By Carolyn Heinze On December 02, 2011
Successful Sales Proposal Strategies in the Worship Market are
all About Managing Expectations

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After the new central cluster and a Soundcraft Si4 were installed in The Philadelphia Baptist Church of Deville, LA, Current Design
in Acoustics of Rustin, LA installed five Bag End PD18E-AD powered dual 18-inch subwoofers with a Bag End Infra MXB integrator.
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As those who service the house of
worship (HOW) market already
know, trying to coordinate the needs
of committees, administration, worship
leadership, and technical departments is
no small feat. The structural make-up of
churches, however, is unlikely to change
anytime soon, which begs the question: how
do systems contractors get through all the red
tape?
Vance Breshears, director and principal
at Acoustic Dimensions,
an acoustical design firm
headquartered in Dallas,
TX, mused that the
engineering part of this
business is the easy part;
negotiating with people is
the real challenge. With
churches, this can become
more of an issue when
committee members have
conflicting ideas on what should comprise an
AV integration project. In these situations,
it’s up to the systems integrator to find some
common ground. “If you have conflicting ideas
amongst the people on the committee, it’s a
matter of drawing those people out,” he said.
“It’s a matter of focusing on goals. What are
the common goals? What do you have to do to
get there? When you take that approach, the
issues are alleviated to some degree.”
One of the main challenges associated
with selling to churches is that committee
members have unrealistic ideas about the cost
of professional-grade equipment. “You go in,
and they are thinking it will cost $50,000,
while you know that if we are talking about
professional equipment, it could be a $1 million
project for what they want to do,” said Gary
Stigall, chief technology
officer at TV Magic, a
systems integration firm
based in San Diego, CA .
To avoid this, systems
integrators should attempt
to determine the church’s
budget at the very beginning
of the discussion—if
possible. “Sometimes, they
are reluctant to reveal the
budget because they are afraid that you will
fill the budget with unnecessary items to use
every last dollar that they have.” To gain the
committee’s trust, he suggests that systems
integrators demonstrate the results of
previous, similar projects.
Breshears noted that discussions involving
price call for diligent management of the
client’s expectations. “We often get funny
looks and frustration when clients find out
how much something costs, like we’re making
it expensive,” he explained. “My approach
is to show them options and associated
features along with the cost, and let them
decide.” This requires a willingness on the
part of the systems integrator to educate the
church committee on the features offered
by professional equipment. “You need to
explain that if they want certain features and
capabilities, they have to pay for them. It’s a
matter of aligning those expectations with
what the real costs are going to be.”
Carolyn Heinze is a freelance writer/editor.
HOW to Fix a Budget
One of the most significant challenges involved in
selling to churches—as is the case with most other
markets—is working within budget limitations.
To achieve this, Gary Stigall, chief technology
officer at TV Magic in San Diego, CA, favors
dividing AV integration projects into several
stages. “We try to convince our clients to accept
a multi-phase integration process wherein they
pay for design services first, then installation
last—much like you would do when constructing
a large building,” he said.
He admits that sometimes this can be a hard
sell, since clients want the ability to budget a
fixed cost. “While we can estimate this charge,
it’s usually only after they have lived through it
that clients see the value in the design, then the
build process.”
However, he added, if systems contractors
can gain the trust of prospective church clients by
referring them to previous installation projects,
this can be an effective method of addressing both
the budget, and the client’s expectations.
—Carolyn Heinze