By Carolyn Heinze On July 19, 2010
Roland Packs Features Into Affordable Multi-Channel, Multi-Format Video Switcher
QUICK BIO
COMPANY: Roland Systems Group U.S.
HEADQUARTERS: Bellingham, WA
FOCUS: The new V-1600HD video switcher
is geared towards churches and schools, as
well as live production companies or rental
houses seeking an all-in-one solution.
These days, budget—and the trimming
thereof—is a top priority for
everyone. Cost-cutting measures,
however, shouldn’t equate with a
decrease in quality, which is something
most organizations aren’t willing
to compromise on. So goes the
logic behind Roland Systems Group’s
new V-1600HD, a multi-channel,
multi-format video switcher that
brings several features together into
one neat package.
“We have always catered to that
mid-size school or church—not the
high-end pro,” explained John Broadhead,
Roland U.S.’s Vancouver, Canada-
based vice president of technology
and communications. “We cater to the
customer who wishes they could be
high-end, but can’t afford it.”

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Roland Systems Group’s new V-1600HD
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The creation of the V-1600HD was
inspired by the prevalence of SDI—a
format that up until a couple of
years ago was pretty much exclusive
to high-end users due to technology
costs. Previously, cameras featuring
SDI outputs cost up to $10,000;
today, that price has decreased to
between $5,000 and $7,000. “The
1600 is our first foray into an SDI
mixer that caters to our type of customer,
who has bought standard definition
for years and who is now ready
to make the shift,” he said.
The V-1600HD boasts 16 inputs
and 14 channels, eight of which
offer full, multi-format SDI. It’s also
equipped for DVI—which can also
be HDMI—RGB, VGA, S-video and
composite video. “With some of the
mixers in this class, you can’t have
two different formats; you have to run
the mixer in one mode or another,”
Broadhead noted. With this unit,
there is no problem if the user plugs
in SD or HD—with scalers built
into each channel, the unit will scale
to whichever format. “Basically, it
accommodates every format there
is—computers, old cameras, standard
definition cameras, component, DVD
players and Blu-ray players, all the
way up to SDI.” This enables users
to avoid the purchase of additional
cards, boosting the overall cost.
To address the need to mix more
than one source, the V-1600HD
features a number of different
modes. Span Mode, for example,
allows the mixer to send one input
to two devices—two projectors, for
instance. “You load it up into twoscreen
mode, and that includes edgeblending
in the middle,” Broadhead
explained. Dual Mode, which in
essence enables the unit to act as two
mixers in one, provides the ability to
send one input to one screen and a
completely different input to another,
enabling the user to control both separately.
(A classic example of this is
a presentation displaying PowerPoint
on one screen and image magnification
of the speaker on another.) Split
Mode sends two different inputs to
the same screen, displaying them
side-by-side. There is a downstream
keyer, an upstream keyer, and a composite
keyer, and a picture-in-picture
function capable of storing up to four
still images loaded via USB key. This
keeps users from taking up a channel
for items such as conference logos.
Housed in a 19-inch rack, there is
no need to mount extra chassis, and
a built-in monitor enables users to
preview sources on the fly. Broadhead
acknowledges that while some mixers
feature multi-viewers built into them,
the V-1600HD does not. However,
every input is equipped with a throughjack
so that users may connect to an
external multi-viewer if need be.
Broadhead admits that the biggest
challenge in manufacturing the
V-1600HD was producing a multiformat
digital and analog unit at an
affordable price. “We could have
built this easily a couple of years ago,
but the price would have been too
high and our market niche wouldn’t
have been able to afford it,” he said.
The challenge was matching the technology
to a reasonable price, which
has become possible thanks to the
decreasing cost of technology.
“It’s very convenient, and it’s great
for the portable church, the school
that’s using an AV cart, or that rental
house. Who knows what you’re
going to have to plug in that day?”
Broadhead illustrated. “It comes
ready—you don’t have to worry
about configuring the unit, or buying
a new card. It caters to that person
that doesn’t want to mess around or
have to think ahead.”
Carolyn Heinze is a freelance writer/editor.