cloud platforms, and enterprise systems can securely share meaningful information.

Ultimately, maximizing the value of a display means looking beyond resolution, brightness, and specifications. The most strategic display may be the one that helps an organization better understand, automate, and continuously improve the environment around it.

AVT Question: Please share insights on how to immerse audiences, collaborate across campuses via the cloud, use AI to drive targeted messaging and gather data, increase sustainability, and reduce total cost of ownership.

Thought Leader: Martin Kuhn, Vice President of Experiential Technologies at Ross Video

Displays are no longer just endpoints; they are the connective tissue of live experiences. From stadiums and corporate campuses to museums and multipurpose venues, every surface can become part of a connected story, with LED, projection, audio, lighting, control, and data working seamlessly together.

That matters because audiences now expect experiences to respond to where they are, why they are there, and what is happening in the moment. AI and analytics can help teams understand traffic patterns, content performance, and audience interests, but the real value comes when those insights can be translated into targeted, repeatable content workflows: the right message on the right canvas at the right time.

With Vertex, we see an immersive display strategy moving toward unified ecosystems. A campus can support a town hall in one space, branded wayfinding in another, and a large-scale evening activation elsewhere—all with simpler operation and consistent creative control. For venues, that means synchronized fan moments across boards and displays. For cultural or brand environments, it means sensor-driven interactivity and projection-mapped storytelling where the technology fades into the background.

This approach also improves sustainability and total cost of ownership. When systems are easier to automate, reuse, scale, and support, teams can reduce one-off engineering, limit redundant equipment, extend the useful life of installations, and operate sophisticated experiences without oversized crews. The future of display is not just brighter pixels; it is smarter orchestration.

AVT Question: Please share insights on how to immerse audiences, collaborate across campuses via the cloud, use AI to drive targeted messaging and gather data, increase sustainability, and reduce total cost of ownership.

Thought Leader: Rudy Vitti, Group Manager of Product Marketing at Panasonic Projector & Display Americas

Display technology is becoming more influential across environments—from campuses and corporate spaces to arenas, restaurants, and retail outlets. Display screens have evolved from simplistic digital poster boards into immersive storytelling tools that engage audiences, streamline communication, and support operations. Flat panel displays deliver bright, color-accurate visuals for live feeds, wayfinding, messaging, and digital signage, while dvLED creates seamless, large-scale experiences in lobbies, command centers, and other signature spaces.

For organizations managing multiple buildings or venues, consistency and connectivity are key. Standardized displays and centralized content management can create a cohesive visual experience across a campus while simplifying AV/IT management. An integrated ecosystem also allows organizations to build on existing infrastructure rather than replace it, enabling new displays to work alongside LCD video walls, projectors, and other legacy technologies.

AI can further enhance these networks by helping teams deliver the right message to the right audience at the right time. Location- and time-aware content scheduling can support targeted messaging, safety alerts, wayfinding, event promotion, and sponsorships, while engagement and usage data can inform future facilities, marketing, and content decisions.

Just as important is designing technology for long-term value. Some dvLED solutions can be designed to integrate easily into existing infrastructure, reducing upfront investment. DvLED simplifies servicing, allowing teams to replace components rather than an entire display, while all-in-one solutions can streamline installation by arriving pre-assembled and pre-calibrated. Displays engineered for 24/7 operation and centralized management can reduce downtime and maintenance over time. Together, these approaches help organizations create more immersive experiences while improving workflows, supporting sustainability through longer equipment lifecycles, and maximizing total cost of ownership.

AVT Question: Please share insights on how to immerse audiences, collaborate across campuses via the cloud, use AI to drive targeted messaging and gather data, increase sustainability, and reduce total cost of ownership.

Thought Leader: Trent Slyter, National Sales Director of Pro AV Sales at Absen

Not long ago, displays were often viewed as the final component of an AV project—the technology used to present content after the real decisions had been made. Today, that mindset is changing. Across industries, displays have become strategic assets that shape how organizations communicate, engage, and deliver on their mission.

Consider the range of environments AV/IT professionals support today. In higher education, displays help create more collaborative and accessible learning experiences. In corporate offices, they enable communication that connects distributed teams and reinforces culture. Retailers use displays to capture attention and influence purchasing decisions, while hotels, casinos, resorts, and cruise ships rely on them to elevate the guest experience. In sports venues, displays energize fans, deliver real-time information, and create new sponsorship opportunities. In houses of worship, they help ensure every member of the congregation can clearly see, connect with, and participate in the message.

While the applications differ, the objective is remarkably consistent: help people engage more effectively with the experience in front of them.

That shift should change how AV/IT leaders evaluate display technology. The conversation can no longer begin and end with size, brightness, or resolution. Strategic display investments are measured by how well they adapt to evolving needs, integrate with broader technology ecosystems, support multiple stakeholders, and continue creating value over time.

The display is no longer simply where content appears; it has become one of the most important touchpoints between organizations and their audiences. The most versatile display isn’t the one that can show the most content; it’s the one that helps an organization communicate, connect, and fulfill its mission—no matter how that mission evolves.

Quick view:

• The debut of Crestron’s custom DM NVX SoC marks the company’s first in-house silicon design, tailored specifically for pro-AV demands to deliver 4K60 4:4:4 video, 24/7 reliability, and 30% higher power efficiency compared to generic off-the-shelf chipsets.
• The new DM NVX 370 Series simplifies meeting and room setup by incorporating native USB-C connectivity, allowing a single cable to handle 4K video, USB data transfer, and 100W of power delivery to charge connected laptops simultaneously.
• The 370 Series leverages ongoing firmware updates to continuously unlock new features and capabilities over time—eliminating the need for frequent hardware replacements as organizational AV requirements grow.

Crestron Electronics has unveiled its new DM NVX 370 hardware lineup and the first DM NVX System-on-Chip (SoC). AV over IP has moved from a specialized infrastructure to the backbone of how modern organizations share information and is increasingly becoming a backbone for organizations’ video requirements, supporting applications from digital signage and communications to live events.

[AVoIP and Adaptability]

The DM NVX AV over IP technology platform is larger than just one solution and represents the convergence of three pillars: the signal, the platform, and the infrastructure. The signal represents the ability to send nearly any source to almost any screen while the platform represents the scalable, long-term investment that is continuously supported through ongoing updates. Finally, the infrastructure reflects networked audio and video capabilities functioning as a core layer of the broader IT network.

“DM NVX has always been the infrastructure behind how spaces run, but what’s evolving now is how we bring in even more intelligence and capabilities to those deployments,” said Alex Peras, EVP of product and engineering at Crestron. “The DM NVX SoC is our own design, specifically tuned to what these environments require, and the 370 Series is the first product built on this foundation to show what is possible. The result is elements like USB-C connectivity and adding 100 watts of power delivery to the table, which bring that full picture to life.”

The latest DM NVX hardware introduction adapts to the way people now bring content into the room, with laptops and USB-C connectivity cables driving those connections. The DM NVX 370 Series adds USB-C connection directly to the device to handle video, USB data, and 100W device charging simultaneously handling all elements with one cable to the room. HDMI connectivity inputs are also available, meaning no matter what the source is or however the room may be configured, users can connect directly with full flexibility.

The DM NVX 370 Series lineup debuts the DM NVX SoC, the first silicon chipset designed in-house by Crestron. As the chip is built to the Crestron roadmap, every improvement to the DM NVX platform extends to the SoC itself.

The purpose-built solution includes 4K60 4:4:4, native audio, and 24/7 operation which were design targets intentionally implemented during development. Unlike off-the-shelf chipsets designed to serve multiple industries, the DM NVX SoC was engineered exclusively to meet the requirements of professional AV environments, which results in benefits like 30% more power efficiency. Firmware updates continue to deliver new capabilities over time without the need to rip and replace hardware. The investment in the solution reflects a technology that improves over its lifecycle, rather than one that depreciates when a new model ships.

Summary:

• Telefónica Servicios Audiovisuales (TSA) has deployed a massive Alfalite LED wall at Telefónica’s National Supervision and Operations Centre in Aravaca, Madrid, to serve as the core monitoring display for its new TSAmediaHUB content platform.
• The bezel-free panoramic screen connects via NDI servers, allowing operators to easily monitor, compare, and customize multiple live broadcast feeds across a single continuous field of view.
• Built in Spain, Alfalite's UHD Finepix 1.2 screen uses MATIX AlfaCOB technology—featuring a non-glare matte finish, ultra-wide 175-degree viewing angles, fanless quiet cooling, and durable module encapsulation—making it tailored for long, mission-critical operator shifts.

Telefónica Servicios Audiovisuales (TSA), the audiovisual services arm of global telecommunications group Telefónica, has supplied and commissioned an LED wall from Alfalite for a new broadcast monitoring room in Madrid. The room supports TSAmediaHUB, Telefónica' s new platform for audiovisual content production, management, processing, storage, and distribution. It is located at the group' s National Supervision and Operations Centre in Aravaca, Madrid.

[dvLED vs. Projection: Which Display Type is Best for Large Venues?]

Measuring 37.4x6.6 feet (11.4x2m), the UHD Finepix 1.2 MATIX AlfaCOB display provides a viewing area of almost 248 square feet. It is used for production control and monitoring of broadcast feeds whose transmission is managed by TSA.

Operators in a broadcast monitoring room need to watch multiple feeds at once and respond quickly to any issues. Alfalite's panoramic display provides a continuous viewing surface with no bezels to interrupt the image, making it easier to arrange and compare sources within a single field of view. The display is integrated with servers that deliver video feeds via NDI. This setup allows sources to be distributed and displayed centrally, with layouts adapted to the needs of each operation.

Designed and manufactured by Alfalite in Spain, the UHD Finepix 1.2 features a 1.2mm pixel pitch, a 7,680 Hz refresh rate, and 175-degree horizontal and vertical viewing angles. These specifications provide the detail, uniformity, and readability needed to monitor multiple feeds from different positions around the room.

MATIX AlfaCOB technology provides a matte finish that reduces reflections and glare, an important consideration in spaces with controlled lighting where operators spend long periods in front of the display. Full encapsulation of the LED modules also improves protection against impacts, liquids and chemicals, supporting reliability and durability under intensive use. Fanless convection cooling contributes to quiet operation in the room.

"This project brings together exactly the demands we designed UHD Finepix to meet: a mission-critical environment, intensive use and decisions that depend on what operators can see on screen," said Luis Garrido, executive director of Alfalite. "In a broadcast monitoring room, a seamless image, readability and reliability are essential to the job. Combining a 1.2mm pixel pitch with MATIX AlfaCOB gives TSA a uniform panoramic display with reduced reflections, built for demanding operations. We are proud that our technology is part of TSAmediaHUB and Telefónica’s move towards more centralised, flexible audiovisual operations."

Summary:

• The CORE Indoor model provides a versatile COB solution for indoor LED applications, offering dependable visual performance and straightforward deployment.
• The SLIM Indoor is designed for applications where a slimline form factor is required, helping designers and integrators incorporate LED into environments where space is tight and aesthetics and installation considerations are particularly important.
• The premium end of the range, PRO Indoor provides a higher-performance COB solution for projects demanding enhanced capabilities and advanced visual performance.

Elysium LED has launched three new indoor LED display solutions: CORE, SLIM, and PRO. Designed to address a wide range of application requirements across corporate, education, retail, hospitality, sports and entertainment, command and control, public spaces, transportation, and architectural environments, the new range gives integrators, designers, and end users greater flexibility when specifying indoor dvLED.

[dvLED vs. Projection: Which Display Type is Best for Large Venues?]

“LED is more than a display technology. It is an architectural medium that can fundamentally change how people experience a space,” said Kirt Yanke, president, Elysium LED. “With CORE, SLIM, and PRO, we wanted to give customers and partners a clearer choice of solutions while maintaining engineering discipline, longevity and the highest level of craft across every system we deliver.”

The new indoor portfolio gives customers a choice of performance, form factor and specification according to the needs of each project. Configuration options include Full HD Bundles, Ultra HD Bundles and Custom Configurations, providing flexibility across a broad range of applications.

CORE Indoor: This version provides a versatile COB solution for indoor LED applications, offering dependable visual performance and straightforward deployment. Available in 0.7mm to 1.8mm pixel pitches, CORE delivers a 178-degree viewing angle, 12,000:1 contrast ratio, broad colour gamut coverage and 600 cd/m² brightness.

Models from 1.2mm and above feature a single-board design integrating the receiving card and power supply into the hub board, simplifying servicing and reducing system complexity. Front serviceability across the range provides greater installation flexibility and easier access for maintenance.

SLIM Indoor: Designed for applications where a slimline form factor is required, this model helps designers and integrators incorporate LED into environments where space is tight and aesthetics and installation considerations are particularly important. Available in 0.7mm to 1.5mm pixel pitches, SLIM features a lightweight cabinet with a 30mm depth, a 178-degree viewing angle, 12,000:1 contrast ratio, limited glare and 600 cd/m² brightness. For demanding, always-on applications, SLIM offers optional full redundancy, including redundant receiving cards, power supplies and controllers. The display is fully front serviceable, providing easy access to receiver cards and power supplies.

PRO Indoor: The premium end of the range, PRO provides a higher-performance COB solution for projects demanding enhanced capabilities and advanced visual performance. Available in 0.9mm to 1.5mm pixel pitches, PRO delivers an exceptional 15,000:1 contrast ratio, 98% DCI-P3 coverage, 600 cd/m² brightness and a 178-degree viewing angle. For demanding, always-on applications, optional full redundancy is available, including redundant receiving cards, power supplies and controllers. Cabinets are pre-aligned to tight tolerances and feature three connection methods, helping ensure a flat, seamless display in a fully front-serviceable package.

Australia’s Richmond AFL has signed on Viz Libero Teams to unify its coaching and content creation in a single, simple workflow; on a laptop, on-prem, or in the cloud. With Viz Libero Teams, the Tigers’ coaching team can turn match footage into clear 3D breakdowns that create tactical insights and inform the club’s strategy. Over 70 analysis tools within the solution, including measurements, defensive lines, zones, and 3D camera flights, offers Richmond AFL the versatility to create an optimized and personalized experience, while easily creating captivating content.

“We're excited to partner with Vizrt and bring Viz Libero Teams into our football club," said Troy Johnson, head of technology, Richmond AFL. "This technology gives our coaches and analysts a powerful new way to break down match footage and translate it into clear, actionable insights for our players. Just as importantly, it opens up new possibilities for how we connect with our members and fans, letting us bring them closer to the tactical side of the game in ways we haven't been able to before. It's a great fit for a club that's always looking for an edge, both on the field and in how we engage our community."

[Cornhuskers Coverage Conversion]

Richmond AFL can create analysis clips that engage its growing online base. Short-form content and match highlights shared on social media platforms are becoming increasingly popular among football fans. After creating content for its digital audience with Viz Libero, UEFA saw a 78% increase in social media engagement, improving the fan experience by bringing fans closer to the action while at the same time creating new ways to monetize content with sponsorship deals.

[A New Aspect for Pro AV]

“For clubs and leagues around the world, Viz Libero Teams offers clarity and flexibility, so coaches and players dynamically visualize plays and improve performance," concluded Andrew O’Neil, SVP, sports strategy and growth, Vizrt.

Summary:

• Built on advanced SMPTE ST 2110 IP-based infrastructure in partnership with Diversified, the new LNCO facility enables centralized production for in-venue displays, ESPN+ streams, and future linear broadcasts across multiple athletic venues and sports.
• The facility provides students with direct access to professional-grade technology and real-world workflows.
• The centralized, flexible setup maximizes production output across more athletic programs while serving as an adaptable foundation designed to evolve alongside changing broadcast technologies and media distribution demands.

The University of Utah has opened a new broadcast production facility, representing a major investment in the future of Utah Athletics, sports production, and media education. Designed and integrated in partnership with Diversified, this advanced production environment is capable of supporting in-venue productions across multiple athletic venues, ESPN+ broadcasts and future opportunities with linear broadcast partners.

[Cornhuskers Coverage Conversion]

“This new facility embodies where collegiate sports production is headed,” said Aaron Jester, assistant athletics director of broadcast operations at the University of Utah. “Now we can produce more content, support more of our athletic programs and continue expanding how we tell Utah’s stories across broadcast, streaming and in-venue platforms. Just as importantly, our partnership with the College of Humanities gives students a professional production environment in which to gain experience that can translate directly into careers in the industry.”

The Language & Communications (LNCO) broadcast facility is also providing student access to professional-level technology, workflows, and hands-on learning opportunities that reflect environments they will encounter in the broadcast and sports production industry.

“Student success is central to our mission,” said College of Humanities Dean Wanda S. Pillow. “We exist to educate students, learn alongside them and share our collective work with our communities. The new LNCO broadcast facility strengthens our ability in all these pursuits, giving students hands-on experience with professional broadcast technology and workflows.”

Built around SMPTE ST 2110 and IP-based infrastructure, the LNCO facility gives Utah the flexibility to produce content for multiple sports, venues and distribution platforms while providing a foundation that can evolve as broadcast technology and media workflows continue to change. Diversified worked alongside Utah from design through commissioning to create a centralized production environment engineered around the university’s current needs and long-term content strategy. Adding to its value, this investment extends beyond game-day production by giving students the chance to learn in the same type of production environments being adopted across professional sports and major broadcast organizations.

“College athletics is experiencing a fundamental shift in how live sports content is produced and distributed. Athletic departments are increasingly responsible for producing more content, across more sports, venues and platforms than ever before,” said Pete Emminger, global chief technology officer at Diversified, a global leader in audiovisual, broadcast and digital experience integration. “Shared, IP-based production environments allow universities to centralize resources, increase production capability and create greater flexibility across their athletic programs. At the same time, these facilities are valuable educational environments for universities preparing their students for careers in sports media and live production.”

Extron has released the newest addition to the VoiceLift family of wireless microphone systems, the VoiceLift Lite Microphone System. Designed to improve communication in instructional spaces, VoiceLift Lite delivers clear, consistent audio throughout classrooms, lecture halls, and training rooms.

The voice amplification system is available with either a wireless pendant microphone or a pendant and handheld microphone and includes a power amplifier and two compact surface mount speakers. The systems improve speech intelligibility and help reduce instructor vocal strain, while remaining easy to deploy and operate. VoiceLift Lite provides an economical way to enhance communication, support effective instruction, and improve learning outcomes.

[Protecting the Voice]

"Our VoiceLift Pro microphone systems have long been popular with educators who want to make sure every student in the room can hear the instructor's voice, while reducing vocal strain," said Casey Hall, chief marketing officer at Extron. "VoiceLift Lite Microphone Systems are cost-effective options to bring the benefits of voice reinforcement to even more learning spaces."

Available in single-pendant or pendant-and-handheld configurations, the microphones provide up to eight hours of talk time on a full charge. Provided as a complete kit containing all necessary components, cables, and mounting hardware, the VoiceLift Lite Microphone Systems are ideal for K-12 classrooms, higher education learning spaces, and training rooms that need voice amplification but do not require the advanced capabilities of a VoiceLift Pro Microphone System.

Quick view:

• The upgraded 14x48-foot billboard in Sioux Falls delivers an estimated 80% reduction in average annual energy use compared to the original 2008 display technology.
• Lamar Advertising replaced the location because key components reached end-of-life and spare parts were no longer available, demonstrating how modernizing established OOH sites protects revenue and long-term asset value.
• The project builds on a 25-year relationship between Lamar and Daktronics (spanning back to 2001 when they installed the first full LED digital billboard in Baton Rouge).

Lamar Advertising, in collaboration with Daktronics, has upgraded the billboard in Sioux Falls, SD, which has served the market since 2008, to current technology designed to improve operating efficiency while keeping an established advertising location in service.

[Friday Night Lights, Camera, Action!]

The companies’ digital OOH relationship dates to 2001, when Lamar Advertising installed the first full LED digital billboard from Daktronics in Baton Rouge, LA. Since then, Daktronics has continued developing technology and services to support reliable performance, efficient operation and long-term asset support for media owners.

This project illustrates how an established digital location continues generating value as the technology supporting it reaches the point when efficiency, serviceability, image quality, and lifecycle planning factor into the reinvestment decision. For a 14x48-foot display, Daktronics' power consumption data shows an estimated 80% reduction in average annual energy use from the original product to today’s technology.

“We monitor the age and performance of our locations, and use those metrics to determine when it makes sense to replace a display,” said Lamar Advertising digital engineering manager Brad Miller. “This display had operated well past its expected life, and while it may have continued running, key components had reached end of life, and spare parts were no longer available. The extended life of the product made it an easy choice to select a new Daktronics display for the replacement.”

The latest platform supports long-term asset value through improved efficiency, lifetime image quality, standardized modules, service access, brightness performance expectations and parts support.

“Reliability is more than how long a display operates,” said Lori Sieler, OOH product manager at Daktronics. “It is about helping customers protect the revenue those displays generate, minimize disruptions, and make informed decisions about when to reinvest. Lamar’s continued investment in Daktronics technology is a strong example of that long-term approach."

LEDX Group is making a push to expand its market presence. Led by CEO Nick Fazio, and headquartered in the United States, the company designs, manufactures, and markets dvLED display products and custom LED-based solutions for clients globally.

[dvLED vs. Projection: Which Display Type is Best for Large Venues?]

Fazio said the company's mission is to "empower brands, integrators, and visionaries with cutting-edge LED display solutions that captivate audiences and perform flawlessly in mission-critical environments. Our goal for LEDX is to be an integrated partner offering LED display products, custom design, procurement, installation support, and ongoing services for integrators across various markets and applications."

The LEDX executive team has known each other more than 15 years, crossing paths on both the integration and manufacturing sides of the industry. They started a subsidiary for China-based LED supplier Unilumin in 2017, the first time they had worked together under the same company. While the company was successful, Fazio said customers kept asking for higher-end products and customized solutions. That market need is what led to the creation of LEDX.

According to Fazio, the company has spent years perfecting products for critical viewing applications, such as its Narrow Pixel Pitch (NPP) displays, but is now expanding its product offerings to include multiple versions of outdoor products for commercial spaces and sports facilities. For example, LEDX recently launched its Helix 250 and Helix 500 Series, both of which are available in a range of pixel pitches.

Immersive experiences are also in play for LEDX. Fazio said there's a "special bond" when LED display technology, display size and shape, and content work in harmony to create a truly immersive experience.

"For LEDX, when we talk about immersive displays, we apply that same experience of being immersed into a physical space where the LED display captivates and potentially surrounds the viewer," he added. "The next form of immersive display would be LED caves. These caves typically consist of at least three sides—but often includes an LED floor, LED ceiling, or even a sixth side with access to enter the cave environment. This has become hugely popular in research facilities, universities, sales centers, XR/VR studios, and government applications."

Of course, there is a lot of competition in the LED space. Fazio said LEDX stands out because of its team and approach to partnerships. "We spend the time to ensure our partners understand exactly what they are getting and why," he explained. "We understand all the responsibilities and pain points of an integrator. This makes us uniquely qualified and highly compatible with our partners."

LEDX is more focused on channel and partnership development rather than specific verticals, Fazio added, so the company essentially goes where its partners go. That said, it has specific expertise in commercial spaces, sports facilities, and customized indoor/outdoor solutions. "The sports market represents the largest dollar, event-driven spike for LEDX," he added. "Although competition is heavy, our focus has been on mid-market venues, renovations, and integrator-sold packages via a strong relationship-based approach rather than trying to unseat incumbents in the market."

Fazio also said the company was built for integrators. "Integrators benefit from LEDX because we are a U.S.-based, end-to-end LED partner—not just another panel supplier," he explained. "We provide engineering support, flexible product options, and smart logistics so our partners do not have to worry. Because we sit deep in the supply chain, we capture component cost advantages and operational efficiencies—and those savings are passed through to our partners."

AVT Question: Please share insights on how to immerse audiences, collaborate across campuses via the cloud, use AI to drive targeted messaging and gather data, increase sustainability, and reduce total cost of ownership.

Thought Leader: Joe Drury, Senior Business Manager, BRAVIA Professional Displays at Sony Electronics

The role of the professional display has changed dramatically. What was once an endpoint for content delivery has become a platform for communication, collaboration, audience engagement, and business intelligence.

As technology requirements continue to expand, it has become increasingly difficult for any single manufacturer to provide a complete end-to-end solution. Today’s deployments depend on ecosystems that bring together hardware, software, analytics, content management, and collaboration tools. The success of a display is no longer defined solely by its specifications, but by how effectively it integrates into that broader environment. At Sony, this perspective continues to shape our Pro BRAVIA strategy, emphasizing interoperability, flexibility, and ecosystem partnerships.

This shift began with BYOD and the demand for greater flexibility. Today, spaces are no longer defined by how they were originally designed, but by how users need them to function throughout the day. A single environment may support collaboration, digital signage, training, or targeted communications depending on the moment. Artificial intelligence is accelerating this evolution by helping organizations automate workflows, deliver more relevant content, and gain insights from operational data.

At the same time, AV investments are becoming more strategic. Reliability, sustainability, serviceability, and lifecycle value are increasingly important, yet many of these attributes remain difficult to quantify and specify. Customers recognize that factors such as image quality, operational efficiency, and manageability impact outcomes, but they are often evaluated as commodities. The industry must do a better job helping customers define and specify the capabilities that matter most.

At Sony, we believe our responsibility extends beyond delivering products; it includes helping customers define success, identify what matters most, and build solutions that continue creating value long after installation.

TD SYNNEX has entered into a definitive agreement to acquire BlueStar, a specialty distributor recognized for its expertise in digital signage, data capture, and security technologies. Announced today, the transaction is subject to customary regulatory approvals and other closing conditions.

The combination is expected to provide customers and vendors with access to broader technology offerings, expanded resources, and specialized capabilities while preserving the expertise that has defined BlueStar’s success. Ryan Girvin, CEO, BlueStar, said the opportunity to join TD SYNNEX would allow the company to maintain those strengths and expand "the resources, capabilities, and opportunities available to the partners we serve."

"We're excited about the opportunity to combine BlueStar's expertise in AIDC [automatic identification and data capture], operational technology, mobility, RFID, point-of-sale, and related technologies with the global resources, investments, and reach of TD SYNNEX," said Reyna Thompson, president of North America, TD SYNNEX.

Both companies remain committed to independently supporting their partners throughout the regulatory review process and will provide updates as the transaction progresses. Until any transaction is completed, TD SYNNEX and BlueStar will continue to operate independently.

AVT Question: Please share insights on how to immerse audiences, collaborate across campuses via the cloud, use AI to drive targeted messaging and gather data, increase sustainability, and reduce total cost of ownership.

Thought Leader: John Kruse, Solutions Engineer Manager at ViewSonic

Today’s commercial display is simply no longer the endpoint of an AV system; it has become an integrated platform within an organization’s broader technology ecosystem. How well it integrates, how easily it can be managed, and the operational value it delivers over time matter as much as what it displays.

Modern displays integrate into collaboration, digital signage, cloud management, and room control ecosystems to create consistent user experiences across offices, campuses, and distributed environments. That interoperability reduces deployment friction, simplifies ongoing support, and gives AV and IT teams the visibility they need to manage at scale.

Total cost of ownership tells a more complete story than acquisition cost alone. The display that wins the proposal isn’t always the one that delivers the most value in year three or year five; integration complexity, management overhead, software compatibility, and lifecycle support factors in what a deployment actually costs an organization over time.

Proprietary ecosystems create dependency. Open, standards-aligned platforms create flexibility.

And flexibility compounds value over the life of the deployment.

Artificial intelligence is accelerating this evolution by making displays more than presentation devices. Predictive diagnostics, usage analytics, and automated content optimization reduce operational burden on lean teams—returning value not from the moment of purchase, but across the years that follow.

The most successful display strategies recognize that hardware specifications are a starting point—not the deciding factor. Ecosystem alignment, remote manageability, and long-term supportability increasingly determine which investments hold their value.

The display on the wall is no longer just a screen; it’s an operational platform.

Summary:

• The Box at Trilith LIVE installed a d&b audiotechnik Soundscape 180-degree spatial audio system powered by SL-Series, A-Series arrays, and the DS100 Signal Engine, using En-Scene object positioning and En-Space room emulation to maintain exceptional speech intelligibility, high clarity, and natural spatial perception without overwhelming the intimate room.
• The 2,200-seat, three-tiered venue wraps the audience up to 180 degrees around a thrust stage.
• Visiting sound engineers can supply standard Left/Right console mixes without needing specialized training in spatial audio.

Trilith LIVE, a premier entertainment complex within the visionary Town at Trilith in Fayetteville, GA, has completed a landmark acoustics and audiovisual installation at its crown-jewel venue, The Box. With architectural Acoustics and Audio-Video systems designed by Threshold Acoustics and AV integrated by 3G Productions, the multi-purpose theater features a comprehensive d&b audiotechnik Soundscape 180-degree system. Combining SL-Series line array loudspeakers and subwoofers, A-Series augmented arrays, and the DS100 Signal Engine running both En-Scene and En-Space software, the system delivers an incredibly pristine, intimate auditory experience that effortlessly adapts from high-energy rock shows to spoken word conferences and weekly worship services.

[MORE IMMERSION IN ATLANTA: Cosm: Take Me Into the Ballgame]

The Box was inspired by Austin's legendary Moody Theater. The intimate, three-tier 2,200-seat venue features a stage thrust wrapping audience members 180 degrees, ensuring no seat is further than 75 feet away. To serve its diverse programming and primary Sunday tenant, Passion City Church, Trilith Live required a highly versatile, rider-friendly sound solution.

"We wanted to ensure that no matter where you sit, your experience is at the highest level," said Matt McClain, general manager and executive director of Trilith LIVE. "d&b audiotechnik stood out as the right provider. They are highly respected, and having this caliber of gear immediately puts touring engineers at ease."

Threshold's scope spanned the room itself and the systems within it to shape the theater's acoustics alongside the audio, video, and control infrastructure. To achieve complete coverage without overpowering the intimate room, the team specified a d&b Soundscape system. En-Scene object-based positioning aligns what the eyes see with what the ears hear, while En-Space room emulation adds natural sounding acoustics.

"The request for clarity and intimacy stretched from concerts to worship," said Maddie Daily, principal consultant at Threshold Acoustics. "Soundscape offers robust coverage regardless of SPL and we optimized the space using room mics fed through En-Space so congregants and audience members can hear each other singing along, fostering a community-oriented energy.“ Because Soundscape systems are producing audio from multiple loudspeakers simultaneously using both level and delay, the perception of loudness is very high while the measured SPL is lower than a traditional system.

Daily also noted that the system's exceptional broadband directivity control also helps mitigate reflections in the untreated theater, resulting in improved musical clarity and speech intelligibility for the listening audience.

The venue's physical versatility added further complexity. The Box features multiple mechanical stage lifts that transition from a proscenium stage to various thrust layouts allowing the venue to transition into a variety of configurations. Because these shifts alter the performance boundaries, front fills are built directly into the lifts. To address this, Threshold developed 15 distinct ArrayCalc files to map out coverage, allowing the staff to instantly reconfigure the PA profile via presets in d&b R1 Remote control software. The same flexibility guided the venue's video and control design, so a single room can serve a touring concert, a film screening, a corporate general session, or a Sunday service without reconfiguration becoming a production in itself.

"The nice thing about Soundscape is that visiting engineers don't need a crash course in spatial mixing," explained Jerrod Cring, director of integration at 3G Productions. "They can easily feed a standard left-right mix on the front end, and the DS100 processor handles the Soundscape distribution seamlessly so acts immediately get perfect, even coverage. The ultimate compliment is when a major touring act rolls up with five trucks of gear, and all of their P.A. equipment stays on the trucks. That’s one of the benefits of choosing d&b audiotechnik.”

It is that time of the year. Whether you await the arrival of The Great Pumpkin or simply go door-to-door with the young ones, Halloween is upon us, which means one thing:

TONS OF CANDY!

Each year, SCN runs a bracket contest to let you, our loyal readers, decide which is the best candy of all time. The 2026 version will be our third installment. The first year saw Snickers claim the title, while last year we saw our first upset, with the No. 10-seed Reese's Peanut Butter Cups taking it all.

2026 Bracket

How It Works

It is pretty simple. Each round will pit two candies against each other. The winner will be decided by your vote. How do you vote? It will be right near the top of our SCN SmartBrief Monday through Friday, beginning on Oct. 8 and concluding on Oct. 29. The winner will be announced on Oct. 30.

Not subscribed to our newsletter and want your voice heard? Well, that's an easy fix. Click here to subscribe today!

The most important input in any room is usually the hardest one to protect. A pastor steps onto a platform while the band is still playing. A presenter closes a session over a musical tag. A vocalist works the front of a stage, a few feet from a loudspeaker that is already running hot.

In every one of those moments, the microphone is doing exactly what we asked it to do, and exactly what we wish it wouldn't: Capture the person and everything around them. Stage bleed, PA spill, room reflections, crowd noise, the scrape of a headset against a collar. The engineer needs more level. The room says no.

For most of my career as a front-of-house engineer, the answer to that problem was a collection of compromises. EQ notching to pull down the frequencies most likely to ring. Gating and expansion to shut the microphone when no one was talking. Careful mic selection, disciplined stage volume, and a whole lot of fader-riding.

Each of those tools works a little bit, and each of them costs something, usually a piece of the voice you were trying to protect in the first place. Our technology, Source Intelligence, changes that, because we approached the problem differently.

The Threshold Problem

To understand why this is different, it helps to look at how conventional noise control actually behaves. The majority of voice noise reduction tools in live sound are built around a threshold. When the signal sits above the threshold, it passes; when it falls below, it is reduced.

That logic works cleanly when the only thing in front of the microphone is the speaker or singer. It breaks down the moment the environment gets loud, because crowd wash or a drum kit next to a singer crosses the same threshold the voice does. When the voice is open, the noise rides through with it. An engineer ends up chasing the threshold all night: one setting for the quiet verse, another for the loud chorus, another for the moment the room erupts.

That is the limitation Source Intelligence is built to address. Rather than deciding whether to open or close a channel, machine learning source separation identifies the voice within the signal and reduces what is not voice—and it keeps reducing the non-voice content while the voice is active. That is the meaningful distinction. The drums next to the vocal mic stay suppressed even as the singer is singing. There is no threshold to set and nothing to chase as the show evolves.

This is not the same thing as feedback suppression, and it is worth keeping the terms straight for spec purposes. Feedback tools target the ring. Source separation targets the entire field of unwanted sound around the voice: bleed, spill, ambience, handling noise, and reflections. The reduction in feedback risk is a consequence of a cleaner source, not the mechanism itself.

What 'Cleaner' Buys an Integrator

The number people latch onto with Source Intelligence is 40 dB … of non-voice content removed from a speech or vocal microphone. I would gently steer integrators away from fixating on that figure, because the ceiling is rarely the point.

In a real room, the win is often a handful of extra decibels of gain before feedback on a spoken word channel—the difference between a presenter sitting comfortably in the system and an operator feeling like the mic is living on the edge.

At North Point Community Church in Atlanta, the team described needing only a little more margin on the speech bus, and finding that the extra dB or two was exactly what closed the gap. Modest on paper, decisive in the room.

The second benefit matters more for installed systems than people expect: what happens when you clean up several open microphones at once. Four vocal mics in front of a live drum kit each carry some bleed, and collectively that bleed reshapes the mix. Remove it from all four and the result is a markedly cleaner mix with the tonal character of the voices intact, but more importantly, notably higher intelligibility. That transparency precision and clarity is the property installers should test for first.

For show-critical and install work, the platform question is as important as the audio. Source Intelligence runs as a licensed application on a dedicated, closed audio processor rather than on a general purpose computer exposed to the internet, automatic updates, and software conflicts.

For an integrator that has to warranty uptime, that distinction is a practical maintenance and reliability decision. It also means the same processing can be deployed across mono, stereo, distributed, or immersive configurations. It's not tied to any one room geometry.

What It Is Not

Latency is the other gating spec. Machine learning inference has historically traded latency for quality, which is acceptable in a studio and disqualifying on a live stage, where the tolerance is measured in single-digit milliseconds before performers perceive a disconnect. Total input-to-output latency for Source Intelligence, including conversion and processing, is under 8.5 ms. We treated that figure as a fixed ceiling: Every improvement to the model had to stay under it before we would ship it.

Here is the honest part. We spent more than 18 months testing this in the field, including on major touring productions for Harry Styles, Bruno Mars, The Weeknd, and Rosalía, before we called it a product. Even so, Source Intelligence works alongside good system design, sound mic technique, appropriate stage volume, trained operators, and acoustic judgment, rather than standing in for any of them.

It is not a rescue for a room that was never tuned. It is a new kind of margin in the moments where margin has always been hardest to find: when someone needs to be heard clearly while the room around them refuses to be quiet.

For most events, the voice carries the message—the information, the emotion, sometimes the entire reason the room is full. Source separation, whatever badge it wears, is finally giving us a way to protect that source without trading away the thing that makes it worth protecting.

Building on a longstanding legacy of shaping public learning and culture, museums are finding new ways to engage audiences and bring art to life, including through multi-visual technology and immersive experiences. At the Museum of Art + Light (MoA+L) in Manhattan, Kansas, art and technology converge to create immersive experiences that ignite imagination and redefine how audiences engage with creativity. As the first museum in the U.S.—from its inception—to unite digital, immersive, and fine art, MoA+L is setting a new standard for cultural innovation and using Epson’s next-generation projection technology to do it.

The MoA+L vision began nearly six years ago with a bold idea: to build a museum that blends traditional collections with immersive digital experiences for 21st-century visitors. Uniting leading figures from the art world, the centerpiece of this vision is now The Mezmereyz Gallery (“The Mez”), a state-of-the-art immersive exhibit space on the MoA+L’s first floor.

“We’re building entirely new artistic worlds, and that requires state-of-the-art technology,” Erin Dragotto, executive director of the Museum of Art + Light, said. “We depend on industry leaders who can elevate each artist’s vision and support their creative process. It’s a complex undertaking, and Epson has truly stepped up to meet the challenge.”

Immersive and Integrated

To bring The Mez to life, the museum needed a display solution that provided flexible throw distance and aspect ratios, as well as precise brightness and resolution to ensure art-quality viewing at close range. For Sydney Bouhaniche, creative director of immersive exhibitions at the museum, projection was the clear choice. “When you’re immersed in projection, you don’t need permission or prior knowledge of art history to experience it fully,” he said.

With deep expertise in digital and immersive art experiences, Bouhaniche led the design process with precision. After building a full 3D model of the space and assessing multiple projector brands, he said, “Epson consistently delivered the best results in pixel clarity, color reproduction, projector count, and lens options.”

The museum uses 108 Epson 10,000-lumen laser projectors with a variety of lenses along with short-throw models for specialized spaces. These projectors deliver crystal-clear, lifelike images, which are vital for close-range viewing in immersive environments. Two 20,000-lumen large-venue laser models, which power the building’s front-facing projection mapping, are housed in durable enclosures built to withstand various outdoor elements.

For precise blending and mapping, the museum paired the Epson projectors with a Modulo Pi media system. The museum also runs 24 servers, each feeding six projectors. A custom tool splits the 12,000-pixel-wide animations into wall-specific files with the correct naming conventions, allowing each server to automatically identify its content for a seamless, automated workflow.

“Seamless integration with the Modulo Pi system and servers was essential, as were the short-throw lenses that let the projectors sit close to the wall, minimizing shadows while maintaining high brightness and crisp pixel detail,” Bouhaniche said. “Reliability was another critical factor; once you set them up, the alignment holds, even with vibration, HVAC airflow, or daily power cycles.”

“Because we’re a museum, we’re constantly shifting the galleries and working with different artists who want to integrate projection and multimedia,” Bouhaniche said. “Epson’s range of equipment makes this possible for us on an ongoing basis.”

On Display: Erosion of Time

The Erosion of Time exhibit paired contemporary artists Dean Mitchell and Des Lucréce in an immersive exhibition designed by MoA+L’s motion graphics team. Visitors begin in the Mez Gallery One, a 360-degree projection environment featuring Lucréce’s layered digital work exploring belonging, memory, and life between cultures.

As a digital artist, Lucréce is used to seeing his work projection mapped, from smaller settings to massive buildings, but nothing prepared him for complete immersion in his artwork. “I think it was the first time I was truly stopped in my tracks by seeing my own work,” said Lucréce. “I might even say it was the first time I saw it the way other people see it.”

The journey continues through the Mez Gallery Two, a curved projection gallery of Mitchell’s portraits and landscapes, arranged from 400 high-resolution images to form a visual narrative on community, dignity, and empathy. Experiencing his work at this scale moved Mitchell deeply, revealing every brushstroke and emotional detail in a way he’d never seen before. “It was incredibly emotional for me; the color, the clarity—it's astonishing. Everything is so sharp and alive,” Mitchell said.

An Experience Like No Other

From the immersive Erosion of Time exhibition to ongoing collaborations with digital and fine artists, MoA+L is more than a museum; it’s a creative hub where art and innovation intersect. “Seeing this all come to life exactly as envisioned is incredibly rewarding,” Bouhaniche said. “And we couldn’t have done it without Epson’s technology and support.”

Dragotto added, “We’re being recognized globally, regionally, and locally, and what impresses me most isn’t the statistics; it’s the reactions we’re receiving and the grassroots impact we’re creating. And this is just the beginning.”

“We’re inspired by what this museum represents and the bold approach behind it,” Gavin Downey, group product manager at Epson America, said. “Their use of Epson projectors in this unique space pushes the boundaries of aspect ratios, installation techniques, and blending methods, and we can’t wait to see even more remarkable art come to life.”

There's a new global CEO for FORTÉ: Chris Mounts has succeeded Jeff Stoebner, who served as CEO since 2009 and is now executive chairman of the board. Just days after taking the position, Mounts sat down with SCN content director Mark J. Pescatore to talk about his personal FORTÉ journey, the verticals that are driving the Pro AV business, and how AI is impacting their company and customers. Check out the latest SCN Punch List below.

Quick view:

• The new production system includes a 17-camera Grass Valley LDX 135 camera environment incorporating hard, handheld, wireless and robotic PTZ configurations.
• Also included is Ross Ultrix Acuity 80x80 four-ME IP production switching; Evertz DreamCatcher 18x6 SMPTE ST 2110 replay with three operator positions; six-channel clip playback; three Ross XPression graphics stations; a new front-of-house audio console and rebuilt audio booth; 35 new broadcast junction box locations; and expanded truck-dock and TOC connectivity.
• The broadcast modernization follows the recently completed LED and venue technology program at Amerant Bank Arena, also designed and managed by AJP.

Anthony James Partners (AJP) and the Florida Panthers have completed a comprehensive modernization of the broadcast production facility at Amerant Bank Arena, transforming the arena’s existing production environment into a fully IP-based system designed to support Panthers games and the venue’s year-round sports and entertainment schedule. The new facility went live for its first game on Sunday, September 20, marking the first live event produced using the Panthers’ new SMPTE ST 2110 production system.

[HuskerVision Streamlines Sports Production Across Campus with Its Move to ST 2110]

Designed by AJP and implemented by broadcast integrator BeckTV, the project represents the next phase of a multi-year technology program at Amerant Bank Arena. The new production environment transitions the venue from its previous 3G infrastructure to a full SMPTE ST 2110 1080p workflow, providing significantly greater flexibility across production, replay, content creation and signal distribution while establishing a scalable foundation for future expansion.

The project went well beyond replacing production equipment. The existing production facilities were completely demolished and rebuilt, with AJP redesigning the layout of the production spaces to improve workflow between production, engineering, replay, graphics and audio personnel while supporting the operational requirements of the new broadcast environment.

“When we set out to modernize our LED and broadcast infrastructure, we went through a rigorous process to identify the right partner,” said Mike Masino of the Florida Panthers. “With AJP, we immediately felt they had our best interests in mind and were willing to work with us to turn our vision into what we could accomplish technologically. Throughout both the LED and control room projects, we worked hand in hand with their team. We truly owned the vision, while AJP guided us through the process and helped us determine the best way to achieve it. They’ve been a true thought partner from the beginning.”

At the center of the system is a new Ross Ultrix Acuity 80x80 four-ME IP production switcher, supported by an Evertz DreamCatcher 18x6 SMPTE ST 2110 replay system with three replay operator positions, six-channel clip playback and three Ross XPression graphics stations. New logging, director, producer and multipurpose workstations were incorporated throughout the facility, along with a new front-of-house audio console and rebuilt audio booth.

The Panthers’ camera system has also been substantially expanded. The new 17-camera environment includes Grass Valley LDX 135 hard cameras, handheld and wireless cameras, along with robotic PTZ systems using Grass Valley LDX 135 Compact cameras with MultiDyne technology. The combination provides production teams with greater flexibility to capture live action, fan reactions and content throughout the arena.

Beyond the control room, AJP designed a major expansion of the arena’s broadcast connectivity infrastructure. Thirty-five new junction box locations were installed throughout the venue, replacing legacy cabling with new single-mode fiber, SMPTE fiber and audio connectivity. New truck-dock panels and six new truck-dock racks further integrate mobile production units with the arena’s broadcast infrastructure and Technical Operations Center.

Together, the improvements create an integrated production ecosystem extending from cameras and field locations throughout the arena to the production control room, Technical Operations Center and visiting broadcast trucks.

The broadcast modernization follows the recently completed LED and venue technology program at Amerant Bank Arena, also designed and managed by AJP. That work included the arena’s new 4K HDR-capable center-hung display, LED halo, ribbon boards and additional displays throughout the venue, together with associated hoist and rigging systems and reconfiguration of the bowl audio system.

With the completion of the new production facility, the Panthers now have a broadcast platform designed to take full advantage of those venue-wide systems while supporting the organization’s continued development of live game presentation and content production.

d&b audiotechnik has introduced vCore, a new standalone Soundscape software processing engine. Available free of charge, vCore offers a new way to access d&b’s immersive Soundscape solution, enabling preproduction without the need for a physical processing engine. Using the d&b Create.Control software together with a pair of headphones, users can create and experience binaural output that delivers realistic spatial audio wherever they are.

[The SCN Audio Issue Is Available for Download]

“With vCore, the Soundscape ecosystem gains a new tool that allows audio professionals to plan and prelisten to their projects without requiring a physical Soundscape processing engine or a loudspeaker system,” said Robb Allan, head of product management, Soundscape at d&b audiotechnik. “Work can happen anywhere: in the living room, in a cafe, or on a tour bus. All that is needed is the latest version of Create.Control and a pair of headphones.”

vCore supports up to 64 inputs and provides a two-channel binaural rendering that can be experienced via headphones as well as streamed in applications such as webinars and broadcasts. FoH engineers and sound designers can now design and prepare Soundscape shows without requiring a complete system. Integrated within Create.Control v1.4, vCore becomes part of an intuitive workflow, allowing users not only to prepare but also to audition their mixes from their preferred DAW in binaural. This enables a realistic listening experience during preproduction, long before arriving on site.

“Immersive experiences are everywhere and we want to make Soundscape free, easy to use and fun,” concluded Allan. “We want artists, designers and mixers who are interested in creating Soundscape projects to be able to use our technology wherever they are and whatever project they’re working on.”

Quick view:

• The Puerto Rico Capitol grounds was covered using four hangs of dBTechnologies VIO L1610 line arrays—combining main hangs for long-throw distance with out-fill hangs to address wide horizontal coverage.
• During the outdoor event, fluctuating temperature, humidity, wind, and heavy rain altered how high frequencies travel through the air. The team maintained even frequency coverage during a low-pressure weather system by utilizing Aurora Net software to perform real-time adjustments to EQ, delay, and levels directly from front of house.
• System designer Juan Fuentes felt what stood out about VIO is its ability to produce a strong, coherent result across systems of very different sizes.

Led by Puerto Rican evangelist Jorge Raschke, the 53rd edition of Clamor a Dios brought Christian worship music, prayer and messages of faith to the Capitol grounds. Held on the north side of the Puerto Rico Capitol in San Juan, JF Sound deployed a large-format dBTechnologies VIO system to cover a 300-foot-wide outdoor audience area on the Capitol grounds, extending approximately 300 feet in depth from the Capitol steps.

[Listen Up: The SCN Audio Issue Is Available for Download]

Led by system designer and front-of-house engineer Juan Fuentes, the system was built around 24 VIO L1610 three-way line-array modules distributed across four hangs. Two served as the main system, providing the throw required to reach the rear of the audience area, while two additional hangs addressed its considerable width as out-fills. Four of the new VIO L1608 three-way line-array modules provided front-fill coverage for the first rows, supported by eight VIO S218 subwoofers.

On stage, four ultra-compact VIO X206 loudspeakers were flown from the truss as low-profile stage fills, minimizing visual obstruction around the performance area. Four of the latest VIO W12T active coaxial wedges provided stage monitoring. A Yamaha CL5 was used at front of house, with a Yamaha DM7 handling the monitor mixes.

“The site required both distance and considerable horizontal coverage, so we designed the system as four VIO L1610 hangs,” said Fuentes. “The two main arrays carried the program to the rear of the audience area, while the out-fill hangs extended coverage across its full width. The VIO L1608s allowed us to cover the first rows with a compact system that integrated naturally with the larger arrays.”

Changing temperature, humidity, and wind conditions during an outdoor event can affect the way sound travels over distance, particularly at higher frequencies. Throughout the low-pressure weather system and heavy rain, the VIO system-maintained even coverage across the audience area. Aurora Net software provided real-time system monitoring and control of EQ, delay and levels, giving the JF Sound team the ability to respond to changing atmospheric conditions from front of house.

JF Sound has worked with dBTechnologies VIO systems for approximately two years and maintains an extensive inventory spanning the VIO touring portfolio, including VIO L1610 and L1608 line arrays, VIO X206 and X205 point-source systems, VIO subwoofers and VIO stage monitors.

“What stands out to me about VIO is its ability to produce a strong, coherent result across systems of very different sizes,” Fuentes added. “We can combine the different elements of the VIO family to address the venue, the audience area and the requirements on stage while maintaining the same overall sonic character.”

The modern office is not the same as or equal to NASA Mission Control during the Apollo 13 mission in 1970. As much as we’d all like to think failure is not an option, the research says otherwise. And those failures come at a cost.

In late July, the Jabra Research Institute published “The Cost of Bad Meetings,” which shared findings from a study of 2,671 knowledge workers from seven different countries. You can review the methodology to see how Jabra calculated the numbers, but the company estimated that bad meeting culture carries a price tag of more than $130 million per year for enterprise businesses.

It’s not like those wasted dollars are monetized by tossing $20 in the company swear jar every time there’s a %$#@! meeting issue. No, these are hidden costs that you won’t find on the books. They come from “wasted time, technology failures, and the downstream work that bad meetings generate.” Jabra calls this “meeting debt,” and the numbers aren’t good.

Let’s check out some of the damning bullet points:

• Workers are averaging a full working day in meetings every week (only 7.7 hours in the United States, a small win). The larger the company, the more time in meetings. Workers consider almost 60% of time spent in meetings unnecessary.

• About 87% of workers dread meetings, and more than 90% of those workers leave meetings without clear action items. And that lack of direction leads to—you guessed it—a follow-up meeting. Cue vicious cycle.

• Roughly half of remote workers feel excluded or talked over, with more women reporting worse experiences than men. Plus, remote workers who feel talked over are much more likely to dread meetings.

Those are some pretty high corporate culture hurdles to clear. But technology isn’t without fault, either. Virtual collaboration may be the norm for today’s meetings, but respondents said three out of four meetings experience at least one tech failure. Hybrid meetings can be particularly problematic.

“Meeting failure is not random,” Jabra declared. “It is patterned, predictable, and overwhelmingly concentrated in the same places, the same formats, and the same broken conditions, meeting after meeting, week after week.” Ouch, tell me how you really feel.

What’s wrong? Mic problems are at the top of the list, no matter the size of the meeting room—and the larger the room, the more time is lost to tech failures. Jabra’s research concluded that 37% of meetings start late, and every meeting loses almost 11 minutes on average to technological failures. Video is abandoned in 30% of meetings, and 21% of meetings are moved during the actual meeting to another room. All those problems and the corresponding workarounds to get those meetings back on track are really only successful in creating more dread.

Perhaps the most puzzling takeaway is that organizations just sort of accept it. The sky is blue, the trees are green, your meeting is going to start late, and there will be technical issues. Inefficiency is the norm, and because no one “owns” the conference room, the problems don’t seem to get fixed. Jabra calls it the “invisible broken room.” It’s a great term, though I wish it was a term that didn’t have to exist.

AI isn’t leaving unscathed, either. The good news is that AI meeting tools had been tried by 75% of the respondents for tasks like post-meeting summaries, follow-up emails, live transcription, and auto action items. The bad news is that less than 33% use them regularly. What’s the disconnect? The top barrier is accuracy/trust (42%), with privacy/compliance not far behind (39%).

Yes, companies of all sizes need to reevaluate meetings. What are they being used for? Could the meeting objectives be better met through an email, DM, or team chat? But correcting corporate communication patterns only takes you so far. When a meeting is necessary, we need to make sure the technology isn’t making the experience dreadful.

New product announcements. Partnerships were made. Companies expanded their reach around the globe. Get caught up with what went down last week in your latest edition of Pro AV Newsmakers.

[Listen Up: The SCN Audio Issue Is Available for Download]

Certifications

AVer's MT300N Achieves Certification for Microsoft Teams Rooms

AVer Information USA's MT300N is now certified for Microsoft Teams. The MT300N meets Microsoft's performance and compatibility requirements for qualified Teams Rooms deployments, supporting reliable integration across certified room environments.

The MT300N is designed to enhance AVer PTZ cameras by adding advanced voice-tracking capabilities in a compact, flexible form factor. The MT300N can be discreetly installed beneath a table, mounted behind a display with the included surface-mount brackets, or integrated into a rack with an optional rack-mount accessory. By connecting multiple cameras, the MT300N enables seamless voice-activated camera switching to ensure active speakers remain in view for a more engaging and natural collaboration experience.

The MT300N brings advanced voice-tracking functionality to Microsoft Teams Rooms environments through integration with Microsoft Teams Certified microphones. Designed for flexible collaboration workflows, the MT300N supports customizable multi-camera switching with a variety of connectivity options for cameras enabling seamless integration with Teams Rooms and a range of content capture applications.

Neat Board 32, Neat Pad Pro, and Neat Pad Generation 2 Achieve Microsoft Teams Certification

The Neat Board 32, Neat Pad Pro, and Neat Pad Generation 2 have officially received Microsoft Teams certification. The achievement marks a major milestone in Neat’s collaboration with Microsoft, unlocking new deployment opportunities for enterprise customers seeking secure, high-performance meeting room experiences.

Microsoft Device Ecosystem Platform is Microsoft’s Android-based platform engineered to deliver hardened security, simplified manageability, and superior accessibility for enterprise-grade workspace devices. Neat’s entrance into Microsoft Device Ecosystem Platform unlocks enhanced security, management, and video collaboration capabilities for users on Neat’s 32-inch all-in-one device and popular scheduling panels.

Neat Board 32 combines dynamic audio, sharp optics, touch interactivity, and AI-powered framing in a compact, versatile form factor ideal for small shared spaces and desks. Neat Pad Pro, a new 10-inch meeting room controller and scheduling display, is designed to bring greater clarity, control, and confidence to modern meeting spaces. Powered by Neat’s P2 platform, Neat Pad Gen 2 retains the familiar form factor and core functionality of Neat Pad Gen 1 while delivering improved performance, enhanced reliability, and long-term platform compatibility.

nsign Is Now Officially Certified for Sony BRAVIA Professional Displays

nsign is now officially certified for BRAVIA Professional Displays from Sony. Developed in collaboration with Sony Professional Displays and Solutions, the integration allows the nsign application to run directly on compatible screens, helping resellers and integrators deliver signage projects faster and simplify ongoing management.

The integration combines direct playback on the display with remote monitoring and control through Sony's on-device REST API, while Sony's Device Provisioning Tool simplifies initial setup. In installations where a separate media player is no longer required, this reduces hardware costs and the number of components to install and maintain.

The collaboration also expands the hardware options available to nsign customers. Supported BRAVIA Professional Displays can be managed alongside other compatible devices, including Android-based hardware and BrightSign players. A retailer or restaurant chain can introduce Sony screens at new locations or in a pilot project while retaining its existing compatible hardware elsewhere. Marketing and operations teams continue to use the same platform to manage content across the network, without having to adopt a separate workflow for each hardware manufacturer.

Collaborations and More

Extron Introduces Professional AV over IP Design Guide

Extron released its new Professional AV over IP Design Guide, a must-have resource for designing and deploying high-performance professional AV over IP systems. From mission-critical operations centers and corporate meeting rooms to classrooms and large-scale education networks, this guide provides a practical roadmap to the layered architecture and design principles behind secure, reliable AV over IP systems. It also highlights Extron NAV Pro AV over IP technology and the innovations that make it a powerful platform for modern AV system design.

The Extron Professional AV over IP Design Guide features detailed illustrations, real-world system design examples, and straightforward explanations that help demystify the networking technologies and design strategies that support successful AV over IP deployments.

HP Dimension with Google Beam Brings Human Connection into Sharper Focus

HP and Google announced the expanded availability of HP Dimension with Google Beam to customers in the U.S., Canada, the UK, France, Germany,and Japan. For HP, this milestone opens the next phase for a new kind of communication technology designed to make remote conversations feel more natural, engaging, and human.

As AI takes on more routine tasks, the moments that create the most value become increasingly human. Building trust, making decisions, solving complex problems and strengthening relationships all depend on meaningful connection. HP Dimension with Google Beam is designed for those moments, helping people engage more naturally so the technology fades into the background, and the focus stays on the person across from you. Google’s early research found that participants recalled 28% more information after a conversation and spent 14% more time looking at the other person’s face compared with traditional video calls.

Custom Channels Partners with Steady Brand

Steady Brand has joined the same ownership group as Custom Channels. As sister companies, the two organizations expand their range of business music, signage, media, and AV installation solutions. Both brands will continue serving distinct routes to market. Steady Brand will operate exclusively through dealers and integrators, while Custom Channels will focus primarily on direct and national accounts, strategic partnerships, and technology integrations.

The relationship combines Steady Brand’s established dealer network, field installation and service resources, messages-on-hold offering, and digital signage expertise with Custom Channels’ expanded music selection, broader hardware options, technology integrations, and digital management tools.

Image Marketing and GC Pro Strengthen Commercial Integration Capabilities With EAW Solutions

Eastern Acoustic Works has appointed Image Marketing as its newest manufacturers’ representative firm, supporting Guitar Center’s GC Pro division and its Custom House experience center in Nashville. Image Marketing represents Guitar Center, GC Pro, and AVDG, bringing unified support across retail, design‑build, and corporate AV environments. This collaboration will help EAW expand its commercial integration through the GC Pro network and its clients.

Image Marketing, an independent manufacturers’ representative firm, brings over 35 years of experience to the professional audio, musical instrument, broadcast, audiovisual, live sound, and sound contracting markets. As part of this new agreement, Image Marketing has helped place EAW products in several AV projects through Guitar Center’s GC Pro division. As the conduit between manufacturers and GC Pro’s integration teams, Image Marketing ensures seamless communication, accurate system specification and reliable product performance throughout the project lifecycle.

Powersoft Signs Agreement with HOLOPLOT for the Supply of Amplification Modules for a New Immersive Venue

Powersoft has signed a new agreement for the supply of amplification modules with HOLOPLOT for the development of a new immersive venue featuring advanced technology. The agreement builds on the collaboration between Powersoft and HOLOPLOT that began in 2019 and has already resulted in the supply of innovative amplification solutions for the audio system at Sphere in Las Vegas.

For this new project, Powersoft will contribute innovative audio systems for a venue that will represent the new frontier of entertainment, providing audiences with an immersive audio and video experience.

More specifically, the system consists of Powersoft’s compact, ultra-high-efficiency 16-channel amplifiers integrated into the HOLOPLOT X1 audio system. The installation leverages Powersoft technology to deliver significant energy savings compared with traditional amplifiers, maximising efficiency without compromising sound quality.

In addition to the 16-channel amplifiers integrated into the HOLOPLOT X1 Matrix Array, Powersoft will supply its patented IPAL (Integrated Powered Adaptive Loudspeaker) technology, used in the X1 system’s subwoofers.

Renkus-Heinz Strengthens European Presence

Renkus-Heinz is expanding its European support infrastructure through a logistics partnership with More Logistics, a new company established by Dutch distributor More Distribution. Through the initiative, selected Renkus-Heinz products will now be stocked and shipped in Europe, enabling overnight shipments and short delivery times across the region, with potential to serve MEA partners in future.

Renkus-Heinz and More Distribution previously established an immersive European Experience Center in The Hague, Netherlands, offering a new way to connect directly with Dutch and European system integrators, consultants and distribution partners, as well as prospective clients. The Experience Center allows visitors to experience Renkus-Heinz’s loudspeaker solutions and latest innovations firsthand. The EU warehouse creates a more complete support model for European partners, combining improved stock availability, expert application support and faster product delivery. The facility will initially stock all UBX models and selected CX models, with plans to expand availability to other products.

Severtson Screens Celebrates 40th Anniversary

Severtson Screens is celebrating its 40^th anniversary in innovative projection screens for the home theater, commercial, Pro AV, and cinema markets.

“Severtson Corp. started in 1986, literally in our parents’ house,” explained Toby Severtson, Severtson president and CEO. “The company’s first job was with Arizona’s own Williams Air Force Base in response to the U.S. Air Force’s need to find both a quality optical coating and a uniform application process for the interior of their domed flight simulators.”

Working late each night in the family kitchen and backyard, Severtson founder Ron Severtson not only solved the technical problem of uniformly coating a domed surface, he also created a product that had the reflective properties the Air Force needed for its simulator program to be successful. Demand for Severtson’s product soon had the company working for large corporations and military organizations in more than 40 countries. In an effort to address the safety concerns of the day’s solvent-based optical coatings and remain competitive in the world market, Severtson continued to refine his formulas. His work led to the introduction of Severtson 3D optical coatings in 1988. By 1989, Severtson optical coatings were safer, more environmentally friendly water-based formulas.

In 2003, Severtson Corp. launched its own line of home theater/Pro AV screens with a basic fixed-frame screen. The company later expanded the line to include a screen for every need.

Visual Sound Launches Redesigned Website

Visual Sound has launched its newly redesigned website which reflects the company’s commitment to delivering “AV as an Advantage.” The new site offers stakeholders an engaging window into Visual Sound’s full capabilities. New features include:

• Clear, intuitive navigation that guides visitors through solutions, markets served, services, case studies, company background, and a full AV product catalog, making it easy to explore and understand what Visual Sound can offer.
• A refined brand message centered on “AV as an Advantage," emphasizing that AV technology, when done right, becomes more than integrated AV equipment: it becomes a source of inspiration, engagement, and measurable success for organizations.
• Comprehensive showcase of real-world AV solutions — from classrooms and collaborative workspaces to immersive reality rooms, live events, digital signage, control rooms, unified communications, large-venue sound/video, and more — illustrating the breadth and depth of Visual Sound’s experience across markets and applications.
• Emphasis on expertise, reliability, and partnership, reinforcing Visual Sound’s identity as a trusted independent AV partner, distinguished from large, impersonal AV firms or unproven newcomers.

Executive Summary

• Network Convergence and Standardization: Pro AV is increasingly integrating with IT infrastructure through open standards like IPMX, shifting market value from hardware ports to network orchestration, lifecycle management, and interoperability.
• AI Integration vs. Component Constraints: While embedded edge AI enhances smart AV capabilities, massive data-center AI expansion has constrained memory supply (DRAM, NAND, HBM), increasing component cost volatility and supply chain risks for manufacturers.
• Shift to Recurring Service Models: Global geopolitical friction and tariff structures are making hardware-only sales less predictable, driving integrators toward managed services, continuous remote monitoring, and software-defined recurring revenue models.

Nearly a year ago, I argued that ten growth opportunities would define Pro AV: from AV over IP and broadcast convergence to intelligent surveillance, cloud signage, managed services, and emerging markets.

The direction was right. But the market has gotten less forgiving. Growth is still available. It's just not easy anymore.

The Network Story is Stronger

AV over IP has continued its move from alternative architecture to default assumption. Broadcast and Pro AV are converging too, as common, open standards get easier to deploy. The first formal IPMX certification wave, at ISE in February, covered 48 products from 11 manufacturers; a second event in August added 14 more from eight manufacturers. It's a slow process, but an important one. Certification reduces multi-vendor risk and gives customers a credible path away from proprietary lock-in.

The pixel explosion remains real across stadiums, control rooms, and large-scale LED. So does the move to multi-gigabit, 25/100/400GbE infrastructure. But bandwidth alone is no longer the differentiator. Operations make the difference. Customers are more vocal about topology visibility, audit trails, fleet management, and rapid recovery. If you can’t diagnose a network remotely, you have an expensive support problem.

Margin is migrating from ports and endpoints toward orchestration, support, and lifecycle services.

AI Became Both an Accelerator and a Constraint

Last year, AI was most visible in surveillance analytics. Now it reaches almost every opportunity. Cameras frame speakers automatically. Meeting-room agents take notes and manage audio zones. Signage adapts content using audience data. AI assists design, programming, and fault diagnosis. At InfoComm 2026, AI was moving from a cloud feature to an embedded agent capability at the edge.

That expands the addressable market for intelligent AV, but it also raises expectations. Buyers will ask whether an AI feature cuts labor, improves utilization, or increases revenue. If the answer to one of those questions isn’t yes, it's not a business case.

AI has also created a supply-side paradox. The data-center buildout is absorbing high-bandwidth memory and pushing manufacturers toward their most profitable, priciest products. Micron's fiscal second-quarter results, reported in March, showed revenue climbing from $8.05 billion to $23.86 billion year-on-year on strong demand and tight supply. Conventional DRAM and NAND buyers are competing for the same constrained output; SK Hynix said in January it had already sold out its entire 2026 HBM, DRAM, and NAND output.

For AV manufacturers, that means more volatile component costs, redesign pressure, and harder allocation decisions. For integrators, it means shorter quote validity, substitution risk, and a renewed premium on vendors with dependable supply. Intelligence at the edge will keep growing, but at a higher price than we anticipated.

Geopolitics Changed the Route to Growth

The case for emerging markets still stands, but "go global" is too blunt. India, Southeast Asia, the Middle East, and Latin America benefit from infrastructure investment and demand for immersive experiences. China remains important, but trade restrictions, localization requirements, and slower growth complicate the opportunity.

Tariffs also expose how misleading a country-of-origin label can be. Chips may be fabricated in Taiwan or Korea, packaged elsewhere, and assembled into devices in China, Mexico, or Southeast Asia. Duties at the final-product stage can alter competitiveness overnight. Add shipping disruptions, export controls, and currency volatility, and growth has to be judged against landed cost and supply resilience, instead of market-size figures.

Recurring Revenue Moved to the Center

Cloud signage, remote monitoring, advanced support, and managed services were separate opportunities a year ago. They're merging into one operating model. As AV real estate gets larger, more distributed, and more software-defined, customers need continuous management instead of occasional break-fix intervention.

This is where integrators can turn project revenue into contracted revenue, and where manufacturers, including NETGEAR AV, can build durable software and support economics. Ecosystem partnerships matter more too. Customers expect a single view across a mixed system, and that only happens with real interoperability.

So, what's still true? AV is becoming inseparable from the network. What changed? AI accelerated demand while tightening the component base, and geopolitics made execution more regional and more expensive.

The next year of growth will punish companies that merely sell more boxes. It will reward those that make complex, distributed AV systems open, observable, secure, and economical to run. That's a tougher opportunity than we described a year ago, but it's also a better, more sustainable business.

NOW AVAILABLE! AV Technology Manager’s Guide to All Things Audio

24 AV/IT Industry Thought Leaders share insights and trends on audio developments for enterprise, higher ed, live events and other markets. Check out what they said.

AV/IT Team: Meet the team behind the new line array system that recently made its debut at the New York Philharmonic, bringing an elevated acoustic experience to audiences at one of the world’s most storied performing arts institutions.

7 Case Studies Worth a Listen: Exceptional Speech Intelligibility | With Invisible AV, The Focus is On the Fitness | Immersive Portable Studio | Beachfront Destination Gets Luxury Audio Upgrade | Two Solutions, ONE Goal: Accessible Audio for All | Acoustic Tiles Give Everyone A Front-Row Seat | Audio Designed for a Historic Space

31 Products That Resonate: Ceiling and pendant speakers, IPMX-compliant audio monitor, Dante-enabled in-ceiling loudspeaker, digital UHF wireless system, PoE-powered four-channel audio power amplifier, multilingual translations, portable RF-Over-Fiber box, network-based ecosystem, ceiling array microphone, collaboration bar, AV-over-IP platform, active subwoofers, cable connectors, audio control, and so much more!

READ NOW!